The New Cmotion cPRO Wireless Hand Unit Offers Ultimate Focus Control

 Gear  Comments Off on The New Cmotion cPRO Wireless Hand Unit Offers Ultimate Focus Control
Sep 212017
 

We took a look at the new Cmotion cPRO lens controller, a feature packed, professional hand unit for professional focus assistance with Camin integration.

We saw a very interesting and affordable low end wireless focus control solution with Tilta’s new $399 Nucleus-N yesterday. Today we’re looking at state of the art high end stuff. Here’s what Cmotion had in store during IBC 2017.

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Zenit is Back! First Look at New 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2

 Uncategorized  Comments Off on Zenit is Back! First Look at New 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2
Sep 172017
 

News broke back in February that Russian camera manufacturer Zenit was going to come back and take on Leica in the luxury camera market. But the first Zenit products to see the light of day aren’t cameras, it’s three very fast KMZ/Zenit lenses: the Zenitar 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2.

Photo Rumors initially spotted the lenses last week on Russian photographer Denis Gavrilov’s website (translated link). And when we got in touch with Gavrilov to ask permission to share the images, he was kind enough to upload even more!

So let’s take the new lenses one by one, starting with the fastest of them.

Zenitar 50mm f/0.95

No doubt meant to give mere mortals an affordable alternative to the much lusted-after Noctilux (although, we hope, at a significantly lower price tag), the Zenitar 50mm f/0.95 is meant for Sony’s FE mirrorless cameras.

Sporting 9 elements in 8 groups, the lens’s 14 aperture blades in 2 levels surprised Gavrilov. The lens will supposedly arrive sometime in 2017 and run you close to $500… so yes, just a touch cheaper than the $9,700 Noctilux.

Here are a few more shots of the lens:

Zenitar_50_095_1

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Zenit’s Full Frame Mirrorless Camera to Be a Rebranded Leica SL, Rumor Says

 Gear  Comments Off on Zenit’s Full Frame Mirrorless Camera to Be a Rebranded Leica SL, Rumor Says
Sep 172017
 

The iconic Russian camera brand Zenit caused a flurry of excitement back in February after it announced that it’s relaunching in 2018 with a full frame mirrorless camera that rivals Leica in luxury. But the camera may do more than rival Leica… It may actually be a Leica at its core — a rebranded Leica SL.

USSRPhoto is hearing from a Zenit source working inside the company’s KMZ factory that the innards of the upcoming Zenit camera is presumably the German-made Leica SL, which is a medium format mirrorless camera.

There may be outward modifications to the camera’s style by Zenit, and special lenses for the new camera will be made by KMZ in Russia.

“KMZ is a mechanical and optical factory, so they don’t do electronics at all,” USSRPhoto tells PetaPixel. “Anything [digital/electronic] that is done is outsourced to French and German firms.

“What is a fact is that KMZ is organizing an optical shop within the Zenit factory to start production of lenses for this model.”

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Canon 6D Mark II Vs. 80D and 7D Mark II In-Depth Review

 Cinematography, Gear  Comments Off on Canon 6D Mark II Vs. 80D and 7D Mark II In-Depth Review
Sep 072017
 

The Canon 6D Mark II has not been the most well-received camera thus far. But how does it actually perform, and are the complaints justified?

The initial complaints were around the fact that this camera does not shoot 4K video. Discussions then moved on to its dynamic range and how it underperformed even against APS-C cameras. The most recent complaints are around the fact that its performance at higher ISOs may be worse than the original 6D. Personally, my biggest gripe about this camera is the fact that it only has one storage slot. This one individual point makes it less viable in a professional setting for me, however this may not bring as much concern to shooters upgrading from the original. The 6D Mark II has been referred to as a bigger Canon 80D and for good reason. There are a few minor differences between the two cameras except for the sensor size and price tag. The Canon 7D Mark II sits in between the 80D and 6D Mark II when it comes to the price and for that reason, it’s viable to compare these three to one another.

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Here’s the First 8K Timelapse Shot with the Nikon D850

 Gear  Comments Off on Here’s the First 8K Timelapse Shot with the Nikon D850
Sep 072017
 

The new Nikon D850 lets you create 8K timelapses using the 45.7-megapixel sensor and the built-in Interval Timer. If you’ve been wanting to see what 8K shot with the camera looks like, today’s your lucky day: we got our hands on the first 8K timelapse short film shot on the D850.

The 2.5-minute video above was captured by photographer and Nikon Ambassador Lucas Gilman in Iceland using a pre-production D850. If you somehow have an 8K-capable screen, be sure to select the 4320p/8K quality option in the video to watch it in its full glory.

Here’s an illustration showing how much more resolution 8K has than 4K, Full HD, and SD:

Gilman says he chose to test the camera’s 8K capabilities in Iceland due to the movements that can be seen everywhere in the landscapes and due to the microclimates that provide a huge amount of visual diversity even in a short amount of time.

The project was challenging though: there’s only a single sunrise and sunset you can capture each day, and each 3-4 second sequence in the video above took hours for Gilman to plan and shoot. He was planning to shoot night scenes as well, but Iceland’s days were 20 hours long while he was in the country.

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Vision Research introduces Phantom VEO 4KPL and Phantom VEO 590L

 Gear  Comments Off on Vision Research introduces Phantom VEO 4KPL and Phantom VEO 590L
Sep 062017
 

Vision Research has just introduced its newest flagship model, the Phantom VEO 4K PL, as well as the Phantom VEO 590S and VEO590L. How do these newly-introduced cameras compare to other models? Will the camera break my bank? We have the answers for you below.

What is the Phantom VEO line?

They say that when you touch a Phantom camera you go straight to heaven. At least that’s how I feel. Vision Research is a company that started out with high-speed cameras for military testing and analysing car-crash impacts, only to later turn its eye to the film industry with its revolutionary tech. In 2014, Vision Research introduced the mind-blowing Phantom Flex 4K camera, capable of 1000 frames-per-second at full 4K DCI resolution, in what many would consider the best quality 4K RAW compared to RED and even ARRI. Last year, Vision Research introduced the VEO line, a more compact version of their film industry cameras that continue the trend set by the ARRI Mini and RED – that smaller is better. Less weight and a more compact design mean more possibilities, such as the use of stabilisation platforms and even UAV. In comparison, the Phantom Flex 4K body weighs an incredible 5kg without ANYTHING on it. Add a lens, follow focus, rods, viewfinder, batteries, monitor and you can easily accumulate a weight that not many gimbals can handle.

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Olympus E-M10 III – Sample Footage and Exclusive First Impressions

 Gear  Comments Off on Olympus E-M10 III – Sample Footage and Exclusive First Impressions
Sep 062017
 

Johnnie had a chance to be one of the first to get his hands on the new Olympus E-M10 III and test its video capabilities.

Finally, a short family summer vacation. It is time to pack, leave work behind and slow down to the point that only the necessary body organs are working (brain excluded). But wait, whom am I kidding? The courier just rang the door bell, bringing a small package containing the shiny new Olympus E-M10 III. Now, as a workaholic, my options are limited: cancel my vacation and risk an immediate divorce, or pack my production bag and search for a story to shoot while on vacation. Knowing from past experience that mixing a family activity and work is a bad idea, I decided to leave behind my ambitions of a big production and scale everything down to the minimum. My simple tourist setup consisted of this small new Micro Four Thirds camera, the extremely cheap Olympus M.Zuiko Digital ED 14-42mm f/3.5-5.6 EZ pancake kit lens and my trusted Heliopan Vari ND filter. THAT’S IT – no tripod, no slider, no gimbal, just pure simplicity. And enough to be reassured that there is no substitute for having fun when filming with a small camera, no matter how good its bigger brothers may perform.

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Fstoppers Reviews the Insta360 Air: A Pocket-Sized 360-Degree Streaming Camera

 Gear  Comments Off on Fstoppers Reviews the Insta360 Air: A Pocket-Sized 360-Degree Streaming Camera
Aug 172017
 

Live streaming on Instagram, YouTube, and Facebook is nothing new in the age of social media. It’s a fantastic tool for marketing or just showing how much fun you’re having on a fun new adventure. What if you were able to completely immerse your viewers in the environment you’re streaming? InstaAir 360 is one such a camera and I was given the opportunity to work with it.

To start I’ll give you the basics. The camera is available for both Android (both Micro USB and USB Type-C) and Apple devices. For lens elements, it has dual 210-degree lenses facing 180-degrees from each other. With a max output of 3K resolution images, and 2K (3K on certain phone models) video. Utilizing real-time stitching, you’re able to stream the views from the camera live on most social media applications. It featured built-in stabilization allowing for smooth operation. In addition, it can be used as a webcam with the included USB adapter.

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Review: The Laowa 15mm f/2 FE Zero-D is a Fine Lens at a Fair Price

 Gear  Comments Off on Review: The Laowa 15mm f/2 FE Zero-D is a Fine Lens at a Fair Price
Aug 102017
 

A few weeks ago Laowa sent me a copy of their first lens dedicated to Sony’s full frame E-mount system, the 15mm f/2. This lens is meant for landscape and astrophotographers who want to capture as much of the beautiful night sky as possible; which means wide and fast.

Last year, I was able to get a copy of their 12mm f/2.8 for Canon and used it on my Sony a7R II with a Metabones adaptor. I was quite surprised how much I enjoyed the lens. A lot of what was great about that lens can be translated over to this one as well.

First, let’s talk about the physical design and characteristics.

Physical Characteristics

Since it was designed for a mirrorless system, they were able to pack in a very wide lens with a fast aperture into a compact system. They’re able to keep things slim thanks to a shorter flange focal distance and by staying clear from fancier things like autofocus or stabilization. What you’re getting is glass and metal. The 15mm is built like a tank. I don’t feel like I’m using a plastic toy. That does mean that it is a bit on the heavier side, but still pleasant to use (500g or 1.1 lbs).

The aperture ring can click in one stop increments from f/2 to f/22; or can be declicked — great for you video buffs. I did a quick video to show off the smooth transition between exposures as well as to see how things look at f/2. You can certainly see some vignetting going on here but this is wide open on a very wide lens, that’s going to happen with these kinds of specs. The bokeh is actually quite pleasing if you want to get super close to your subject like I did here. That’s not going to happen often, but at least you can see how that turns out.

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Here’s the First 81-Megapixel Photo by the Light L16 16-Camera Camera

 Gear  Comments Off on Here’s the First 81-Megapixel Photo by the Light L16 16-Camera Camera
Aug 102017
 

The camera startup Light began shipping out the first L16 cameras to pre-order customers last month. If you want to see what the 16-camera camera can do, the company has also released a set of full-resolution photos for you to pixel peel.

In case you haven’t been following this camera’s journey, here’s the gist: a startup called Light has created a camera called the L16 that contains 16 separate camera modules on its front surface.

The images captured by these modules are combined into single photos, giving the camera some groundbreaking features. These include 52-megapixel+ photos, 5x optical zoom, ultra-low light performance, depth of field control, and more, all in a relatively small compact camera.

Light just released three full-resolution photos showing what the L16 can do. The first is the largest of the three. It’s a massive 81-megapixel picture of a man in a field holding a machete (you can download the full-res version here).

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Fstoppers Reviews The Fujifilm GFX Medium Format Camera

 Gear  Comments Off on Fstoppers Reviews The Fujifilm GFX Medium Format Camera
Jul 272017
 

Fujifilm has made quite the name for themselves in the camera industry. They completely changed the game with the release of the original X100 and have since been turning out great camera after great camera. In a similar fashion, Fujifilm is looking to change the way you view medium format cameras with the recent release of the Fujifilm GFX 50s. This camera is not only smaller and lighter than most comparable cameras, but it also comes in at a cheaper price tag. But does the final product live up to the hype?

To start this review off, let’s talk price. The camera alone without a lens comes in at just under $6,500. Bring in the 63mm prime and that will add another $1,500. Lenses like the 32-64mm will run you $2,300. Want another battery? That will add $120. So by no means is this camera cheap. But, compare all of this to any Hasselblad camera and things start to look a lot more reasonable. Compare the price to a Nikon D5 and now we are playing in the same court.

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Comparison Breakdown: The Lightest, Most Affordable, Professional Full-Frame System

 Gear  Comments Off on Comparison Breakdown: The Lightest, Most Affordable, Professional Full-Frame System
Jul 272017
 

In a world where less than a handful of brands are considered well-established in the professional full-frame camera market and where more than a handful of other brands have done a very healthy share of innovating to wedge their way into the market, where do we stand? If you’re going to buy a new system to start fresh or are just starting out and getting serious, this is for you. Here’s a thorough comparison of the major bodies and lens kits you’ll likely be considering. As long as you’re considering full frame, regardless of budget, here’s a comparison for it.

The DSLR establishment is extremely interested in the possibility of mirrorless cameras, and rightly so. They’re faster, cheaper, lighter, and more compact… or are they? If you’re thinking of Fujifilm’s X-Series cameras, you’d be right. And those might work for you. But for professionals coming from the top DSLR brands, they’ll be lacking in speed, versatility, and sensor size (not to mention ISO performance), as they’re all APS-C-based. But what about the full-frame mirrorless cameras? Of course, we’re now talking about Sony’s a7-series cameras.

YouTuber Duncan Dimanche recently published a video that compared the price and weight of an entry-level full-frame kit from four different brands, including Canon, Nikon, Pentax, and Sony. NikonRumors has a great summary of that video, but there were a few issues in there. First and foremost, none of the combinations of lens kits were anything that any reasonable person would purchase together. It was a good first effort, but with a number of the zoom ranges of the cheap lens kits overlapping and with the results slightly skewed toward Nikon with a few interesting and cheaper not-quite-equivalent options included (and I’m a Nikon fan, even), the video didn’t quite do it for me. Still, it more than piqued my curiosity. Let’s dive into a comparison based on what we’d actually get. Scroll down to the conclusion for the final advice, or read on to get all the details.

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Lots of Canon Lenses Likely Coming at the End of August [Rumor]

 Gear  Comments Off on Lots of Canon Lenses Likely Coming at the End of August [Rumor]
Jul 162017
 

I think few people can argue that Sigma hasn’t been killing it lately, particularly with their 85mm f/1.4 Art and borderline audacious 135mm f/1.8 Art lenses turning in mostly rave reviews. It was only a matter of time before the big manufacturers responded, and from the looks of things, Canon is preparing to do just that.

Our friends over at Canon Rumors are reporting that Canon is preparing to announce the fabled EF 85mm f/1.4L IS lens at the end of August, along with three other lenses. Which mount these additional lenses will be for is unknown at the moment, though with Canon continuing to update their mirrorless models, it’s possible they may be looking to expand the EF-M line. Other lenses getting long in the tooth include the 50mm f/1.4 and 135mm f/2L. The 85mm f/1.4L IS will not replace the legendary 85mm f/1.2L II lens, but if it improves wide-open sharpness over its f/1.2 cousin (bringing it at least near that of the Sigma Art) and adds image stabilization while only giving up a third of a stop, it could be an extremely intriguing lens for Canon users and would complicate the choice for fans of the Sigma lens’ performance. Be sure to check out the full report over at Canon Rumors for more.

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DDJI Spark, Mavic, Phantom, or Inspire – Which Drone Should You Buy? by Oliver Kmia

 Action cams, Cinematography, Gear  Comments Off on DDJI Spark, Mavic, Phantom, or Inspire – Which Drone Should You Buy? by Oliver Kmia
Jul 162017
 

DJI has released many drones over the past few years. The different models may seem similar to a newcomer, but each one actually addresses a different need. In the end, it all boils down to size and portability versus image quality and performance. Here we’ll analyze the main differences between the DJI drones to help you determine which one is the right fit for you.

Criteria

Price: The price point is an obvious criteria, but one must not forget all the associated costs of ownership, especially spare batteries which can run up to $169 each.

Portability: The drone size and weight will often dictate which model to buy. While the DJI Mavic won’t take more space than a 70-200mm f/2.8 lens in your bag, the mighty DJI Inspire requires a dedicated case for transportation. If you travel frequently, you may prefer a smaller model that fits in the plane’s carry-on compartment. The size also plays a role in public perception. Larger drones look more intimidating to the public and attract more attention (visibility and noise). Also, in some countries the applicable regulation on drones is based on weight threshold. The heavier it gets, the more constraints you will face (registration, mandatory parachute, and flight restrictions to name a few).

Image quality: Larger drones tend to carry better sensors and lenses. Entry-level models can only film in 1080p while the Inspire 2 can shoot up to 5.2K raw video. The Inspire 2 is also the only one to offer an interchangeable lens system while other models come with fixed focal length.

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A First Look at the Canon 6D Mark II Camera, by Alex Cooke

 Gear  Comments Off on A First Look at the Canon 6D Mark II Camera, by Alex Cooke
Jul 082017
 

Canon recently released both the 6D Mark II and SL2 cameras. The 6D Mark II was particularly anticipated, as it is Canon’s cheapest and lightest full-frame DSLR. Here’s a helpful and practical first look at the newest DSLR in the Canon family.

Kaiman Wong recently had a chance to play with the new Canon 6D Mark II. With 45 cross-type AF points, a fully articulating screen, improved burst speed, and dual pixel autofocus, it’s an intriguing option for those looking to break into the full frame world. Of course, it’s missing features to distinguish it from the 5D Mark IV, most notably 4K and a second card slot.

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The Citograph 35 is a 35mm Pancake Lens That’s Always in Focus, by Will Nicholls

 Gear  Comments Off on The Citograph 35 is a 35mm Pancake Lens That’s Always in Focus, by Will Nicholls
Jul 082017
 

C.P. Goerz has unveiled a new lens called the Citograph 35. It’s a 35mm f/8 lens that promises to “always be in focus”. Cito means spontaneous in Latin, and that’s where the name is derived from. The German start-up behind the Kickstarter campaign wants to bring spontaneity back to photography and Instagram on a more professional level.

So how exactly does this lens work? With a fixed focus set to the hyperfocal distance point, everything at 9 feet or more from the lens is in focus.

The key thing about this lens is how compact it is, weighing only 120 grams. It’s “one of the thinnest lenses in the world,” and looks almost unnoticeable on your camera.

It’ll be available for Nikon, Canon Sony, Leica M, Micro Four Thirds, and Fuji cameras. The creators envision this lens being used on all sorts of DSLR and mirrorless bodies, bringing impulsive photography back to professional cameras.

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RED Unveils a $1,200 Phone That’s a ‘Holographic Media Machine’, by Michael Zhang

 Gear  Comments Off on RED Unveils a $1,200 Phone That’s a ‘Holographic Media Machine’, by Michael Zhang
Jul 082017
 

The cinema camera company RED just made a huge announcement: its first smartphone. The new RED Hydrogen One is an Android OS smartphone that’s being referred to as a “holographic media machine” for viewing and capturing “multi-dimensional” imagery.

The phone features a 5.7-inch “holographic” display that makes bulky glasses obsolete for viewing multi-dimensional content.

“This incredible retina-riveting display advancement features nanotechnology that seamlessly switches between traditional 2D content, holographic multi-view content, 3D content, and interactive games,” RED says.

In addition to displaying content, the RED Hydrogen One will also be a camera for capturing content. A “modular component system,” perhaps similar to what’s found on the Moto Z with its Hasselblad camera add-on, will allow users to use attachments to shoot higher quality still photos and videos, including RED’s new Hydrogen format holographic images.

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Tamron Announces SP 24-70mm f/2.8 Di VC USD G2 Lens, by Alex Cooke

 Gear  Comments Off on Tamron Announces SP 24-70mm f/2.8 Di VC USD G2 Lens, by Alex Cooke
Jul 012017
 

For many photographers, a 24-70mm f/2.8 lens with vibration compensation is a holy grail. Tamron has just introduced their second generation of that exact lens with many improvements and a slick redesign. Check out the new lens!

Specifications

  • New dual Micro-Processing Unit for quicker and more precise AF and improved Vibration Compensation performance
  • Two extra refractive elements, three low dispersion elements, three glass-molded aspherical elements, and one hybrid aspherical element to reduce distortion and aberrations
  • eBAND and BBAR coatings to reduce flare and ghosting
  • USM autofocus motor with full-time manual override
  • Five-stop Vibration Compensation with two modes (normal and panning)
  • Moisture resistance with fluorine-coated front element
  • Minimum focusing distance: 15″
  • Maximum reproduction ratio: 1:5
  • 17 elements in 12 groups
  • Nine-blade diaphragm
  • Front element: 82mm
  • Weight: 1.99 lbs. (904 g)
  • Compatible with optional TAP-in Console

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Exploring the Limits – Resolution, HDR, HFR and Human Vision, by Richard Lackey

 Technique  Comments Off on Exploring the Limits – Resolution, HDR, HFR and Human Vision, by Richard Lackey
Jul 012017
 

More resolution, High Dynamic Range (HDR), higher frame rates… How exactly do the limits of the human visual system impact our technology?

When is enough, enough? This is one of the most interesting questions brought to mind after a discussion that came up at the recent ARRI Broadcast Day held at Die Fernsehwerft studio facilities in the new creative district of East Berlin Harbour. In a studio filled with international guests from across the industry, Marc Shipman-Mueller – ARRI’s head of camera systems – opened up this topic in a way that has permanently realigned the way I view today’s core developments in digital cinema acquisition, post and delivery.

These are purely my opinions based on an evolving thought process rooted in an exploration of new technology, and not an absolute truth. I may well end up being wrong, and am happy to learn things that may change my views expressed here. In fact, I’d love to open this up to you, and hear some of your thoughts, so I encourage you to leave comments.

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13 Gimbal Movements You Should Know, by Alex Cooke

 Gear  Comments Off on 13 Gimbal Movements You Should Know, by Alex Cooke
Jun 172017
 

Adding to your arsenal of camera movements is always a good thing to do. If you just bought your first gimbal, this great tutorial will show you 13 essential movements that will add more visual interest to your work.

Gimbals are one of the fastest ways to get your footage looking more professional and cinematic. They open an entirely new world of stabilized, smooth video, and they enable shots that just aren’t possible (or don’t look good) when shooting handheld. In this helpful video from Aputure, you’ll learn 13 such movements that take advantage of a gimbal’s capabilities.

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