So this is it; it’s finally here to clear up the speculation and put to bed the inaccuracies. I say that because this impending release has been grabbing blog copy and forum fodder for weeks, like a ghost that hangs around but never reveals itself. But here it is. Finally.
It’s hard to imagine a single Canon camera more anticipated than a new 5D, and this one maybe more so than the last because of Nikon’s comparatively big releases with the D500 and D5, and the leak about the 5D Mark IV with that one particular sticking point and marketing magic-soundbite: that Dual Pixel Raw (more on that further on). There’s much to say about the camera that’s in many ways a re-structuring from top to bottom, inside and out, but perhaps we’ll get into all of that in later discussion, and more when we get our hands on one to review in the very near future. So for now here’s the Cliff Notes…
The Canon 5D Mark IV is, though familiar in look and controls, a new animal. It has a new sensor, improved AF and metering sensors like the 150,000 pixel RGB+IR sensor that allows for better subject recognition and tracking; new processor; a built in GPS receiver for latitude, longitude and elevation; built-in WiFi and NFC connectivity, and all enclosed in a familiar but better sealed body. It’s an all ‘round update. Oh, and it also does 4k at 30FPS, has a 7FPS max shooting mode, touch screen, Dual Pixel CMOS AF, and the brand new party trick, Dual Pixel Raw. That is, the 5D Mark IV on the half shell.
30.4MP Full-Frame CMOS Sensor
DIGIC 6+ Image Processor
3.2″ 1.62m-Dot Touchscreen LCD Monitor
DCI 4K Video at 30 fps; 8.8MP Still Grab
61-Point High Density Reticular AF
Native ISO 32000, Expanded to ISO 102400
Dual Pixel RAW; AF Area Select Button
Dual Pixel CMOS AF and Movie Servo AF
7 fps Shooting; CF & SD Card Slots
Built-In GPS and Wi-Fi with NFC
One of the world’s most popular cameras may be about to get a huge leap in tech and quality: a new report says that Apple is planning to introduce dual rear cameras in its upcoming iPhone 7 Plus.
AppleInsider reports that this news comes from KGI Securities’s Ming-Chi Kuo, one of the world’s top Apple analysts. Kuo says the technology is from Apple’s acquisition of LinX in April 2015. LinX was an Israeli startup that was developing multi-camera modules that promised to give phones DSLR-esque performance.
The Light L16 is basically 16 cameras in one. It packs the power of a DSLR into the small form factor of a smartphone, and allows you to change your DoF and focal length after you’ve captured your image.
The L16 is the world’s first multi-aperture computational camera. Utilizing a folded optics design, it simultaneously captures up to 10 images with 16 separate cameras at 3 focal lengths and then combines them using its computational algorithm to produce a 52MP image. This allows users to adjust depth of field, focus, and exposure after the images has been captured. Furthermore, thanks to the 16 cameras that range in focal lengths between 35mm to 150mm, the L16 will choose a subset of those cameras to capture images based on the field of view the users sets themselves.
Take a look at this promo for the Light L16 camera:
At IBC, Italian company SmartSystem were showing the latest updates to their range of sliders with a unique fluid drag system system instead of a traditional moving belt. As a result these sliders offer a very smooth travel motion – probably the smoothest I’ve seen. There is a Reflex version for smaller cameras and a Pro version that can carry weights of up to 100kg.
The Milvus lenses from ZEISS will impress you with their
constantly excellent image performance across all focal
lengths – regardless of whether they are used for portrait,
landscape, event or other types of photography. They are
optimized for high-resolution DSLR cameras.
The new release versions 12 of DaVinci Resolve Studio and Davinci Resolve are out of beta and available for download at:
DJI have announced two replacement cameras for their Inspire 1 UAV. The ZenMuse X5 and X5R replace the stock Zenmuse X3 camera with a Micro Four Thirds 4K camera, fully controllable from the ground via DJI’s GO app. The system uses standard interchangeable MFT lenses and can take 16MP stills or video. Updateable colour profiles will also offer the ability to shoot flat images to maximise the benefit of a claimed 13 stops of dynamic range. A complete Inspire 1 and X5 system will cost $4,499US; a camera-only upgrade for existing owners is also planned for $2,199US. The X5R, a Cinema DNG RAW capable version of the camera, will be available as a complete package for $7,999. Thanks to Matt at Newsshooter.com.
I am a big fan of DXO Optics Pro and DXOMark. Now DXO has released the DXO One camera for the iPhone. However there is a significant issue of the combo coming loose…
Nothing seems to be a more tedious task than the need to fill out paperwork. Especially if the paperwork has to be sent back and forth between you and a client multiple times. Luckily, Agree.com is a website that aims at making contracts easy to compile and sign for photographers (and videographers, designers, and more). Let’s take a moment to try out the service and is if it delivers on its promise of simplicity.
At this time, you need an invite code to join Agree but we were able to secure one for testing purposes. Others interested can head over to the site to join the current waiting list. We will be testing the free version of Agree that allows us to create and have up to three action contracts at a time. We will discuss the full pricing options towards the end of this article.
GoPro has just announced a new action camera, it’s smallest camera yet. The new GoPro HERO4 Session is 50% smaller and 40% lighter than the HERO4 Black and Silver, and its cube-style design is strangely similar to Polaroid’s Cube+ action camera.
Here’s a second video that introduces the camera and its specs/features:
TV manufacturers have found that one of the most reliable ways to get consumers to buy a new TV is to push more pixels. The big jump was from Standard Definition (480 horizontal pixels using interlaced scanning) to High Definition (1080 horizontal pixels using progressive scanning). Today, we’re being pushed to buy “4K” TVs, but that definition switches the emphasis from horizontal pixels (there are 2160 of those) to the spec’s vertical pixels (3840) because it’s so much bigger than 1080.
Recently, however, an entirely new buzzword has entered the manufacturer’s vocabulary: High Dynamic Range (HDR). Suddenly the discussion isn’t just about more pixels, but better pixels. At its most basic, HDR delivers greater contrast between light and dark areas of a video image. How does that work and how important will it end being to your TV enjoyment? I shall endeavor to enlighten you.
If you’re familiar with High Dynamic Range at all, it’s likely via a setting on your smartphone or digital camera. As its name implies, the feature increases the dynamic range—the ratio of light to dark—in your photographs. It accomplishes this by photographing the subject three times at different exposures, doubling the light in each picture. The three images are then blended into one (in a program such as Photoshop, if the device doesn’t handle it internally) that retains the darkest and brightest parts from the first and third exposure, respectively. The result should be a brighter, more detailed picture that’s much closer to what your eye sees.
The idea behind HDR video is similar: It increases the range of brightness in an image to boost the contrast between the lightest lights and the darkest darks. If you’re having difficulty grasping how that translates into a more realistic image on your screen, think of the subtle tonal gradations a fine artist creates in a charcoal drawing to build the illusion of volume, mass, and texture, and you should begin to get the picture. But HDR doesn’t just improve grayscale; its greater luminance range opens up a video’s color palette as well. “Basically, it’s blacker blacks, whiter whites, and higher brightness and contrast levels for colors across the spectrum,” says Glenn Hower, a research analyst at Parks Associates.
The result is richer, more lifelike video images. Rather than washing out to white, as it would in conventional video, a ray of sunlight reflecting off a lake in HDR will gleam, and a bright cloud will appear soft and cottony. Basically any image your current TV would render shadowed, dull, muddy, or bleached out will look nuanced, vibrant, and strikingly realistic in HDR.
Sony presented some amazing new products at NAB 2015. Here Claus Pfizer speaks to these new HDR developments.
If you’re in the business of making drones for photography, it takes a bit to stand out from the crowd these days. Drone-mounted cameras are only getting better, and the vehicles themselves are only becoming more capable of accommodating higher quality lenses and equipment. Freefly Systems is looking to add another element to the airborne filmmaking mix with a professional-grade UAV that can fly with a camera above its body.
The hexacopter comes ready to fly out of the box, with a whopping 15 lb (6.8 kg) payloadThe company claims that the vehicle also has regenerative brakingThe hexacopter comes ready to fly out of the box, with a whopping 15 lb (6.8 kg) payload The company claims that the vehicle also has regenerative brakingView all
Seattle-based Freefly Systems unveiled its Alta drone at this week’s National Association of Broadcasters (NAB) show in Las Vegas, along with some impressive filmmaking gear. The hexacopter comes ready to fly out of the box, with a whopping 15 lb (6.8 kg) payload to tow bulky, high quality shooters such as the 6K Red Dragon, Sony F55 and the Alexa Mini.
While impressive, carrying cutting edge cinematography equipment isn’t what really sets the Alta apart from competitors. In addition to toting a camera underneath, the company’s MoVI stabilizers can just as easily be mounted to the top to enable shooting from entirely new angles. We’ll admit, our first reaction was along the lines of, “why would you need to do that?” But the Alta’s promo footage quickly put such skepticism to bed.
While still leaving many questions unanswered, Technicolor is using this week’s National Association of Broadcasters Show to reveal more of its plans to support high dynamic range, a feature that expands the range between the whitest whites and blackest blacks that can be seen on a TV or movie screen.
Announced steps include HDR color grading services for movies, TV shows and commercials. Also, the company plans to license what it calls an Intelligent Tone Management plug-in, developed to help broadcasters to create HDR content in their own facilities.
Hollywood is interested in HDR, but a challenge to a rollout is that various, some proprietary, formats are appearing.
Technicolor said its color grading services would launch in Los Angeles in June, supporting the HDR guidelines set by the UHD Alliance, an industry coalition that includes most of the Hollywood studios. Those guidelines, however, have not yet been set; Technicolor is hopeful something might be in place in the foreseeable future.
The Intelligent Tone Management plug-in was created to analyze video in real time and provide colorists with more control of luminance in the shadows, mid-tones and highlights. The company plans to license the plug-in, which is being tested with a planned release in June.
At NAB, Autodesk is demoing the plug-in with the Autodesk Lustre color grading system and Blackmagic Design, with its DaVinci Resolve color grading software. FilmLight also is planning support for its Baselight grading system.
For photographers, finding the perfect way to capture the moment can become an obsession. Sometimes you want to depict real life, but other times you just want to convey a feeling. A vision. A dream.
Impression is designed to help you realize your vision by transforming your photos into realistic-looking studio art. Easy-to-use presets (47 of them!) allow you to pick and choose across entire art movements in a few simple clicks. What’s more, you can pull from a huge store of creative adjustment options to make masterpieces uniquely yours. No prior knowledge of art is required – all you need is a photo and an unbounded imagination!
Here is an image I processed with Topaz Impression with about three minutes of practice:
Blackmagic Design today announced Blackmagic URSA Mini, a compact and lightweight Super 35 digital film camera that looks to bring all the greatness found in the original URSA in a size that is far more convenient for all-day use, as the original URSA is quite large and heavy. URSA Mini features the same new 4.6K image sensor that was just announced for the full size-URSA, switchable global or rolling shutter, up to 15 stops of dynamic range, a large 5 inch fold out viewfinder and dual RAW and Apple ProRes recorders.
Blackmagic URSA Mini is available in 4 models, customers can choose either EF or PL lens mounts and 4K or 4.6K image sensors. Prices for the Blackmagic URSA Mini start at $2,995 for the 4K EF model.
Panasonic will introduce a new Micro Four Thirds hybrid photo/video camera at the 2015 NAB show (April 11-16th). Here are some of the rumored specs:
“For the first time, the exhilarating image quality, low-light capabilities and speed of a Nikon DSLR are available with the convenience of built-in Wi-Fi® and Near Field Communication (NFC). Introducing the D7200, the new star of Nikon’s DX-format line-up. Whether you’re a passionate photographer or videographer looking for a tool to ignite your creativity, a pro in need of a nimble second camera or someone looking for an ideal blend of versatility and convenience, the D7200 is ready for your challenge.”
Alex Chacón, the creator of the “Most Epic Selfie Video of 2014”, has taken the selfie game to a whole new level. He traveled to Veracruz to combine his passion for selfies and drones creating a unique and amazing road-trip video shot entirely on a drone. The “dronie” concept combines a selfie in motion captured by a drone (quadcopter)! Come on board and watch him explore the majestic land of Veracruz from a whole new perspective!