The New Cmotion cPRO Wireless Hand Unit Offers Ultimate Focus Control

 Gear  Comments Off on The New Cmotion cPRO Wireless Hand Unit Offers Ultimate Focus Control
Sep 212017
 

We took a look at the new Cmotion cPRO lens controller, a feature packed, professional hand unit for professional focus assistance with Camin integration.

We saw a very interesting and affordable low end wireless focus control solution with Tilta’s new $399 Nucleus-N yesterday. Today we’re looking at state of the art high end stuff. Here’s what Cmotion had in store during IBC 2017.

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Zenit is Back! First Look at New 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2

 Uncategorized  Comments Off on Zenit is Back! First Look at New 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2
Sep 172017
 

News broke back in February that Russian camera manufacturer Zenit was going to come back and take on Leica in the luxury camera market. But the first Zenit products to see the light of day aren’t cameras, it’s three very fast KMZ/Zenit lenses: the Zenitar 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2.

Photo Rumors initially spotted the lenses last week on Russian photographer Denis Gavrilov’s website (translated link). And when we got in touch with Gavrilov to ask permission to share the images, he was kind enough to upload even more!

So let’s take the new lenses one by one, starting with the fastest of them.

Zenitar 50mm f/0.95

No doubt meant to give mere mortals an affordable alternative to the much lusted-after Noctilux (although, we hope, at a significantly lower price tag), the Zenitar 50mm f/0.95 is meant for Sony’s FE mirrorless cameras.

Sporting 9 elements in 8 groups, the lens’s 14 aperture blades in 2 levels surprised Gavrilov. The lens will supposedly arrive sometime in 2017 and run you close to $500… so yes, just a touch cheaper than the $9,700 Noctilux.

Here are a few more shots of the lens:

Zenitar_50_095_1

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Zenit’s Full Frame Mirrorless Camera to Be a Rebranded Leica SL, Rumor Says

 Gear  Comments Off on Zenit’s Full Frame Mirrorless Camera to Be a Rebranded Leica SL, Rumor Says
Sep 172017
 

The iconic Russian camera brand Zenit caused a flurry of excitement back in February after it announced that it’s relaunching in 2018 with a full frame mirrorless camera that rivals Leica in luxury. But the camera may do more than rival Leica… It may actually be a Leica at its core — a rebranded Leica SL.

USSRPhoto is hearing from a Zenit source working inside the company’s KMZ factory that the innards of the upcoming Zenit camera is presumably the German-made Leica SL, which is a medium format mirrorless camera.

There may be outward modifications to the camera’s style by Zenit, and special lenses for the new camera will be made by KMZ in Russia.

“KMZ is a mechanical and optical factory, so they don’t do electronics at all,” USSRPhoto tells PetaPixel. “Anything [digital/electronic] that is done is outsourced to French and German firms.

“What is a fact is that KMZ is organizing an optical shop within the Zenit factory to start production of lenses for this model.”

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Canon 6D Mark II Vs. 80D and 7D Mark II In-Depth Review

 Cinematography, Gear  Comments Off on Canon 6D Mark II Vs. 80D and 7D Mark II In-Depth Review
Sep 072017
 

The Canon 6D Mark II has not been the most well-received camera thus far. But how does it actually perform, and are the complaints justified?

The initial complaints were around the fact that this camera does not shoot 4K video. Discussions then moved on to its dynamic range and how it underperformed even against APS-C cameras. The most recent complaints are around the fact that its performance at higher ISOs may be worse than the original 6D. Personally, my biggest gripe about this camera is the fact that it only has one storage slot. This one individual point makes it less viable in a professional setting for me, however this may not bring as much concern to shooters upgrading from the original. The 6D Mark II has been referred to as a bigger Canon 80D and for good reason. There are a few minor differences between the two cameras except for the sensor size and price tag. The Canon 7D Mark II sits in between the 80D and 6D Mark II when it comes to the price and for that reason, it’s viable to compare these three to one another.

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Olympus E-M10 III – Sample Footage and Exclusive First Impressions

 Gear  Comments Off on Olympus E-M10 III – Sample Footage and Exclusive First Impressions
Sep 062017
 

Johnnie had a chance to be one of the first to get his hands on the new Olympus E-M10 III and test its video capabilities.

Finally, a short family summer vacation. It is time to pack, leave work behind and slow down to the point that only the necessary body organs are working (brain excluded). But wait, whom am I kidding? The courier just rang the door bell, bringing a small package containing the shiny new Olympus E-M10 III. Now, as a workaholic, my options are limited: cancel my vacation and risk an immediate divorce, or pack my production bag and search for a story to shoot while on vacation. Knowing from past experience that mixing a family activity and work is a bad idea, I decided to leave behind my ambitions of a big production and scale everything down to the minimum. My simple tourist setup consisted of this small new Micro Four Thirds camera, the extremely cheap Olympus M.Zuiko Digital ED 14-42mm f/3.5-5.6 EZ pancake kit lens and my trusted Heliopan Vari ND filter. THAT’S IT – no tripod, no slider, no gimbal, just pure simplicity. And enough to be reassured that there is no substitute for having fun when filming with a small camera, no matter how good its bigger brothers may perform.

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Fstoppers Reviews the Insta360 Air: A Pocket-Sized 360-Degree Streaming Camera

 Gear  Comments Off on Fstoppers Reviews the Insta360 Air: A Pocket-Sized 360-Degree Streaming Camera
Aug 172017
 

Live streaming on Instagram, YouTube, and Facebook is nothing new in the age of social media. It’s a fantastic tool for marketing or just showing how much fun you’re having on a fun new adventure. What if you were able to completely immerse your viewers in the environment you’re streaming? InstaAir 360 is one such a camera and I was given the opportunity to work with it.

To start I’ll give you the basics. The camera is available for both Android (both Micro USB and USB Type-C) and Apple devices. For lens elements, it has dual 210-degree lenses facing 180-degrees from each other. With a max output of 3K resolution images, and 2K (3K on certain phone models) video. Utilizing real-time stitching, you’re able to stream the views from the camera live on most social media applications. It featured built-in stabilization allowing for smooth operation. In addition, it can be used as a webcam with the included USB adapter.

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Review: The Laowa 15mm f/2 FE Zero-D is a Fine Lens at a Fair Price

 Gear  Comments Off on Review: The Laowa 15mm f/2 FE Zero-D is a Fine Lens at a Fair Price
Aug 102017
 

A few weeks ago Laowa sent me a copy of their first lens dedicated to Sony’s full frame E-mount system, the 15mm f/2. This lens is meant for landscape and astrophotographers who want to capture as much of the beautiful night sky as possible; which means wide and fast.

Last year, I was able to get a copy of their 12mm f/2.8 for Canon and used it on my Sony a7R II with a Metabones adaptor. I was quite surprised how much I enjoyed the lens. A lot of what was great about that lens can be translated over to this one as well.

First, let’s talk about the physical design and characteristics.

Physical Characteristics

Since it was designed for a mirrorless system, they were able to pack in a very wide lens with a fast aperture into a compact system. They’re able to keep things slim thanks to a shorter flange focal distance and by staying clear from fancier things like autofocus or stabilization. What you’re getting is glass and metal. The 15mm is built like a tank. I don’t feel like I’m using a plastic toy. That does mean that it is a bit on the heavier side, but still pleasant to use (500g or 1.1 lbs).

The aperture ring can click in one stop increments from f/2 to f/22; or can be declicked — great for you video buffs. I did a quick video to show off the smooth transition between exposures as well as to see how things look at f/2. You can certainly see some vignetting going on here but this is wide open on a very wide lens, that’s going to happen with these kinds of specs. The bokeh is actually quite pleasing if you want to get super close to your subject like I did here. That’s not going to happen often, but at least you can see how that turns out.

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Fstoppers Reviews The Fujifilm GFX Medium Format Camera

 Gear  Comments Off on Fstoppers Reviews The Fujifilm GFX Medium Format Camera
Jul 272017
 

Fujifilm has made quite the name for themselves in the camera industry. They completely changed the game with the release of the original X100 and have since been turning out great camera after great camera. In a similar fashion, Fujifilm is looking to change the way you view medium format cameras with the recent release of the Fujifilm GFX 50s. This camera is not only smaller and lighter than most comparable cameras, but it also comes in at a cheaper price tag. But does the final product live up to the hype?

To start this review off, let’s talk price. The camera alone without a lens comes in at just under $6,500. Bring in the 63mm prime and that will add another $1,500. Lenses like the 32-64mm will run you $2,300. Want another battery? That will add $120. So by no means is this camera cheap. But, compare all of this to any Hasselblad camera and things start to look a lot more reasonable. Compare the price to a Nikon D5 and now we are playing in the same court.

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Comparison Breakdown: The Lightest, Most Affordable, Professional Full-Frame System

 Gear  Comments Off on Comparison Breakdown: The Lightest, Most Affordable, Professional Full-Frame System
Jul 272017
 

In a world where less than a handful of brands are considered well-established in the professional full-frame camera market and where more than a handful of other brands have done a very healthy share of innovating to wedge their way into the market, where do we stand? If you’re going to buy a new system to start fresh or are just starting out and getting serious, this is for you. Here’s a thorough comparison of the major bodies and lens kits you’ll likely be considering. As long as you’re considering full frame, regardless of budget, here’s a comparison for it.

The DSLR establishment is extremely interested in the possibility of mirrorless cameras, and rightly so. They’re faster, cheaper, lighter, and more compact… or are they? If you’re thinking of Fujifilm’s X-Series cameras, you’d be right. And those might work for you. But for professionals coming from the top DSLR brands, they’ll be lacking in speed, versatility, and sensor size (not to mention ISO performance), as they’re all APS-C-based. But what about the full-frame mirrorless cameras? Of course, we’re now talking about Sony’s a7-series cameras.

YouTuber Duncan Dimanche recently published a video that compared the price and weight of an entry-level full-frame kit from four different brands, including Canon, Nikon, Pentax, and Sony. NikonRumors has a great summary of that video, but there were a few issues in there. First and foremost, none of the combinations of lens kits were anything that any reasonable person would purchase together. It was a good first effort, but with a number of the zoom ranges of the cheap lens kits overlapping and with the results slightly skewed toward Nikon with a few interesting and cheaper not-quite-equivalent options included (and I’m a Nikon fan, even), the video didn’t quite do it for me. Still, it more than piqued my curiosity. Let’s dive into a comparison based on what we’d actually get. Scroll down to the conclusion for the final advice, or read on to get all the details.

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Lots of Canon Lenses Likely Coming at the End of August [Rumor]

 Gear  Comments Off on Lots of Canon Lenses Likely Coming at the End of August [Rumor]
Jul 162017
 

I think few people can argue that Sigma hasn’t been killing it lately, particularly with their 85mm f/1.4 Art and borderline audacious 135mm f/1.8 Art lenses turning in mostly rave reviews. It was only a matter of time before the big manufacturers responded, and from the looks of things, Canon is preparing to do just that.

Our friends over at Canon Rumors are reporting that Canon is preparing to announce the fabled EF 85mm f/1.4L IS lens at the end of August, along with three other lenses. Which mount these additional lenses will be for is unknown at the moment, though with Canon continuing to update their mirrorless models, it’s possible they may be looking to expand the EF-M line. Other lenses getting long in the tooth include the 50mm f/1.4 and 135mm f/2L. The 85mm f/1.4L IS will not replace the legendary 85mm f/1.2L II lens, but if it improves wide-open sharpness over its f/1.2 cousin (bringing it at least near that of the Sigma Art) and adds image stabilization while only giving up a third of a stop, it could be an extremely intriguing lens for Canon users and would complicate the choice for fans of the Sigma lens’ performance. Be sure to check out the full report over at Canon Rumors for more.

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Tamron Announces SP 24-70mm f/2.8 Di VC USD G2 Lens, by Alex Cooke

 Gear  Comments Off on Tamron Announces SP 24-70mm f/2.8 Di VC USD G2 Lens, by Alex Cooke
Jul 012017
 

For many photographers, a 24-70mm f/2.8 lens with vibration compensation is a holy grail. Tamron has just introduced their second generation of that exact lens with many improvements and a slick redesign. Check out the new lens!

Specifications

  • New dual Micro-Processing Unit for quicker and more precise AF and improved Vibration Compensation performance
  • Two extra refractive elements, three low dispersion elements, three glass-molded aspherical elements, and one hybrid aspherical element to reduce distortion and aberrations
  • eBAND and BBAR coatings to reduce flare and ghosting
  • USM autofocus motor with full-time manual override
  • Five-stop Vibration Compensation with two modes (normal and panning)
  • Moisture resistance with fluorine-coated front element
  • Minimum focusing distance: 15″
  • Maximum reproduction ratio: 1:5
  • 17 elements in 12 groups
  • Nine-blade diaphragm
  • Front element: 82mm
  • Weight: 1.99 lbs. (904 g)
  • Compatible with optional TAP-in Console

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Go Wide with the New Sony 16-35mm f/2.8 GM and 12-24mm F/4 G, by Adam Plowden

 Gear  Comments Off on Go Wide with the New Sony 16-35mm f/2.8 GM and 12-24mm F/4 G, by Adam Plowden
May 192017
 

The new Sony 16-35mm F/2.8 GM and 12-24mm F/4 G are the latest additions to the wide-angle end of their lens line-up for full-frame E-mount cameras.

Sony 16-35mm F/2.8 GM

Professional video creators and filmmakers have been eagerly anticipating the release of a wide-angle G Master lens, and the wait is finally over. The Sony 16-35mm F/2.8 GM promises sharpness across the zoom range and throughout apertures, with Sony promoting the extreme aspherical (XA) element – the largest Sony has ever created – to achieve the greatest resolution and lowest image distortion. The Nano AR coating also is supposed to reduce the unwanted flare and ghosting that often plague wide-angle shots.

Eleven aperture blades promise a pleasing circular bokeh, even when shooting at the minimum focus distance of 28cm, where lower-end wide-angle lenses struggle with creating depth and maintaining sharpness.

Two direct drive SSM systems handle the auto-focusing capabilities, working with the floating focus configuration to achieve fast and precise results while remaining quiet in operation, thus catering for both photography and video applications.

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This is What 20fps with the Sony a9 Sounds Like (Spoiler: Nothing)

 Gear  Comments Off on This is What 20fps with the Sony a9 Sounds Like (Spoiler: Nothing)
Apr 242017
 

Sony made quite a splash in the photo industry this week by announcing the new a9, a mirrorless camera that can shoot 24MP full-frame photos at a whopping 20fps. We soon got a look at what 20fps on this camera looks like. If you want to see what 20fps sounds like, check out the video above.

Some DSLRs can shoot at relatively fast rates as well — check out 12fps with the Nikon D5 and 16fps with the Canon 1D X II — but with DSLRs you’ll have audible sounds from the mirror and/or shutter flapping up and down.

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Sony Unveils Blazing Fast a9: A 24MP Sports Camera that Shoots 20fps

 Gear  Comments Off on Sony Unveils Blazing Fast a9: A 24MP Sports Camera that Shoots 20fps
Apr 202017
 

Holy frames per second Batman! Sony just raised the bar on high-speed sports photography with their latest “groundbreaking” (but actually) camera release. The newly-announced Sony a9 is a 24MP high-end full-frame mirrorless sports camera that can fire off an insane 20fps with no blackout.

Sony is calling this “the most technologically advanced, innovative digital camera that [we have] ever created,” and this descriptor doesn’t miss the mark.

With 20fps blackout-free and distortion-free silent shooting, high-speed tracking with 60 AF/AE calculations per second, a 693-point AF system with 93% frame coverage, a 3,686k-dot EVF that runs at 120fps, and 5-axis in-body stabilization that offers up to 5 stops of shake reduction, the camera is looking to challenge entrenched sports cams like the Canon 1DX Mark II and Nikon D5.

The a9 can also shoot full-frame, full-sensor 4K that is actually downsampled from 6K worth of pixels; it features an Ethernet port for quick file transfer and dual SD card slots for plenty of storage; and the new battery Sony put inside boasts twice the capacity (480 shots per charge) of previous models. If you need even more charge, the optional battery grip holds two of these batteries, for a total of 950 shots.

 

Putting the impressive spec sheet aside, the headline feature is, of course, the sheer speed of this thing. At 20fps for up to 241 RAW or 362 JPEG frames, it makes even the 1DX Mark II and its 14fps seems a bit… clunky.

Sony is able to reach these unheard of continuous shooting speeds thanks to the new stacked CMOS sensor at its core, a chip Sony says is the “first of its kind” and “enables data speed processing at up to 20x faster than previous Sony full-frame mirrorless cameras.” Pair that sensor and its built-in RAM with a brand new BIONZ X engine and you’ve got a camera that screams.

Here are a few videos that offer a closer look at this revolutionary new mirrorless camera and some of its most compelling features:

Promo Video

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Introduction to Aurora HDR 2017

 HDR Software, HDR360pro Discounts, Technique  Comments Off on Introduction to Aurora HDR 2017
Apr 112017
 

Download the FREE Trial at the link below!

Aurora HDR 2017

Metabones PL-E T CINE Speed Booster ULTRA is Here by; Jakub Han

 Gear  Comments Off on Metabones PL-E T CINE Speed Booster ULTRA is Here by; Jakub Han
Apr 022017
 

The new Metabones PL-E T CINE Speed booster ULTRA was recently announced. It uses special materials and allows you to mount PL (Positive lock) full-frame cinema lenses on E-mount Sony cameras and X-mount FUJIFILM cameras.

Metabones PL-E T CINE Speed Booster ULTRA

The new Metabones PL-E T CINE Speed Booster ULTRA features a new 5-element/4-group optical design with ultra-high index tantalum-based optical glass, which should improve corner sharpness, distortion, and reduce vignetting.

Just like the original Speed Booster, it reduces crop factor by 0.71x. Given the standard crop factor of 1.5 of most APS-C/Super35 cameras, using the new Speed Booster will result in having almost no crop at all (1.5 x 0.71 = 1.065). Remember that Speed Boosters are designed to only cover an APS-C/Super35 image circle, so on full-frame camera bodies (A7 series, NEX-VG900) the camera needs to be in “APS-C/Super35” capture mode.

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Check Out This Crazy Deal on the 5D Mark IV by; Alex Cooke

 Gear  Comments Off on Check Out This Crazy Deal on the 5D Mark IV by; Alex Cooke
Mar 262017
 

This is the best price we’ve seen on the Canon 5D Mark IV yet, and it likely won’t last long. If you’re in the market for Canon’s latest full-frame body, now is a really good time to pick it up.

I just completed two shoots with my 5D Mark IV today, and it continues to be my favorite Canon body to date. It’s a very capable and versatile camera that spits out gorgeous files. I recommend it very highly to anyone in the Canon system.

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Leica Announces the M10 by Adam Ottke

 Gear  Comments Off on Leica Announces the M10 by Adam Ottke
Jan 212017
 

The Leica M10 is the latest iteration of digital German rangefinders. The M10 features a similar 24MP CMOS sensor to that of the M-P (Typ 240), expanded ISO performance from ISO 100-50,000, an improved viewfinder, new three-button back panel design, and more for a discount over the Typ 240.

At $6,595, the M10 is nearly 10 percent cheaper than the Typ 240 and offers better performance across the board. A new 0.73x viewfinder offers a 30-percent larger field of view and 50-percent increased eye relief. The menu system is designed to be controlled with a joystick and just three buttons: Play, Live View, and Menu. Meanwhile, a dedicated ISO dial offers automatic or manual selection from through the native range of ISO 100-6,400. A Leica Maestro II image processor allows for five-frame-per-second shooting.

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Fuji Announces X100F and X-T20 Cameras, Fujinon XF 50mm f/2 R WR Lens, and GFX 50S Full Specs, All With Preorders, by Alex Cooke

 Gear  Comments Off on Fuji Announces X100F and X-T20 Cameras, Fujinon XF 50mm f/2 R WR Lens, and GFX 50S Full Specs, All With Preorders, by Alex Cooke
Jan 212017
 

Well, it’s quite a day to be a Fuji fan! The company has announced two new camera bodies, a new lens, and the full specifications for their upcoming mirrorless medium format camera.

X100F Camera

The X100F is the next iteration of the X100 series of cameras. I personally still use my X100S and love it. Check out the X100F’s full specs:

  • 24.3MP X-Trans CMOS III APS-C sensor
  • 23mm f/2 lens
  • Advanced hybrid viewfinder
  • User-adjustable magnification in rangefinder mode for improved focusing accuracy
  • 60 fps electronic viewfinder
  • Realtime parallax correction
  • Improved performance times, including 0.5-second startup time, 0.2-second shooting interval, 0.01-second shutter lag, and AF speed as fast as 0.08 seconds
  • 91 AF points, with 40% of the imaging area covered by phase detection points
  • New ACROS film simulation with optional grain simulation (available on all simulations)
  • Built-in ISO dial
  • Built-in three-stop ND filter
  • Electronic shutter with speeds up to 1/32,000 s
  • Digital teleconverter option with 50mm and 70mm-equivalent angles of view
  • Interval shooting with unlimited frames
  • Wi-Fi control

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The Hardware of the Panasonic GH5 – An Interview with Panasonic’s M. Uematsu by: Fabian Chaundy

 Gear, News  Comments Off on The Hardware of the Panasonic GH5 – An Interview with Panasonic’s M. Uematsu by: Fabian Chaundy
Jan 082017
 

With the expected shipping date for the Panasonic GH5 just over the horizon (here’s our detailed feature GH5 hands-on post from earlier today), we thought it would be a good time to catch up with Panasonic’s M. Uematsu to chat about some of the more technical aspects of the next member of the popular GH line of mirrorless cameras. Check out our interview at cinema5D HQ… shot, of course, on the Panasonic GH5.

We all know how much of a cut-throat business the camera world is, with manufacturers constantly trying to one-up one another in a constant and quick succession of new camera releases. As the first big camera release of 2017, the Panasonic GH5 aims to come out swinging, promising to bring a host of truly nice features for indie filmmakers. And about time, too, as after almost 3 years, the popular GH4 was slowly starting to lag behind next to the competition.

But before diving into the great features that the GH5 will bring in a couple of months, we first wanted to know why Panasonic didn’t decide to go all out with some much-requested bells and whistles, especially given its popularity among filmmakers both amateur and professional. So, Panasonic, why didn’t you include internal ND filters and RAW recording?

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