Will The Next Nikon Z Be An Entry-Level Camera?

 Cinematography, Gear, Mirrorless  Comments Off on Will The Next Nikon Z Be An Entry-Level Camera?
Mar 102019
 

Now that Canon has recently announced the EOS RP, is the next Nikon Z camera on its way? And if it is, where will it fall in the Nikon Z lineup of cameras? If rumors are correct, the next Nikon Z camera will most likely be aimed at an entry-level full-frame user. Perhaps called the Nikon Z5?

Numerous sites are reporting that a Nikon executive has confirmed that a new Z series camera is being developed for the entry level user. It appears that Nikon is going to follow Canon’s lead of offering a mirrorless full-frame camera to the entry-level community. With the vast majority of the photography community panning the Canon EOS RP, will this be an opening for Nikon to grab a share of the entry-level full-frame mirrorless camera market? Or will Nikon succumb to the same reviews as the Canon EOS RP?

Read More:

fstoppers

~

Blackmagic URSA Mini Pro G2 Introduced, Pocket 4K Gets Blackmagic RAW, No More DNG

 Cinematography, Gear  Comments Off on Blackmagic URSA Mini Pro G2 Introduced, Pocket 4K Gets Blackmagic RAW, No More DNG
Mar 062019
 

Blackmagic Design just announced the URSA Mini Pro G2, the second generation of its flagship shoulder camera, plus the long sought-after Blackmagic RAW update to the Blackmagic Pocket Cinema Camera 4K.

To get an extensive run-down of all the new products and features that Blackmagic Design introduced today, watch CEO Grant Petty in this 35 minute video below:

But if you want to save some time, you can also read my summary here:

Blackmagic URSA Mini Pro G2

This is the new second generation of the popular URSA Mini Pro. It replaces the previous model and while it looks similar, Blackmagic have redesigned all the electronics inside the camera and it includes a new generation 4.6K sensor. Blackmagic claims that this camera has 15 stops of dynamic range. (Here’s our dynamic range test of Blackmagic RAW on the original URSA Mini Pro in case you missed it.)

The new electronics allowed them to ramp up the camera frame rates. They have doubled the frame rate in Blackmagic RAW and in ProRes.

Read More:

cinema5D

~

New Budget Portrait Lens for Sony Shooters: Meike 85mm f/1.8 Announced

 Cinematography, Gear  Comments Off on New Budget Portrait Lens for Sony Shooters: Meike 85mm f/1.8 Announced
Mar 062019
 

Today, Meike announced their latest full-frame E-mount lens with the 85mm f/1.8.

The Meike 85mm f/1.8 is a manual focus lens constructed of nine elements in six groups. It has a minimum focusing distance of 2.78 feet (0.85 meters) and accepts 67mm filters on the front. It measures 3.93 inches (100 millimeters) long and has a diameter of 3.14 inches (80 millimeters). Product photos supplied by Meike show it with a lens hood, so it is possible that it will come with one although I haven’t seen confirmation.

Pricing of the new Meike 85mm f/1.8 is currently unknown, but it joins two other full-frame lenses they have developed, the $99.99 50mm f/1.7 and $269.99 85mm f/2.8 Macro. Meike does sell a similar 85mm f/1.8 lens in Canon EF mount, and is priced at $189.99. Knowing this, it is predictable that the new E-mount lens will be much less expensive than Sony’s own $573 85mm f/1.8.

Read More:

fstoppers

~

Fstoppers Takes a Hands-On First Look at the Fujifilm X-T30: Best Camera Under $1000?

 Cinematography, Gear  Comments Off on Fstoppers Takes a Hands-On First Look at the Fujifilm X-T30: Best Camera Under $1000?
Mar 062019
 

They say the third time’s the charm, and that’s certainly the case with Fujifilm’s new X-T30. I got a chance to take a hands-on look at a pre-production X-T30 and put it through its paces recently. How did it do?

As some background, I’ve been an X-series user for the past few years with an X100T and later an X-T1. I’ve been a big fan of the X-T1 for journalism as a second camera to a DSLR or a primary camera for certain events. I also carry it along to weddings for the gorgeous color and sharp Fuji lenses, such as the 56mm f/1.2 R. The X-T30 is technically two generations newer than the X-T1, though it sits below the single digit T-series model (X-T3) in the lineup. That said, my X-T1 has always been the bridesmaid and never the bride in my shoots, always being a second camera to my battle-tested full-frame DSLRs.

Read More:

fstoppers

~

Fujifilm Unveils the XF 16mm f/2.8 R WR Lens

 Cinematography, Gear, Mirrorless  Comments Off on Fujifilm Unveils the XF 16mm f/2.8 R WR Lens
Feb 182019
 

Fujifilm has announced the new XF 16mm f/2.8 R WR, a wide-angle prime lens for APS-C sensors that’s the equivalent to a 24mm lens in 35mm terms.

The weather-and-dust-resistant lens features an internal focusing system and a stepping motor that provide fast and quiet autofocusing.

Read More:

petapixel

~

Nikon Unveils the NIKKOR Z 24-70mm f/2.8 S

 Gear  Comments Off on Nikon Unveils the NIKKOR Z 24-70mm f/2.8 S
Feb 182019
 

Nikon has announced the new NIKKOR Z 24-70mm f/2.8 S lens for its full-frame mirrorless cameras.

The lens is the first to feature Nikon’s new ARNEO coating, which complements Nikon’s Nano Crystal Coat to further reduce flare and ghosting.

“While Nano Crystal Coat suppresses ghosting and flare coming from backlight at diagonal angles, the ARNEO coat compensates for light entering the lens from vertical angles,” Nikon says. “This expanded field enables the lens to capture exceptional contrast and sharpness even when the light source is visible inside the frame.”

The lens is also the first NIKKOR Z lens to feature a dedicated manual focus ring (that’s present in addition to the customizable control ring), a Function (L-Fn) button, and an info display.

The Organic EL Lens Information Panel on the side of the lens displays key settings such as focus distance, depth-of-field, aperture, and focal length.

Read More:

petapixel

~

Canon EOS RP Released – A Few Less Features for Way Less Money

 Gear  Comments Off on Canon EOS RP Released – A Few Less Features for Way Less Money
Feb 142019
 

Today Canon has unveiled their latest addition to their new EOS R lineup of full frame mirrorless cameras: The Canon EOS RP sits below the already available EOS R in regards of both, features and pricing. This aggressive pricing might be a good thing, though: As a bottom line we get plenty of features for less money. Update: There are six new RF lenses in development, too.

Canon’s transition from the legacy EOS D line of DSLRs to the EOS R line of full frame mirrorless cameras seems to be in full swing. Next up: The new EOS RP. It’s not the flagship R camera many of us are eagerly waiting for, though. If the EOS R is the middle class body, the RP is the entry level model.

It’s less expensive and it has fewer features but it is based on the same robust platform. So what is the news with the new Canon EOS RP? Well, in terms of cost-performance ratio it might get the nod instead of its bigger brother, the EOR R (read our coverage here and here plus our full review here).

Read More:

cinema5D

~

New FUJIFILM X-T30 Released – The X-T3’s Little Brother is Here

 Cinematography, Gear, Mirrorless  Comments Off on New FUJIFILM X-T30 Released – The X-T3’s Little Brother is Here
Feb 142019
 

Today FUJIFILM released their new X-T30 mirrorless camera with APS-C sized sensor. While housed in a more compact and more lightweight body than its bigger brother, the X-T30 sport the same sensor, the same processor and the same film simulations from the X-T3. Even F-log is on board!


The new FUJIFILM X-T30 comes in three colors. The one in the middle is called “charcoal silver”

FUJIFILM X-T30

This new model isn’t part of FUJIFILM’s premier league of mirrorless cameras. Its two-digit name puts it in the second devision, yet the pure specs speak another language: 4K 25p/30p, F-log, 4:2:2 10-bit output, FullHD 100p/120p @ 200Mpbs. Not bad! There’s a downside though as the recording times are pretty limited:

  • C4K (4096×2160) // 29.97p/25p/24p/23.98p // 200Mbps/100Mbps // up to approx. 10min
  • 4K UHD (3840×2160) // 29.97p/25p/24p/23.98p // 200Mbps/100Mbps // up to approx. 10min
  • Full HD (2048 ×1080) // 59.94p/50p/29.97p/25p/24p/23.98p // 200Mbps/100Mbps // up to approx. 15min.
  • Full HD (1920×1080) // 59.94p/50p/29.97p/25p/24p/23.98p // 200Mbps/100Mbps // up to approx. 15min.
  • Full HD (1920×1080) // 120p/100p // 200Mbps // up to approx. 6min.

Read More:

cinema5D

~

Hands-On Preview With the Panasonic S1R

 Gear  Comments Off on Hands-On Preview With the Panasonic S1R
Feb 122019
 

In a world where it feels like there is a new camera every month, finding an identity in the market is becoming increasing difficult. Where do Panasonic’s new cameras fit and will they be successful?

In this first look from DPReview you won’t get their entire in-depth review quite yet but you will learn about some of the real-world features and issues. One of the main features that caught my attention when first learning about this camera was its capability to produce 187-megapixel images; yes, you read that correctly. The sensor is rated at 47.3 megapixels but using its pixel shift technology, you can essentially quadruple the effective resolution. While this technology isn’t anything new, it has become something I am personally keeping a close eye on within the market as a landscape photographer.

Read More:

fstoppers

~

Think Twice Before You Buy More Camera Gear

 Cinematography, Marketing, News  Comments Off on Think Twice Before You Buy More Camera Gear
Feb 122019
 

I know you probably didn’t enjoy reading that title. We all enjoy buying and playing with new gear. But before you push that buy button, take a few minutes to consider the points made in this video.

Read More:

fstoppers

~

Lifetime Review: Canon EF 85mm f/1.8 USM Lens

 Gear  Comments Off on Lifetime Review: Canon EF 85mm f/1.8 USM Lens
Feb 102019
 

The Canon EF 85mm f/1.8 USM lens is the oldest piece of kit in my work camera bag. As I get ready to upgrade all of my gear, I thought a lifetime review was in order.

I purchased this lens a very long time ago, it may be around a decade ago, I am not really sure. What I am sure of though is that it has paid for itself many times over. This is perhaps the best return on investment that a single piece of equipment has ever given me. I vividly remember walking to my local camera shop in Leicester during a lunch break to purchase a copy of this lens, with very little thought, research, or general clue as to what I was doing. I assume I had heard of a pro photographer who liked an 85mm lens and assumed I needed one. Back then I would have probably only had a crop-sensor camera so it was a little on the tight side for my taste, but I seem to remember buying my first full-frame body shortly after to remedy this, also with very little research and forethought.

Read More:

fstoppers

~

Micro Four Thirds Versus Full Frame: How Much Heavier Is Panasonic’s S1?

 Cinematography, Gear, Mirrorless  Comments Off on Micro Four Thirds Versus Full Frame: How Much Heavier Is Panasonic’s S1?
Feb 102019
 

For those of us that like shooting on a mirrorless camera, we’ve probably become accustomed to the lightweight and easy to manage cameras. So are the S1 and S1R a step too far on the scales?

Now that Panasonic are entering the full-frame mirrorless market, they’ve created the heaviest camera of the bunch. The S1 weighs 2.25 pounds, with the S1R weighing basically the same at 2.24 pounds. Out of the competition, it’s only the Sony a9 that comes close with 1.48 pounds. All of this is with the battery inside the camera. Here’s a breakdown:

Read More:

fstoppers

~

Fujifilm X-T3 Versus X-T2: Which Camera Should You Buy?

 Uncategorized  Comments Off on Fujifilm X-T3 Versus X-T2: Which Camera Should You Buy?
Feb 072019
 

When a new camera comes out, one of the most common questions I see is whether it’s worth upgrading to or not. This I think is a very reasonable and fair question because in many cases now, new cameras tend to be minor updates as opposed full on upgrades. Based on that, how does the Fujifilm X-T3 compare to the X-T2 and is it worth paying slightly more for the upgrade?

Personally, I feel that Fujifilm make some of the best APS-C cameras currently available. This is precisely why I’m such a fan of their cameras. The X-T2 was such a fantastic camera and currently its price point makes it a fantastic value for the money. It offers incredible image quality with some very useful video features. Fuji did such a good job with that camera that it’s going to take something pretty special to beat it.

Read More:

fstoppers.com

~

Canon EOS RP Revealed in Leaked Photos and Specs

 Gear, Mirrorless  Comments Off on Canon EOS RP Revealed in Leaked Photos and Specs
Feb 072019
 

Canon is gearing up to announce its second full-frame mirrorless camera following the EOS R. It you can’t wait for the official announcement just around the corner, today’s your lucky day: the upcoming Canon EOS RP has been revealed in leaked photos and specs.

From the photos, we see that the RP isn’t just the same R body with modified specs and features. We can see that the design and form factor are noticeably different (and the RP is smaller):

To scale: a size comparison between the EOS RP (left) and EOS R (right).

Nokishita, which first published the photos, reports that the Canon EOS RP will feature a 26.2-megapixel full-frame CMOS sensor with Dual Pixel CMOS AF and a DIGIC 8 image processor.

Read More:

petapixel

~

Sony a6400 Review – Is the End of Manual Focus Lenses Near?

 Cinematography, Gear, Mirrorless  Comments Off on Sony a6400 Review – Is the End of Manual Focus Lenses Near?
Feb 032019
 

With the introduction of the Sony a6400, I had a chance to take the new camera for a short spin and after playing with it for a bit, I made up my mind. Sony’s latest offering is very different and interesting, BUT, is it worth the upgrade from its a6300 and a6500 siblings? (Same sensor but enhanced image processing engine). Is it really a Vlogger’s camera? What is its strongest selling point and last but not least, what is the real reason for Sony to introduce this camera in my personal opinion? Interested? Keep reading.

It is the middle of January. My short (and yet to be disclosed) assignment in Japan is almost over but before going back home, I’m lucky enough to put my hands on the new Sony a6400 to take it for a short spin. At first, my plan was to shoot a short documentary with it and by doing so, explore its video capabilities, but after noticing that most features and even technical specifications are very similar to the Sony a6300 and a6500 (which I reviewed and tested before), I decided to scrap my original plan and concentrate on testing a single feature, the one that captured my attention most.

Read More:

cinema5d

~

Kessler Lamprey – 200lbs. Universal Suction Mount

 Gear  Comments Off on Kessler Lamprey – 200lbs. Universal Suction Mount
Dec 032018
 

Kessler has announced a new 200lbs force rated suction mount. The Kessler Lamprey is a 8” suction cup with cheeseplate top, offering a variety of mounting options for camera, lighting and grip accessories.

Suction mounts in filmmaking are generally pigeon holed into car rigging, however Kessler quote that the Lamprey is suitable for “any non-porous surface” such as windows, table tops and (of course) car body panels.

The 8” suction mount has a built in pump and is rated for 200lbs.

On top, things are kept fairly universal, a cheeseplate array of 1/4-20 & 3/8-16 threads and holes means you can use the Kessler Lamprey in a variety of configurations.

Read More:

cinema5D

~

A Smart Remote That Can Add Features Your DSLR Doesn’t Have out of the Box

 Gear  Comments Off on A Smart Remote That Can Add Features Your DSLR Doesn’t Have out of the Box
Dec 032018
 

No matter what camera you have, it will be missing some feature available on another brand or model. I found that with my Canon DSLR, and when I moved to a Sony a7 III, I gave up some good features and gained a few.

During my Canon days, I became interested in a product called the Pluto Trigger. I was really interested in catching lightning where I live in the Arizona mountains. So, I picked up a Pluto Trigger for that purpose, and quickly realized it did a whole lot more for $119.

The Pluto (let’s shorten its name for brevity) packs a boatload of features that can enhance any DSLR. It supports Canon, Nikon, Sony, Minolta, Panasonic, Olympus, Pentax, and more. You’ll need a connecting cable to your remote port on your camera, and the company offers 13 remote cables that can control more than 300 cameras.

The Pluto uses an iOS or Android app for control. It’s easy to use and actually pretty self-explanatory when you are out in the field.

Read More:

fstoppers

~

DJI Osmo Pocket – Tiny 3-Axis Stabilized Camera with 4K 60fps Recording

 Action cams, Gear  Comments Off on DJI Osmo Pocket – Tiny 3-Axis Stabilized Camera with 4K 60fps Recording
Nov 282018
 

DJI just announced the smallest camera with mechanical gimbal ever – DJI Osmo Pocket. It can take 12MP stills and record true 4K video at up to 60fps. There will also be a handful of accessories available for the new Osmo Pocket.

DJI Osmo Pocket – Smallest Osmo ever. Source: DJI

Right now, DJI is having an event in New York City called “Because Life is Big” and they announced their smallest camera with a 3-axis mechanical gimbal ever – the DJI Osmo Pocket. Nino Leitner from the cinema5D team is attending the event to bring the fresh information to our readers – we will also share a video about the announcement with a first hands-on tomorrow.

DJI Osmo Pocket

Just like previous generations of Osmo, this is a very compact camera with a mechanical gimbal and a handle. Although the word compact is getting a whole new dimension here – the DJI Osmo pocket is incredibly tiny – it only weighs 4.1 oz (116g) and it is 4.8″ (122mm) long. The camera can record true 4K video at up to 60fps with 100Mbps bitrate.

The DJI Osmo Pocket uses built-in dual microphones and advanced noise-canceling algorithms to ensure high quality audio. The built-in Li-Po battery offers up to two hours shooting video in 4K (30fps), but it is not interchangeable. On the back of the camera grip there is a touchscreen display to monitor the image and control the camera, two buttons for quick controls and a universal port to connect various accessories.

Read More:

cinema5D

~

The Nikon Z6: The Best Full-Frame Mirrorless Camera (Except for One Thing)?

 Gear  Comments Off on The Nikon Z6: The Best Full-Frame Mirrorless Camera (Except for One Thing)?
Nov 272018
 

With Nikon’s shiny new Z6 hitting the shelves in a matter of weeks, Kai Wong puts it through its paces at a nearby zoo, testing its autofocus and all-round performance with the help of a seasoned, Nikon-shooting photojournalist.

Photographer Paul John Bayfield has been shooting Nikons in the field for several years, so he’s the perfect candidate to see how the Z6 compares to its DSLR counterparts, and discuss how it stacks up against the Z7.

As mentioned elsewhere, the autofocus system just doesn’t quite compare to the 3D tracking offered by the likes of the D850 and the D5. For Nikon enthusiasts, this was undoubtedly something of a disappointment. The new combination of contrast detect and phase detect systems implemented in the Z range seems to be in its infancy, and prior to the launch of the Z7, expectations were high thanks to the 3D tracking in Nikon’s DSLRs that had set the standard by which it would be compared.

Read More:

fstoppers

~

Profoto B10 Versus Godox AD400Pro: The Best Strobes Compared

 Gear  Comments Off on Profoto B10 Versus Godox AD400Pro: The Best Strobes Compared
Nov 212018
 

A few months ago, we released our first impressions of the new Profoto B10 portable flash unit, and many of our readers claimed that we didn’t give it an honest review because it was wildly overpriced. Today, we are giving the critics what they asked for: we are going to compare it to the Godox AD400Pro.

Both of these flashes have more similarities than differences. They are both compact, battery-powered flashes that can also be plugged into AC power. The true differences are found in the details, and we have compiled the most detailed comparison in Fstoppers history. Let’s get to it.

Read More:

fstoppers

~