Adobe Premiere Pro’s Editing Tools Explained, by Jason Boone

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Jun 152017

It took me several years of editing video before I became comfortable venturing out to use some of Premiere Pro’s editing tools. The problem is that you can accomplish almost everything you need with the Selection tool, and some editors are comfortable doing just that. You can perform simple trims, move clips around, and add transitions all using just the Selection tool. To be honest, you never really need to use any of the tools provided in Premiere Pro. However, by exploring tools such as Ripple Edit, Rolling Edit, Track Selection, Rate Stretch, Slip, and Slide, I’ve ended up saving myself countless hours in the edit suite.Take the Ripple Edit tool as an example. The Ripple Edit tool allows you to trim or expand a clip while simultaneously shifting (rippling) all of your assets further on down the timeline. This happens all in one movement. Performing the same action with the Selection tool could easily take 3 movements, and sometimes, even more, depending on the complexity of your project. If you use the Ripple Edit tool enough, it begins to save you quite a bit of time.

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Apr 242015

This Adobe video explains the new Lightroom CC High Dynamic Range features
Apr 242015

 This video explores the new improved Lightroom CC slideshows features.
Feb 272015


Zack Arias has some excellent tips on using your white seamless background.



Nov 192014

In this episode of Digital Beret TV, we look at controlling and shaping your light through the use of flags.

This video takes examples from the training video “How To Light Like a Cinematographer”, which is available at:


Nov 052014

Michael Woloszynowicz has created an interesting technique to whiten eyes in Photoshop with the accent on creating a natural look.


Oct 302014

Frequency separation helps make retouching a portrait easier in Photoshop. Frequency separation works because it allows you to separate the texture of an image from the tone and color. When retouching you can focus on just the texture or the skin beneath it.

For more info please click the link below:



Oct 212014
One of my favorite performers is the very funny John Cleese.
Here shares some wisdom on the fascinating subject of creativity…
Aug 262014

When it comes to taking better photos you can never go wrong with a few choice words from Joe McNally.  In this short video Joe reminds us of the importance of giving our audience a sense of scale and demonstrates how the simple addition of a person can create a more compelling image.

To view full article please click the link below:



Aug 032014

“Lytro’s mission is to convince the world to re-think our relationship with photos. With the Illum, it’s built a professional-grade camera designed to teach us how light-field photography works, and what it means when we don’t have to focus our photos when we shoot them. What it means when we can change perspective, even view our photos in 3D after the fact. It’s a big, heavy, expensive camera, with big plans. We took it out to the streets, the concert halls, and the countryside of New York to find out what the future of photography looks like.”






Jul 312014
Tuesday, August 15 – 4pm CDT (2pm PDT, 5pm EDT, 9pm UTC,)

It can be difficult to know where to begin your workflow when post processing a photograph. But, did you know there is an infallible technique that you can employ right now to check your post processing? Join Blake Rudis, host of EverydayHDR, as he demos this technique using photoshop and Topaz, producing captivating results!




Jul 292014

Our friend Klaus Herrmann has created a terrific introduction to the fusion real estate method.

To read the article please click the link below:

Farbspiel Photography


Jul 242013
“As a professional photographer, my HDR images need to be clean, halo free and color accurate.  
HDR Expose 3 is my go to HDR software because it provides these qualities. 
Without a doubt, HDR Expose 3 & 32 Float v3 share the best tone-mapper in the business.”



Unified Color Technologies, the experts in high dynamic range imaging (HDR), today announced the latest upgrades to its professional-level HDR software lineup. These upgrades improve the HDR workflow and significantly reduce the traditional limitations of HDR techniques, and most notably eliminate the need to photograph static scenes and the absolute necessity of a tripod to steady HDR exposures. New state of the art merge, alignment and deghosting algorithms have made the standalone HDR Expose™ 3 the most powerful and intuitive professional HDR application available. With its comprehensive, 32-bit color editing capabilities, also available in the Photoshop® plug-in 32 Float V3, the upgraded software ensures photographers can realize their vision for the most true-to-life HDR images possible.

The single most frustrating issue cited by HDR photographers, and a major impediment to those adopting HDR techniques, is the complexity of working with multiple exposures. Because the bracketed exposures must be perfectly aligned to prevent ghosting artifacts, often requiring a tripod, HDR was limited to near-motionless scenes. Single pass tone mapping very wide dynamic range scenes to preserve consistent contrast and detail across the whole tonal range, from dark shadows to bright highlights, has also been a challenge for many. To address these pain points, the company’s R&D team have taken its proprietary Beyond RGB™ color technology to the next level, and reengineered the software with an intuitive combination of merge, alignment and deghosting and adaptive tone mapping algorithms that will change the way photographers approach HDR.

In his early testing of the new software upgrades, professional photographer, and author of and the new HDRI Handbook 2.0, Christian Bloch, said of the applications, “The true benefit of Unified Color programs lies in their Beyond RGB color technology which always treats color and luminance channels independently from each other. That means colors stay closer to the original capture – oversaturation artifacts, cross-channel pollution, and undesired color shifts simply don’t occur.” says Bloch. “My favorite features are the ability to perform very precise color tweaks and white balance adjustments, while keeping the output in full 32-bit. This is what makes HDR Expose 3 (and its sibling 32 Float v3) mature tools for professional HDR work.”

Key upgrades will ease the planning process behind HDR photography, making the creation of HDR images possible even when a tripod, long a mainstay of the HDR workflow, is not on-hand. While every photographer has their own limitations in terms of shutter speed and ability, they will now be able to create these images without a tripod as long as they are able to capture sharp, rapid-fire exposures. This technological advancement is made possible by a series of breakthroughs, including:

  • New Adaptive Tone Mapping: This new capability automatically enhances control over local contrast, color, and detail retention within the all-important highlight areas of a merged HDR image while maintaining optimal contrast and color in darker areas of the image. This new functionality will be especially welcomed by professionals when  photographing interior and exterior real estate.
  • Upgraded Alignment Capabilities: HDR Expose now offers two completely redesigned alignment options: a fully automatic option with key frame selection and, for the most challenging exposure series, a manual assist option. Powered by redesigned alignment algorithms, the software can detect specific image features and calculate necessary transformations in order to provide optimal fitting and alignment.
  • Reengineered Deghosting Algorithms: HDR Expose will now feature local and global deghosting algorithms to mitigate movement within or through the scene by working off of a key frame (against which all others are automatically compared and analyzed for moving objects.) Users can rely on the fully automatic deghosting default, increase control over the process by choosing optimal key frames, or take full control with powerful local deghosting tools to select individual objects for inclusion or removal.
  • New File Browser: To help manage the multiple exposures, HDR Expose now offers a new file browser functionality that displays thumbnails rather than just file names, and automatically detects and groups exposure brackets for the merge process. For working professionals processing entire HDR shoots, the program also includes a batch merge that can automatically group, merge and apply presets to an entire shoot simultaneously.
  • Improved Color Safe Dodge and Burn Brush: Leveraging the power of the software’s Beyond RGB color space, the dodge and burn brush allows photographers to selectively lighten and darken areas of the image without changing or shifting colors. The new 500 pixel brush is better suited for larger higher resolution files.




May 062013


Adobe kills Creative Suite, goes subscription-only | Business Tech – CNET News

May 032013

The link below will take you to a comprehensive and well illustrated merge to 32 bit HDR tutorial by talented photographer Joshua Gunther.

Click the link below!

Merge to 32-bit HDR Tutorial

Also please visit Joshua’s home page and be prepared to be amazed by his superb images!

Joshua Gunther Photography



Apr 252013

HDR Panorama Tutorial – PhotoEngine & Autopano


Nov 102012


Coupon Code for Unified Color software:


Or click below to receive your “HDR360pro” discount automatically:

HDR Express 2 »


Nov 082012

This tutorial demonstrates the workflow for creating 32-bit HDR images and tone mapping them and editing using HDR Express 2 export plug-in for Adobe Lightroom.

This presentation looks best at 720p and full screen.

Thanks for watching.


Unified Color 

Nov 072012

I think that this is a major advance in HDR tone mapping!


Nov 052012

This tutorial introduces Unified Color’s New HDR Express 2 and several of its new and improved features and functionality.

Coupon Code “HDR360pro”


This presentation looks best in 720p and full screen.

Thanks for watching.