A Review of the Sony FE 200-600mm f/5.6-6.3 G OSS Lens

 Gear  Comments Off on A Review of the Sony FE 200-600mm f/5.6-6.3 G OSS Lens
Jan 222020
 

We would all love to have the absolutely astounding supertelephoto primes that the pros use, but with prices well into five figures, they are simply not in the cards for most of us. Luckily, in the last few years, companies have been releasing better and better long zooms at more affordable prices. This great review takes a look at the Sony FE 200-600mm f/5.6-6.3 G OSS lens.

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Laowa 4mm f/2.8 Fisheye Lens Now Available for EF-M-, X- and E-Mount

 Gear  Comments Off on Laowa 4mm f/2.8 Fisheye Lens Now Available for EF-M-, X- and E-Mount
Jan 212020
 

Venus Optics launched their Laowa 4mm f/2.8 Circular Fisheye lens in three new versions for popular mirrorless cameras. New mounts include Canon EF-M, FUJIFILM X-Mount, and Sony-E. The lens in all its versions is available now for around $199.

Laowa 4mm f/2.8 Fisheye lens for new mirrorless mounts. Source: Venus Optics

Back in August 2019, Venus Optics launched their unique Laowa 4mm f/2.8 Circular Fisheye lens for the Micro Four Thirds lens mount. Five months later, the company launches this lens also for other popular mirrorless mounts.

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Sony Unveils Wireless Shooting Grip for Mirrorless Cameras

 Gear  Comments Off on Sony Unveils Wireless Shooting Grip for Mirrorless Cameras
Jan 152020
 

In a continued attempt to woo vloggers and travel shooters, Sony today unveiled the GP-VPT2BT: a “wireless shooting grip” for mirrorless cameras that lets users switch seamlessly between shooting video and stills on the run.

The GP-VPT2BT is a “shooting grip with wireless remote commander” that’s compatible with all of Sony’s latest mirrorless cameras—the a9 II, a9, a7R IV, a7R III, a7 III, a6600, a6400, and a6100—as well as the RX100 VII and RX0 II, as long as you’re running the latest firmware. The grip allows you to securely use the camera at arm’s length, while putting control of key camera functions right on the handle.

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Is Fuji About to Release the X-T4 and Two Other New Cameras?

 Gear, Mirrorless  Comments Off on Is Fuji About to Release the X-T4 and Two Other New Cameras?
Jan 152020
 
Is Fuji About to Release the X-T4 and Two Other New Cameras?

It appears that Fuji may have a busy couple of months coming up, with rumors that the X-T4, X100V, and X-T200 may be announced as soon as February 4. Is Fuji beginning to match Sony’s aggressive release schedule? Will we see some major changes to the successor of the incredibly popular X-T3?

FujiAddict reports that the X-T4 will be ⅓ of an inch thicker and up to 5 oz heavier than its predecessor, also touting 6K 60p with 10-bit internal recording and a fully articulating screen. The larger size would make sense, as the smart money is betting on the X-T4 having in-body image stabilization, one of the few features that videographers felt was missing from the X-T3. It would also accommodate a larger battery, which will be greatly welcomed by Fuji shooters used to carrying a handful of NP-W126S batteries with them, a model that’s been used across a wide range of Fuji bodies for several years now.

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Two New Canon Mirrorless Cameras Are Likely Coming in the Next Few Months

 Cinematography, Gear, Mirrorless  Comments Off on Two New Canon Mirrorless Cameras Are Likely Coming in the Next Few Months
Jan 152020
 
Two New Canon Mirrorless Cameras Are Likely Coming in the Next Few Months

Canon’s mirrorless lenses have been quite successful for the company, offering impressive optical quality that sets the bar quite high. However, Canon fans are still waiting for a stronger mirrorless body that pushes the boundaries a bit more from the company. The good news is that it seems that will be changing soon, as the company is likely to release two new mirrorless cameras in the coming months.

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Canon Unveils the G1X: A Large Sensor Compact Answer to the Mirrorless Craze

 Gear, Mirrorless  Comments Off on Canon Unveils the G1X: A Large Sensor Compact Answer to the Mirrorless Craze
Jan 092020
 

Unlike Nikon, which jumped headfirst into the interchangeable lens mirrorless game last year, Canon appears to be content with simply upping the sensor size in its existing compact cameras. Today the company announces the G1X, a new camera into the G-series line that offers a sensor large enough to compete with existing mirrorless camera systems.

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SIRUI 50mm Anamorphic Lens Review and Sample Footage

 Gear  Comments Off on SIRUI 50mm Anamorphic Lens Review and Sample Footage
Dec 202019
 

The new SIRUI 50mm anamorphic lens is promising to revolutionize a territory that, up until now, was out of reach for many. For $700 this lens sounds too good to be true, so I took it for a short spin and I’m happy to share my thoughts with you guys. 

SIRUI 50mm anamorphic lens on a FUJIFILM X-T3. Image credit: cinema5D

Earlier this year during IBC, we had the chance to talk to Sonny from SIRUI who was kind enough to share with us some details about their upcoming 50mm f/1.8 1.33x anamorphic lens, and while the idea of developing such lens was great, I was a bit skeptical in what the end product would look like or better said, how well it would perform optically-wise. Fast forward to the present time, and I have this lens on my desk. Now, before proceeding to talk about the lens, let me take a quick step back.

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Panasonic S1 – EXCLUSIVE $400 cinema5D Discount + Free $200 V-Log Upgrade

 Gear  Comments Off on Panasonic S1 – EXCLUSIVE $400 cinema5D Discount + Free $200 V-Log Upgrade
Dec 102019
 

Panasonic is offering a sizeable discount on our “Mirrorless Camera of the Year“, the Panasonic S1, exclusively to cinema5D readers. Read on to learn more!

Last week, we published our long “mirrorless camera of the year” post, and while there have been MANY contenders, the Panasonic S1 came out on top for its perfect price/performance ratio. And Panasonic seems really happy about this result – they got in touch offering an exclusive $400 discount for cinema5D readers, plus the V-Log Filmmaker Upgrade worth $199 for free!

In order to get hold of this offer, you have to order the Panasonic S1 via this exclusive link at B&H.

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The First Half of 2020 Will Brings Lots of Mirrorless Announcements From Canon

 Gear, Mirrorless, News  Comments Off on The First Half of 2020 Will Brings Lots of Mirrorless Announcements From Canon
Nov 152019
 
The First Half of 2020 Will Brings Lots of Mirrorless Announcements From Canon

Canon is slowly filling out its mirrorless line, but there are still some cameras and lenses that photographers are waiting to complete their kits or to justify switching. The good news is that Canon seems to be planning a lot of releases for their mirrorless line in the first half of 2020.

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FilmConvert Camera Pack for Panasonic LUMIX S1 and S1H Now Available

 Cinematography, Gear  Comments Off on FilmConvert Camera Pack for Panasonic LUMIX S1 and S1H Now Available
Nov 072019
 

FilmConvert has announced the addition of a new camera pack for the Panasonic S1 and S1H cameras. If you are a FilmConvert Pro or FilmConvert Nitrate user, you can download these new profiles for free. Let’s take a closer look


FilmConvert
 Camera Pack for Panasonic LUMIX S1 and S1H

The Panasonic LUMIX S1 and LUMIX S1H – the version for filmmakers – are currently on fire! Indeed, the S1H is the first Netflix approved mirrorless camera. Also, if you want to learn more about the S1H, you can take a look at our complete S1H review by clicking here and our lab test by clicking here.

FilmConvertS1S1H_Featured

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A First Look at the Fujifilm X-Pro3 Camera

 Gear, Mirrorless  Comments Off on A First Look at the Fujifilm X-Pro3 Camera
Oct 292019
 

The X-Pro3 is the latest camera from Fujifilm in their highly lauded X Series, and with it comes a highly interesting design with lots of features and power to spare. Is this unique camera the right one for you? This excellent first look video will give you a pretty comprehensive overview that should help you decide. 

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Panasonic S1H Lab Test – Dynamic Range and Rolling Shutter Results

 Gear, Mirrorless  Comments Off on Panasonic S1H Lab Test – Dynamic Range and Rolling Shutter Results
Oct 292019
 

Finally, we were able to put the Panasonic S1H to the test in our cinema5D lab. Looking at the various frame rates and resolutions, as well as the full frame and Super 35 modes of this camera, this turned out to be quite an endeavour. Ready for a lab marathon? Read on…


Panasonic S1H – Image credit: cinema5D

I have long waited for the day to come when I would be able to put the Panasonic S1H through our lab test procedures. I sold my Sony a7S II a while ago expecting a successor to be announced soon, now finding myself impatient in the waiting position for my next camera purchase … will this cam be it?

Spoiler alert: lab results are very impressive – the Panasonic S1H is the first camera in our tests, that shows nearly identical dynamic range results for the two ISO settings of the dual gain sensor! I will share most of the results in detail with you, so this is going to be a long read. Sorry about that…

As described by my colleagues Nino, Jeff, and Johnnie in detail here, the Panasonic S1H is designed with a “video first” mindset by Panasonic and ticks a lot of my personal boxes. I was even hoping for an internal ProRes recording option, but dream on my friends (just to be clear, Panasonic and Atomos are working together in delivering 5.9K ProRes RAW data output to Atomos Ninja V recorder. More info can be found here).

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Zhiyun Weebill-S Compact Gimbal for Mirrorless and DSLR Cameras Announced

 Gear  Comments Off on Zhiyun Weebill-S Compact Gimbal for Mirrorless and DSLR Cameras Announced
Oct 172019
 

After the massive success of the Kickstarter campaign for their SMOOTH-Q2 smartphone gimbal, Zhiyun is back with a new gimbal for DSLR and Mirrorless cameras: the Zhiyun Weebill-S. This compact and robust handheld gimbal is a follow-up to the previous Weebill LAB that was announced at Photokina 2018. Let’s take a closer look at it!

Zhiyun Weebill-S Design

Zhiyun has just announced their new handheld gimbal for mirrorless and DSLR cameras: the Zhiyun Weebill-S. This fresh stabilizer is a follow-up to the previous Weebill LAB, but it is not a replacement. Overall, the one-of-his-kind design is similar between the two. If it works, don’t fix it.

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Sirui Swift M1 and Swift P1 Gimbals for Smartphones and Mirrorless Cameras

 Action cams, Gear  Comments Off on Sirui Swift M1 and Swift P1 Gimbals for Smartphones and Mirrorless Cameras
Oct 172019
 

Sirui is launching an Indiegogo campaign for two new compact gimbals: the Sirui Swift M1 and Sirui Swift P1. The Sirui Swift M1 is designed for smartphones only, while the Swift P1 can take smartphones and mirrorless cameras up to 900 grams. Let’s take a closer look at these new stabilizers!

SiruiSwiftM1P1_Featured

Image credit: Sirui

Sirui Swift M1 Gimbal for Smartphones

The Sirui Swift M1 is a gimbal for smartphones that is lightweight at just 498 grams/1.1 lbs, and that can take a maximum load of 300 grams/0.66 lbs. As a reference, the iPhone 11 Pro Max weight 226 grams. The gimbal folds down in two and has an internal non-removable battery that should last for 6 hours, according to Sirui. There are locking buttons on every axis, so the gimbal won’t move when you transport it.

On the front of the Sirui Swift M1, there is a little OLED display that shows you the mode you are in. Below the screen, there is a control jog and four buttons: functions/menu/record/power. On the back of the gimbal, there is a little trigger button to reset all the axis. On the left side, there is a small dial to adjust the roll axis or change modes.

There’s nothing extraordinary on the hardware side, so what makes this gimbal different?

SiruiSwiftM1_02

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A Comprehensive Review of the Sony a7R IV

 Gear  Comments Off on A Comprehensive Review of the Sony a7R IV
Oct 142019
 
A Comprehensive Review of the Sony a7R IV

The Sony a7R IV brings the company’s latest innovations and improvements to the popular line of high-resolution full frame cameras. Along with its new sensor come a bevy of new upgrades and refinements to existing features, making it an interesting choice for a lot of photographers. This comprehensive and thorough review takes a deep look at the camera to help you decide if it is right for you. 

Coming to you from Maarten Heilbron, this excellent review takes a look at the Sony a7R IV. The a7R IV features lots of upgrades over the a7R III, the most prominent being the new 61-megapixel sensor, an upgrade of almost 50% over its predecessor. Along with the new sensor comes a better EVF, more ergonomic grip, more powerful autofocus, better weather-sealing, and more. The capability to fire at 10 fps at 61 megapixels is certainly a boon for many photographers, particularly wildlife photographers, who retain vast cropping capabilities with enough speed to capture animals in action, all supplemented by the capable autofocus system. 

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Sony a9 II Announced – More Speed for Pro Photographers, Same Video Specs

 Gear, Mirrorless  Comments Off on Sony a9 II Announced – More Speed for Pro Photographers, Same Video Specs
Oct 072019
 

Sony just announced the a9 II full-frame E-mount mirrorless camera. Aimed at professional sports photographers and photojournalistst, the Sony a9 II is all about speed. It has the same 24.2 MP CMOS sensor as the original a9. The camera is capable of 20fps continous blackout-free stills shooting with AF and AE tracking with electronic shutter (up to 10fps with mechanical shutter). The new a9 II also features better in-body image stabilization, weather resistance, and gigabit ethernet port for high speed communication. Available in October for $4,500 (€5,400).

Sony a9 II

Sony a9 sits on top of the alpha series of mirrorless cameras. It is aimed at professional photographers, who does not require the maximum possible resolution (for those Sony has the a7R series), but who require speed and other useful features (for example sports photographers and photojournalists). The first generation Sony a9 was presented during NAB 2017, so it has been more than two years. Today Sony announced the a9 II. What are its specs and innovations?

Sony a9 II – Speed Above All

As I mentioned above, the a9 series is all about speed. Sony a9 II (full model name: ILCE-9M2) features blackout-free continuous shooting at up to 20 frames per second (with electronic shutter) with Auto Focus and Auto Exposure tracking, 60 times per second AF/AE calculations. This applies for 1/125 sec. or higher shutter speed. In AF-C mode the maximum continuous frame rate will depend on the shooting mode and lens used. The number of AF calculations will depend on the lens used. A software update may be required for some lenses.

The high speed shooting can last for up to 361 JPEG images or 239 compressed RAW images (in “Hi” continuous shooting mode with UHS-II memory card), with no viewfinder blackout, allowing the photographer to follow the subject and action with no interruption to the EVF during picture taking. For times when mechanical shutter is preferred or required, the new A9 II has been improved to shoot at up to 10 fps, about 2x the speed of the A9.

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Nikon to Release Z50 Mirrorless APS-C Camera and Two Lenses Soon: Report

 Cinematography, Mirrorless  Comments Off on Nikon to Release Z50 Mirrorless APS-C Camera and Two Lenses Soon: Report
Sep 232019
 

It looks like Nikon is preparing to enter the mirrorless APS-C market and take on Sony’s a6000 series cameras. According to a breaking report from this morning, Nikon is planning to release the “Z50” APS-C mirrorless camera and two lightweight DX-format mirrorless lenses “soon.”

The report, published by Nikon Rumors this morning, claims that the Nikon Z50 will feature a 20MP APS-C image sensor, 3-inch “pivoted” LCD, and the ability to shoot bursts up to 11fps. If accurate, it seems Nikon is adopting a Z”XX” naming convention for APS-C mirrorless, and Z”X” scheme for full-frame mirrorless.

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SIGMA fp Update – Cinema DNG RAW Internal Recording and More

 Gear  Comments Off on SIGMA fp Update – Cinema DNG RAW Internal Recording and More
Sep 162019
 

The SIGMA fp is very close to being in our hands. At IBC 2019 we talk to the Yamaki-san, creator of the SIGMA fp camera for a development update. The camera has come a long way since our last post about it, and SIGMA can confirm a number of specifications in our exclusive interview.

Back in July we reported about the surprise announcement about the SIGMA fp camera; the worlds smallest full frame, mirrorless camera. Check out what we found out in our article here.

The SIGMA fp hardware is now complete, and the camera itself is in production. SIGMA are still developing and fine tuning the firmware, which is in it’s beta stage.

SIGMA has previously used Foveon sensors in its mirrorless cameras, however this was not possible due to the required readout speed of the sensor. A CMOS sensor has been used instead.

SIGMA fp Recording Formats

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Sony a7R IV is Still a ‘Star Eater’ After a Certain Shutter Speed: Report

 Gear, Mirrorless  Comments Off on Sony a7R IV is Still a ‘Star Eater’ After a Certain Shutter Speed: Report
Sep 162019
 

If you were hoping that Sony had finally completely removed the long-exposure noise reduction that causes its high-resolution a7R cameras to “eat stars,” you’re going to be disappointed. According to Jim Kasson, the Sony a7R IV eats stars to about the same degree as the a7R III.

Over on his blog, Kasson posted dark field spectra results for the Sony a7R IV at 1/8000 of a second, 2.5 seconds, and 3.2 seconds. The dark field spectra for each color “plane” at 1/8000 and 2.5 seconds look mostly flat: in other words, the way they’re supposed to.

But once you hit 3.2 seconds, as Kasson puts it, “all hell breaks loose” in every channel, and it’s particularly bad in the blue channel. You can see all the charts over on Kasson’s blog.

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Why I Bought the Sony a7R IV for Wildlife Photography

 Gear, Mirrorless  Comments Off on Why I Bought the Sony a7R IV for Wildlife Photography
Sep 132019
 
Why I Bought the Sony a7R IV for Wildlife Photography

Before today’s launch of the Sony a7R IV in the U.S., I had the opportunity to use the new 61-megapixel camera on a few occasions. Ultimately, these hands-on experiences led me to purchasing it for animal photography and in this article I list a few reasons behind the decision.

First, a quick disclaimer. What I write below is not in defiance against any other camera system. Every major camera brand has absolutely killer options for bird and wildlife photography. My list consists of some features and specs I identified wanting in priority over other nice things to have in a camera, and everybody’s own personal requirements will be different.

Sony a7R IV, FE 200-600mm G, 1/1000 s at f/6.3, ISO 200. Crop mode active.

Megapixels

Hey, don’t laugh. I didn’t think a million megapixels would be a defining factor either. Yet here we are.

As all the headlines are quick to point out, the a7R IV has a 61 megapixel sensor. For some genres of photography, this is surely overkill. For me, I crop just about every single photo of wildlife I shoot to enlarge the animal in the frame. With the a7R IV, I’m never cropping down into the “danger zone” territory where the final resolution is pretty much only good for Instagram sharing.

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