GearComments Off on Sony 200-600mm Lens Settings for Bird Photography
In this video I will go through each setting of the Sony FE 200-600mm super-telephoto zoom lens and show you how I use them for bird photography.
The Sony FE 200-600mm f/5.6-6.3 G OSS lens features a full settings panel on the left side plus three customizable focus hold buttons midway down the barrel. The settings from top to bottom include an AF/MF switch, a focus limiter switch, an Optical SteadyShot on-off switch, and lastly a mode switch to choose how the image stabilization will operate.
Cinematography, GearComments Off on Are Canon’s Rumored Super-Telephoto Lenses a Serious Threat to Olympus?
The rumored Canon lenses coming out have got a lot of us talking and pricked up a number of ears. One set of ears it ought to have pricked up, however, is Olympus’ — and here’s why.
Some of you may know that earlier this year, Olympus was kind enough to send me to Costa Rica with their new OM-D E-M1 Mark III to review it with the help of some of South America’s staggeringly diverse wildlife. From the first pre-trip presentation, it was clear the direction Olympus had been going for some time was the one there were intent on staying on: wildlife and sports. Their micro four thirds sensor puts a lot of people off — not least because of its age now — but it comes with at least one perk, and it’s a big one: effective focal length. With the 300mm f/4 IS PRO lens on the aforementioned body, I was shooting at the full frame equivalent of 600mm. Then, when I added the 2x teleconverter, I’m shooting at the equivalent of 1,200mm on a full frame body, something that is not easily or cheaply done!
Gear, MirrorlessComments Off on The Best APS-C Camera Ever Made? A Review of the Fujifilm X-T4
Fujifilm’s X-T4 has been seen by some as an incremental progression over its predecessor, the X-T3, and if you’re a stills shooter that doesn’t need advanced autofocus performance, that might well be true. This excellent review runs through the features and explains why it might be a worthy upgrade.
Chris Niccolls and Jordan Drake of DPReview bring a wealth of experience to their review of the X-T4 and, suffice to say, they’re impressed. As the video makes clear, this is definitely not a turkey.
Gear, MirrorlessComments Off on Should I Use a Crop Sensor or Crop an Image From a Full Frame Sensor?
If a crop sensor is used, it will look like the focal length is much longer. Photographers that need long telephoto lenses can benefit from this. But instead of using a crop sensor, it is also possible to crop a full frame sensor to have the same field of view. Let’s take a look at the differences.
It isn’t really that difficult. A small sensor will record only a part of the projected image of the lens you are using. A bigger sensor will record a larger part of that same projected image. A full frame sensor with the dimensions of 24 x 36 mm will have a larger area compared to a 1.5x crop sensor that measures 23 x 15 mm. But when the recorded image is viewed at the same size on a screen, the image of the crop sensor will result in a magnification of 1.5 times that of the full frame sensor.
This is why a lens on a camera with a sensor that is smaller than a full frame sensor will act as if it has a longer focal length. A 24mm the lens will act like a 36mm lens, a 50mm lens will become a 75mm lens, and a 400mm lens will imitate a 600mm lens. This is when the sensor has a 1.5x crop. If a micro 4/3 sensor is used, with a crop factor of 2x, the focal lengths will be 50mm, 100mm, and 800mm compared to its full frame cousin.
Cinematography, GearComments Off on Sony Announces the ZV-1: A Compact 4K Vlogging Camera With Fully Articulating Screen
Sony has just announced the launch of the ZV-1, a compact camera that’s ready for vlogging out of the box.
The ZV-1, available for pre-order for $748 and due to ship on June 11, is a lightweight, compact camera featuring a one-inch sensor and a fixed 24-70mm equivalent lens, complete with optical and digital stabilization, and capable of shooting 4K at up to 30 fps.
The major specifications:
20.1MP 1″ Exmor RS BSI CMOS Sensor
ZEISS 24-70mm-equivalent f/1.8-2.8 Lens
UHD 4K30p Video with HLG and S-Log3 Gammas
3.0″ Side Flip-Out Touchscreen LCD
Notably, the LCD touchscreen articulates fully to the side. Other features include a built-in ND filter, eye-detect and face-detect autofocus, and a 3.5mm microphone jack.
The camera seems to blend the compact size of the RX100 III — as well as the same lens — but stealing many of the powerful video features of the a6100 and a6600.
Before anyone gets the wrong idea, I should clarify that the title of this article is a suggestion and not a claim.
Recently, there has been some speculation about the price of the upcoming Canon EOS R5. Although no official numbers have been announced yet, there was a rumor that originated from an Australian retailer, suggesting the price will be $6,700. For many people, including myself, I’d say that’s a pretty reasonable price point, considering what this camera could offer. At that price point, the EOS R5 would be the cheapest full-frame 8K video camera on the market that also shoots raw. The few alternatives cost significantly more (when you consider the full setup required), and the R5 is likely to offer some brilliant options for photographers too.
I’m sure some of you will disagree with how fair that price is, however, it’s difficult to argue, considering what the camera is set to offer. Despite this, I still think the price of this camera, when released, should not be any higher than $4,000 mark.
GearComments Off on Fstoppers Reviews the Fujifilm X-T4: A Deviation
In a release cycle reminiscent of certain other manufacturers, Fujifilm decided to replace their flagship X-T series camera in 18 months rather than the usual 2 years. With a smattering of feature updates, a new battery, and a couple of cosmetic changes, is it really worth the upgrade from the X-T3? Let’s find out.
This review will be taken from the perspective of someone who has owned an X-T1, two X-T2s, an X-H1, and an X-T3. You could say I’m an addict. The other thing to note is that I’m a full time stills photographer. About once or twice a year, I’ll be asked to shoot a video, but my main use for these cameras is stills, so we won’t be taking a deep dive into the changes for video work. With that out of the way, let’s take a look at the heavy hitting features of the X-T4.
Gear, MirrorlessComments Off on In Praise of the Mamiya 645, the Perfect Compact Medium Format SLR Camera
When it comes to shooting on medium format, you’d be forgiven for thinking that starting out involves a heavy investment. The Mamiya 645 Pro, by contrast, is refreshingly affordable and the modular design means you can tweak your setup to your heart’s content.
Shane Taylor of Framelines has put together this short video explaining why he chose the Mamiya 645 Pro for his latest street photography project,t which resulted in a printed zine. As Fstoppers’ own James Madison will testify, the Mamiya 645 Pro offers medium format quality in a very compact body and, as Taylor mentions, it even shoots 35mm film. And if that’s not enough to get you tempted, be sure to check out the thoughts of photographer Nick Carver, who was looking for something smaller than his Mamiya RB67 but that wasn’t a rangefinder.
GearComments Off on Should You Invest in Large Aperture Lenses That Have f/2.8 or Larger?
Buying a beautiful f/2.8 lens zoom is tempting. Large apertures are always better. If you’re using primes, a f/1.8 or f/1.4 is even better. But is that expensive large aperture lens really necessary for your photography?
The first lens I bought next to the one I got with my camera was the beautiful white Canon EF 70-200mm f/2.8L IS USM. Its name is a mouth full, basically meaning it has that amazing f/2.8 aperture over the complete focal range. It is white, it is large, it is heavy, it looked good on the camera, and people were impressed by this huge white expensive looking lens.
Gear, MirrorlessComments Off on Would You Buy an Olympus O-MD E-M1 Mark III Instead of a Sony a7 III?
The launch of the new Olympus O-MD E-M1 Mark III has reminded the world that micro four-thirds is not dead, and right now, it’s almost exactly the same price as the Sony a7 III. If you were in the market, which would you buy?
Over on B&H Photo right now, there’s a dollar difference in price between these two cameras, though if you opt for the Olympus, you are buying a camera with a much, much longer name. That said, in a world when full-frame offers so much, why would you ever want the smaller sensor? This entertaining video from Vistek makes a compelling case for the Olympus, and clearly it’s a tool that definitely fits well under certain circumstances.
GearComments Off on A Review of the Sony FE 200-600mm f/5.6-6.3 G OSS Lens
We would all love to have the absolutely astounding supertelephoto primes that the pros use, but with prices well into five figures, they are simply not in the cards for most of us. Luckily, in the last few years, companies have been releasing better and better long zooms at more affordable prices. This great review takes a look at the Sony FE 200-600mm f/5.6-6.3 G OSS lens.
Gear, MirrorlessComments Off on Is Fuji About to Release the X-T4 and Two Other New Cameras?
It appears that Fuji may have a busy couple of months coming up, with rumors that the X-T4, X100V, and X-T200 may be announced as soon as February 4. Is Fuji beginning to match Sony’s aggressive release schedule? Will we see some major changes to the successor of the incredibly popular X-T3?
FujiAddict reports that the X-T4 will be ⅓ of an inch thicker and up to 5 oz heavier than its predecessor, also touting 6K 60p with 10-bit internal recording and a fully articulating screen. The larger size would make sense, as the smart money is betting on the X-T4 having in-body image stabilization, one of the few features that videographers felt was missing from the X-T3. It would also accommodate a larger battery, which will be greatly welcomed by Fuji shooters used to carrying a handful of NP-W126S batteries with them, a model that’s been used across a wide range of Fuji bodies for several years now.
Canon’s mirrorless lenses have been quite successful for the company, offering impressive optical quality that sets the bar quite high. However, Canon fans are still waiting for a stronger mirrorless body that pushes the boundaries a bit more from the company. The good news is that it seems that will be changing soon, as the company is likely to release two new mirrorless cameras in the coming months.
GearComments Off on Zeiss Milvus 100mm f/2M ZF.2 Macro Lens Review
I couldn’t find a great deal about this lens online, so I thought I would film a review with a of mixture of test shots and looking at how I have used the lens in my own portfolio. Here are my thoughts.
From a Canon shooters point of view, the Carl Zeiss Milvis f.2m Macros lens is a more expensive offering than the own brand’s pro line. It doesn’t have as many features due to a lack of true 1:1 marco, autofocus, and image stabilization. So, this lens is certainly not a versatile tool. However, it does offer a lot for a certain type of photographer.
For me, the lens offers incredible details as well as a beautifully rendered image, especially when wide open. The lens gives the image a look that can’t be achieved with the Canon offerings, partially due to the f/2 aperture, but also due to the way that Zeiss constructs their lenses.
Although the test shots don’t show any huge gains over something like a Canon USM or L lens, when put to practical use, the rendering, colors, and build quality are superb. What is really impressive is how sharp the lens is wide open and the way that the lens can control highlights. It wasn’t something that I noticed until I shot the same scene with some Canon lenses and realized that it was the lens causing the highlight to blow out in a rather unpleasing way.
Gear, Mirrorless, NewsComments Off on The First Half of 2020 Will Brings Lots of Mirrorless Announcements From Canon
Canon is slowly filling out its mirrorless line, but there are still some cameras and lenses that photographers are waiting to complete their kits or to justify switching. The good news is that Canon seems to be planning a lot of releases for their mirrorless line in the first half of 2020.
GearComments Off on Tiny and Capable: A Review of the DJI Mavic Mini
The DJI Mavic Mini is a ludicrously small drone, but that does not necessarily mean it does not come without a set of professional features. This great review takes a comprehensive look at the new drone to help you decide if it is the right one for you.
GearComments Off on An Experiential Review of the Atomos Shinobi External Monitor for Photography
The use of external monitors in shooting stills at honestly seemed unnecessary at first, especially in shooting more pace-sensitive kinds of photography. But as an architectural photographer who generally has more room for precise compositions, it seemed more feasible.
External monitors are more commonly used in shooting videos than photos. There is a wide variety of external monitors that are compatible with most modern cameras (at least those with an HDMI port). Atomos is one of those brands most known for such, especially their bigger monitors that come with a built-in recorder such as the Atomos Ninja V. Given that architectural photography deals with very crucial precise composition and attention to details, the use of the Atomos Shinobi seemed sensible.
Build and Design
The Shinobi comes in a 5.94 x 3.6 x 1.24 inch polycarbonate body that weighs only 196 grams (battery not included). It has 1/4” female mounting threads on the top and bottom parts, a 3.5mm audio output port, HDMI port, and an SD card slot on the sides. The SD slot does not function as storage but works as a way to import color profiles instead. Personally, the only thing I would change about this is to give it a more rugged exterior probably with rubber protectors on the corners.
Gear, MirrorlessComments Off on A First Look at the Fujifilm X-Pro3 Camera
The X-Pro3 is the latest camera from Fujifilm in their highly lauded X Series, and with it comes a highly interesting design with lots of features and power to spare. Is this unique camera the right one for you? This excellent first look video will give you a pretty comprehensive overview that should help you decide.
Tamron really has their focus on the Sony mirrorless camera users. The existing Tamron lenses for Sony mirrorless, the 28-75mm f/2.8 and 17-28mm f/2.8 have been quite successful due to their superb quality and competitive pricing. That is why many users have been awaiting the lens that would complete this zoom lens trinity, a fast telephoto lens, certainly.
Today, Tamron announced the development of the Tamron 70-180mm F/2.8 Di III VXD. However, aside from that, a lot are still yet to be revealed by the third-party lens brand. In addition, however, they finally revealed the 3 new prime lenses for the Sony mirrorless line-up. The 20mm F/2.8 Di III OSD M1:2 (Model F050), 24mm F/2.8 Di III OSD M1:2 (Model F051), and 35mm F/2.8 Di III OSD M1:2 (Model F053). The 24mm and 35mm lenses will be available on November 20th and the 20mm will be available in January 2020. All three prime lenses share the same price tag of $349.
GearComments Off on A Comprehensive Review of the Sony a7R IV
The Sony a7R IV brings the company’s latest innovations and improvements to the popular line of high-resolution full frame cameras. Along with its new sensor come a bevy of new upgrades and refinements to existing features, making it an interesting choice for a lot of photographers. This comprehensive and thorough review takes a deep look at the camera to help you decide if it is right for you.
Coming to you from Maarten Heilbron, this excellent review takes a look at the Sony a7R IV. The a7R IV features lots of upgrades over the a7R III, the most prominent being the new 61-megapixel sensor, an upgrade of almost 50% over its predecessor. Along with the new sensor comes a better EVF, more ergonomic grip, more powerful autofocus, better weather-sealing, and more. The capability to fire at 10 fps at 61 megapixels is certainly a boon for many photographers, particularly wildlife photographers, who retain vast cropping capabilities with enough speed to capture animals in action, all supplemented by the capable autofocus system.