Sony FS7 Price Drop – Camera Body Available for $5,998

 Gear  Comments Off on Sony FS7 Price Drop – Camera Body Available for $5,998
Sep 172019

Shortly after Sony FX9 announcement, the Sony FS7 camera body received a significant price drop. It is now $1,500 cheaper, so the price for the body only is currently $5,998 at our partner stores B&H and CVP. Even though announced in 2014, the Sony FS7 still is a very popular and very widely used camera and in my opinion still counts as a good investment in 2019.

Sony FS7 price drop

Buy link: Sony PXW-FS7 XDCAM Super 35 Camera Was: $7,498.00  Now: $5,998.00 (Savings: $1,500.00)

Just few days ago Sony announced their new full-frame cinema camera Sony FX9. We already published two articles about the new camera – Sony FX9 announcement with interview and all the camera’s specs and Sony FX9 hands-on and footage. Although Sony says the FX9 is not a successor to the FS7, its announcement already affected the price of this Super35 camera.

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Canon C500 Mark II First Look – 6K, Full Frame, Cinema RAW Light, Modular Concept

 Cinematography, Gear  Comments Off on Canon C500 Mark II First Look – 6K, Full Frame, Cinema RAW Light, Modular Concept
Sep 092019

Canon just introduced the Canon C500 Mark II, the long-awaited successor to the C500, which takes a much more modular approach than previous cameras in Canon’s Cinema line-up. Let’s take a look!

It’s been over 7 years since the introduction of the original Canon C500, which used to be Canon’s flagship cinema camera before the C700 was introduced in 2016. And it’s also already 4 years ago since the C300 Mark II was introduced. So with the competition heating up and new cameras being released left and right, it was definitely time for an update of Canon’s cinema line. And today is the day this is happening. 

Before we take a look at the modular design of the camera, let’s look at the tech specs.

The bare-bones body of the Canon C500 Mark II – Photo © cinema5D 2019

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Canon 5D Mark IV | This is It, Finally

 Gear  Comments Off on Canon 5D Mark IV | This is It, Finally
Aug 252016

So this is it; it’s finally here to clear up the speculation and put to bed the inaccuracies. I say that because this impending release has been grabbing blog copy and forum fodder for weeks, like a ghost that hangs around but never reveals itself. But here it is. Finally.

It’s hard to imagine a single Canon camera more anticipated than a new 5D, and this one maybe more so than the last because of Nikon’s comparatively big releases with the D500 and D5, and the leak about the 5D Mark IV with that one particular sticking point and marketing magic-soundbite: that Dual Pixel Raw (more on that further on). There’s much to say about the camera that’s in many ways a re-structuring from top to bottom, inside and out, but perhaps we’ll get into all of that in later discussion, and more when we get our hands on one to review in the very near future. So for now here’s the Cliff Notes…

The Canon 5D Mark IV is, though familiar in look and controls, a new animal. It has a new sensor, improved AF and metering sensors like the 150,000 pixel RGB+IR sensor that allows for better subject recognition and tracking; new processor; a built in GPS receiver for latitude, longitude and elevation; built-in WiFi and NFC connectivity, and all enclosed in a familiar but better sealed body. It’s an all ‘round update. Oh, and it also does 4k at 30FPS, has a 7FPS max shooting mode, touch screen, Dual Pixel CMOS AF, and the brand new party trick, Dual Pixel Raw. That is, the 5D Mark IV on the half shell.


30.4MP Full-Frame CMOS Sensor
DIGIC 6+ Image Processor
3.2″ 1.62m-Dot Touchscreen LCD Monitor
DCI 4K Video at 30 fps; 8.8MP Still Grab
61-Point High Density Reticular AF
Native ISO 32000, Expanded to ISO 102400
Dual Pixel RAW; AF Area Select Button
Dual Pixel CMOS AF and Movie Servo AF
7 fps Shooting; CF & SD Card Slots
Built-In GPS and Wi-Fi with NFC


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