Why the World’s Best Photographers Are Sticking With DSLRs

 Cinematography, Gear  Comments Off on Why the World’s Best Photographers Are Sticking With DSLRs
Apr 292019
 

Following the announcement of the winners of the World Press Photo competition last week, Spanish photography website Photolari.com compiled the metadata to examine what the leading photojournalists are using to capture their images. The results are quite interesting and demonstrate that the mighty DSLR is going nowhere. Here’s why.

In terms of brands, there are no great surprises when it comes to the most popular choices: Canon leads the way, with Nikon close behind. More surprising is the fact that only one finalist was shooting on Sony — the same as the number working with Leica, and significantly behind Fujifilm. Sony may have produced one of 2018’s most popular full-frame cameras in the shape of the a7 III, but photojournalists seem to prefer to stick with what they know.

Read More:

fstoppers

~

Tamron Unveils the 35-150mm f/2.8-4 FF Lens for Canon and Nikon

 Gear  Comments Off on Tamron Unveils the 35-150mm f/2.8-4 FF Lens for Canon and Nikon
Apr 292019
 

Tamron has announced the new 35-150mm f/2.8-4 Di VC OSD (Model A043), a fast and compact portrait zoom lens for Canon and Nikon full-frame DSLRs.

The lens measures just 4.9 inches (12.4cm) long and features fast, quiet, and precise autofocus thanks to the OSD (Optimized Silent Drive) DC motor.

The Dual MPU (Micro-Processing Unit) system in the lens helps provide solid AF performance and 5-stop vibration compensation at the same time.

Read More:

petapixel

~

The Cameras That Shot the Winning Photos of World Press Photo 2019

 Cinematography, Gear  Comments Off on The Cameras That Shot the Winning Photos of World Press Photo 2019
Apr 222019
 

World Press Photo just announced the winning photos for the 2019 edition of it’s world’s most prestigious photojournalism contest. Camera metadata shared alongside the top photos is again providing us with an inside look at what gear the world’s top photojournalists are using at the moment.

The Spanish photography site Photolari gathered all the data and published a breakdown of the brands, systems, cameras, and sensor formats used this year.

While Nikon surprisingly took the crown from Canon in 2018 with 52% representation among winning photos compared to Canon’s 30%, Nikon’s time at the top didn’t last long. This year, Canon struck back and was behind 46.4% of the winning photos compared to Nikon’s 36.8%.

While Sony has made huge strides in the camera market over the past year — it became #1 in full-frame cameras in the US last year — its use by the photojournalists in World Press Photo hasn’t changed. Only a single finalist photographer was confirmed to have used a Sony camera (the a7R II) for their work.

Read More:

petapixel

~

Will The Next Nikon Z Be An Entry-Level Camera?

 Cinematography, Gear, Mirrorless  Comments Off on Will The Next Nikon Z Be An Entry-Level Camera?
Mar 102019
 

Now that Canon has recently announced the EOS RP, is the next Nikon Z camera on its way? And if it is, where will it fall in the Nikon Z lineup of cameras? If rumors are correct, the next Nikon Z camera will most likely be aimed at an entry-level full-frame user. Perhaps called the Nikon Z5?

Numerous sites are reporting that a Nikon executive has confirmed that a new Z series camera is being developed for the entry level user. It appears that Nikon is going to follow Canon’s lead of offering a mirrorless full-frame camera to the entry-level community. With the vast majority of the photography community panning the Canon EOS RP, will this be an opening for Nikon to grab a share of the entry-level full-frame mirrorless camera market? Or will Nikon succumb to the same reviews as the Canon EOS RP?

Read More:

fstoppers

~

Nikon Unveils the NIKKOR Z 24-70mm f/2.8 S

 Gear  Comments Off on Nikon Unveils the NIKKOR Z 24-70mm f/2.8 S
Feb 182019
 

Nikon has announced the new NIKKOR Z 24-70mm f/2.8 S lens for its full-frame mirrorless cameras.

The lens is the first to feature Nikon’s new ARNEO coating, which complements Nikon’s Nano Crystal Coat to further reduce flare and ghosting.

“While Nano Crystal Coat suppresses ghosting and flare coming from backlight at diagonal angles, the ARNEO coat compensates for light entering the lens from vertical angles,” Nikon says. “This expanded field enables the lens to capture exceptional contrast and sharpness even when the light source is visible inside the frame.”

The lens is also the first NIKKOR Z lens to feature a dedicated manual focus ring (that’s present in addition to the customizable control ring), a Function (L-Fn) button, and an info display.

The Organic EL Lens Information Panel on the side of the lens displays key settings such as focus distance, depth-of-field, aperture, and focal length.

Read More:

petapixel

~

BUTTER GRIP Offers 3D-Printed Grips for Classic Film Cameras

 Gear  Comments Off on BUTTER GRIP Offers 3D-Printed Grips for Classic Film Cameras
Dec 032018
 

Shoot a classic film camera but wish it had better ergonomics? BUTTER GRIP is a new line of 3D-printed grip attachments designed specifically for a large number of vintage cameras.

The brand is the brainchild of photographer Ethan Moses, the guy behind the 3-printed Cameradactyl 4×5 field camera.

“So far I’ve modeled all the cameras in my personal camera graveyard and working collection, and my friends Canon collection,” Moses tells PetaPixel. “I think that I made the first ever RIGHT hand grip for a Pentax 6×7.”

Read More:

petapixel

~

This $23,000 Nikon DSLR Kit on the ISS Had a Delivery Fee of $130,000+

 Gear  Comments Off on This $23,000 Nikon DSLR Kit on the ISS Had a Delivery Fee of $130,000+
Nov 132018
 

The astronauts onboard the International Space Station get new cameras delivered from time to time — 10 Nikon D5s arrived in late 2017 after NASA ordered 55 of them. But did you know that it’s extremely expensive to stock the ISS astronauts’ camera arsenal? That camera kit you see above cost at least $150,000 to send to the space station.

This past weekend, German ESA astronaut Alexander Gerst Tweeted photos of himself giving Russian cosmonaut Sergey Prokopyev a haircut in the Zvezda Service Module. That service module is where the station’s Nikon gear is mounted to the walls, so Gerst’s photos provide the latest look at what camera gear the astronauts are shooting with.

Read More:

petapixel

~

Canon and Nikon Are Approaching the Mirrorless Market From Opposite Sides, but Who Is Right?

 Gear  Comments Off on Canon and Nikon Are Approaching the Mirrorless Market From Opposite Sides, but Who Is Right?
Nov 112018
 

With Photokina behind us and the unprecedented amount of new cameras and lenses announced over the past few months, we’ve had some time to let the dust settle, and there is something very interesting about just how differently Canon and Nikon are approaching the full frame mirrorless camera market. The question is: who is right?

Over the past few months, both Canon and Nikon have released their first full frame mirrorless cameras, Canon with the EOS R and Nikon with the Z7. Canon markets the EOS R as a sort of prosumer/enthusiast-level camera along the lines of the 6D Mark II and priced to match at $2,300 for the body — very similar to the 6D Mark II’s price on release. This contrasts the Nikon Z7, which is being touted as a sort of mirrorless D850, and its $3,400 price tag suits this comparison very well.

While two cameras having different prices isn’t interesting, when we take a deeper look into their currently available, upcoming, and rumored lenses, we can see the different approaches that Nikon and Canon are taking with their mirrorless full frame cameras. Alongside Canon’s enthusiast-level camera, they have released four lenses: the 28-70 f/2L zoom, the 50mm f/1.2L, the 24-105 f/4L, and the 35mm f/1.8 Macro. If you notice, three of those four lenses are L branded, Canon’s professional-level branding.

Read More:

fstoppers

~

Nikon Announces NIKKOR AF-S 500mm f/5.6E PF ED VR Compact Super-Telephoto Lens

 Cinematography, Gear  Comments Off on Nikon Announces NIKKOR AF-S 500mm f/5.6E PF ED VR Compact Super-Telephoto Lens
Aug 232018
 

Following up Nikon’s big mirrorless announcement, Nikon also announced a much-anticipated F-mount lens: the AF-S 500mm f/5.6E PF ED VR super-telephoto lens.

UPDATE: Pre-orders now available.

Nikon’s newest super-telephoto is another addition to its PF series of lenses that use a phase fresnel lens element in order to reduce the size and weight of what would otherwise be a much larger lens similar to more traditional fast, super-telephotos. The maximum diameter of this 500mm f/5.6E PF lens is 106mm, and it’s just 237mm long. It weighs about as much as the AF-S 70-200mm f/2.8E FL ED VR lens, which is quite a feat for a lens with such reach. Most fast 500mm lenses weigh about twice that much. Naturally, this lens features Nikon’s dust- and drip-resistance as well as a fluorine coat on the front element to help repel dirt and moisture (and to also make it easy to clean).

Read More:

cinema5D

~

Nikon Announces the Nikon Z6 and Z7 Mirrorless Cameras

 Gear  Comments Off on Nikon Announces the Nikon Z6 and Z7 Mirrorless Cameras
Aug 232018
 

Nikon is finally here with its first professional, full-frame mirrorless cameras: the Z6 and the higher-megapixel Z7.

UPDATE: Pre-orders now open. Order now to get in line before everyone else.

We’ve waited for a long time for this, and now, after watching Sony from afar, tonight Nikon announced its answer to Sony’s rather successful a7- and a9-series cameras. The Z6 is Nikon’s low-light, mid-resolution body, high frame-rate body while the Z7 is a high-resolution equivalent. Alongside the Z-mount system, Nikon also introduced a new AF-S 500mm f/5.6E PF ED VR compact, super-telephoto lens with the standard F-mount. But let’s dive right into the specifications for the Z cameras.

Nikon Z6

  • $1,995.95, $2,599.95 with 24-70 f/4 kit lens
  • Available late November 2018
  • 24.5 MP full-frame sensor
  • ISO 100-51,200 (expands to 204,800)
  • 273 AF point, Hybrid PDAF, 90-percent viewfinder coverage
  • 3.6M EVF
  • 3.2-inch, 2.1M touchscreen
  • 12 fps
  • Video: Full HD at 120p, 4K at 30p, N-LOG profile (4:2:2 10-bit HDMI)
  • Focus peaking and zebra stripes
  • 5-axis image stabilization
  • Single XQD card slot
  • Weather-sealed body
  • Bluetooth, Wi-Fi
  • EN-EL15b battery (supports both EN-EL15a/b)
  • Weighs 585g (similar to Sony a9 with battery)

Nikon Z7

  • $3,399.95, $3,999.95 with 24-70 f/4 kit lens
  • September 27 availability
  • 45.7 MP full-frame sensor
  • ISO 64-25,600 (expands to 102,400)
  • 493 AF point, Hybrid PDAF, 90-percent viewfinder coverage
  • 3.6M EVF
  • 3.2-inch 2.1M touchscreen
  • 9 fps
  • Video: Full HD at 120p, 4K at 30p, N-LOG profile (4:2:2 10-bit HDMI)
  • Focus peaking and zebra stripes
  • 5-axis image stabilization
  • Single XQD card slot
  • Weather-sealed body
  • Bluetooth, Wi-Fi
  • EN-EL15b battery (supports both EN-EL15a/b)
  • Weighs 585g (similar to Sony a9 with battery)

Read More:

fstoppers

~

Seven More of the Best Nikon Tricks

 Gear  Comments Off on Seven More of the Best Nikon Tricks
Mar 132018
 

Although it is popular to talk about mirrorless cameras these days, DSLR cameras are still alive, and with the help of some useful tricks, you can make the most of your DSLR. Especially if you own a Nikon camera, you might be surprised with these features that most photographers skip using.

Well-known nature photographer Steve Perry has published a video previously about Nikon tricks, and in this second video of the series, he shares seven new tricks about Nikon cameras, with in-depth explanations.

Read More:

fstoppers

~

How Good Are Adapted Lenses for Mirrorless Cameras in 2018?

 Gear  Comments Off on How Good Are Adapted Lenses for Mirrorless Cameras in 2018?
Mar 112018
 

Sony is growing by leaps and bounds, but one of the biggest advantages Canon and Nikon continue to hold is the deep investment a lot of their users have made in native lenses. This great video examines the current state of affairs for adapters and if they can work for you.

Coming to you from The Camera Store TV, this helpful video will show you just what you can expect from trying to use adapted lenses on mirrorless cameras in 2018. I’m personally shooting mostly with a Sony a7R III these days, and I’ve found that that in combination with a Metabones V adapter actually works better for my Canon 85mm f/1.2L II lens than a native body, as the adapter still works about as quickly as a Canon body, but there are no AFMA errors as one encounters with DSLR bodies (even after years of AFMA adjustments, this lens is still finicky for me). Combine that with Eye AF and my keeper rate went up substantially when I switched to a Sony body, so much so that I now trust the Sony enough to make it my main body for a lot of work. If you’re curious about their system but married to a lot of Canon or Nikon glass, now is a good time to watch the video above.

Read More:

fstoppers

~

A Canon Full-Frame Mirrorless Camera May Arrive in 2018 with New Sensor

 Gear  Comments Off on A Canon Full-Frame Mirrorless Camera May Arrive in 2018 with New Sensor
Oct 082017
 

It looks like Canon and Nikon are now racing to unleash a full frame mirrorless camera on the world of photography. Nikon has given numerous statements in recent days that seem to confirm its development of such a camera, and now more details are emerging of an upcoming Canon full-frame mirrorless camera as well.

Canon Rumors is hearing from a trusted source that Canon’s first full-frame mirrorless camera will contain its own dedicated CMOS sensor rather than one that’s already being used in Canon’s full frame DSLR cameras (e.g. the 6D Mark II and the 5D Mark IV).

Read More:

petapixel

~

Nikon D850 Full Frame 4K!

 Adorama Deals, Cinematography, Gear, News  Comments Off on Nikon D850 Full Frame 4K!
Aug 242017
 

Record 16:9 4K Ultra HD (3840×2160) in full frame glory using the total widthof the D850’s back-side illuminated CMOS sensor. Take advantage ofthe large sensor size for clean output at high ISO and for shooting with zerocrop factor with full-frame NIKKOR lenses3, including wide and ultra-wideangle lenses.

 

I think this is just what I need… I have been a Nikon user but switched to Canon a number of years ago. I just may switch back!

Pre-Order Now:

The new Nikon D850 is now available for pre-order. Expected ship date is 09/7/2017

Nikon D850 FX-format Digital SLR Body – $3296.95

New Accessories:
MB-D18 Multi-Power Battery Pack – $396.95
Nikon ES-2 Film Digitalizing Adapter Set for D850 – $139.95
AN-DC18 Strap – $24.95
FH-4 Strip Film Holder $34.95
FH-5 Slide Mount Holder – $24.95

Nikon D850 Announced

 Adorama Deals, Cinematography, News  Comments Off on Nikon D850 Announced
Aug 242017
 

Nikon D850

The Nikon D850 is now official after quite a bit of anticipation following a development announcement just a few short weeks ago. Thankfully, Nikon has not disappointed and the new D850 houses some of the best specifications and features of any modern camera. Headlining the announcement is a new full frame 45.7MP BSI (back side illuminated) sensor with no low pass filter. We first saw this technology implemented in the Sony A7RII and it should allow for amazing dynamic range while still retaining great low light results, even with the higher resolution sensor. When the Nikon D800 first pioneered the high resolution DSLR, it did so with limited speed and performance. Thankfully the D850 matches the Canon 5D Mark IV’s ample 7fps shooting speed and can even exceed it by shooting up to 9fps when paired with the MB-D18 battery grip and EN-EL18a/b battery. Alright Nikon, you have my attention!

Read More:

 

Comparison Breakdown: The Lightest, Most Affordable, Professional Full-Frame System

 Gear  Comments Off on Comparison Breakdown: The Lightest, Most Affordable, Professional Full-Frame System
Jul 272017
 

In a world where less than a handful of brands are considered well-established in the professional full-frame camera market and where more than a handful of other brands have done a very healthy share of innovating to wedge their way into the market, where do we stand? If you’re going to buy a new system to start fresh or are just starting out and getting serious, this is for you. Here’s a thorough comparison of the major bodies and lens kits you’ll likely be considering. As long as you’re considering full frame, regardless of budget, here’s a comparison for it.

The DSLR establishment is extremely interested in the possibility of mirrorless cameras, and rightly so. They’re faster, cheaper, lighter, and more compact… or are they? If you’re thinking of Fujifilm’s X-Series cameras, you’d be right. And those might work for you. But for professionals coming from the top DSLR brands, they’ll be lacking in speed, versatility, and sensor size (not to mention ISO performance), as they’re all APS-C-based. But what about the full-frame mirrorless cameras? Of course, we’re now talking about Sony’s a7-series cameras.

YouTuber Duncan Dimanche recently published a video that compared the price and weight of an entry-level full-frame kit from four different brands, including Canon, Nikon, Pentax, and Sony. NikonRumors has a great summary of that video, but there were a few issues in there. First and foremost, none of the combinations of lens kits were anything that any reasonable person would purchase together. It was a good first effort, but with a number of the zoom ranges of the cheap lens kits overlapping and with the results slightly skewed toward Nikon with a few interesting and cheaper not-quite-equivalent options included (and I’m a Nikon fan, even), the video didn’t quite do it for me. Still, it more than piqued my curiosity. Let’s dive into a comparison based on what we’d actually get. Scroll down to the conclusion for the final advice, or read on to get all the details.

Read More:

fstoppers

~

Canon 5D Mark IV vs Nikon D810 vs Sony A7R II: Side-by-Side Comparison

 Gear  Comments Off on Canon 5D Mark IV vs Nikon D810 vs Sony A7R II: Side-by-Side Comparison
Jan 012017
 

If you’re in the market for a high-end full-frame camera, chances are good the Canon 5D Mark IV, Sony A7R II, and Nikon D810 are all contenders. Check out this side-by-side comparison if you’re having a hard time deciding which of the three is best for you.

This comparison was put together by JP Morgan over at The Slanted Lens, who enlisted the help of Kenneth Merrill to put all three of these cameras through their paces using native glass. They tested image quality, autofocus accuracy and tracking, dynamic range, and high ISO/low light performance to see where each camera excelled, or if there’s even a noticeable difference.

You should definitely check out the full video to see the comparison tests and judge the results for yourself, but if you’re in a hurry, you can read our summary below.

fullframeshootout_feat

Image Quality

Canon really fell short here, but then again it’s also the lowest resolution camera of the bunch at just 30.4MP compared to Nikon’s 36.3MP and Sony’s 42MP. Both the Nikon and Sony came out very sharp, but each exposed the scene a little differently, and the lower res Nikon seems to have generated the highest quality image.

Autofocus

Sony won tracking hands down thanks to the plethora of AF points going all the way to the edge of the sensor and its nifty Face Detection mode. As far as accuracy, Nikon seems to hit the mark more accurately than Canon (the Sony had to sit this test out).

Read More:

petapixel

~

Fstoppers Reviews the New Best Portrait Lens, the Nikon 105mm f/1.4, By Quentin Decaillet

 Gear  Comments Off on Fstoppers Reviews the New Best Portrait Lens, the Nikon 105mm f/1.4, By Quentin Decaillet
Nov 302016
 

Canon has always been known for its fabulous portraits lenses: the 85mm f/1.2 and the 135mm f/2. I used to own and love both of them, with a preference for the first. When I bought into the Nikon system, I was afraid I would miss these two optics. But truth be told, the Nikon 85mm f/1.4 is at least as good as its Canon equivalent if not better! Regarding the 135mm, that’s a whole different story as the Nikon’s is quite old now. However, they recently announced the 105mm f/1.4, and I had the chance to put my hands on it for a few weeks! Let’s see how it compares with other portrait lenses and if it could potentially replace a 135mm.
Many people regarded the 105mm f/1.4 announcement as very bizarre. The new portrait lens is not extremely different from the 85mm in terms of focal length and most people probably expected a 135mm replacement instead. Nonetheless, the 105mm in itself is an interesting focal length for many uses, especially for someone who owns a 58mm even though they don’t share the same image quality or look at all.

Build Quality
When taking the lens in your hands for the first time, you immediately notice its weight and size. It’s not small by any means. For someone used to the Canon 85mm f/1.2, it’s nothing very surprising, but for Nikon users, it might feel beefy.

Canon 5DII with 85mm f/1.2 vs. Nikon D810 with 105mm f/1.4

Canon 5DII with 85mm f/1.2 on the left and Nikon D810 with 105mm f/1.4 on the right

Read More:

fstoppers

 

Nikon Awards Prize to Badly ‘Shopped Photo, Hilarity Ensues

 News  Comments Off on Nikon Awards Prize to Badly ‘Shopped Photo, Hilarity Ensues
Feb 102016
 

Nikon Singapore posted an announcement on its Facebook page yesterday, congratulating a photographer named Chay Yu Wei for capturing a perfect shot of an airplane framed by a ladder in Chinatown.

Photographers quickly pointed out that the photo is clearly the result of editing, and sarcastic comments soon flooded the post.

“Yu Wei chanced upon a set of ladders while on a photowalk with his friends in Chinatown, and thought the view above would make an interesting perspective,” Nikon wrote. “Little did he expect to catch an airplane in mid-air. We’ll try looking up too, Yu Wei.”

For the photo, reportedly shot with a Nikon D90 at f/2.8 and 1/1600s, Chay was gifted with a Nikon-branded trolley bag.

Read More:

petapixel

~

Nikon Lenses Leaked: 24-70mm f/2.8 VR, 24mm f/1.8, and 200-500mm f/5.6 VR

 Gear  Comments Off on Nikon Lenses Leaked: 24-70mm f/2.8 VR, 24mm f/1.8, and 200-500mm f/5.6 VR
Jul 312015
 

nikonlenses

It appears that Nikon is on the verge of announcing three new Nikkor lenses. Newly leaked photos and specs received and published by the Japanese website Digicam-inforeveal an upcoming 24-70mm f/2.8 VR, 24mm f/1.8, and 200-500mm f/5.6 VR.

Read More:

petapixel

~