Go Wide with the New Sony 16-35mm f/2.8 GM and 12-24mm F/4 G by; Adam Plowden

 Gear  Comments Off on Go Wide with the New Sony 16-35mm f/2.8 GM and 12-24mm F/4 G by; Adam Plowden
May 192017
 

The new Sony 16-35mm F/2.8 GM and 12-24mm F/4 G are the latest additions to the wide-angle end of their lens line-up for full-frame E-mount cameras.

Sony 16-35mm F/2.8 GM

Professional video creators and filmmakers have been eagerly anticipating the release of a wide-angle G Master lens, and the wait is finally over. The Sony 16-35mm F/2.8 GM promises sharpness across the zoom range and throughout apertures, with Sony promoting the extreme aspherical (XA) element – the largest Sony has ever created – to achieve the greatest resolution and lowest image distortion. The Nano AR coating also is supposed to reduce the unwanted flare and ghosting that often plague wide-angle shots.

Eleven aperture blades promise a pleasing circular bokeh, even when shooting at the minimum focus distance of 28cm, where lower-end wide-angle lenses struggle with creating depth and maintaining sharpness.

Two direct drive SSM systems handle the auto-focusing capabilities, working with the floating focus configuration to achieve fast and precise results while remaining quiet in operation, thus catering for both photography and video applications.

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Freefly MōVI Carbon and Pilot by; Rin Ehlers Sheldon

 Gear  Comments Off on Freefly MōVI Carbon and Pilot by; Rin Ehlers Sheldon
May 132017
 

NAB 2017 was abuzz with the sound of Freefly: adding to their big MōVI XL release, they have also announced the MōVI Carbon gimbal and Pilot controller.

Freefly MōVI Pilot

If you’re a fan of the MIMIC, you should be pretty jazzed about the MōVI Pilot. With remote control over the 3 axes of focus, iris, and zoom, the Pilot gives an AC or an operator a pumped follow focus that fully integrates with MōVI Pro. The Pilot features adjustable focus knob damping and a 2-axis joystick that can be set to control focal length, gimbal, pointing, or just about anything you want at the tip of your thumb.

Freefly promises a price point under $5,000, and if you want, you can reserve one before you even know what you’re spending. If you’re a part of a team that leans on a MōVI gimbal, this seems like a smart purchase to fully take advantage of what your rig can do.

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Ingenious ‘FilmLab’ App is the Easiest Way to Turn Negatives Into Digital Files

 Technique  Comments Off on Ingenious ‘FilmLab’ App is the Easiest Way to Turn Negatives Into Digital Files
May 132017
 

Software developer Abe Fettig has a winner on his hands. His newly developed app FilmLab makes it easier than ever to turn film negatives and slides of various sizes into digital files without having to touch a scanner, understand wet mounting, or really do anymore more than point and shoot with your smartphone.

Fettig says he created the app for himself. “When I got into shooting film, I started imagining software that would make it easier and more fun to scan and share my negatives with other people,” he says in the Kickstarter video. “About six months ago I started working on FilmLab as a side project, and now I have a working prototype.”

And that prototype is impressive in its sheer simplicity. It really is as simple as point and shoot. No more difficult than scanning prints with a smartphone app like Google’s Photo Scan. Check out the walkthrough video below to see how it works:

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Sony Introduces the S3CA – A Sony a7S II Without Recording Limit by; Sebastian Wober

 Cinematography  Comments Off on Sony Introduces the S3CA – A Sony a7S II Without Recording Limit by; Sebastian Wober
May 022017
 

Many were hoping to see an announcement of something like a “Sony a7S 3” camera at this year’s NAB. Instead, we saw a new version of the Sony a7S II called S3CA. While there is indeed an “S3” in its product name, this is rather a “special version” of the a7S II for certain applications. Here’s all about the new Sony S3CA.

Sony S3CA

The S3CA is an interesting camera – it features the same sensor and processing as the popular Sony a7S II, but doesn’t limit your recording to 30 minutes, meaning your card size is really the deciding factor on how long you can record for.

The Sony a7S II was introduced in 2015 and has made headlines as being one of the best cinema cameras on the market, especially because of its impressive lowlight capabilities (see my lowlight review here).

On top of its a7S II heritage, the S3CA has a slightly smaller, box-shaped and more durable body and it has no screen or buttons – it requires a USB connection with a PC or Mac as a control interface. For some applications this could be a very interesting solution. The S3CA could for example be used during a live production and be controlled from the mixer instead of a camera operator.

The camera on display was hooked up to a computer app, in which I noticed that the image lagged and stuttered. The app, however, is not intended for monitoring. Instead, the camera features an HDMI output up to 4K for monitoring and external recording.

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This is What 20fps with the Sony a9 Sounds Like (Spoiler: Nothing)

 Gear  Comments Off on This is What 20fps with the Sony a9 Sounds Like (Spoiler: Nothing)
Apr 242017
 

Sony made quite a splash in the photo industry this week by announcing the new a9, a mirrorless camera that can shoot 24MP full-frame photos at a whopping 20fps. We soon got a look at what 20fps on this camera looks like. If you want to see what 20fps sounds like, check out the video above.

Some DSLRs can shoot at relatively fast rates as well — check out 12fps with the Nikon D5 and 16fps with the Canon 1D X II — but with DSLRs you’ll have audible sounds from the mirror and/or shutter flapping up and down.

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Sony Unveils Blazing Fast a9: A 24MP Sports Camera that Shoots 20fps

 Gear  Comments Off on Sony Unveils Blazing Fast a9: A 24MP Sports Camera that Shoots 20fps
Apr 202017
 

Holy frames per second Batman! Sony just raised the bar on high-speed sports photography with their latest “groundbreaking” (but actually) camera release. The newly-announced Sony a9 is a 24MP high-end full-frame mirrorless sports camera that can fire off an insane 20fps with no blackout.

Sony is calling this “the most technologically advanced, innovative digital camera that [we have] ever created,” and this descriptor doesn’t miss the mark.

With 20fps blackout-free and distortion-free silent shooting, high-speed tracking with 60 AF/AE calculations per second, a 693-point AF system with 93% frame coverage, a 3,686k-dot EVF that runs at 120fps, and 5-axis in-body stabilization that offers up to 5 stops of shake reduction, the camera is looking to challenge entrenched sports cams like the Canon 1DX Mark II and Nikon D5.

The a9 can also shoot full-frame, full-sensor 4K that is actually downsampled from 6K worth of pixels; it features an Ethernet port for quick file transfer and dual SD card slots for plenty of storage; and the new battery Sony put inside boasts twice the capacity (480 shots per charge) of previous models. If you need even more charge, the optional battery grip holds two of these batteries, for a total of 950 shots.

 

Putting the impressive spec sheet aside, the headline feature is, of course, the sheer speed of this thing. At 20fps for up to 241 RAW or 362 JPEG frames, it makes even the 1DX Mark II and its 14fps seems a bit… clunky.

Sony is able to reach these unheard of continuous shooting speeds thanks to the new stacked CMOS sensor at its core, a chip Sony says is the “first of its kind” and “enables data speed processing at up to 20x faster than previous Sony full-frame mirrorless cameras.” Pair that sensor and its built-in RAM with a brand new BIONZ X engine and you’ve got a camera that screams.

Here are a few videos that offer a closer look at this revolutionary new mirrorless camera and some of its most compelling features:

Promo Video

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Famous B&W Photos Turned into Color by a 21-Year-Old Whiz

 Technique  Comments Off on Famous B&W Photos Turned into Color by a 21-Year-Old Whiz
Apr 162017
 

 

Marina Amaral is a 21-year-old Brazilian retoucher who is receiving widespread acclaim for her work adding color to famous historical B&W photos.

Amaral’s work provides a different and beautiful look at various people and events.

Archduke Franz Ferdinand of Austria, 1914
Senator John F. Kennedy and Jacqueline Kennedy, 1953

Each of the works requires a lot of careful research, planning, and retouching — Amaral sometimes spends months working on a single image. All the digital editing is done by hand in Photoshop, and often involves hundreds of different layers of color coming together to form the final look.

Here are some more colorizations Amaral has done so far:

Body of Confederate sharpshooter, 1863

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Adobe Lightroom for iOS updated with authentic HDR capture, by Zac Hall

 HDR Info, News, Technique  Comments Off on Adobe Lightroom for iOS updated with authentic HDR capture, by Zac Hall
Apr 132017
 

Adobe has released a new version of Photoshop Lightroom for iOS that includes more powerful tools for shooting on the iPhone. Authentic HDR is a new mode that rivals competing high-dynamic-range methods. Version 2.7 also includes exporting raw images and a new widget for 3D Touch and the Today view in Notification Center.

Authentic HDR, or raw HDR, is a new capture mode that Adobe says “combines the benefits of HDR technology and DNG raw” and “automatically analyzes a scene to determine the appropriate spread of exposure values over three shots, then automatically aligns, de-ghosts, and tone maps the image, creating a 32-bit floating point DNG file.”

Apple’s built-in Camera app has long supported shooting in HDR mode, but shooting in raw on iOS is still limited to third-party apps. Adobe also says its new raw HDR capture mode is superior to the iOS method that applies heavy noise reduction, sharpening and tone adjustment, and an overall lower quality image.

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Leica Thalia Lens Line Announced for Alexa 65 and Vista Vision by; Tim Fok

 Gear  Comments Off on Leica Thalia Lens Line Announced for Alexa 65 and Vista Vision by; Tim Fok
Apr 022017
 

Leica has just announced a new set of primes for the 65mm Cinema format, compatible also with smaller sensor sizes. The Leica Thalia spherical lenses are compact, come in 9 focal lengths, and will cover a 60mm image circle.

The new Leica Thalia lens line.

The Leica Thalia collection has been designed with large format cinema in mind – think Alexa 65 and Vista Vision (RED Weapon 8K VV). The large image circle, however, will also enable their use on smaller, more regularly-used formats in Super35 film and digital.

Leica has announced 9 focal lengths straight off the bat, with no drip-feeding over time: 24, 30, 35, 45, 70, 100, 120, and 180mm, with T-stops ranging from 3.6 to 2.2 (see the graph further down for itemised T stops).

The Thalia lens line features a PL mount, with i Technology contacts for providing metadata.

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Metabones PL-E T CINE Speed Booster ULTRA is Here by; Jakub Han

 Gear  Comments Off on Metabones PL-E T CINE Speed Booster ULTRA is Here by; Jakub Han
Apr 022017
 

The new Metabones PL-E T CINE Speed booster ULTRA was recently announced. It uses special materials and allows you to mount PL (Positive lock) full-frame cinema lenses on E-mount Sony cameras and X-mount FUJIFILM cameras.

Metabones PL-E T CINE Speed Booster ULTRA

The new Metabones PL-E T CINE Speed Booster ULTRA features a new 5-element/4-group optical design with ultra-high index tantalum-based optical glass, which should improve corner sharpness, distortion, and reduce vignetting.

Just like the original Speed Booster, it reduces crop factor by 0.71x. Given the standard crop factor of 1.5 of most APS-C/Super35 cameras, using the new Speed Booster will result in having almost no crop at all (1.5 x 0.71 = 1.065). Remember that Speed Boosters are designed to only cover an APS-C/Super35 image circle, so on full-frame camera bodies (A7 series, NEX-VG900) the camera needs to be in “APS-C/Super35” capture mode.

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Camera-Specific Outdoor Packs Suck, Here’s What I Use Instead

 Gear, travel  Comments Off on Camera-Specific Outdoor Packs Suck, Here’s What I Use Instead
Apr 022017
 

If you’ve ever loaded up a large camera backpack (like something from Think Tank Photo or LowePro) and hiked a mountain, you’ll be able to fully appreciate how terrible the experience is… well, except for the views.

The narrow shoulder straps dig deeply into your shoulders and neck. The pack bounces all over, sliding from side to side. The “waist belt”—a piece of bare 2-inch nylon webbing with a buckle—does more harm than good, and executes exactly zero of the functions that a waist belt is supposed to offer. You curse the thing under your breath and mutter that there must be a better way.

And there is!

The solution I found and have been very happy with is to ditch the camera bag and go with a pack that has been developed over decades with engineering designed to handle heavy loads comfortably in all kinds of conditions and terrains: a hiking pack.

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Check Out This Crazy Deal on the 5D Mark IV by; Alex Cooke

 Gear  Comments Off on Check Out This Crazy Deal on the 5D Mark IV by; Alex Cooke
Mar 262017
 

This is the best price we’ve seen on the Canon 5D Mark IV yet, and it likely won’t last long. If you’re in the market for Canon’s latest full-frame body, now is a really good time to pick it up.

I just completed two shoots with my 5D Mark IV today, and it continues to be my favorite Canon body to date. It’s a very capable and versatile camera that spits out gorgeous files. I recommend it very highly to anyone in the Canon system.

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Five Ways to Edit Video More Quickly in Adobe Premiere by; Alex Cooke

 Technique  Comments Off on Five Ways to Edit Video More Quickly in Adobe Premiere by; Alex Cooke
Mar 142017
 

Some view editing as the place where the magic happens, while others see it as a necessary evil before they can get back out to shoot some more. Either way, we’d all love to be more efficient at it. These five tips will help you speed up your workflow in Adobe Premiere.

I use workspaces constantly in Digital Performer, and they’ve dramatically increased my efficiency and allowed me to intuitively design my window sets for the task at hand. Along with workspaces come four other tips in this great video, including adjustment layers to apply effects and corrections to multiple clips simultaneously, using presets to save single or multiple effects, color-toning, etc. for easy access down the road, using nested sequences to ensure you can easily move around blocks of clips without disturbing their relative ordering, and of course, shortcuts to keep you out of menus.

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10 Tips and Tricks for Making Difficult Selections in Photoshop

 Technique  Comments Off on 10 Tips and Tricks for Making Difficult Selections in Photoshop
Mar 142017
 

If you’re just starting out in Photoshop and would like to learn the art of making difficult selections to isolate things in photos, check out this great video tutorial by Tutvid. It’s a 37-minute lesson with 10 tips and tricks on methods that range from beginner to advanced.

“Learn to make virtually ANY selection and cut out anything you would even need in Photoshop,” writes Nate Dodson. “We’ll make simple, straight-line selections with the Poly Lasso tool, we’ll select car parts with the Pen Tool and edit the path, we’ll use Calculations to create extremely intricate and difficult selections VERY quickly, we’ll learn to use and work with Select and Mask as well as Refine Edge, we’ll build a selection based on a single channel, and SO much more!”

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Lightroom Mobile Adds Powerful RAW HDR Capture Mode in Latest Update

 HDR Images, HDR Info  Comments Off on Lightroom Mobile Adds Powerful RAW HDR Capture Mode in Latest Update
Mar 142017
 

Adobe released a major update for Lightroom Mobile on both iOS and Android today. And in addition to a few simple features like “speed review” and a notification widget for iOS, and radial & linear selection tools for Android, Adobe dropped a bombshell: RAW HDR capture… on your smartphone.

Smartphone cameras are improving by leaps and bounds, but they still fall far short of bigger-sensor brethren, particularly where dynamic range is concerned. This update, claims Adobe, will change all that, allowing your measly smartphone to capture a wider range of tones than previously possible:

“The new HDR mode works by automatically scanning the scene to determine the correct exposure range and then capturing three DNG files which are then automatically aligned, merged, deghosted, and tonemapped in the app,” explains Adobe. “You get a 32­bit floating point DNG, with all of the benefits of both an HDR and a raw photo, which is processed by the same algorithms with the same quality as the HDR technology built into Adobe Camera Raw and Lightroom.”

The new RAW HDR mode in Lightroom Mobile should make a mockery of your phone’s built-in HDR capabilities, which can typically balance out only the harshest of tones by using two JPEGs. In comparison, Lightroom’s Mobile’s three RAW DNGs are orders of magnitude more useful.

To take advantage, you’ll have to have an iPhone 6s or newer, iPhone SE, or iPad Pro 9.7-inch on the iOS side, or a Samsung S7, S7 Edge, Google Pixel, or Pixel XL for Android. Additional Android devices are being developed for “as quickly as possible.”

Here are some sample photos, all of them captured using this new HDR mode:

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HDRtist NX 1.0 introduced for macOS – Next generation HDR software

 HDR Software  Comments Off on HDRtist NX 1.0 introduced for macOS – Next generation HDR software
Feb 162017
 

Hengchun, Taiwan – Ohanaware Co., Ltd. today is proud to announce the release and immediate availability of HDRtist NX 1.0, their latest High Dynamic Range Imaging software developed exclusively for OS X. HDRtist NX is the third installment in the HDRtist series of applications that Ohanaware started back in 2009. NX is the absolute latest and most advanced version to date, featuring brand new technology and functionality that Ohanaware have been refining in the last 7 years.

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A Rare Glimpse Inside Elton John’s Massive Photography Collection by; Andrew Nodell

 Technique  Comments Off on A Rare Glimpse Inside Elton John’s Massive Photography Collection by; Andrew Nodell
Feb 082017
 

The director of The Sir Elton John Collection gives insight into the singer’s 8,000-piece photo cache and the current exhibition at Tate Modern in London.

For nearly 30 years, Elton John has kept hidden a significant part of his much-publicized life — until now.

“The Radical Eye: Modernist Photography From the Sir Elton John Collection” is the first-ever loan exhibition at a new extension to London’s Tate Modern and showcases nearly 200 black-and-white prints from the 69-year-old pianists’ massive private collection.

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Photos of Canon’s Mirrorless M6 and Removable EVF Leaked

 Gear  Comments Off on Photos of Canon’s Mirrorless M6 and Removable EVF Leaked
Feb 082017
 

Photos of Canon’s soon-to-be-announced EOS M6 mirrorless camera have leaked, and unlike the M5, it doesn’t feature an EVF. Instead, Canon is releasing a new removable EVF that has also leaked for your peeping pleasure.

These leaked photos come to us from Digicame-info, who regularly gets their hands on official product shots just days (or sometimes hours) before an official announcement. This time is no different. The M6 is expected to be announced this month before CP+, which starts February 23rd.

Scroll down to see all of the leaked photos of the black and silver M6 and the EVF-DC2 viewfinder, and keep your eyes peeled for an official announcement, probably in the next few days.

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Schneider Optics Announces New Cine Prime Tilt Lenses by; Jakub Han

 Gear  Comments Off on Schneider Optics Announces New Cine Prime Tilt Lenses by; Jakub Han
Feb 022017
 

A few days ago, German optics manufacturer Schneider announced a new range of full-frame cine prime tilt lenses. This dynamic functionality allows for extended focusing possibilities and tweaking of the depth of field in your shots.
Introduced on January 27th, these new Xenon primes from Schneider are the world’s first full-frame Cine Primes tilt lenses. In terms of design, they are basically regular Schneider Xenon full frame primes, just with the added tilt function. If tilt is left at 0°, there is no loss of image quality or sharpness compared to standard Xenon primes.

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Sigma 85mm f/1.4 Art Lens Awarded Highest Score Ever by DxOMark

 Gear  Comments Off on Sigma 85mm f/1.4 Art Lens Awarded Highest Score Ever by DxOMark
Feb 022017
 

Sigma is still on a roll when it comes to its high-end Art lenses, and the latest accolade is impressive: DxOMark just awarded the new Sigma 85mm f/1.4 Art lens the highest score the benchmarking company has ever given.

The lens beat out a trio of highly regarded Zeiss lenses for the top spot, earning an overall score of 50 while the Zeiss Otus 55mm f/2 received a 48.

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