Gear, MirrorlessComments Off on The Affordable 21mm f/1.5 for Leica M and Mirrorless: A Quick Review
Cheap lenses are getting better, faster, and more interesting these days. So, how’s this wide angle for Leica M mounts?
The TTArtisan (not 7artisan though as Burling says in the video, they share a factory…) 21mm f/1.5 is for Leica M mounts and can be adapted for other mirrorless bodies. It’s only a few hundred dollars brand new, it’s wide, it’s fast, and it’s just another entry in to the recent spate of affordable manual focus lenses. But are they any good?
Gear, Mirrorless, NewsComments Off on Fujifilm Announces the X100V: Major Upgrades to the Beloved Camera
The Fujifilm X100 line is a favorite of many photographers, and today, the company has announced the X100V, the fifth iteration. It comes with some significant upgrades over the X100F; check out what the camera has in store!
I’ve always loved the X100 line; I owned an X100S for several years, and it was probably the most fun (particularly the unique viewfinder) I’ve had with a camera. Over time, the X100 has gone from quirky but capable camera to quite the portable powerhouse. Check out the specs of the new X100V:
Enhanced grip, ISO dial, and lens barrel
Optional weather resistance with AR-X100 adapter ring and PRF-49 protection filter
New two-way tilting touchscreen (1.62 million dots)
Newly designed 23mm f/2 lens (35mm equivalent)
26.1-megapixel X-Trans 4 sensor with back-illuminated design for increased dynamic range
Four-stop internal ND filter
Hybrid viewfinder offering .52x OVF or 3.69-million-dot OLED EVF
95% coverage OVF with parallax-correcting frame lines and electronic rangefinder function
4K video at 30 fps and 1080p video at 120 fps
Weight: 16.9 oz (478 g) including battery and SD card
Altogether, the X100V looks like a worthy fifth installment in the X100 series. What do you think of it?
I recently got the chance to use the new Hasselblad X1D II for a week. It was my first experience with medium format and required a bit of adapting on a learning curve. Here are my first impressions about the body, design, lenses, and general usability of the camera.
You know the feeling you get when you’re walking down the street and there’s a shiny new Lamborghini parked outside? You pull out your phone and snap a picture to send to your friends. You even look around to see if anyone is around and think to yourself: “how close can I get to it? Should I touch it? I wonder if it’s unlocked? Man, this leather is soft. Why are they putting me in handcuffs? I was just smelling it!?” Just me? Well, I get the same feeling when I see a Hasselblad. To be totally honest, I thought my chances of using a Hasselblad were about the same as getting to joy ride that Lamborghini. When Hasselblad agreed to send me an X1D II and a couple lenses to test out, I was kind of in shock, but obviously jumped at the chance. I’ve always said a camera is a camera is a camera. If you call yourself a photographer, I should be able to give you any camera and you should take a good picture. But there is something to be said about nice gear that inspires creativity. It puts you in a new mindset and excites you. This camera definitely did that for me.
GearComments Off on Nikon Launches the COOLPIX P950: A Compact, Zoomy Camera to Make Flat Earthers Go Crazy
Nikon has announced the launch of the COOLPIX P950, its latest bridge camera and the dream of every flat earth conspiracy theorist thanks to the 83x optical zoom — and 166x digital zoom — that is somehow wedged into this compact body.
The fixed lens has a range that’s the equivalent of 24-2,000mm on a 35mm camera, offering excellent reach for those keen on distant objects such as birds in flight or cities located on the other side of large lakes. Those seeking to deny the curvature of the earth using woefully naive techniques will be delighted to learn that there’s the bonus of 166x digital zoom, giving the equivalent reach of 4,000mm in 35mm terms.
Cinematography, GearComments Off on Nikon Gets Closer to a Z Mount Trinity by Announcing the NIKKOR Z 70-200mm f/2.8 Lens
Nikon has announced the launch of the NIKKOR Z 70-200mm f/2.8 VR S for its full-frame mirrorless cameras, filling one of the two gaping holes in its lens lineup for professional shooters.
Nikon says that this high-end zoom has been “reimagined” in order to exploit the newly designed lens mount. With a constant f/2.8 aperture, it brings Nikon a step closer to completing the trinity of fast zoom lenses that are regarded as critical to any system due to their quality and versatility.
The NIKKOR Z 70-200mm f/2.8 has a stepping motor for quiet autofocus and reduced focus breathing, a minimum focus distance of just under 20″ (50cm), a nine-blade diaphragm, weather-sealing, and five stops of stabilization. It’s one of two Nikon lenses to feature the company’s newly-developed Short-Wavelength Refractive (SR) lens element for better control of chromatic aberration.
Cinematography, GearComments Off on Dull, Brilliant, Disappointing, Fun: Fstoppers Reviews the Tamron 24mm f/2.8 for Sony
There isn’t exactly a wealth of affordable options when it comes to 24mm prime lenses for Sony full-frame cameras, so Tamron’s new lens is a welcome addition to the line-up, though it does have its idiosyncrasies.
Following on from the success of its two affordable Sony mount zooms made with some smart compromises (the 17-28mm f/2.8 and 28-75mm f/2.8), Tamron has launched a batch of f/2.8 primes. Prior to their release, fans were excited at the prospect of relatively quick glass that was compact and reasonably priced, so when Tamron announced this selection of f/2.8 lenses, there was a degree of disappointment.
In Tamron’s defense, with the 24mm f/2.8 Di III OSD M 1:2, it has released something relatively unique at this focal length. With one notable exception, all of the other options start at more than double the price, albeit with much wider maximum apertures, so if you’re looking for a compact, lightweight, low-cost 24mm prime that’s not going to get anyone excited, the Tamron may be a smart choice.
GearComments Off on A Review of the Tamron 17-28mm f/2.8 Di III RXD Lens
Tamron’s 28-75mm f/2.8 lens has been a runaway hit for the company among Sony users, with its combination of a useful focal length, f/2.8 aperture, light weight, image quality, and affordable price making it highly popular. The 17-28mm f/2.8 Di III RXD is the accompanying wide angle zoom, and this great video review takes a look at the lens to help you decide if it is right for you.
GearComments Off on Samsung Is Making a Smartphone Camera That Should Make Astrophotographers Very Excited
Smartphone users might see an interesting development with the release of the Samsung Galaxy 11 next year as the phone is rumored to feature a camera sensor that is specifically designed for low light photography.
Like many smartphone manufacturers, current Samsung models feature “Bright Night,” a software-based feature that uses AI to stack multiple images to create a better exposed photograph. By contrast, this would be a dedicated low light camera on the back of the forthcoming Samsung Galaxy 11. It’s said that Samsung is also working on a “Night Hyperlapse” mode for capturing low light time lapses.