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Hengchun, Taiwan – Ohanaware Co., Ltd. today is proud to announce the release and immediate availability of HDRtist NX 1.0, their latest High Dynamic Range Imaging software developed exclusively for OS X. HDRtist NX is the third installment in the HDRtist series of applications that Ohanaware started back in 2009. NX is the absolute latest and most advanced version to date, featuring brand new technology and functionality that Ohanaware have been refining in the last 7 years.
Something I get asked often is how to add color tones to your images. Often the easiest option is to use filters either in Lightroom or with a plugin software such as Google Nik. However, as you delve deeper into the world of color grading you will eventually become curious how to create your own effects.
There are obviously an enormous number of ways to achieve a certain look to your photos. The Adobe Kuler plugin for Photoshop is an incredibly powerful option that is available to anyone with Photoshop (for free) and provides complete control over the look and feel of an adjustment.
The first concept to grasp is color theory. You know, the whole color wheel thingy and colors complementing one another… Well this is huge. And while you don’t need to be an expert on the subject, it helps to know the basics which will eventually lead to a better understanding of the subject as you use it in practice. One article I have found extremely helpful on his topic was written by one of my favorite landscape photographers of today, Ted Gore. Gore has won several accolades in his field and produces some of the most amazing images I have ever seen. His article titled “Color Theory and Landscapes Photography” goes into great detail about color harmonies and how to work them into your images. He explains the difference between analogous, complementary, and monochromatic color harmonies (as well as several others that are much less obvious) and gives great examples of how he uses them in his work. I highly recommend this read as it applies not only to landscapes imagery but color grading and application on any photograph. At its core the idea is that certain colors simply work well together and are pleasing to the viewers’ eye when introduced into an image with subtlety. For example, blue and yellow are complementary colors. When the darker tones in an image are “cooler” and the lighter tones are “warmer,” the image is more aesthetically pleasing than if the color tones were simply left to chance.
This is where Adobe Kuler comes in. For one, the Adobe Kuler tool is free if you already have a Creative Cloud membership and you can also install the tool directly into Photoshop (directions provided here). Once installed, it is available by going to Window > Extensions > Adobe Color Themes which creates a new tab in your workspace. How is this useful? The tool provides a built-in color wheel which allows you to create custom complimentary color tones. More importantly though, it contains a ton of color pallets already available for use that follow the “rules” of color theory.
The world’s most advanced HDR photo editor for Mac gains powerful new features
and a new look which will amaze, inspire and help you to make incredible
Hello, photographers. For the last two months, I’ve been doing market research for my project Photolemur and looking for different tools in the area of photo enhancement and photo editing. I spent a lot of time searching, and came up with a large organized list of 104 photo editing tools and apps that you should know about.
I believe all these services might be useful for some photographers, so I’ll share them here with you. And just to make it easier to find something specific, the list is numbered. Enjoy!
1. Photolemur – The world’s first fully automated photo enhancement solution. It is powered by a special AI algorithm that fixes imperfections on images without human involvement (beta).
2. Softcolorsoftware – Automatic photo editor for batch photo enhancing, editing and color management.
3. Perfectly Clear – Photo editor with a set of automatic correction presets for Windows&Mac ($149)
4. Pixlr – High-end photo editing and quick filtering – in your browser (free)
5. Fotor – Overall photo enhancement in an easy-to-use package (free)
6. Sumopaint – The most versatile photo editor and painting application that works in a browser (free)
7. Irfanview – An image-viewer with added batch editing and conversion. rename a huge number of files in seconds, as well as resize them. Freeware (for non-commercial use)
8. Lunapic – Just a simple free online editor
9. Photos – Photo viewing and editing app for OS X and comes free with the Yosemite operating system (free)
11. Pics.io – Very simple online photo editor (free)
12. Ribbet – Ribbet lets you edit all your photos online, and love every second of it (free)
13. PicMonkey – One of the most popular free online picture editors
14. Befunky – Online photo editor and collage maker (free)
15. pho.to – Simple online photo editor with pre-set photo effects for an instant photo fix (free)
16. pizap – Online photo editor and collage maker ($29.99/year)
17. Fotostars – Edit your photos using stylish photo effects (free)
18. Avatan – Free online photo editor & collage maker
19. FotoFlexer – Photo editor and advanced photo effects for free
20. Picture2life is an Ajax based photo editor. It’s focused on grabbing and editing images that are already online. The tool selection is average, and the user interface is poor.
High dynamic range (HDR) is the next big thing in both movies and TVs. We’ve seen 4K in the cinema and ultra HD arrive in our homes, with more and more content for both appearing. Now Technicolor is getting behind the tech, and is offering a way to both back-render standard range (SDR) content as well as stream full HDR video.
HDR is the visually rich step up from UHD fidelity which the move from 1080p to 4K simply hasn’t been.
Essentially, HDR is designed to give far more depth to an image, offering more range to colours and more detail to shadows. Imagine a ray of sunlight in a variety of orange and yellow hues rather than just straight white light.
It makes things pop.
I recently checked out Dolby Vision, that company’s proprietary HDR tech, at a screening of Pixar’s Inside Out and it was stunning. Having seen an SDR version of the movie now, and how flat the iridescent colours look by comparison, I’m sold.
Technicolor, though, is claiming its HDR tech is both open and able to be applied to SDR content for a high dynamic range upscale. It’s also planned to be one of the HDR options available to the upcoming Ultra HD Blu-ray specification.
That alone will massively boost the amount of HDR content available.
The upscaling gives content providers real-time access to the colour information in a video, allowing for direct control over both the highlights, lowlights and mid-tones. As well as being able to apply this to existing content there’s speculation that it could work for live events, such as sport, too.
Quite how the upscaling will compare with full HDR content, only time will tell.
Adobe made a big announcement for Lightroom CC/6 yesterday, but if you use Adobe Camera Raw for your RAW processing, don’t worry: Adobe didn’t forget about you. Adobe also quietly rolled out Adobe Camera Raw 9, an update that includes a few of the same big features that were introduced with great fanfare for Lightroom CC.
Like Lightroom CC, Adobe Camera Raw can now combine multiple RAW photos into a single RAW HDR photo or panorama. The tools are found as new options in the Filmstrip’s dropdown menu.
But it still has problems to be fixed before it’s released…
But, already, I’m getting ahead of myself. A few days ago, I downloaded the Mac OS X 10.10.3 Beta, Apple’s not-yet-ready for launch operating system. It packs many improvements, the most noteworthy being an entirely revamped photo managing interface. Gone is Apple’s multi-prong photo solution that included Aperture for the experts and iPhoto for the rest of us. In its place is a new Photos app, which takes many a nod from its iOS counterpart.
Upon first glance, the new Mac Photos app is an enormous improvement when it comes to handling massive amounts of images. And let’s face it, after six generations of iPhones, with high-quality DSLRs and action-cams aplenty, most of us have more pictures than we’ll ever need, let alone look at again. I personally have more than 15,000 in my library.
This app makes you fall in love with your forgotten photos all over again. Using the Mac’s touchpad, you can pinch and spread your fingers to zoom out and in on your images, respectively, just as you would if you were browsing your photos on an iOS device. The most impressive part of the interface is how it renders your pictures instantly, turning icon-sized images into full-fledged photos in a snap.
Earlier this month, a leaked product page revealed a number of features that will be found in the upcoming Lightroom 6. One of them was an HDR merging tool that combines multiple exposures into a single HDR image. Here’s a first glimpse at how the feature will work.
First, select multiple versions of the same shot that were captured with exposure bracketing:
Daniel Cheong says he is a digital blending freak, a post-production photography technique “that manually blends multiple bracketed exposures in order to obtain the maximum dynamic range” without getting the tiring, everything is illuminated effect of overcooked HDR. And he succeeds.
In this 2-part webinar, professional photographer and educator Reed Hoffmann provides tips and techniques for capturing spontaneous HDR exposure brackets and merging, aligning de-ghosting and tone mapping them using the HDR Express 3 stand alone application and Adobe Lightroom plug-in. This Webinar was originally recorded on Nov 11, 2014.
In this tutorial John Omvik demonstrates the basic Adobe Lightroom workflow using the HDR Express 3 plug-in with the full workflow to produce natural looking tone mapped images from high contrast (HDR) scenes.
Capturing a high contrast scene has always vexed photographers. We’ve all tried neutral density filters for landscapes and lighting equipment for interior shots in order to balance the wide range of light levels in our scenes. The results could be good but the work to get to the final image was intense. No longer!
Capturing high contrast scenes is now as simple as shooting three or more images of varying exposures and then merging those images into one high dynamic range file that reveals all your shadows and highlights. The magic is done with HDR software. But, not all HDR software is created equal.
Previously, HDR applications performed their contrast manipulation or “tone mapping” by creating an 8-bit or 16-bit image. Using an 8-bit or 16-bit file to create a large, high dynamic range file significantly reduces the file’s dynamic range, clips its color range and degrades the precision of image data.
That’s why we created our stand-alone HDR applications HDR Expose 3, HDR Express 2 and the Photoshop plug-in 32 Float v3. These are the only HDR applications that merge multiple exposures into a full 32-bit file using our patented Beyond RGB™ color model. And, most importantly, these are the only HDR photo editing applications where all tools and operations work in 32-bit, floating-point precision.
HDR Expose 3 and HDR Express 2 use powerful image alignment algorithms to create an HDR image from multiple exposures. The resulting 32-bit image is then ready to have its wide contrast range adjusted to fit into the contrast range of your output device. Unlike other HDR applications which “tone map” their 8-bit or 16-bit image into a useable range, our applications take all the valuable data in your HDR image and “dynamic range map” it into a file that retains naturally clear highlights, vibrant mid-tones and beautifully open shadows.
HDR Expose 3 and HDR Express 2 can do this for you with a single click using the Dynamic Range Mapping tool. And, with HDR Express you have additional one-step tone mapping and style preset buttons. You can also choose to have full control over the mapping process by individually adjusting the image’s dynamic range, brightness, highlights, shadows and saturation. With these powerful tools you can dial in a beautifully natural HDR image or a highly stylized image depending on your artistic vision.
In digital photography the colors and brightness of each pixel are recorded as binary numbers. Depending on the power of your image editing application the numbers used to describe those pixels are restricted to 8-bits (256) or 16-bits (65,535). Naturally, the more numbers you have available to you the more variation you can describe in each pixel. The more variation that you can describe, the richer and more detailed your digital image will be.
Because color information is restricted to at most 16 bits in the RGB space used in most image editing applications and output devices, RGB is inherently a restricted color model — it is a restricted color space that cannot describe all the colors that can be seen by the human eye.
Imagine the tonal variations available to you by working in 32-bit, floating point mode in the Beyond RGB color space, the basis of HDR Expose 3, HDR Express 2 and 32 Float v3. The Beyond RGB color space brings all the colors your eye can see to the task of creating your HDR photography image.
Because the 32-bit floating point Beyond RGB color model is not based on the RGB model, the brightness and contrast changes made to your image in HDR Expose 3, HDR Express 2 or 32 Float v3 will not alter your original colors as you would in an 8-bit or 16-bit program.
In fact, every tool and operation in HDR Expose 3, HDR Express 2 and 32 Float v3 always works in the high-precision 32-bit floating point mode. This is why many pro photographers are using HDR Expose 3, HDR Express 2 and 32 Float v3 to perform non-color-destructive brightness, contrast and color adjustments to their non-HDR images. These pros create their images from RAW camera files and save out their files in 32-bit format as a base reference file before moving on to Photoshop or other programs for further editing. Why lose data before you have to? Why lose data at all?
It’s time for you to try HDR imaging and discover the beauty in a high dynamic range image and then working with that image in full, non-destructive 32-bit floating point mode. Download a free, 30-day trial version of HDR Expose 3 or HDR Express 2 today and experience the beauty of true HDR photography.
I reviewed Pro HDR many years ago when it was among the first High Dynamic Range apps and best of the camera apps for the iPhone. In short order, Apple added HDR capability to its own software, but in general the third-party apps do a better job.
Pro HDR X (US$1.99) is a new app that has evolved from Pro HDR. It has solid roots, and this new app pushes your iPhone camera toward better HDR imaging.
For more info please click the link below:
“One of the features in HDR Expose 3 our customers tell us outperforms our competition is the Merge Key Frame feature that makes de-ghosting amazingly accurate. In this image, taken after sunset, of a young couple drinking in Half Dome at Yosemite’s Glacier Point gives a great illustration. In the middle of frame of the three-frame bracket sequence the young woman on the right turned her head to look at her boyfriend. I selected a frame where she was looking at Half Dome as the key frame and Expose 3 eliminated the movement. Really neat!”
“The following image, of Half Dome at sunset, shows HDR Expose 3 delivering truly natural HDR processing results.”
To read full article please click the link below:
Image by John Santoro
Our friend Klaus Herrmann has created a terrific introduction to the fusion real estate method.
To read the article please click the link below:
In this webinar photographer Richard Sisk demonstrates how to create stunning HDR Panoramas using the new Pano Prep Batch Processing feature in HDR Expose 3.1 and 3rd party stitching applications.
Belmont, CA (PRWEB) May 12, 2014
Unified Color Technologies, the experts in high dynamic range imaging (HDR), today announced HDR Expose 3.1, a significant update to its standalone HDR image processing software. HDR Expose 3.1’s newest features, including faster merge and alignment tools, improved de-ghosting algorithms, a new panorama batch processing assist mode and a redesigned merge dialog, are designed to optimize any photographers’ HDR workflow and efficiently produce, high-quality, true color HDR images.
“I have been photographing panoramas commercially for over 20 years,” said Richard Sisk, founder of Richard Sisk Productions. “Whether shooting film or digital, creating accurate reproductions of high contrast scenes has always been a challenge. The new Pano Prep Batch Processing feature of HDR Expose 3.1 not only provides a big productivity boost, but also helps me achieve the best quality results using my RAW image files and Unified Color’s 32-bit Beyond RGB HDR workflow. With HDR Expose, I am able to create universal tone mapped 16-bit TIFF files for each panel of the scene, that I can then stitch together for seamless results, using my favorite panorama software.”
“We have consistently worked to change photographers’ views of HDR image processing and introduce new tools for unlocking creativity,” said John Omvik, vice president of marketing for Unified Color Technologies. “The strike against HDR photography has been that the process of creating the most high quality images was time-consuming and stressed the resources of even the most powerful computer systems. We developed HDR Expose 3.1 to make HDR processing faster, smoother and simpler, and to stretch the boundaries of what’s been thought possible in the past.”
HDR Expose 3.1’s full features include:
New Panorama Batch Processing assist mode – HDR merge individual panels of a panoramic scene and tone map them as a group to provide even, consistent output that can be stitched into a wide panorama (or 360° panorama using 3rd party applications)
Faster Merge & Alignment – Seamlessly merge images up to 35% faster* than in previous versions
Improved de-ghosting algorithms – New manual controls offer more flexibility minimizing noise and removing ghost artifacts from moving subjects
Redesigned Merge dialog – Makes grouping images for the merge process and selecting key frames easier than ever before
DNG source filter option – Now filters DNG files separately from other RAW file formats
Bug fixes and other optimizations
Two new options expand what’s possible with online photo editing on Google+.
You can check focus with 100 percent zoom and give photos an HDR look.