Earlier this year FUJINON introduced a new line of affordable E-Mount Cine Zooms made for documentary-style shooters. Here’s our FUJINON MK 50-135mm Review, where we take a look at the second of the two complimentary zoom lenses from FUJINON .
Featuring a non-breathing focus mechanism, par focal design and fully-geared focus, iris and zoom, I took this lens for a spin, after having already reviewed its little brother – the MK 18-55mm T/2.9 – earlier this year.
FUJINON MK 50-135mm Review
I tested the FUJINON MK 50-135mm over the course of several days and, while at first I was hesitant, I really enjoyed working with the lens after I had gotten the hang of it and seen the footage. Together, the FUJINON MK 18-55 T/2.9 and the new FUJINON MK 50-135mm T/2.9 cover a good focal range: 18mm to 135mm.
I recently tested the Sony 18-110mm cine style lens which is also a good alternative to the FUJINONs if you don’t want to carry two lenses and if you don’t mind that a lot Sony’s science is done electronically. Of course, the Sony lens is missing the 110-135 range, which admittedly will not be a huge tradeoff for many. The MKs are all-manual and in comparison to the Sony they also feature a constant aperture of T/2.9. This is great, especially because to me it seemed like they do look good wide open.