Nikon Launches the COOLPIX P950: A Compact, Zoomy Camera to Make Flat Earthers Go Crazy

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Jan 082020
 
Nikon Launches the COOLPIX P950: A Compact, Zoomy Camera to Make Flat Earthers Go Crazy

Nikon has announced the launch of the COOLPIX P950, its latest bridge camera and the dream of every flat earth conspiracy theorist thanks to the 83x optical zoom — and 166x digital zoom — that is somehow wedged into this compact body.

The fixed lens has a range that’s the equivalent of 24-2,000mm on a 35mm camera, offering excellent reach for those keen on distant objects such as birds in flight or cities located on the other side of large lakes. Those seeking to deny the curvature of the earth using woefully naive techniques will be delighted to learn that there’s the bonus of 166x digital zoom, giving the equivalent reach of 4,000mm in 35mm terms.

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Nikon Gets Closer to a Z Mount Trinity by Announcing the NIKKOR Z 70-200mm f/2.8 Lens

 Cinematography, Gear  Comments Off on Nikon Gets Closer to a Z Mount Trinity by Announcing the NIKKOR Z 70-200mm f/2.8 Lens
Jan 082020
 
Nikon Gets Closer to a Z Mount Trinity by Announcing the NIKKOR Z 70-200mm f/2.8 Lens

Nikon has announced the launch of the NIKKOR Z 70-200mm f/2.8 VR S for its full-frame mirrorless cameras, filling one of the two gaping holes in its lens lineup for professional shooters.

Nikon says that this high-end zoom has been “reimagined” in order to exploit the newly designed lens mount. With a constant f/2.8 aperture, it brings Nikon a step closer to completing the trinity of fast zoom lenses that are regarded as critical to any system due to their quality and versatility.

The NIKKOR Z 70-200mm f/2.8 has a stepping motor for quiet autofocus and reduced focus breathing, a minimum focus distance of just under 20″ (50cm), a nine-blade diaphragm, weather-sealing, and five stops of stabilization. It’s one of two Nikon lenses to feature the company’s newly-developed Short-Wavelength Refractive (SR) lens element for better control of chromatic aberration.

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Nikon Z 6 and Atomos Ninja V ProRes RAW Recording Option – First Look

 Cinematography, Gear  Comments Off on Nikon Z 6 and Atomos Ninja V ProRes RAW Recording Option – First Look
Jan 062020
 

The Nikon Z 6 and Z 7 have been around for quite some time but now it’s getting a new life. Something that will greatly elevate its performance thanks to the collaboration with Atomos. While Nikon is bringing to the table a full frame sensor camera, 12 bit RAW output via HDMI and a flat picture profile recording option (N Log), Atomos is contributing to this duo its external monitor/recorder expertise together with the built-in Apple’s ProRes RAW 12 bit recording option. There are many “industry firsts” in this exciting combination, including transferring the information between the camera and monitor/recorder on a consumer HDMI protocol interface. Now, openly speaking, is offering full frame, up to 4K, 12 bit ProRes RAW external recording option, enough to bring Nikon back to the center of attention of the aspiring filmmakers and content creators? Please read on.

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Tokina Unveils Updated 100mm f/2.8 Macro Lens for Canon and Nikon DSLRs

 Cinematography, Gear  Comments Off on Tokina Unveils Updated 100mm f/2.8 Macro Lens for Canon and Nikon DSLRs
Nov 152019
 

Following hot on the heels of yesterday’s leak, Tokina has officially revealed its redesigned full-frame 100mm f/2.8 macro lens for the Canon EF and Nikon F mounts: the Tokina ATX-i 100mm f/2.8 Macro FF.

According to the press release, the Tokina ATX-i 100mm f/2.8 features the “same great optics” as the older AT-X macro its replacing, but a “brand new look.” Like its predecessor, the new 100mm f/2.8 is made for full-frame Canon and Nikon DSLRs, and it produces a 1:1 magnification ratio at 11.8 inches (30cm) from the sensor plane, giving you “a very comfortable 4.5 inches of working distance.”

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Nikon Releases NIKKOR Z 58mm f/0.95 S Noct Lens – World’s Fastest Z-Mount Lens

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Oct 172019
 

Nikon releases the NIKKOR Z 58mm f/0.95 S Noct manual-focus lens, which is currently the fastest lens for the Z-Mount and one of the world’s fastest lenses ever. It covers full-frame sensors, offers a function button, and comes with a dedicated case. This unique lens is now available for pre-order for slightly under $8,000.

NIKKOR Z 58mm f/0.95 Noct lens released. Image credit: Nikon

Nikon works hard to extend their mirrorless Z-mount lineup. The Japanese company recently announced the new APS-C camera Nikon Z50 along with two new budget DX lenses. Nikon also released an announcement including the fastest lens in the Z-mount lineup – NIKKOR Z 58mm f/0.95 S Noct lens. Let’s take a look at its features.

Nikon NIKKOR Z 58mm f/0.95 S Noct Lens

The NIKKOR Z 58mm f/0.95 S Noct is an ultra-fast, standard prime, manual-focus lens for the Nikon Z mount system’s full-frame (Nikon FX-format) mirrorless cameras – the Z 6 and Z 7. It takes advantage of the large-diameter (inner diameter of 55 mm) of Z-mount and 16 mm flange focal distance to realize an f/0.95 maximum aperture.

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A Review of the Tamron SP 35mm f/1.4 Di USD Lens

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Sep 242019
 

Tamron has been killing it with their lens releases in the last few years, undercutting the prices of first party manufacturers by significant amounts while still providing high optical quality and performance that have led to an increasing presence in the professional segment. This great review takes a look at the Tamron SP 35mm f/1.4 Di USD lens for Canon and Nikon DSLRs. 

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Nikon, Leica and Olympus are Not Going to Attend Photokina 2020

 Gear, News  Comments Off on Nikon, Leica and Olympus are Not Going to Attend Photokina 2020
Sep 192019
 

Photokina is still the world’s leading imaging expo, but changes to its structure and a struggling industry may be pushing participants away. In a press release published to the expo’s website, the trade show’s organizer Koelnmesse revealed that Nikon, Leica and Olympus have all chosen to skip Photokina 2020.

The announcement strikes a grim-but-hopeful note, under the headline “Photokina 2020: An Industry in Transformation, a Decisive Chance for the Future.”

Stand: Leica, Halle2.2

“The imaging industry is currently undergoing massive changes, which also have an impact on Photokina as the industry’s leading trade fair – and this in a dimension never seen before,” begins the text. “While on the one hand the classic camera market reports strongly declining sales and turnover figures, the enjoyment of photography continues to grow – with a positive effect on the demand for pictures.”

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Why the World’s Best Photographers Are Sticking With DSLRs

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Apr 292019
 

Following the announcement of the winners of the World Press Photo competition last week, Spanish photography website Photolari.com compiled the metadata to examine what the leading photojournalists are using to capture their images. The results are quite interesting and demonstrate that the mighty DSLR is going nowhere. Here’s why.

In terms of brands, there are no great surprises when it comes to the most popular choices: Canon leads the way, with Nikon close behind. More surprising is the fact that only one finalist was shooting on Sony — the same as the number working with Leica, and significantly behind Fujifilm. Sony may have produced one of 2018’s most popular full-frame cameras in the shape of the a7 III, but photojournalists seem to prefer to stick with what they know.

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Tamron Unveils the 35-150mm f/2.8-4 FF Lens for Canon and Nikon

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Apr 292019
 

Tamron has announced the new 35-150mm f/2.8-4 Di VC OSD (Model A043), a fast and compact portrait zoom lens for Canon and Nikon full-frame DSLRs.

The lens measures just 4.9 inches (12.4cm) long and features fast, quiet, and precise autofocus thanks to the OSD (Optimized Silent Drive) DC motor.

The Dual MPU (Micro-Processing Unit) system in the lens helps provide solid AF performance and 5-stop vibration compensation at the same time.

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The Cameras That Shot the Winning Photos of World Press Photo 2019

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Apr 222019
 

World Press Photo just announced the winning photos for the 2019 edition of it’s world’s most prestigious photojournalism contest. Camera metadata shared alongside the top photos is again providing us with an inside look at what gear the world’s top photojournalists are using at the moment.

The Spanish photography site Photolari gathered all the data and published a breakdown of the brands, systems, cameras, and sensor formats used this year.

While Nikon surprisingly took the crown from Canon in 2018 with 52% representation among winning photos compared to Canon’s 30%, Nikon’s time at the top didn’t last long. This year, Canon struck back and was behind 46.4% of the winning photos compared to Nikon’s 36.8%.

While Sony has made huge strides in the camera market over the past year — it became #1 in full-frame cameras in the US last year — its use by the photojournalists in World Press Photo hasn’t changed. Only a single finalist photographer was confirmed to have used a Sony camera (the a7R II) for their work.

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Will The Next Nikon Z Be An Entry-Level Camera?

 Cinematography, Gear, Mirrorless  Comments Off on Will The Next Nikon Z Be An Entry-Level Camera?
Mar 102019
 

Now that Canon has recently announced the EOS RP, is the next Nikon Z camera on its way? And if it is, where will it fall in the Nikon Z lineup of cameras? If rumors are correct, the next Nikon Z camera will most likely be aimed at an entry-level full-frame user. Perhaps called the Nikon Z5?

Numerous sites are reporting that a Nikon executive has confirmed that a new Z series camera is being developed for the entry level user. It appears that Nikon is going to follow Canon’s lead of offering a mirrorless full-frame camera to the entry-level community. With the vast majority of the photography community panning the Canon EOS RP, will this be an opening for Nikon to grab a share of the entry-level full-frame mirrorless camera market? Or will Nikon succumb to the same reviews as the Canon EOS RP?

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Nikon Unveils the NIKKOR Z 24-70mm f/2.8 S

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Feb 182019
 

Nikon has announced the new NIKKOR Z 24-70mm f/2.8 S lens for its full-frame mirrorless cameras.

The lens is the first to feature Nikon’s new ARNEO coating, which complements Nikon’s Nano Crystal Coat to further reduce flare and ghosting.

“While Nano Crystal Coat suppresses ghosting and flare coming from backlight at diagonal angles, the ARNEO coat compensates for light entering the lens from vertical angles,” Nikon says. “This expanded field enables the lens to capture exceptional contrast and sharpness even when the light source is visible inside the frame.”

The lens is also the first NIKKOR Z lens to feature a dedicated manual focus ring (that’s present in addition to the customizable control ring), a Function (L-Fn) button, and an info display.

The Organic EL Lens Information Panel on the side of the lens displays key settings such as focus distance, depth-of-field, aperture, and focal length.

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BUTTER GRIP Offers 3D-Printed Grips for Classic Film Cameras

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Dec 032018
 

Shoot a classic film camera but wish it had better ergonomics? BUTTER GRIP is a new line of 3D-printed grip attachments designed specifically for a large number of vintage cameras.

The brand is the brainchild of photographer Ethan Moses, the guy behind the 3-printed Cameradactyl 4×5 field camera.

“So far I’ve modeled all the cameras in my personal camera graveyard and working collection, and my friends Canon collection,” Moses tells PetaPixel. “I think that I made the first ever RIGHT hand grip for a Pentax 6×7.”

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This $23,000 Nikon DSLR Kit on the ISS Had a Delivery Fee of $130,000+

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Nov 132018
 

The astronauts onboard the International Space Station get new cameras delivered from time to time — 10 Nikon D5s arrived in late 2017 after NASA ordered 55 of them. But did you know that it’s extremely expensive to stock the ISS astronauts’ camera arsenal? That camera kit you see above cost at least $150,000 to send to the space station.

This past weekend, German ESA astronaut Alexander Gerst Tweeted photos of himself giving Russian cosmonaut Sergey Prokopyev a haircut in the Zvezda Service Module. That service module is where the station’s Nikon gear is mounted to the walls, so Gerst’s photos provide the latest look at what camera gear the astronauts are shooting with.

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Canon and Nikon Are Approaching the Mirrorless Market From Opposite Sides, but Who Is Right?

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Nov 112018
 

With Photokina behind us and the unprecedented amount of new cameras and lenses announced over the past few months, we’ve had some time to let the dust settle, and there is something very interesting about just how differently Canon and Nikon are approaching the full frame mirrorless camera market. The question is: who is right?

Over the past few months, both Canon and Nikon have released their first full frame mirrorless cameras, Canon with the EOS R and Nikon with the Z7. Canon markets the EOS R as a sort of prosumer/enthusiast-level camera along the lines of the 6D Mark II and priced to match at $2,300 for the body — very similar to the 6D Mark II’s price on release. This contrasts the Nikon Z7, which is being touted as a sort of mirrorless D850, and its $3,400 price tag suits this comparison very well.

While two cameras having different prices isn’t interesting, when we take a deeper look into their currently available, upcoming, and rumored lenses, we can see the different approaches that Nikon and Canon are taking with their mirrorless full frame cameras. Alongside Canon’s enthusiast-level camera, they have released four lenses: the 28-70 f/2L zoom, the 50mm f/1.2L, the 24-105 f/4L, and the 35mm f/1.8 Macro. If you notice, three of those four lenses are L branded, Canon’s professional-level branding.

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Nikon Announces NIKKOR AF-S 500mm f/5.6E PF ED VR Compact Super-Telephoto Lens

 Cinematography, Gear  Comments Off on Nikon Announces NIKKOR AF-S 500mm f/5.6E PF ED VR Compact Super-Telephoto Lens
Aug 232018
 

Following up Nikon’s big mirrorless announcement, Nikon also announced a much-anticipated F-mount lens: the AF-S 500mm f/5.6E PF ED VR super-telephoto lens.

UPDATE: Pre-orders now available.

Nikon’s newest super-telephoto is another addition to its PF series of lenses that use a phase fresnel lens element in order to reduce the size and weight of what would otherwise be a much larger lens similar to more traditional fast, super-telephotos. The maximum diameter of this 500mm f/5.6E PF lens is 106mm, and it’s just 237mm long. It weighs about as much as the AF-S 70-200mm f/2.8E FL ED VR lens, which is quite a feat for a lens with such reach. Most fast 500mm lenses weigh about twice that much. Naturally, this lens features Nikon’s dust- and drip-resistance as well as a fluorine coat on the front element to help repel dirt and moisture (and to also make it easy to clean).

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Nikon Announces the Nikon Z6 and Z7 Mirrorless Cameras

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Aug 232018
 

Nikon is finally here with its first professional, full-frame mirrorless cameras: the Z6 and the higher-megapixel Z7.

UPDATE: Pre-orders now open. Order now to get in line before everyone else.

We’ve waited for a long time for this, and now, after watching Sony from afar, tonight Nikon announced its answer to Sony’s rather successful a7- and a9-series cameras. The Z6 is Nikon’s low-light, mid-resolution body, high frame-rate body while the Z7 is a high-resolution equivalent. Alongside the Z-mount system, Nikon also introduced a new AF-S 500mm f/5.6E PF ED VR compact, super-telephoto lens with the standard F-mount. But let’s dive right into the specifications for the Z cameras.

Nikon Z6

  • $1,995.95, $2,599.95 with 24-70 f/4 kit lens
  • Available late November 2018
  • 24.5 MP full-frame sensor
  • ISO 100-51,200 (expands to 204,800)
  • 273 AF point, Hybrid PDAF, 90-percent viewfinder coverage
  • 3.6M EVF
  • 3.2-inch, 2.1M touchscreen
  • 12 fps
  • Video: Full HD at 120p, 4K at 30p, N-LOG profile (4:2:2 10-bit HDMI)
  • Focus peaking and zebra stripes
  • 5-axis image stabilization
  • Single XQD card slot
  • Weather-sealed body
  • Bluetooth, Wi-Fi
  • EN-EL15b battery (supports both EN-EL15a/b)
  • Weighs 585g (similar to Sony a9 with battery)

Nikon Z7

  • $3,399.95, $3,999.95 with 24-70 f/4 kit lens
  • September 27 availability
  • 45.7 MP full-frame sensor
  • ISO 64-25,600 (expands to 102,400)
  • 493 AF point, Hybrid PDAF, 90-percent viewfinder coverage
  • 3.6M EVF
  • 3.2-inch 2.1M touchscreen
  • 9 fps
  • Video: Full HD at 120p, 4K at 30p, N-LOG profile (4:2:2 10-bit HDMI)
  • Focus peaking and zebra stripes
  • 5-axis image stabilization
  • Single XQD card slot
  • Weather-sealed body
  • Bluetooth, Wi-Fi
  • EN-EL15b battery (supports both EN-EL15a/b)
  • Weighs 585g (similar to Sony a9 with battery)

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Seven More of the Best Nikon Tricks

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Mar 132018
 

Although it is popular to talk about mirrorless cameras these days, DSLR cameras are still alive, and with the help of some useful tricks, you can make the most of your DSLR. Especially if you own a Nikon camera, you might be surprised with these features that most photographers skip using.

Well-known nature photographer Steve Perry has published a video previously about Nikon tricks, and in this second video of the series, he shares seven new tricks about Nikon cameras, with in-depth explanations.

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How Good Are Adapted Lenses for Mirrorless Cameras in 2018?

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Mar 112018
 

Sony is growing by leaps and bounds, but one of the biggest advantages Canon and Nikon continue to hold is the deep investment a lot of their users have made in native lenses. This great video examines the current state of affairs for adapters and if they can work for you.

Coming to you from The Camera Store TV, this helpful video will show you just what you can expect from trying to use adapted lenses on mirrorless cameras in 2018. I’m personally shooting mostly with a Sony a7R III these days, and I’ve found that that in combination with a Metabones V adapter actually works better for my Canon 85mm f/1.2L II lens than a native body, as the adapter still works about as quickly as a Canon body, but there are no AFMA errors as one encounters with DSLR bodies (even after years of AFMA adjustments, this lens is still finicky for me). Combine that with Eye AF and my keeper rate went up substantially when I switched to a Sony body, so much so that I now trust the Sony enough to make it my main body for a lot of work. If you’re curious about their system but married to a lot of Canon or Nikon glass, now is a good time to watch the video above.

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A Canon Full-Frame Mirrorless Camera May Arrive in 2018 with New Sensor

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Oct 082017
 

It looks like Canon and Nikon are now racing to unleash a full frame mirrorless camera on the world of photography. Nikon has given numerous statements in recent days that seem to confirm its development of such a camera, and now more details are emerging of an upcoming Canon full-frame mirrorless camera as well.

Canon Rumors is hearing from a trusted source that Canon’s first full-frame mirrorless camera will contain its own dedicated CMOS sensor rather than one that’s already being used in Canon’s full frame DSLR cameras (e.g. the 6D Mark II and the 5D Mark IV).

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