A Review of the Panasonic S1’s After 10 Months

 Gear  Comments Off on A Review of the Panasonic S1’s After 10 Months
Jan 092020
 

The Panasonic S1 is a nicely balanced stills and video camera that brings with it quite a few top-shelf features all packaged in a rugged, versatile, and well-designed body. This great video takes a look at how the camera has held up after using it for almost a year. 

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Panasonic S1 – EXCLUSIVE $400 cinema5D Discount + Free $200 V-Log Upgrade

 Gear  Comments Off on Panasonic S1 – EXCLUSIVE $400 cinema5D Discount + Free $200 V-Log Upgrade
Dec 102019
 

Panasonic is offering a sizeable discount on our “Mirrorless Camera of the Year“, the Panasonic S1, exclusively to cinema5D readers. Read on to learn more!

Last week, we published our long “mirrorless camera of the year” post, and while there have been MANY contenders, the Panasonic S1 came out on top for its perfect price/performance ratio. And Panasonic seems really happy about this result – they got in touch offering an exclusive $400 discount for cinema5D readers, plus the V-Log Filmmaker Upgrade worth $199 for free!

In order to get hold of this offer, you have to order the Panasonic S1 via this exclusive link at B&H.

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Panasonic S1 & Canon FD lenses – Full Frame, 10-bit Recording Kit Under $3500

 Gear  Comments Off on Panasonic S1 & Canon FD lenses – Full Frame, 10-bit Recording Kit Under $3500
Dec 022019
 

Are you playing with the thought to enter into the 10-bit full frame filmmaking world but think it’s prohibitively expensive? Here is a sub $3500 suggestion. If you are willing to invest money and time, the combination of working with the Panasonic S1 equipped with Canon’s FD lenses is fun and a good reason to collect some older items too.

Panasonic S1 with the Canon FD 35mm f2 lens. Image credit: Gunther Machu

If you are like me, an enthusiast hobbyist who is digging the full frame look but don’t want to go back to 8-bit codecs,  then I’m sure we are sharing the same dilemma. I’ve started filming 10 years ago with a Panasonic GH1 and later moved to the original BMPCC camera but the full frame “look” always fascinated me and 8 vs 10-bit became a deal breaker when choosing my next camera.

My Wish List When Considering a Camera

  • a full frame sensor camera to get this creamy shallow depth of field with fast primes
  • a robust 4K 4:2:2 10-bit internal codec
  • the cam has a LOG image picture profile that provides good dynamic range and is flexible enough for grading in post
  • in body image (sensor) stabilization  (IBIS) would be great
  • the audio department should provide good sound quality with a headphone output, of course
  • a good viewfinder and/or screen is mandatory
  • decent battery life
  • lenses should cover wides and moderate tele and should be fast (below f4, ideally f2) – otherwise you would defy the purpose to go for full frame
  • in addition, the lenses should provide robust mechanics, a buttery smooth focus throw to allow for precise manual focus adjustment with hard stops at close and infinity focus
  • I don’t like messing with rigs, external recorders, HDMI cables, and all the auxiliary stuff and need a compact footprint
  • As a hobbyist, I just don’t want to spend more than $3500 all in all

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FilmConvert Camera Pack for Panasonic LUMIX S1 and S1H Now Available

 Cinematography, Gear  Comments Off on FilmConvert Camera Pack for Panasonic LUMIX S1 and S1H Now Available
Nov 072019
 

FilmConvert has announced the addition of a new camera pack for the Panasonic S1 and S1H cameras. If you are a FilmConvert Pro or FilmConvert Nitrate user, you can download these new profiles for free. Let’s take a closer look


FilmConvert
 Camera Pack for Panasonic LUMIX S1 and S1H

The Panasonic LUMIX S1 and LUMIX S1H – the version for filmmakers – are currently on fire! Indeed, the S1H is the first Netflix approved mirrorless camera. Also, if you want to learn more about the S1H, you can take a look at our complete S1H review by clicking here and our lab test by clicking here.

FilmConvertS1S1H_Featured

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Micro Four Thirds Versus Full Frame: How Much Heavier Is Panasonic’s S1?

 Cinematography, Gear, Mirrorless  Comments Off on Micro Four Thirds Versus Full Frame: How Much Heavier Is Panasonic’s S1?
Feb 102019
 

For those of us that like shooting on a mirrorless camera, we’ve probably become accustomed to the lightweight and easy to manage cameras. So are the S1 and S1R a step too far on the scales?

Now that Panasonic are entering the full-frame mirrorless market, they’ve created the heaviest camera of the bunch. The S1 weighs 2.25 pounds, with the S1R weighing basically the same at 2.24 pounds. Out of the competition, it’s only the Sony a9 that comes close with 1.48 pounds. All of this is with the battery inside the camera. Here’s a breakdown:

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