Sigma’s 24-70mm f/2.8 ART Lens for E-Mount is Half the Price of Sony’s Version

 Cinematography, Gear  Comments Off on Sigma’s 24-70mm f/2.8 ART Lens for E-Mount is Half the Price of Sony’s Version
Nov 182019
 

One of Sigma’s most anticipated lenses for the full-frame Sony E-Mount cameras has an official price tag, and it’s shockingly affordable. The recently announced Sigma 24-70mm f/2.8 Art lens—a direct competitor to Sony’s expensive 24-70mm f/2.8 G Master—will begin shipping in early December for just $1,100.

The Sigma 24-70mm f/2.8 DG DN Art—which is designed from the ground up for full-frame mirrorless cameras—will be available for both the Sony E-Mount and Sigma/Panaasonic/Leica’s own L-mount, but it’s gotten the most attention from Sony a7 series users who want a native 24-70mm f/2.8 lens for less than the (admittedly exceptional) $2,200 Sony 24-70mm f/2.8 GM. The main third-party alternative, up until now, has been the even-more-affordable Tamron 28-75mm f/2.8 Di III RXD, but that’s not a true 24-70.

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Tokina Unveils Updated 100mm f/2.8 Macro Lens for Canon and Nikon DSLRs

 Cinematography, Gear  Comments Off on Tokina Unveils Updated 100mm f/2.8 Macro Lens for Canon and Nikon DSLRs
Nov 152019
 

Following hot on the heels of yesterday’s leak, Tokina has officially revealed its redesigned full-frame 100mm f/2.8 macro lens for the Canon EF and Nikon F mounts: the Tokina ATX-i 100mm f/2.8 Macro FF.

According to the press release, the Tokina ATX-i 100mm f/2.8 features the “same great optics” as the older AT-X macro its replacing, but a “brand new look.” Like its predecessor, the new 100mm f/2.8 is made for full-frame Canon and Nikon DSLRs, and it produces a 1:1 magnification ratio at 11.8 inches (30cm) from the sensor plane, giving you “a very comfortable 4.5 inches of working distance.”

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Apple Unveils 16-inch MacBook Pro with Up to 64GB of RAM and 8TB of Storage

 Apple  Comments Off on Apple Unveils 16-inch MacBook Pro with Up to 64GB of RAM and 8TB of Storage
Nov 132019
 

The long-awaited, long-rumored 16-inch MacBook Pro has officially landed, and it promises to fix all of the gripes that users had with the previous flagship 15-inch MacBook Pros while increasing performance by “up to 80%” for designers, photographers, video editors, and everyone in between.

The point of the 16-inch MacBook Pro seems to be two-fold.

First, Apple wanted to address many of the complaints that users have voiced about the previous flagship 15-inch models: a poorly designed keyboard that broke easily, no escape key, insufficient cooling, and maximum specs that had fallen behind the competition. Second, Apple wanted to try and pack in as much power as possible, putting the top-of-the-line specs of this machine into a league of their own, at least compared to every other Apple notebook ever made.

We haven’t yet had the chance to test this computer ourselves (stay tuned for that…) but Apple seems to have succeeded on both counts.

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First Look: This is the Upcoming Pentax APS-C Flagship DSLR

 Gear  Comments Off on First Look: This is the Upcoming Pentax APS-C Flagship DSLR
Sep 302019
 

Last week, Ricoh revealed that it would be releasing a new flagship Pentax APS-C DLSR in 2020, but they shared very few details and only one low-resolution photo of the upcoming camera. Fortunately, photographer Niels Kemp was at the Pentax 100 Years of History event in The Netherlands, and sent us a few first-look photos.

Pentax fans haven’t had much to celebrate lately. First, Sigma announced that it would no longer be making Pentax K-Mount lenses in order to focus more resources on Mirrorless cameras; then, Ricoh confirmed it would not be launching any new cameras in the Fall of 2019. But just as all hope seemed lost and we all began to wonder if Pentax was, indeed, going to fade quietly into history, never to be seen or heard from again, Ricoh revealed that there is a new flagship Pentax APS-C DSLR “currently under development for market launch in 2020.”

The name and specs of the camera are yet to be announced, but it’s nice to get a closer look at the camera beyond the tiny image Ricoh shared alongside the development announcement:

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Canon Unveils Entry-Level EOS M200 with Eye Detection and 4K Video

 Cinematography, Gear  Comments Off on Canon Unveils Entry-Level EOS M200 with Eye Detection and 4K Video
Sep 252019
 

Canon has just revealed a new entry-level mirrorless APS-C camera. The Canon EOS M200 won’t blow anybody’s socks off, but it brings some useful upgrades to Canon’s popular entry-level mirrorless EOS M100, adding eye-detection autofocus, 4K video, and more.

The main upgrade between the two cameras is the Digic 8 processor, which allowed Canon to include Dual Pixel AF with Eye Detection on the EOS M200. Canon also added (cropped) 4K/24p video, 1080/60p, and automatic support for vertical video when you shoot in portrait orientation and export to an iOS or Android device.

Otherwise, the camera remains largely unchanged. You still get a 24MP APS-C CMOS image sensor, flip up LCD touchscreen for selfies, built-in WiFi and Bluetooth for wireless file transfer, and a compact, travel-friendly design.

Here’s a quick intro to the Canon EOS M200’s main features:

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These Are the Best Phones for Night Photos: DxOMark

 Gear  Comments Off on These Are the Best Phones for Night Photos: DxOMark
Sep 192019
 

DxOMark has announced an update to its smartphone camera quality testing methodology that adds two new scores for each phone: Night for dedicated low-light modes and Wide for ultra-wide lenses.

The Wide score is in response to the ultra-wide camera modules being introduced in smartphones over the past few years, starting with the LG G5 in 2016. The Night score covers the rise of computational photography techniques that have brought special new low-light abilities to newer phones.

To test the Night score of smartphones, DxOMark is capturing a variety of real-world low-light scenes — things like cityscapes and portraits — with the flash set at on, off, and auto. These photos are shot with the dedicated Night mode (if it’s available) both on and off.



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Fujifilm Unveils the X-A7, Its New $700 Entry-Level X Series Mirrorless

 Gear, Mirrorless  Comments Off on Fujifilm Unveils the X-A7, Its New $700 Entry-Level X Series Mirrorless
Sep 122019
 

Fujifilm has announced the new X-A7 mirrorless camera, a $700 entry-level mirrorless X Series camera that replaces the X-A5.

“The X-A7’s compact, lightweight form factor, outstanding image quality, and multitude of new and enhanced features position it as an ideal and timely entry into Fujifilm’s popular family of X Series mirrorless cameras,” Fujifilm says.

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Apple Reveals Entry-Level iPhone 11 with Dual Cameras and Night Mode

 Apple  Comments Off on Apple Reveals Entry-Level iPhone 11 with Dual Cameras and Night Mode
Sep 102019
 

Today at a “Special Event” at Steve Jobs Theater, Apple revealed what it has in store for the much-leaked iPhone 11, and the news is good for smartphone photography lovers who were hoping Apple would catch up with Android phones like the Google Pixel 3.

The iPhone 11 is the next generation of the entry-level iPhone XR model, and it adds much more capable photography features to what was previously a single-camera smartphone. The new dual-camera setup on the rear ditches the telephoto camera for dual 12MP wide-angle and ultra-wide angle cameras, giving you a lot more versatility in the photos you can capture. 

The 12MP wide-angle camera uses a 26mm f/1.8, 6-element lens with optical image stabilization and 100% on-sensor PDAF pixel coverage. The 12MP ultra-wide angle camera goes a lot wider, giving you a 13mm f/2.4, 5-element lens with a 120° field of view. From what we can tell, this one will NOT be optically stabilized.



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Apple Unveils iPhone 11 Pro with Triple Camera and ‘Deep Fusion’ Technology

 Apple, Gear  Comments Off on Apple Unveils iPhone 11 Pro with Triple Camera and ‘Deep Fusion’ Technology
Sep 102019
 

In addition to the dual-camera, “entry-level” iPhone 11 that Apple introduced today, the electronics company also revealed the much-anticipated triple camera smartphone that everyone has been expecting. Called the iPhone 11 Pro, it is the first iPhone to get the “Pro” monicker previously reserved for the company’s computers.

The iPhone 11 Pro will come in two flavors: a 5.8-inch iPhone 11 Pro and 6.5-inch iPhone 11 Pro Max. Both phones feature Apple’s latest A13 Bionic processor and an impressive new ‘Super Retina XDR’ OLED display that offers a reported 1,200 nits peak brightness and a 2,000,000:1 contrast ratio while somehow also being 15 percent more energy efficient.

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Tamron Unveils the 35-150mm f/2.8-4 FF Lens for Canon and Nikon

 Gear  Comments Off on Tamron Unveils the 35-150mm f/2.8-4 FF Lens for Canon and Nikon
Apr 292019
 

Tamron has announced the new 35-150mm f/2.8-4 Di VC OSD (Model A043), a fast and compact portrait zoom lens for Canon and Nikon full-frame DSLRs.

The lens measures just 4.9 inches (12.4cm) long and features fast, quiet, and precise autofocus thanks to the OSD (Optimized Silent Drive) DC motor.

The Dual MPU (Micro-Processing Unit) system in the lens helps provide solid AF performance and 5-stop vibration compensation at the same time.

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Yashica Unveils Three 35mm Cameras and Two New Films

 Cinematography, Gear  Comments Off on Yashica Unveils Three 35mm Cameras and Two New Films
Apr 292019
 

Yashica’s Y35 digiFilm camera drummed up a great deal of excitement on Kickstarter but was universally panned by reviewers and early adopters when it finally launched in 2018. Apparently unfazed, Yashica just returned to Kickstarter with plans to launch three new film cameras and two new films.

The project is called “Absolute,” and it’ll be rolled out in three “episodes” for the three cameras.

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The Cameras That Shot the Winning Photos of World Press Photo 2019

 Cinematography, Gear  Comments Off on The Cameras That Shot the Winning Photos of World Press Photo 2019
Apr 222019
 

World Press Photo just announced the winning photos for the 2019 edition of it’s world’s most prestigious photojournalism contest. Camera metadata shared alongside the top photos is again providing us with an inside look at what gear the world’s top photojournalists are using at the moment.

The Spanish photography site Photolari gathered all the data and published a breakdown of the brands, systems, cameras, and sensor formats used this year.

While Nikon surprisingly took the crown from Canon in 2018 with 52% representation among winning photos compared to Canon’s 30%, Nikon’s time at the top didn’t last long. This year, Canon struck back and was behind 46.4% of the winning photos compared to Nikon’s 36.8%.

While Sony has made huge strides in the camera market over the past year — it became #1 in full-frame cameras in the US last year — its use by the photojournalists in World Press Photo hasn’t changed. Only a single finalist photographer was confirmed to have used a Sony camera (the a7R II) for their work.

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Tokina Unveils the FiRIN 100mm f/2.8 1:1 Macro Lens for Sony Mirrorless

 Gear  Comments Off on Tokina Unveils the FiRIN 100mm f/2.8 1:1 Macro Lens for Sony Mirrorless
Apr 222019
 

Tokina has unveiled the new FiRIN 100mm f/2.8, a 1:1 macro lens designed for Sony E-mount mirrorless cameras.

The lens, which is “great for portraits and landscapes too,” features a minimum focusing distance of 11.8 inches (30cm), and captures a life-sized 1:1 reproduction with subjects at that distance from the sensor plane. Subjects at the minimum focusing distance sit 4.5 inches from the front of the lens.

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Canon May Build LED Lights Into DSLR Pop-Up Flashes, Patent Suggests

 Cinematography, Gear  Comments Off on Canon May Build LED Lights Into DSLR Pop-Up Flashes, Patent Suggests
Apr 152019
 

Canon is apparently looking into building continuous LED lights into the pop-up flashes on DSLR cameras, something that could come in handy for certain situations when shooting photo or video.

Canon News first reported on the development after it was spotted in a patent (2019-056787) filed by Canon over in Japan. The patent describes a solution for dealing with the heat that’s generated the continuous LED light source in order to prevent it from deteriorating. Here’s an excerpt:

[W]hen using LED which carries out a continuous light as a light source of a lighting system, the measure against the heat which occurs from LED serves as problem. If the measure against heat is not performed sufficiently, LED deteriorates for a short time and there is a possibility that it may become impossible for light volume to be deteriorated or to switch on the light. If it is a lighting system removable to a camera […], in order to radiate heat in the heat which occurs from LED, it is possible to provide a radiation substrate with a large area, but in the type which has a pop-up function, it is difficult to provide a radiation substrate with a large area near the LED.

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Sony a7/a7R III Firmware v3 Adds Real Time Eye AF, Animal Eye AF, Timelapse

 Gear, Mirrorless  Comments Off on Sony a7/a7R III Firmware v3 Adds Real Time Eye AF, Animal Eye AF, Timelapse
Apr 152019
 

Sony has just released firmware version 3.0 for the Sony a7R III and a7 III mirrorless cameras. It’s a major update that adds Real-Time Eye AF, Animal Eye AF, and Time Lapse features to the cameras.

Real-Time Eye AF

In v3.0, the existing Eye AF technology has been upgraded further with an AI-powered eye-detection system that keeps focus on the eye, even in difficult situations.

“Through machine learning, Sony has created a system that can detect—and focus on—the human eye even if the subject is looking down, partially blocked in the frame, turning or backlit,” Sony says. “This feature is available in AF-C mode with a simple half-press of the shutter button.”

This is the same technology that was unveiled in the Sony a6400 in January 2019, promised for the a7 III and a7R III at the time, and added to the Sony a9 in a firmware update in March 2019.

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Here’s the Best Photo Gear of 2019 According to the TIPA Awards

 Gear, Mirrorless  Comments Off on Here’s the Best Photo Gear of 2019 According to the TIPA Awards
Apr 032019
 

The Technical Imaging Press Association (TIPA) has announced the winners of its 2019 awards honoring the best products in the photography industry in 2019.

Founded in 1991, TIPA consists of 28 prominent photo industry publications based around the world. TIPA members meet at least once a year at the General Assembly to discuss photography and the industry, and one of the activities during the meeting is also to vote on the best photo products of the year — the winners are chosen by majority vote.

Editors from the magazines met in Bangkok, Thailand on March 17th and picked the winning products across 40 different categories. Here are some of the best products, as selected by TIPA members, in the more prominent categories (with TIPA’s description of each):

Best DSLR Camera: Nikon D3500

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Insta360 EVO is a Folding Camera That Shoots Both 360° and 180° 3D

 Gear  Comments Off on Insta360 EVO is a Folding Camera That Shoots Both 360° and 180° 3D
Mar 132019
 

Insta360 has announced the EVO, a groundbreaking new camera that features a folding design and two cameras. Folded up, the camera can shoot 360° spherical imagery, capturing every angle at once. Unfolded, the camera can shoot 180° 3D content.

In its unfolded form, the EVO’s two wide-angle fisheye lenses can work together to capture 180-megapixel 180° 3D photos and 5.7K 180° 3D video.

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Leica Q2: A 47MP, 4K Weather-Sealed Full-Frame Compact Camera

 Cinematography, Gear, Mirrorless  Comments Off on Leica Q2: A 47MP, 4K Weather-Sealed Full-Frame Compact Camera
Mar 132019
 

Inside the magnesium alloy Leica Q2 is a new 47.3-megapixel full-frame sensor that offers the highest resolution for any camera in this class. Backed by a Maestro II image processor, the Q2 has an ISO range of 50-50000 and can shoot up to 10 frames per second.

On the front of the camera is a Leica Summilux 28mm f/1.7 ASPH lens that has “optimum picture quality” and “exquisite bokeh characteristics.”

If 28mm seems a little wide for an all-purpose compact camera, you’ll be happy to know that the camera features a built-in crop function that allows you to shoot with the equivalent focal lengths of 35m, 50mm, and 75mm. And when shooting cropped raw (DNG) photos, the Q2 still captures the full uncropped view, allowing photographers to under or change the crop they shot with.

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Fujifilm Unveils the XF 16mm f/2.8 R WR Lens

 Cinematography, Gear, Mirrorless  Comments Off on Fujifilm Unveils the XF 16mm f/2.8 R WR Lens
Feb 182019
 

Fujifilm has announced the new XF 16mm f/2.8 R WR, a wide-angle prime lens for APS-C sensors that’s the equivalent to a 24mm lens in 35mm terms.

The weather-and-dust-resistant lens features an internal focusing system and a stepping motor that provide fast and quiet autofocusing.

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Nikon Unveils the NIKKOR Z 24-70mm f/2.8 S

 Gear  Comments Off on Nikon Unveils the NIKKOR Z 24-70mm f/2.8 S
Feb 182019
 

Nikon has announced the new NIKKOR Z 24-70mm f/2.8 S lens for its full-frame mirrorless cameras.

The lens is the first to feature Nikon’s new ARNEO coating, which complements Nikon’s Nano Crystal Coat to further reduce flare and ghosting.

“While Nano Crystal Coat suppresses ghosting and flare coming from backlight at diagonal angles, the ARNEO coat compensates for light entering the lens from vertical angles,” Nikon says. “This expanded field enables the lens to capture exceptional contrast and sharpness even when the light source is visible inside the frame.”

The lens is also the first NIKKOR Z lens to feature a dedicated manual focus ring (that’s present in addition to the customizable control ring), a Function (L-Fn) button, and an info display.

The Organic EL Lens Information Panel on the side of the lens displays key settings such as focus distance, depth-of-field, aperture, and focal length.

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