Gear, MirrorlessComments Off on Sony FE 12-24mm f/2.8 G Master Lens Announced – First Look and Sample Footage
Sony FE 12-24mm f/2.8 G Master zoom lens has just been announced. It offers an ultra-wide focal length with constant aperture while covering full-frame sensors. Weighing 847 grams (29.88 oz), the lens features minimum focusing distance of 28cm (11″), 9-blade aperture, and rear filter holder system for sheet-type NDs. The lens is available for around €3,300. Take a look at our short video with test footage.
GearComments Off on Nikon to Release Updated Z6s and Z7s Full-Frame Cameras This Year: Report JUL 06, 2020
Breaking news from the Nikon camp. According to a report published moments ago by Nikon Rumors, the camera company is planning to release the Nikon Z6s and Nikon Z7s later this year, adding several important new features and replacing the current Nikon Z6 and Z7.
NR doesn’t mention a source for this information, but according to the rumor site the Z6s and Z7s will be incremental upgrades to the almost two-year-old Nikon Z6 and Z7 that seem to “fix” many of the complaints that photographers have about the current full-frame mirrorless lineup.
According to Nikon Rumors these cameras will use the same sensor as the current models; however, they’ll feature several improvements, including:
Dual EXPEED processors
A new Nikon EN-EL15c battery (the current models use the EN-EL15b)
The ability to be powered over USB (possibly thanks to the new battery)
Dual memory card slots (no word on whether the second slot will be SD or CFExpress)
The ability to use a proper vertical grip with buttons/controls
Gear, MirrorlessComments Off on 8 Things About the New Canon EOS R5 and EOS R6 That You May Have Missed
Today’s Canon announcements came fast and furious, with two full-frame cameras, four RF mount lenses, two teleconverters, and a printer all being announced at the same time. Fortunately, our friends at DPReview TV have put together a helpful video that goes over 8 things you might have missed about the new EOS R5 and EOS R6 while you were trying to process all the news.
In a rush to share all of the most headline-grabbing specs baked into its new full-frame mirrorless cameras, Canon glossed over some important features and quirks that you should know about. That’s why Chris and Jordan put together this video based on a deeper dive into the spec sheet, and their own experience with a pre-production EOS R5 and full production EOS R6.
Gear, MirrorlessComments Off on FUJIFILM Firmware Updates for XC/XF Lenses
FUJIFILM has released several minor firmware updates for seven of its XC/XF lenses. These lenses include the popular FUJIFILM XF10-24mm F/4 R OIS, XC16-50mm F/3.5-5.6 OIS II, and XF80mm F/2.8 R LM OIS WR Macro, for example. Let’s take a closer look at it!
FUJIFILM Firmware Updates for XC/XF Lenses
FUJIFILM is continuously improving their products by releasing firmware updates, and they just released seven firmware updates for XC/XF lenses. These firmware are pretty “minor,” and FUJIFILM is staying vague by just saying that these FW updates contain “fixes of minor bugs.”
Cinematography, GearComments Off on Are Canon’s Rumored Super-Telephoto Lenses a Serious Threat to Olympus?
The rumored Canon lenses coming out have got a lot of us talking and pricked up a number of ears. One set of ears it ought to have pricked up, however, is Olympus’ — and here’s why.
Some of you may know that earlier this year, Olympus was kind enough to send me to Costa Rica with their new OM-D E-M1 Mark III to review it with the help of some of South America’s staggeringly diverse wildlife. From the first pre-trip presentation, it was clear the direction Olympus had been going for some time was the one there were intent on staying on: wildlife and sports. Their micro four thirds sensor puts a lot of people off — not least because of its age now — but it comes with at least one perk, and it’s a big one: effective focal length. With the 300mm f/4 IS PRO lens on the aforementioned body, I was shooting at the full frame equivalent of 600mm. Then, when I added the 2x teleconverter, I’m shooting at the equivalent of 1,200mm on a full frame body, something that is not easily or cheaply done!
GearComments Off on These are All of the Lenses Canon Will Announce in 2020: Report
Notoriously reliable site Nokishita has posted a list of six lenses and two teleconverters that Canon is planning to release in 2020. All of them are RF-mount lenses, some are exciting, and some of them are quite strange… like the 600mm f/11 and 800mm f/11 super-telephoto primes.
Gear, MirrorlessComments Off on Should I Use a Crop Sensor or Crop an Image From a Full Frame Sensor?
If a crop sensor is used, it will look like the focal length is much longer. Photographers that need long telephoto lenses can benefit from this. But instead of using a crop sensor, it is also possible to crop a full frame sensor to have the same field of view. Let’s take a look at the differences.
It isn’t really that difficult. A small sensor will record only a part of the projected image of the lens you are using. A bigger sensor will record a larger part of that same projected image. A full frame sensor with the dimensions of 24 x 36 mm will have a larger area compared to a 1.5x crop sensor that measures 23 x 15 mm. But when the recorded image is viewed at the same size on a screen, the image of the crop sensor will result in a magnification of 1.5 times that of the full frame sensor.
This is why a lens on a camera with a sensor that is smaller than a full frame sensor will act as if it has a longer focal length. A 24mm the lens will act like a 36mm lens, a 50mm lens will become a 75mm lens, and a 400mm lens will imitate a 600mm lens. This is when the sensor has a 1.5x crop. If a micro 4/3 sensor is used, with a crop factor of 2x, the focal lengths will be 50mm, 100mm, and 800mm compared to its full frame cousin.
GlareGuard 5.0 – Sunshade for BMPCC 4K and 6K. Source: Ocean Video
The 5″ screen of Blackmagic Design’s Pocket 4K and Pocket 6K cameras is fairly large, but not quite bright enough to be usable in sunny environments. On a side note, a brighter screen would drain the battery quicker and shorten the already very short battery life of the camera, so maybe this is a good compromise.
There are, however, some third-party solutions to improve the screen’s usability in harsh light. Some companies, like Tilta and Smallrig, are making a sun hood that can be screwed on the camera’s cage. Others, like for example Kinotehnik (watch our video interview here), make magnetic viewfinder loupe to attach to the screen and help with precise manual focusing and usability in bright conditions. Ocean Video recently presented another solution called GlareGuard 5.0.
Ocean Video was founded in 1994 by Richard Goodman and Jeb Johenning. The company specialized in an on-set all digital video record-playback systems (video assist solutions). More recently, Ocean Video created a custom sunshade for RED camera monitors (both 4.7″ and 7″ versions) called the GlareGuard. Now, the GlareGuard sunshade got adapted for the BMPCC 4K and 6K cameras.
GearComments Off on SANDMARC Motion Variable ND Filter for iPhone Launched
Smartphone accessories specialized company SANDMARC has just introduced a new variable ND filter for iPhone and smartphone shooters: the SANDMARC Motion Variable Filter. This filter is compatible with SANDMARC lenses, but you can also simply clip it directly onto your phone, without the need for a dedicated case. With a range from ND8 to ND64, let’s take a closer look at how this SANDMARC Motion Variable Filter can help you capture better footage with your smartphone.
GearComments Off on 8Sinn SIGMA fp Cage – Hands On
8Sinn, an accessories manufacturer based out of Poland, creates a wide variety of products aimed at supporting a majority of the small sized camera market. The SIGMA fp camera, launched in 2019, is billed as the world’s smallest full frame mirrorless camera weighing in at under a pound and I’ve been finding ways to beef up the camera to a true Cine-style rig. Will the 8Sinn SIGMA fp cage both hold up to the constant stress of production? Let’s find out!
Cinematography, GearComments Off on Samyang Unveils New 85mm f/1.4 Autofocus Lens for Canon RF Mount
Following last year’s release of the AF 85mm f/1.4 FE for the Sony E Mount, Samyang/Rokinon today unveiled a version of the lens for Canon’s full-frame mirrorless RF Mount. According to Rokinon, the new AF 85mm f/1.4 RF is “arguably the best value, high performance and affordable autofocusing portrait prime available.”
Optically, the Samyang/Rokinon AF 85mm f/1.4 RF looks to be identical to the Sony FE version. There are 11 elements in 8 groups, including 1 Extra Low Dispersion (ED) element and 4 High Refractive Index (HRI) elements to cut down on chromatic aberration and allow for a smaller lens design, respectively, as well as the company’s Ultra Multi Coating (UMC) to eliminate ghosting and flare.
The lens boasts a 9-blade circular aperture, and the only ‘decoration’ on the lens barrel is the AF/MF mode switch. For autofocus, the lens uses a Dual Linear Sonic Motor (DLSM), which you can see demonstrated in the video below created for the Sony FE lens launch:
GearComments Off on Pentax Officially Unveils Long-Awaited FA* 85mm f/1.4 Lens for the K-Mount
After first showing off the lens over a year ago, and sharing a few more teasers during a livestreamtwo weeks ago, Ricoh has officially unveiled the HD Pentax-D FA* 85mm f/1.4ED SDM AW—a “next-generation, high-performance” portrait prime for K-mount DSLRs.
The lens is only the second prime to be added to the “Star series” of high-performance lenses for digital cameras, and like its 50mm f/1.4 predecessor, it promises to deliver “extra-clear, high-contrast images with edge-to-edge sharpness.”
Cinematography, GearComments Off on Sony Announces the ZV-1: A Compact 4K Vlogging Camera With Fully Articulating Screen
Sony has just announced the launch of the ZV-1, a compact camera that’s ready for vlogging out of the box.
The ZV-1, available for pre-order for $748 and due to ship on June 11, is a lightweight, compact camera featuring a one-inch sensor and a fixed 24-70mm equivalent lens, complete with optical and digital stabilization, and capable of shooting 4K at up to 30 fps.
The major specifications:
20.1MP 1″ Exmor RS BSI CMOS Sensor
ZEISS 24-70mm-equivalent f/1.8-2.8 Lens
UHD 4K30p Video with HLG and S-Log3 Gammas
3.0″ Side Flip-Out Touchscreen LCD
Notably, the LCD touchscreen articulates fully to the side. Other features include a built-in ND filter, eye-detect and face-detect autofocus, and a 3.5mm microphone jack.
The camera seems to blend the compact size of the RX100 III — as well as the same lens — but stealing many of the powerful video features of the a6100 and a6600.
GearComments Off on Fstoppers Reviews the Fujifilm X-T4: A Deviation
In a release cycle reminiscent of certain other manufacturers, Fujifilm decided to replace their flagship X-T series camera in 18 months rather than the usual 2 years. With a smattering of feature updates, a new battery, and a couple of cosmetic changes, is it really worth the upgrade from the X-T3? Let’s find out.
This review will be taken from the perspective of someone who has owned an X-T1, two X-T2s, an X-H1, and an X-T3. You could say I’m an addict. The other thing to note is that I’m a full time stills photographer. About once or twice a year, I’ll be asked to shoot a video, but my main use for these cameras is stills, so we won’t be taking a deep dive into the changes for video work. With that out of the way, let’s take a look at the heavy hitting features of the X-T4.
Gear, MirrorlessComments Off on In Praise of the Mamiya 645, the Perfect Compact Medium Format SLR Camera
When it comes to shooting on medium format, you’d be forgiven for thinking that starting out involves a heavy investment. The Mamiya 645 Pro, by contrast, is refreshingly affordable and the modular design means you can tweak your setup to your heart’s content.
Shane Taylor of Framelines has put together this short video explaining why he chose the Mamiya 645 Pro for his latest street photography project,t which resulted in a printed zine. As Fstoppers’ own James Madison will testify, the Mamiya 645 Pro offers medium format quality in a very compact body and, as Taylor mentions, it even shoots 35mm film. And if that’s not enough to get you tempted, be sure to check out the thoughts of photographer Nick Carver, who was looking for something smaller than his Mamiya RB67 but that wasn’t a rangefinder.
Sony today unveiled the world’s very first image sensors that have artificial intelligence capabilities built-in. The sensors are capable of processing captured images and extracting intelligent metadata at high speeds.
The upcoming IMX500 and IMX501 intelligent vision sensors can be paired with cloud services, and having built-in AI “reduces data transmission latency, minimizes any privacy concerns, and reduces power consumption and communication costs,” Sony says.
The IMX500 and IMX501 are backside-illuminated 1/2.3-inch sensors that have resolutions of approximately 12.3 megapixels and 4K/60fps video capabilities, and they’re expected to be priced at ¥10,000 and ¥20,000 ($93 and $187), respectively.
Gear, MirrorlessComments Off on Sony a7III vs Fuji X-T4 vs Nikon Z6: IBIS and Video Comparison
YouTuber Max Yuryev recently went out on the streets of New York with the Sony a7 III, Nikon Z6, and the brand new Fuji X-T4 to compare the video quality and—of particular interest to stills shooters—the IBIS performance of all three cameras side-by-side.
It’s really worth watching the comparison in its entirety above, especially if you have a 4K display and can crank the video’s resolution for the video comparison, but even without that it’s immediately obvious that Fujifilm did a lot of things right with this new flagship.
Gear, MirrorlessComments Off on Would You Buy an Olympus O-MD E-M1 Mark III Instead of a Sony a7 III?
The launch of the new Olympus O-MD E-M1 Mark III has reminded the world that micro four-thirds is not dead, and right now, it’s almost exactly the same price as the Sony a7 III. If you were in the market, which would you buy?
Over on B&H Photo right now, there’s a dollar difference in price between these two cameras, though if you opt for the Olympus, you are buying a camera with a much, much longer name. That said, in a world when full-frame offers so much, why would you ever want the smaller sensor? This entertaining video from Vistek makes a compelling case for the Olympus, and clearly it’s a tool that definitely fits well under certain circumstances.
Gear, MirrorlessComments Off on FUJIFILM X-T4 Hands-on Review – The Good Has Just Become Much Better
The new FUJIFILM X-T4 has just been released, promising to be one of the more interesting cameras to be delivered during 2020. If you are like me, an owner of the FUJIFILM X-T3 who wished for a little extra, then the wait is over. Enhanced performance, combining the advantage of the now discontinued X-1H (stabilised sensor) and articulating LCD screen, can now be found within this newcomer camera. Prepared to be impressed by what seems to be the best all around small and lightweight APS-C sensor camera that can shoot video, currently in the market?
GearComments Off on Sony FE 20mm f/1.8 G Announced – Ultra-Wide-Angle AF Lens with Manual Aperture Ring
Mens is a new ultra-wide-angle fast full-frame E-Mount lens. It features a compact design with clickless/clicked manual aperture ring, customizable button, 67mm front filter thread, and dust- and moisture-resistant body. It will be available in March 2020 for around €1,100.
Sony FE 20mm f/1.8 G Lens. Image credit: Jakub Han / cinema5D
Sony has had a line of full-frame cameras for a long time with the Alpha series. Last year, they announced the Sony FX9 full-frame cinema camera. Naturally, they want to provide their customers with a wide range of native Sony E-mount lenses to take full use of the autofocus capabilities of their full-frame cameras.