Canon Is Announcing Multiple New 70-200mm Lenses Soon [Rumor]

 Gear, News  Comments Off on Canon Is Announcing Multiple New 70-200mm Lenses Soon [Rumor]
May 172018
 

The Canon 70-200mm lens lineup contains some of the company’s best and most popular lenses. Nonetheless, with several of the lenses hovering around the decade mark in age, it may be about time to upgrade them. Thankfully, word has it that that’s exactly what Canon will be doing in short time.

The good folks at Canon Rumors are reporting that Canon is planning on replacing both the EF 70-200mm f/2.8L IS II and EF 70-200mm f/4L IS lenses soon, with an announcement likely coming early next month. The site is quite certain, saying they can “100 percent confirm” the f/4’s update to a Mark II version and “95 percent confirm” the f/2.8’s update to a Mark III version, which would be the second Mark III lens in Canon’s lineup (the first being the EF 16-35mm f/2.8L III). Both are excellent lenses, but the f/2.8L was released in 2010 and the f/4L was released in 2006, and with their status as essential lenses (particularly the larger aperture version) and sensor resolutions pushing higher and higher, an update would surely be welcome, particularly considering the inroads third party manufacturers have made in the intervening years.

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Meyer Optik Goerlitz Primoplan 58mm and 100mm Manual Primes: Smooth to the Touch

 Gear  Comments Off on Meyer Optik Goerlitz Primoplan 58mm and 100mm Manual Primes: Smooth to the Touch
May 172018
 

As a photographer, your camera body is only half the battle. Lenses play a supreme role in deciding overall image quality. Today I got a chance to work with two new manual lenses from Meyer Optik Goerlitz, the Primoplan 58mm f/1.9 and the Trioplan 100mm f/2.8.

Unboxing

OK, I have to admit that I am not the biggest fan of the latest trend of gear unboxing videos that have entered the world. Either they make me want to buy a new piece of gear that I don’t really need or they just make me wonder aloud, “Why am I spending 20 minutes of my life watching someone I don’t know, describe a product I can’t afford, and enjoy a benefit I am not getting?” But even old bitter me will admit that opening up the Meyer Optik Goerlitz lenses even made me consider making a video of my own.

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The Fundamental Terms of Lighting in Photography

 Technique  Comments Off on The Fundamental Terms of Lighting in Photography
May 172018
 

When you’re first starting out with artificial lighting, the vast array of terms to describe and quantify the various parameters of light can be a bit overwhelming. This helpful video will introduce you to the most essential terms that will allow to effectively communicate how any light source behaves.

Coming to you from Mark Wallace of Adorama TV, this great video will introduce you to the fundamental language of lighting and how it’s used in practice. I know that when I first started, trying to learn them abstracted from experimenting with an actual light source felt a bit like trying to speak French in Russian. Nonetheless, it’s crucial to understand these terms so you can communicate how you want light to look. Once you’re ready, this, in turn, will allow you to better choose the proper modifier for a specific shoot. Even if you prefer to shoot natural light, this terminology still applies, and it’ll lend you a greater ability to understand how and why your final image looks the way it does and how to take control of that. As mentioned, I recommend grabbing a light and modifier and trying it out so you can see the effects in real time. Check out the video above for the full rundown.

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Review: Anthem One Could Be the Next Great LED Light to Save Your Production Big Bucks

 Gear  Comments Off on Review: Anthem One Could Be the Next Great LED Light to Save Your Production Big Bucks
May 032018
 

Anthem is a new company. So we didn’t know what to expect when we sat down with their new LED light that promises to far outlast any HMI while promising the implied savings that could drive down production costs.

The Anthem One isn’t just any continuous LED light source. Every aspect has been designed to perform at its highest level. Heat is the enemy of long-lasting LEDs, so Anthem designed their debut light system to dissipate heat better than other lights do.

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Get a Great Deal on the Spyder5PRO Display Calibration System Today Only

 Gear  Comments Off on Get a Great Deal on the Spyder5PRO Display Calibration System Today Only
Apr 162018
 

One of the best ways to ensure your photos come out as well as possible is to use a display calibrator to make sure your monitor is both the correct brightness and is displaying accurate colors. Today only, you can take almost half off a Spyder5PRO Display Calibration System.

The Spyder5PRO Display Calibration System is a popular choice and great way to keep your displays calibrated. Not only does this ensure consistency across multiple displays, it helps to make sure you’re seeing the colors and brightness you think you’re seeing, so your edits and prints come out the way you envisioned.

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Transform Your DJI Drone in a Handheld Gimbal With This Accessory by PolarPro

 Cinematography, Gear  Comments Off on Transform Your DJI Drone in a Handheld Gimbal With This Accessory by PolarPro
Apr 122018
 

Everyone I know who shoots video dreams to own a gimbal if they don’t already. But did you know that if you have a drone, you actually already own a gimbal that you can use to shoot anything?

The role of the gimbal is to keep something horizontal no matter what. When flying a drone, it’s quite essential to maintain the camera stable and avoid any movement due to external elements or when flying it aggressively. However, a drone can also record videos and take pictures while on the ground. This means you can use it as a camera and take advantage of its gimbal to make super steady shots even if you don’t own a stabilizer for your bigger DSLR.

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Seven More of the Best Nikon Tricks

 Gear  Comments Off on Seven More of the Best Nikon Tricks
Mar 132018
 

Although it is popular to talk about mirrorless cameras these days, DSLR cameras are still alive, and with the help of some useful tricks, you can make the most of your DSLR. Especially if you own a Nikon camera, you might be surprised with these features that most photographers skip using.

Well-known nature photographer Steve Perry has published a video previously about Nikon tricks, and in this second video of the series, he shares seven new tricks about Nikon cameras, with in-depth explanations.

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How Good Are Adapted Lenses for Mirrorless Cameras in 2018?

 Gear  Comments Off on How Good Are Adapted Lenses for Mirrorless Cameras in 2018?
Mar 112018
 

Sony is growing by leaps and bounds, but one of the biggest advantages Canon and Nikon continue to hold is the deep investment a lot of their users have made in native lenses. This great video examines the current state of affairs for adapters and if they can work for you.

Coming to you from The Camera Store TV, this helpful video will show you just what you can expect from trying to use adapted lenses on mirrorless cameras in 2018. I’m personally shooting mostly with a Sony a7R III these days, and I’ve found that that in combination with a Metabones V adapter actually works better for my Canon 85mm f/1.2L II lens than a native body, as the adapter still works about as quickly as a Canon body, but there are no AFMA errors as one encounters with DSLR bodies (even after years of AFMA adjustments, this lens is still finicky for me). Combine that with Eye AF and my keeper rate went up substantially when I switched to a Sony body, so much so that I now trust the Sony enough to make it my main body for a lot of work. If you’re curious about their system but married to a lot of Canon or Nikon glass, now is a good time to watch the video above.

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RED Hydrogen One: Details and Specs Emerge Surrounding RED’s Holographic Smartphone

 Gear  Comments Off on RED Hydrogen One: Details and Specs Emerge Surrounding RED’s Holographic Smartphone
Jan 232018
 

The RED Hydrogen One smartphone was announced last summer, but details about a release date and more solid specifications are finally emerging thanks to a post by RED Founder and CEO Jim Jannard. The Android-run smartphone will operate with a Snapdragon 835x processor (as what is currently in the Samsung Galaxy S8) and will feature a massive 4,500 mAh battery (125 percent the battery capacity of the similarly sized Galaxy S8+). But there’s much more than just a big battery in RED’s 5.7-inch smartphone.

That massive battery will support all of the content creation for which RED expects its users will be using the phone quite often. With a modular design, the Hydrogen will be able to perform a variety of additional tasks both at launch and in the future with simple add-ons that connect via a Pogo pin system for both power and data delivery and a wide range of flexibility.

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Fstoppers’ First Hands-On Look at the DJI Mavic Air

 Gear  Comments Off on Fstoppers’ First Hands-On Look at the DJI Mavic Air
Jan 232018
 

Today, Fstoppers was at the DJI Event in NYC where they announced the Mavic Air. After learning about this drone and seeing examples of photo and video it had produced, I knew that I had to get my hands on one of them to try out. As a current owner of a Mavic Pro, there is no doubt that I questioned whether or not I should get one of these drones. So I went and flew them around a bit and got a little taste of what’s to come.

Design/Feel

Like most DJI products, this drone has a really sturdy build. I have to say that it actually feels a bit more durable than the Mavic Pro, especially when it comes to the folding parts on the drone. To me, everything just felt more intact and sturdier when I went to fold the legs in and out. I was shocked to see that they got rid of the foldable props, but I also think that in some way it is better for flying overall. I have never had an issue with the folding props on the Mavic Pro, but if I had to be honest, they do get annoying when I go to pack the drone up and put it back into its case.

The controller was also felt better than I thought and more well built than previous controllers from DJI. It is more like the Spark’s controller; it does not have a screen on it, but it gets hooked up directly to your phone just like the Mavic Pro. The coolest feature about the remote is that the joysticks can be removed and stored in the controller. Whenever you want to spark up a conversation about portability, don’t hesitate to bring up this sleek new controller!

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Fstoppers Reviews the ZhongYi Mitakon Speedmaster 35mm f/0.95 for Fujifilm

 Gear  Comments Off on Fstoppers Reviews the ZhongYi Mitakon Speedmaster 35mm f/0.95 for Fujifilm
Dec 102017
 

Over the past few years, Zhongyi Optics have introduced several lenses in their Mitakon “Speedmaster” series of reasonably-priced, well-constructed, super-fast manual focus lenses. The 35mm f/0.95 Mark II lens falls straight into that category. We’ll be looking at the Fujifilm mount version, but this lens is also available for EOS-M and Sony E cameras. So, let’s get into it and look at sharpness, build quality, and, of course, bokeh.

I picked up this lens a little over a month ago and was initially a little disappointed with it. It didn’t seem to fit the Fujifilm system all that well and it certainly didn’t fit my style of shooting. That would all change over time as I got used to the way it was designed and learned to work with it for certain types of shooting. It’s certainly not an all-rounder, but it is a beautiful lens and one worth considering if you like to shoot wide open a lot.

Build Quality and Handling

The all-metal-and-glass construction of the ZY Mitakon 35mm f/0.95 makes for an “old-school” feeling lens. When I first picked it up, I found it reminiscent of the Nikkor 35mm f/1.4 I used to use on my old Nikon FM. The resistance in the focus ring and the weight were the first things that stood out to me.

At 460 grams and just 63x60mm in size, it is a stocky lens that feels very solid in the hand. It’s almost too heavy on the smaller Fujifilm bodies and I found that it felt best on the X-Pro2. On the X-T2, or especially with the smaller bodies, it tips the center of balance too far forward and I felt like I was constantly supporting the lens and not the body. Compared to Fujifilm’s 35mm offerings it is much larger and heavier and you will instantly notice the difference.

The aperture ring is positioned at the front of the lens and is declicked. Both of these things feel rather strange on a Fujifilm body at first and take some getting used to. The aperture ring is far too easy to knock in the position it is in. Perhaps a lock switch would help to stop it from rotating with everything it touches. I have found that keeping it at f/0.95 (and let’s face it, that’s why you buy the lens) is quite difficult in the field. I’m constantly having to check the ring before I raise the camera to my eye. This declicked design may be useful for video shooters, but to be honest, I’d prefer a clicked aperture for stills.

The front element of the lens also sits disconcertingly close to the end of the lens barrel and the package doesn’t come with a lens hood. This is disappointing in a $500-plus lens and I would hope that ZhongYi includes hoods with their future lenses. There are a few options out there from third-party manufacturers, so you can certainly get one to fit.

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The Sigma 85mm 1.4: One Year Later

 Cinematography, Gear  Comments Off on The Sigma 85mm 1.4: One Year Later
Nov 282017
 

About this time last year, the Sigma 85mm 1.4 Art series lens was released and I went ahead and decided to pull the trigger and invest in the new glass. I had heard great things about other entries in the art lineup and understandably Sigma’s new 85mm focal length was getting a solid amount of hype. For the past year, I have been shooting exclusively with Sigma’s 85mm. It’s been the only lens in my camera bag and the only lens I’ve used for a straight year. What follows are my impressions after a solid year of use; what I like about the lens and what I don’t like.

Let’s start out with some of the things that I love about this lens. After a year of continuous use, I can say that there is no question that the Sigma 85mm 1.4 is a great piece of glass. I am first and foremost a portrait photographer so the focal length itself is a no-brainer for me. As a short/medium telephoto lens, the 85mm gives me a gorgeous level of background compression, beautiful bokeh, and I don’t need to be overly concerned with facial distortion if I come in for a closeup shot. It’s been said before and will be said again that the 85mm focal length is pretty much perfect for portraits.

As I currently live in Colorado and have generally have access to gorgeous sunsets for most of the year I have developed a love for shooting backlit images. If you’ve ever shot backlit before, you know that depending on the angle and position of the sunlight, as well as your own preferences regarding lens flare, some lenses can be finicky about nailing focus. This is understandable as you’re basically asking your camera to nail focus while either direct or angled light is coming right into the lens. I can say with confidence that the Sigma 85mm handles backlighting scenarios like a boss. This is one of the first things that I noticed about this lens; even in less than ideal backlit situations, the lens is wildly successful at getting great focus right where you want it.

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Twenty Helpful Tips and Tricks for Photoshop

 Technique  Comments Off on Twenty Helpful Tips and Tricks for Photoshop
Nov 202017
 

Photoshop is a tremendously intricate and nuanced program, and you can never have enough tips and tricks to navigate all its features and options and make your workflow both more powerful and more efficient. This helpful video will show you 20 more tips and tricks you might not have seen before.

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Canon 6D Mark II Vs. 80D and 7D Mark II In-Depth Review

 Cinematography, Gear  Comments Off on Canon 6D Mark II Vs. 80D and 7D Mark II In-Depth Review
Sep 072017
 

The Canon 6D Mark II has not been the most well-received camera thus far. But how does it actually perform, and are the complaints justified?

The initial complaints were around the fact that this camera does not shoot 4K video. Discussions then moved on to its dynamic range and how it underperformed even against APS-C cameras. The most recent complaints are around the fact that its performance at higher ISOs may be worse than the original 6D. Personally, my biggest gripe about this camera is the fact that it only has one storage slot. This one individual point makes it less viable in a professional setting for me, however this may not bring as much concern to shooters upgrading from the original. The 6D Mark II has been referred to as a bigger Canon 80D and for good reason. There are a few minor differences between the two cameras except for the sensor size and price tag. The Canon 7D Mark II sits in between the 80D and 6D Mark II when it comes to the price and for that reason, it’s viable to compare these three to one another.

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How to Maximize Your DJI Spark Dynamic Range in Postproduction

 Gear  Comments Off on How to Maximize Your DJI Spark Dynamic Range in Postproduction
Aug 172017
 

Amongst the drones available on the market in 2017, the DJI Spark is surely not amongst the top ones in terms of files quality. The sequences it creates are quite difficult to color grade in postproduction and thus it makes it hard for videographers to mix the clips with footage from another camera. However, there are ways to improve what you can get out of Spark’s videos. Casey Faris gives us one of the tricks he uses to maximize the dynamic range of the images.

The DJI Spark is without a doubt an incredibly attractive product to get into aerial photography and videography. But its price comes at the cost of more advanced features found on the Phantom and Mavic, such as log footage. The sequences produced by the Spark are very contrasty, sharp, and quite saturated. It’s not a bad thing for average users, but it’s far from ideal for those who want to color grade their footage.

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Fstoppers Reviews the Insta360 Air: A Pocket-Sized 360-Degree Streaming Camera

 Gear  Comments Off on Fstoppers Reviews the Insta360 Air: A Pocket-Sized 360-Degree Streaming Camera
Aug 172017
 

Live streaming on Instagram, YouTube, and Facebook is nothing new in the age of social media. It’s a fantastic tool for marketing or just showing how much fun you’re having on a fun new adventure. What if you were able to completely immerse your viewers in the environment you’re streaming? InstaAir 360 is one such a camera and I was given the opportunity to work with it.

To start I’ll give you the basics. The camera is available for both Android (both Micro USB and USB Type-C) and Apple devices. For lens elements, it has dual 210-degree lenses facing 180-degrees from each other. With a max output of 3K resolution images, and 2K (3K on certain phone models) video. Utilizing real-time stitching, you’re able to stream the views from the camera live on most social media applications. It featured built-in stabilization allowing for smooth operation. In addition, it can be used as a webcam with the included USB adapter.

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Which Video Camera Would You Buy Today? Here’s a Comparison of 4K Systems from Canon, Sony, and Others

 Gear  Comments Off on Which Video Camera Would You Buy Today? Here’s a Comparison of 4K Systems from Canon, Sony, and Others
Aug 012017
 

Every time I’m on a set or grabbing coffee with another local filmmaker, we always end up talking gear for a bit, and inevitably the question comes up of “What camera would you buy if you had to buy right now, and why?” I decided to research things a bit and put together an article that explains what I’d buy if I absolutely had to right now, and the answer might surprise you.

First, let me just define a few parameters. I’m going to look at 4K-capable cameras that can capture internally, and cost less than $10,000. To further refine the list, fixed-lens cameras will not be listed, but don’t disregard them. They still serve a lot of event productions and run-and-gun shooters should really consider them a viable option when speed and versatility are more important than being able to change lenses. I’ll also being leaving DSLR-style cameras off the list, even though they are a popular choice. I wanted to keep the comparison as direct as possible.

Here’s a chart to get us started which should give us a quick glance at some major specs and price points. Below, I’ll hit on key points, note any special considerations, and finally end with my suggested picks for the kind of videographer or filmmaker you might be.

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Comparison Breakdown: The Lightest, Most Affordable, Professional Full-Frame System

 Gear  Comments Off on Comparison Breakdown: The Lightest, Most Affordable, Professional Full-Frame System
Jul 272017
 

In a world where less than a handful of brands are considered well-established in the professional full-frame camera market and where more than a handful of other brands have done a very healthy share of innovating to wedge their way into the market, where do we stand? If you’re going to buy a new system to start fresh or are just starting out and getting serious, this is for you. Here’s a thorough comparison of the major bodies and lens kits you’ll likely be considering. As long as you’re considering full frame, regardless of budget, here’s a comparison for it.

The DSLR establishment is extremely interested in the possibility of mirrorless cameras, and rightly so. They’re faster, cheaper, lighter, and more compact… or are they? If you’re thinking of Fujifilm’s X-Series cameras, you’d be right. And those might work for you. But for professionals coming from the top DSLR brands, they’ll be lacking in speed, versatility, and sensor size (not to mention ISO performance), as they’re all APS-C-based. But what about the full-frame mirrorless cameras? Of course, we’re now talking about Sony’s a7-series cameras.

YouTuber Duncan Dimanche recently published a video that compared the price and weight of an entry-level full-frame kit from four different brands, including Canon, Nikon, Pentax, and Sony. NikonRumors has a great summary of that video, but there were a few issues in there. First and foremost, none of the combinations of lens kits were anything that any reasonable person would purchase together. It was a good first effort, but with a number of the zoom ranges of the cheap lens kits overlapping and with the results slightly skewed toward Nikon with a few interesting and cheaper not-quite-equivalent options included (and I’m a Nikon fan, even), the video didn’t quite do it for me. Still, it more than piqued my curiosity. Let’s dive into a comparison based on what we’d actually get. Scroll down to the conclusion for the final advice, or read on to get all the details.

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A First Look at the Canon 6D Mark II Camera, by Alex Cooke

 Gear  Comments Off on A First Look at the Canon 6D Mark II Camera, by Alex Cooke
Jul 082017
 

Canon recently released both the 6D Mark II and SL2 cameras. The 6D Mark II was particularly anticipated, as it is Canon’s cheapest and lightest full-frame DSLR. Here’s a helpful and practical first look at the newest DSLR in the Canon family.

Kaiman Wong recently had a chance to play with the new Canon 6D Mark II. With 45 cross-type AF points, a fully articulating screen, improved burst speed, and dual pixel autofocus, it’s an intriguing option for those looking to break into the full frame world. Of course, it’s missing features to distinguish it from the 5D Mark IV, most notably 4K and a second card slot.

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Tamron Announces SP 24-70mm f/2.8 Di VC USD G2 Lens, by Alex Cooke

 Gear  Comments Off on Tamron Announces SP 24-70mm f/2.8 Di VC USD G2 Lens, by Alex Cooke
Jul 012017
 

For many photographers, a 24-70mm f/2.8 lens with vibration compensation is a holy grail. Tamron has just introduced their second generation of that exact lens with many improvements and a slick redesign. Check out the new lens!

Specifications

  • New dual Micro-Processing Unit for quicker and more precise AF and improved Vibration Compensation performance
  • Two extra refractive elements, three low dispersion elements, three glass-molded aspherical elements, and one hybrid aspherical element to reduce distortion and aberrations
  • eBAND and BBAR coatings to reduce flare and ghosting
  • USM autofocus motor with full-time manual override
  • Five-stop Vibration Compensation with two modes (normal and panning)
  • Moisture resistance with fluorine-coated front element
  • Minimum focusing distance: 15″
  • Maximum reproduction ratio: 1:5
  • 17 elements in 12 groups
  • Nine-blade diaphragm
  • Front element: 82mm
  • Weight: 1.99 lbs. (904 g)
  • Compatible with optional TAP-in Console

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