SLR Magic Anamorphot 65 Adapter Review – Your Alternative to Anamorphic Lenses?

 Gear  Comments Off on SLR Magic Anamorphot 65 Adapter Review – Your Alternative to Anamorphic Lenses?
Jul 052018

Last month we reported about the new Anamorphot 65, an anamorphic lens adapter by SLR Magic that can mount to lenses with 82mm front thread like SLR Magic’s own micro cinema primes and FUJINON’s MK family of lenses. There is also a chance that by the time you read this review, this promising adapter will be available for preorder. 


SLR Magic Anamorphot 65 anamorphic adapter on a Sony a7 III camera

Nino, my colleague, caught up with Andrew from SLR Magic during this year’s CineGear to discuss the new product, yet it was time to actually test it and put it through its paces.

The Anamorphic Lens Routine

First thing first: Why should one actually consider “shooting anamorphic”?, well, the answer is clear. If you are looking to mimic the true aesthetic of cinematic looks, then shooting with an anamorphic lens is the way to go. As this is a product review I will not go deep into the subject anamorphic filming, but please consider heading to our cinema5D essentials episode where Li-Lian and I were aiming to explain what anamorphic filming is all about….

Ok, so if shooting with anamorphic lenses has the benefit of producing a unique look, why is it not too widely spread? In short: budget and training. TRUE high quality anamorphic lenses simply coast A LOT, far beyond the budget of most independent filmmakers. There are, of course, ways to track and purchase vintage anamorphic lenses, but this is not too easy. Speaking of anamorphic – I urge you to visit our friend and content contributor, Tito Fernandez’ YouTube channel, where he demonstrates a great deal of knowledge and shares valuable tips for anamorphic lens and adapter lovers.

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The Milliner – SLR Magic Anamorphot-Cine Lens Review

 Cinematography, Technique  Comments Off on The Milliner – SLR Magic Anamorphot-Cine Lens Review
Jul 142016

SLR Magic Anamorphot-Cine Lenses are a set of vintage look anamorphics. I had a chance to review the set, producing the above short film shot exclusively on them.
I haven’t done a personal project for a while, so when the opportunity to do one came about, I wanted to try something completely new from a technical perspective. You can read more about the project itself here.
I had never used anamorphic lenses on a full project before, so when the SLR Magic Anamorphot-Cine surfaced some months ago I was naturally very intrigued.
Anamorphic image capture is not as straight forward as spherical, despite growing in popularity and accessibility, much like every other piece of technology these days. Affordable, reliable, genuine anamorphic lensing are still relatively hard to come by.

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