Leica SL2 – 47MP Full-Frame Sensor with 5K/30P and 4K/60P 10-Bit Video Internally

 Gear, Mirrorless  Comments Off on Leica SL2 – 47MP Full-Frame Sensor with 5K/30P and 4K/60P 10-Bit Video Internally
Nov 072019
 

Leica has announced its new L-Mount full-frame mirrorless camera. The Leica SL2 features a 47MP full-frame CMOS sensor with 5-axis image stabilization. It is capable of recording 5K video at up to 30fps, 4K video at up to 60fps, and FullHD video at up to 180fps, all in 10-bit H.264. The camera features a high-resolution EVF, full-size HDMI port, two 3.5mm jack ports for headphones and microphone, and an all-metal magnesium body. It will be available from November 21st, 2019 for $5,995.

Leica SL2 full-frame mirrorless camera. Source: Leica

It has already been four years since the German premium brand introduced its Leica SL full-frame mirrorless camera. Our Leica SL review and Lab test articles from 2015 are a good reminder of its video capabilities. The newly announced Leica SL2 promises to bring even more video-oriented features. Let’s take a look!

Leica SL2 – 47MP Full-Frame Stabilized Sensor

The new Leica SL2 features a 47.3MP 3:2 full-frame CMOS sensor and Maestro III image processor, which enables up to 20 fps continuous stills shooting with an electronic shutter, 10 fps with a mechanical shutter, and 6 fps with a mechanical shutter and AF-C, for up to 78 consecutive DNG files with a color depth of 14 bits per RGB channel. The sensor features a 5-axis sensor-shift image stabilization system, which minimizes the appearance of camera shakes when shooting handheld.

Read More:

cinema5D

~

Panasonic S1H Review – Is it the Best Full Frame Mirrorless Camera for Filmmakers yet?

 Cinematography, Gear, Mirrorless  Comments Off on Panasonic S1H Review – Is it the Best Full Frame Mirrorless Camera for Filmmakers yet?
Oct 242019
 

The Panasonic S1H is now finally available for purchasing and we took it for a spin in order to put it through its paces. If you are in a rush and have no time to continue reading, here is my conclusion first: Currently it is the best mirrorless camera that can shoot video in the market. Of course, no filming device is perfect, but any manufacturer who would like to produce something even better will have to work harder to achieve this. Ready to dive into details? Keep on reading. 

Read More:

cinema5D

~

Cooke S7/i 16mm Full Frame Plus and Anamorphic/i 135mm FF+ Introduced

 Cinematography, Gear  Comments Off on Cooke S7/i 16mm Full Frame Plus and Anamorphic/i 135mm FF+ Introduced
Sep 272019
 

If you value endgame-performance and money is nothing to worry about, Cooke has everything you need when it comes to cine lenses. At this year’s IBC, the company had two new lenses on display: The Cooke S7/i 16mm T2.0 Full Frame Plus (spherical) prime and the Cooke Anamorphic/i 135mm T2.3 cine prime. High-end glass for the high-end cine market.

Cooke S7/i

The new Cooke S7/i 16mm T2.0 cine prime (spherical). Image Credit: cinema5D

Yeah, I know. I won’t spend a cool $25.000 on a single lens, either. But there is a high-end, money-no-object market in which you just want to get that perfect shot. Check out the shotoncooke.comwebsite for a brief overview of productions shot on Cooke glass. Do you want that Cooke-look? Well, you better get some Cooke glass, then! At this year’s IBC, Cooke introduces two new primes to their lineup.

Read More:

cinema5D

~

Sony FS7 Price Drop – Camera Body Available for $5,998

 Gear  Comments Off on Sony FS7 Price Drop – Camera Body Available for $5,998
Sep 172019
 

Shortly after Sony FX9 announcement, the Sony FS7 camera body received a significant price drop. It is now $1,500 cheaper, so the price for the body only is currently $5,998 at our partner stores B&H and CVP. Even though announced in 2014, the Sony FS7 still is a very popular and very widely used camera and in my opinion still counts as a good investment in 2019.

Sony FS7 price drop

Buy link: Sony PXW-FS7 XDCAM Super 35 Camera Was: $7,498.00  Now: $5,998.00 (Savings: $1,500.00)

Just few days ago Sony announced their new full-frame cinema camera Sony FX9. We already published two articles about the new camera – Sony FX9 announcement with interview and all the camera’s specs and Sony FX9 hands-on and footage. Although Sony says the FX9 is not a successor to the FS7, its announcement already affected the price of this Super35 camera.

Read More:

cinema5D

~

Canon C500 Mark II First Look – 6K, Full Frame, Cinema RAW Light, Modular Concept

 Cinematography, Gear  Comments Off on Canon C500 Mark II First Look – 6K, Full Frame, Cinema RAW Light, Modular Concept
Sep 092019
 

Canon just introduced the Canon C500 Mark II, the long-awaited successor to the C500, which takes a much more modular approach than previous cameras in Canon’s Cinema line-up. Let’s take a look!

It’s been over 7 years since the introduction of the original Canon C500, which used to be Canon’s flagship cinema camera before the C700 was introduced in 2016. And it’s also already 4 years ago since the C300 Mark II was introduced. So with the competition heating up and new cameras being released left and right, it was definitely time for an update of Canon’s cinema line. And today is the day this is happening. 

Before we take a look at the modular design of the camera, let’s look at the tech specs.

The bare-bones body of the Canon C500 Mark II – Photo © cinema5D 2019

Read More:

cinema5D

~

Canon 5D Mark IV | This is It, Finally

 Gear  Comments Off on Canon 5D Mark IV | This is It, Finally
Aug 252016
 

So this is it; it’s finally here to clear up the speculation and put to bed the inaccuracies. I say that because this impending release has been grabbing blog copy and forum fodder for weeks, like a ghost that hangs around but never reveals itself. But here it is. Finally.

It’s hard to imagine a single Canon camera more anticipated than a new 5D, and this one maybe more so than the last because of Nikon’s comparatively big releases with the D500 and D5, and the leak about the 5D Mark IV with that one particular sticking point and marketing magic-soundbite: that Dual Pixel Raw (more on that further on). There’s much to say about the camera that’s in many ways a re-structuring from top to bottom, inside and out, but perhaps we’ll get into all of that in later discussion, and more when we get our hands on one to review in the very near future. So for now here’s the Cliff Notes…

The Canon 5D Mark IV is, though familiar in look and controls, a new animal. It has a new sensor, improved AF and metering sensors like the 150,000 pixel RGB+IR sensor that allows for better subject recognition and tracking; new processor; a built in GPS receiver for latitude, longitude and elevation; built-in WiFi and NFC connectivity, and all enclosed in a familiar but better sealed body. It’s an all ‘round update. Oh, and it also does 4k at 30FPS, has a 7FPS max shooting mode, touch screen, Dual Pixel CMOS AF, and the brand new party trick, Dual Pixel Raw. That is, the 5D Mark IV on the half shell.

PRODUCT HIGHLIGHTS

30.4MP Full-Frame CMOS Sensor
DIGIC 6+ Image Processor
3.2″ 1.62m-Dot Touchscreen LCD Monitor
DCI 4K Video at 30 fps; 8.8MP Still Grab
61-Point High Density Reticular AF
Native ISO 32000, Expanded to ISO 102400
Dual Pixel RAW; AF Area Select Button
Dual Pixel CMOS AF and Movie Servo AF
7 fps Shooting; CF & SD Card Slots
Built-In GPS and Wi-Fi with NFC

‘;

Read More:

slrlounge

~