Twenty Helpful Tips and Tricks for Photoshop

 Technique  Comments Off on Twenty Helpful Tips and Tricks for Photoshop
Nov 202017
 

Photoshop is a tremendously intricate and nuanced program, and you can never have enough tips and tricks to navigate all its features and options and make your workflow both more powerful and more efficient. This helpful video will show you 20 more tips and tricks you might not have seen before.

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DxOMark’s Pentax 645Z Review is Out After 2 Year Delay, Scores 101

 Gear  Comments Off on DxOMark’s Pentax 645Z Review is Out After 2 Year Delay, Scores 101
Nov 202017
 

Last month, we reported that DxOMark had reviewed the Pentax 645Z back in 2015 and given it a highest-ever score of 101 before pausing its medium format camera reviews prior to publishing any. That Pentax 645Z review is finally out, and DxOMark still has glowing things to say about the camera.

DxOMark says the 51.4-megapixel camera has extremely good image quality scores, and the large pixels on the sensor gives the camera the best low-light ISO scores ever recorded up to this point among all cameras.

“It’s clear from our testing that the Pentax 645Z’s sensor is extremely capable, coming within a whisper of matching the performance of the Hasselblad X1D sensor (our highest-scoring sensor to date),” DxOMark says. “The 645Z’s high dynamic range and color sensitivity make it ideally suited for capturing the types of scenes that are traditionally favored by medium-format photographers — landscapes, weddings, portraits, and still lifes (commercial).”

The camera is interesting to compare against the Nikon D850, DxOMark says. The Pentax has a sensor that’s 1.7 times larger, but the D850 is about 3 years newer. The Nikon D850 actually stacks up well against the medium format camera thanks to Sony’s sensor manufacturing prowess.

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Why the Brush Tool Has a Weird Purple Line in Photoshop CC 2018

 Technique  Comments Off on Why the Brush Tool Has a Weird Purple Line in Photoshop CC 2018
Oct 242017
 

If you’ve started using Photoshop CC 2018, you may have noticed a strange purple line following your brush around as you’re using it now. That line is called a “brush leash,” and here’s a helpful 6-minute video by retoucher Pratik Naik about what that purple line is and how you can use and customize it.

Basically, the purple brush leash is meant to serve as a guide for the Smoothing feature of the Brush Tool. Turning Smoothing down to 0% removes the purple line and restores the brush tool to the original version.

You can also turn off the brush leash in the Cursors panel of your Preferences.

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Review: The Nikon D850’s Negative Digitizer Isn’t Ready for Prime Time

 Gear  Comments Off on Review: The Nikon D850’s Negative Digitizer Isn’t Ready for Prime Time
Oct 242017
 

 

A couple weeks ago, I got a chance to run the Nikon D850 through its paces as a scanner. The “Negative Digitizer” feature, which can automatically flip negatives to positive got a lot of buzz as the camera was being released, and I was eager to try it out.

I’ve been using digital cameras to scan my negatives since I was first able to put my hands on one. When done properly, it’s possible to digitize very large collections quickly and efficiently.

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How to Use the Foreground to Create Depth in Landscape Photos

 Technique  Comments Off on How to Use the Foreground to Create Depth in Landscape Photos
Oct 242017
 

Sometimes a beautiful landscape scene doesn’t look as good on camera as it did to your eye, but that’s because translating a 3-dimensional scene into a 2-dimensional space is challenging. Using strong foreground elements in your composition is one way to create depth and counter this problem, as shown in this 8-minute tutorial from Nature TTL.

There are a huge number of different rules and compositional guides you can adhere to, but one lesser-known rule is the “Rule of Odds.”

This suggests using an odd number of objects in your foreground, as the eye tends to find itself being drawn to the middle one. This means that you can use objects as stepping stones, drawing the eye into the image.

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Adobe Portfolio Now Integrates with Lightroom Collections

 Technique  Comments Off on Adobe Portfolio Now Integrates with Lightroom Collections
Oct 082017
 

Adobe Portfolio, a platform for photographers to share images online on their own websites, will now integrate with Lightroom collections. This means you can upload entire collections at once, straight from Lightroom to your online portfolio.

The “Manage Content” section that Adobe Portfolio users are familiar with has been changed to make all this as easy as possible. It’s now broken down into two separate tabs, “Website Pages” and “Integrations,” and you can quickly get an overview of your portfolio and use the powerful new features.

“Website Pages” will show you all of your galleries and pages, whereas “Integrations” will enable you to connect Lightroom collections as well as setting which gallery future Behance projects will appear in.

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Nikon D850 Best DSLR Ever, Gets First Full 100 Score at DxOMark

 Cinematography, Gear  Comments Off on Nikon D850 Best DSLR Ever, Gets First Full 100 Score at DxOMark
Oct 082017
 

The Nikon D850 was just awarded the first full 100 overall score ever given out to a DSLR by the testing lab DxOMark. The D850 now sits alone in the top spot on the camera leaderboard, with the full-frame mirrorless Sony a7R II sitting at #2 with a score of 98.

This is the first time a full-frame backside-illuminated sensor has appeared in a Nikon camera, and it’s a sensor that “breaks new ground for image quality,” DxOMark says. The D850 has the best color and dynamic range at base ISO among all commercially available cameras tested by the lab — it’s so good it rivals medium format sensors in some aspects.

“At base ISO, the Nikon D850 image quality for color is unrivaled for a DSLR, although the mirrorless Sony A7R II and full frame compact RX1R II comes pretty close,” DxOMark writes. “The D850’s color is on par with the best results we’ve seen on medium-format sensors, such as the Phase One IQ180 digital back, and fractionally ahead of the Phase One P65.”

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Looking Through the Viewfinder of a Hasselblad XPan

 Gear  Comments Off on Looking Through the Viewfinder of a Hasselblad XPan
Oct 022017
 

The XPan was the first Hasselblad camera to 35mm film and was able to shoot ultra-wide panorama negatives. Photographer Jordan Lockhart decided to mount an action camera to his XPan to capture what it’s like to frame the world and shoot with this unique camera.

“It took us a while to figure out a proper way to make this work but we eventually found out a decent solution, which I hope will give you a taste of why I love this camera so much,” writes Vincent Moschetti of OYWFO, who made the 6-minute video above showing the experiment. “We used a roll of Kodak Portra 800 which seemed like the perfect film to use on this rainy day and explore the city of Tampere in Finland.”

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iPhone 8 Plus Has the Best Smartphone Camera Ever, DxOMark Says

 Gear  Comments Off on iPhone 8 Plus Has the Best Smartphone Camera Ever, DxOMark Says
Sep 242017
 

The new iPhone 8 Plus has the best smartphone camera ever. That’s the conclusion DxOMark came to after the camera testing lab went hands-on with the new Apple smartphone. With a record score of 94, it’s now the clear leader in the market.

“The Apple iPhone 8 Plus has a main camera system truly worthy of a flagship phone,” DxOMark says in the opening of its newly published review. “[It’s] the best-performing mobile device camera we have ever tested.”

The upgrades given to the cameras — a 12MP main wide-angle camera (with a backside-illuminated (BSI) sensor and f/1.8 lens) and a 12MP telephoto camera (with a f/2.8 lens) — have improved its quality in every single category. The iPhone 8 Plus scores exceptionally high marks in both Zoom image quality and Bokeh quality, two new categories that DxOMark just added to its scoring system.

The score of 94 puts in 2 points ahead of the new iPhone 8 and 4 points ahead of the Google Pixel and HTC U11.

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Zenit is Back! First Look at New 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2

 Uncategorized  Comments Off on Zenit is Back! First Look at New 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2
Sep 172017
 

News broke back in February that Russian camera manufacturer Zenit was going to come back and take on Leica in the luxury camera market. But the first Zenit products to see the light of day aren’t cameras, it’s three very fast KMZ/Zenit lenses: the Zenitar 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2.

Photo Rumors initially spotted the lenses last week on Russian photographer Denis Gavrilov’s website (translated link). And when we got in touch with Gavrilov to ask permission to share the images, he was kind enough to upload even more!

So let’s take the new lenses one by one, starting with the fastest of them.

Zenitar 50mm f/0.95

No doubt meant to give mere mortals an affordable alternative to the much lusted-after Noctilux (although, we hope, at a significantly lower price tag), the Zenitar 50mm f/0.95 is meant for Sony’s FE mirrorless cameras.

Sporting 9 elements in 8 groups, the lens’s 14 aperture blades in 2 levels surprised Gavrilov. The lens will supposedly arrive sometime in 2017 and run you close to $500… so yes, just a touch cheaper than the $9,700 Noctilux.

Here are a few more shots of the lens:

Zenitar_50_095_1

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Zenit’s Full Frame Mirrorless Camera to Be a Rebranded Leica SL, Rumor Says

 Gear  Comments Off on Zenit’s Full Frame Mirrorless Camera to Be a Rebranded Leica SL, Rumor Says
Sep 172017
 

The iconic Russian camera brand Zenit caused a flurry of excitement back in February after it announced that it’s relaunching in 2018 with a full frame mirrorless camera that rivals Leica in luxury. But the camera may do more than rival Leica… It may actually be a Leica at its core — a rebranded Leica SL.

USSRPhoto is hearing from a Zenit source working inside the company’s KMZ factory that the innards of the upcoming Zenit camera is presumably the German-made Leica SL, which is a medium format mirrorless camera.

There may be outward modifications to the camera’s style by Zenit, and special lenses for the new camera will be made by KMZ in Russia.

“KMZ is a mechanical and optical factory, so they don’t do electronics at all,” USSRPhoto tells PetaPixel. “Anything [digital/electronic] that is done is outsourced to French and German firms.

“What is a fact is that KMZ is organizing an optical shop within the Zenit factory to start production of lenses for this model.”

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Here’s the First 8K Timelapse Shot with the Nikon D850

 Gear  Comments Off on Here’s the First 8K Timelapse Shot with the Nikon D850
Sep 072017
 

The new Nikon D850 lets you create 8K timelapses using the 45.7-megapixel sensor and the built-in Interval Timer. If you’ve been wanting to see what 8K shot with the camera looks like, today’s your lucky day: we got our hands on the first 8K timelapse short film shot on the D850.

The 2.5-minute video above was captured by photographer and Nikon Ambassador Lucas Gilman in Iceland using a pre-production D850. If you somehow have an 8K-capable screen, be sure to select the 4320p/8K quality option in the video to watch it in its full glory.

Here’s an illustration showing how much more resolution 8K has than 4K, Full HD, and SD:

Gilman says he chose to test the camera’s 8K capabilities in Iceland due to the movements that can be seen everywhere in the landscapes and due to the microclimates that provide a huge amount of visual diversity even in a short amount of time.

The project was challenging though: there’s only a single sunrise and sunset you can capture each day, and each 3-4 second sequence in the video above took hours for Gilman to plan and shoot. He was planning to shoot night scenes as well, but Iceland’s days were 20 hours long while he was in the country.

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Review: The Laowa 15mm f/2 FE Zero-D is a Fine Lens at a Fair Price

 Gear  Comments Off on Review: The Laowa 15mm f/2 FE Zero-D is a Fine Lens at a Fair Price
Aug 102017
 

A few weeks ago Laowa sent me a copy of their first lens dedicated to Sony’s full frame E-mount system, the 15mm f/2. This lens is meant for landscape and astrophotographers who want to capture as much of the beautiful night sky as possible; which means wide and fast.

Last year, I was able to get a copy of their 12mm f/2.8 for Canon and used it on my Sony a7R II with a Metabones adaptor. I was quite surprised how much I enjoyed the lens. A lot of what was great about that lens can be translated over to this one as well.

First, let’s talk about the physical design and characteristics.

Physical Characteristics

Since it was designed for a mirrorless system, they were able to pack in a very wide lens with a fast aperture into a compact system. They’re able to keep things slim thanks to a shorter flange focal distance and by staying clear from fancier things like autofocus or stabilization. What you’re getting is glass and metal. The 15mm is built like a tank. I don’t feel like I’m using a plastic toy. That does mean that it is a bit on the heavier side, but still pleasant to use (500g or 1.1 lbs).

The aperture ring can click in one stop increments from f/2 to f/22; or can be declicked — great for you video buffs. I did a quick video to show off the smooth transition between exposures as well as to see how things look at f/2. You can certainly see some vignetting going on here but this is wide open on a very wide lens, that’s going to happen with these kinds of specs. The bokeh is actually quite pleasing if you want to get super close to your subject like I did here. That’s not going to happen often, but at least you can see how that turns out.

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Here’s the First 81-Megapixel Photo by the Light L16 16-Camera Camera

 Gear  Comments Off on Here’s the First 81-Megapixel Photo by the Light L16 16-Camera Camera
Aug 102017
 

The camera startup Light began shipping out the first L16 cameras to pre-order customers last month. If you want to see what the 16-camera camera can do, the company has also released a set of full-resolution photos for you to pixel peel.

In case you haven’t been following this camera’s journey, here’s the gist: a startup called Light has created a camera called the L16 that contains 16 separate camera modules on its front surface.

The images captured by these modules are combined into single photos, giving the camera some groundbreaking features. These include 52-megapixel+ photos, 5x optical zoom, ultra-low light performance, depth of field control, and more, all in a relatively small compact camera.

Light just released three full-resolution photos showing what the L16 can do. The first is the largest of the three. It’s a massive 81-megapixel picture of a man in a field holding a machete (you can download the full-res version here).

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The Citograph 35 is a 35mm Pancake Lens That’s Always in Focus, by Will Nicholls

 Gear  Comments Off on The Citograph 35 is a 35mm Pancake Lens That’s Always in Focus, by Will Nicholls
Jul 082017
 

C.P. Goerz has unveiled a new lens called the Citograph 35. It’s a 35mm f/8 lens that promises to “always be in focus”. Cito means spontaneous in Latin, and that’s where the name is derived from. The German start-up behind the Kickstarter campaign wants to bring spontaneity back to photography and Instagram on a more professional level.

So how exactly does this lens work? With a fixed focus set to the hyperfocal distance point, everything at 9 feet or more from the lens is in focus.

The key thing about this lens is how compact it is, weighing only 120 grams. It’s “one of the thinnest lenses in the world,” and looks almost unnoticeable on your camera.

It’ll be available for Nikon, Canon Sony, Leica M, Micro Four Thirds, and Fuji cameras. The creators envision this lens being used on all sorts of DSLR and mirrorless bodies, bringing impulsive photography back to professional cameras.

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RED Unveils a $1,200 Phone That’s a ‘Holographic Media Machine’, by Michael Zhang

 Gear  Comments Off on RED Unveils a $1,200 Phone That’s a ‘Holographic Media Machine’, by Michael Zhang
Jul 082017
 

The cinema camera company RED just made a huge announcement: its first smartphone. The new RED Hydrogen One is an Android OS smartphone that’s being referred to as a “holographic media machine” for viewing and capturing “multi-dimensional” imagery.

The phone features a 5.7-inch “holographic” display that makes bulky glasses obsolete for viewing multi-dimensional content.

“This incredible retina-riveting display advancement features nanotechnology that seamlessly switches between traditional 2D content, holographic multi-view content, 3D content, and interactive games,” RED says.

In addition to displaying content, the RED Hydrogen One will also be a camera for capturing content. A “modular component system,” perhaps similar to what’s found on the Moto Z with its Hasselblad camera add-on, will allow users to use attachments to shoot higher quality still photos and videos, including RED’s new Hydrogen format holographic images.

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This Photographer Uses a Flash Drone to Light Difficult Portraits, by Michael Zhang

 Gear  Comments Off on This Photographer Uses a Flash Drone to Light Difficult Portraits, by Michael Zhang
Jun 152017
 

Want to place an off-camera flash where stands and assistants can’t go? Try mounting it to a drone. That’s what Chinese photographer Fuyan Liu does to light difficult portraits in extreme situations.

WeTalkUAV reports that Liu attached a flash to a DJI Inspire 2 drone for a recent fashion photo shoot on top of a tall building.

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Ingenious ‘FilmLab’ App is the Easiest Way to Turn Negatives Into Digital Files

 Technique  Comments Off on Ingenious ‘FilmLab’ App is the Easiest Way to Turn Negatives Into Digital Files
May 132017
 

Software developer Abe Fettig has a winner on his hands. His newly developed app FilmLab makes it easier than ever to turn film negatives and slides of various sizes into digital files without having to touch a scanner, understand wet mounting, or really do anymore more than point and shoot with your smartphone.

Fettig says he created the app for himself. “When I got into shooting film, I started imagining software that would make it easier and more fun to scan and share my negatives with other people,” he says in the Kickstarter video. “About six months ago I started working on FilmLab as a side project, and now I have a working prototype.”

And that prototype is impressive in its sheer simplicity. It really is as simple as point and shoot. No more difficult than scanning prints with a smartphone app like Google’s Photo Scan. Check out the walkthrough video below to see how it works:

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Sony Unveils Blazing Fast a9: A 24MP Sports Camera that Shoots 20fps

 Gear  Comments Off on Sony Unveils Blazing Fast a9: A 24MP Sports Camera that Shoots 20fps
Apr 202017
 

Holy frames per second Batman! Sony just raised the bar on high-speed sports photography with their latest “groundbreaking” (but actually) camera release. The newly-announced Sony a9 is a 24MP high-end full-frame mirrorless sports camera that can fire off an insane 20fps with no blackout.

Sony is calling this “the most technologically advanced, innovative digital camera that [we have] ever created,” and this descriptor doesn’t miss the mark.

With 20fps blackout-free and distortion-free silent shooting, high-speed tracking with 60 AF/AE calculations per second, a 693-point AF system with 93% frame coverage, a 3,686k-dot EVF that runs at 120fps, and 5-axis in-body stabilization that offers up to 5 stops of shake reduction, the camera is looking to challenge entrenched sports cams like the Canon 1DX Mark II and Nikon D5.

The a9 can also shoot full-frame, full-sensor 4K that is actually downsampled from 6K worth of pixels; it features an Ethernet port for quick file transfer and dual SD card slots for plenty of storage; and the new battery Sony put inside boasts twice the capacity (480 shots per charge) of previous models. If you need even more charge, the optional battery grip holds two of these batteries, for a total of 950 shots.

 

Putting the impressive spec sheet aside, the headline feature is, of course, the sheer speed of this thing. At 20fps for up to 241 RAW or 362 JPEG frames, it makes even the 1DX Mark II and its 14fps seems a bit… clunky.

Sony is able to reach these unheard of continuous shooting speeds thanks to the new stacked CMOS sensor at its core, a chip Sony says is the “first of its kind” and “enables data speed processing at up to 20x faster than previous Sony full-frame mirrorless cameras.” Pair that sensor and its built-in RAM with a brand new BIONZ X engine and you’ve got a camera that screams.

Here are a few videos that offer a closer look at this revolutionary new mirrorless camera and some of its most compelling features:

Promo Video

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Famous B&W Photos Turned into Color by a 21-Year-Old Whiz

 Technique  Comments Off on Famous B&W Photos Turned into Color by a 21-Year-Old Whiz
Apr 162017
 

 

Marina Amaral is a 21-year-old Brazilian retoucher who is receiving widespread acclaim for her work adding color to famous historical B&W photos.

Amaral’s work provides a different and beautiful look at various people and events.

Archduke Franz Ferdinand of Austria, 1914
Senator John F. Kennedy and Jacqueline Kennedy, 1953

Each of the works requires a lot of careful research, planning, and retouching — Amaral sometimes spends months working on a single image. All the digital editing is done by hand in Photoshop, and often involves hundreds of different layers of color coming together to form the final look.

Here are some more colorizations Amaral has done so far:

Body of Confederate sharpshooter, 1863

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