This is What 20fps with the Sony a9 Sounds Like (Spoiler: Nothing)

 Gear  Comments Off on This is What 20fps with the Sony a9 Sounds Like (Spoiler: Nothing)
Apr 242017
 

Sony made quite a splash in the photo industry this week by announcing the new a9, a mirrorless camera that can shoot 24MP full-frame photos at a whopping 20fps. We soon got a look at what 20fps on this camera looks like. If you want to see what 20fps sounds like, check out the video above.

Some DSLRs can shoot at relatively fast rates as well — check out 12fps with the Nikon D5 and 16fps with the Canon 1D X II — but with DSLRs you’ll have audible sounds from the mirror and/or shutter flapping up and down.

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Hasselblad H6D-100c Review – Shooting Medium-Format Video by; Christoph Tilley

 Cinematography, Gear  Comments Off on Hasselblad H6D-100c Review – Shooting Medium-Format Video by; Christoph Tilley
Apr 242017
 

In this guest review, Vienna-based filmmaker Christoph Tilley takes a close look at the Hasselblad H6D-100c – a 100MP, 4K Raw-capable medium format camera. Intrigued? Read on for his hands-on impressions.

Christoph Tilley reviews the Hasselblad H6D-100c

Shooting Medium-Format Video

Not too long ago DSLRs revolutionized the way we make films. These days, we are seeing the emergence of the first medium-format stills cameras capable of shooting video. What would it be like to shoot video on an such an extremely large sensor? 

Enter the Hasselblad H6D-100c, a 100 Megapixel Full-Frame Medium-Format Stills Camera. The resolution is absolutely incredible on this thing – each Raw image has a file size of 216,3 Megabytes. But why in particular is this interesting for us filmmakers? Well, this thing can also shoot 4K Raw video.

But what kind of results will you get when shooting video? And how does this large sensor compare to Super35 in the real world? To find out, we shot a typical interview scene on the RED Dragon with a 50mm lens wide open at f/1.4. Right alongside we had the Hasselblad H6D-100c with a 100mm lens at an f-stop of f/4.

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Sony Unveils Blazing Fast a9: A 24MP Sports Camera that Shoots 20fps

 Gear  Comments Off on Sony Unveils Blazing Fast a9: A 24MP Sports Camera that Shoots 20fps
Apr 202017
 

Holy frames per second Batman! Sony just raised the bar on high-speed sports photography with their latest “groundbreaking” (but actually) camera release. The newly-announced Sony a9 is a 24MP high-end full-frame mirrorless sports camera that can fire off an insane 20fps with no blackout.

Sony is calling this “the most technologically advanced, innovative digital camera that [we have] ever created,” and this descriptor doesn’t miss the mark.

With 20fps blackout-free and distortion-free silent shooting, high-speed tracking with 60 AF/AE calculations per second, a 693-point AF system with 93% frame coverage, a 3,686k-dot EVF that runs at 120fps, and 5-axis in-body stabilization that offers up to 5 stops of shake reduction, the camera is looking to challenge entrenched sports cams like the Canon 1DX Mark II and Nikon D5.

The a9 can also shoot full-frame, full-sensor 4K that is actually downsampled from 6K worth of pixels; it features an Ethernet port for quick file transfer and dual SD card slots for plenty of storage; and the new battery Sony put inside boasts twice the capacity (480 shots per charge) of previous models. If you need even more charge, the optional battery grip holds two of these batteries, for a total of 950 shots.

 

Putting the impressive spec sheet aside, the headline feature is, of course, the sheer speed of this thing. At 20fps for up to 241 RAW or 362 JPEG frames, it makes even the 1DX Mark II and its 14fps seems a bit… clunky.

Sony is able to reach these unheard of continuous shooting speeds thanks to the new stacked CMOS sensor at its core, a chip Sony says is the “first of its kind” and “enables data speed processing at up to 20x faster than previous Sony full-frame mirrorless cameras.” Pair that sensor and its built-in RAM with a brand new BIONZ X engine and you’ve got a camera that screams.

Here are a few videos that offer a closer look at this revolutionary new mirrorless camera and some of its most compelling features:

Promo Video

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Famous B&W Photos Turned into Color by a 21-Year-Old Whiz

 Technique  Comments Off on Famous B&W Photos Turned into Color by a 21-Year-Old Whiz
Apr 162017
 

 

Marina Amaral is a 21-year-old Brazilian retoucher who is receiving widespread acclaim for her work adding color to famous historical B&W photos.

Amaral’s work provides a different and beautiful look at various people and events.

Archduke Franz Ferdinand of Austria, 1914
Senator John F. Kennedy and Jacqueline Kennedy, 1953

Each of the works requires a lot of careful research, planning, and retouching — Amaral sometimes spends months working on a single image. All the digital editing is done by hand in Photoshop, and often involves hundreds of different layers of color coming together to form the final look.

Here are some more colorizations Amaral has done so far:

Body of Confederate sharpshooter, 1863

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HDR Photography vs. HDR TV Explained

 HDR Info, HDR Software, HDR TV  Comments Off on HDR Photography vs. HDR TV Explained
Apr 132017
 

You’re going to hear a lot about High Dynamic Range, or HDR in the next few years. HDR imaging is already leaving a mark on the photography industry. Now, HDR displays are making a splash too, although it will be some time before they become commonplace.

As a photographer, you might be tempted to purchase an HDR TV or and HDR screen. At least for now, that isn’t necessary or practical.

 

HDR TV vs. NON-HDR TV. Is there a difference?

HDR display and HDR capture, which we’ll discuss, aren’t the same things, although they have a similar goal. Each process makes a digital copy, whether it be a video or photograph, look more like the real thing.

With HDR for monitors or TVs, this display process refers to the device’s ability to recognize specialized content that standard devices cannot. Here, the goal is to make bright images even more so, while keeping the darker parts dark. This difference between light and dark, known as the contrast ratio, is greater on HDR-capable devices than on standard ones.

As CNET notes,

“In its simplest state, it means a brighter TV, but only in the areas on the screen that need it. The result is an image that really pops and looks more like what you’d see in the real world.”

Not surprisingly, the first HDR monitors are very expensive. One from Dell, for example, is expected to launch for $4,999, while the studio-grade Sony BVM X300 costs $18,000.

 

What are the alternatives to expensive HDR TVs?

Rather than paying for an HDR display, purchase an entirely new Apple Mac instead.

Apple currently offers a 21.5-inch iMac with a Retina 4K display and the 27-inch iMac with a Retina 5K display. It also offers a 12-inch MacBook, 13-inch MacBook Pro, and 15-inch MacBook Pro — all with Retina displays too. Each of these devices are ideal for professional and novice photographers alike.

The 21.5-inch iMac with a Retina 4K display features 4,096 x 2,304 resolution and 9.4 million pixels, which is 4.5 times more than the standard 21.5-inch iMac display. The 27-inch iMac features 14.7 million pixels, seven times more pixels than an HD display. Both iMacs are supported by a wider P3-based color gamut, which provides 25 percent larger color space than previous models.

How can I capture HDR with my camera?

By contrast to HDR display, HDR for cameras is a capture process where a display shows a wider and richer range of colors, crisper whites, and much deeper blacks.

Many of today’s most popular smartphones have HDR capabilities, including current generation iPhones, Samsung, and Sony devices. High-end cameras also utilize HDR.

 

From a technical standpoint, smartphones and cameras handle HDR imaging differently. Regardless, each has a similar goal: providing a greater contrast between light and dark images, by combining several photos taken during a single burst.

You capture each of these pictures at a different exposure called “stops” or “brackets,” during the HDR process. The first stop offers an extremely dark image, while the last one is extremely bright. When merged into a single image, the final photograph includes a greater exposure range.

Taking  HDR shots isn’t easy, and in some situations, not recommended. HDR mode requires a steady hand because it doesn’t capture action well. When movement is involved, alignment can be off, and double exposures can occur. Because of this, you should use a tripod.

HDR mode works best for high-contrast scenes such as landscapes or in scenes with backlighting. HDR is also nice when capturing objects in direct sunlight.

 

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Adobe Lightroom for iOS updated with authentic HDR capture, by Zac Hall

 HDR Info, News, Technique  Comments Off on Adobe Lightroom for iOS updated with authentic HDR capture, by Zac Hall
Apr 132017
 

Adobe has released a new version of Photoshop Lightroom for iOS that includes more powerful tools for shooting on the iPhone. Authentic HDR is a new mode that rivals competing high-dynamic-range methods. Version 2.7 also includes exporting raw images and a new widget for 3D Touch and the Today view in Notification Center.

Authentic HDR, or raw HDR, is a new capture mode that Adobe says “combines the benefits of HDR technology and DNG raw” and “automatically analyzes a scene to determine the appropriate spread of exposure values over three shots, then automatically aligns, de-ghosts, and tone maps the image, creating a 32-bit floating point DNG file.”

Apple’s built-in Camera app has long supported shooting in HDR mode, but shooting in raw on iOS is still limited to third-party apps. Adobe also says its new raw HDR capture mode is superior to the iOS method that applies heavy noise reduction, sharpening and tone adjustment, and an overall lower quality image.

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Topaz Labs Spring Sale Info

 News  Comments Off on Topaz Labs Spring Sale Info
Apr 132017
 

I am a big fan of Topaz Labs plugins for Photoshop… They are having a 40% off Storewide sale through April 16, 2017.

Please use the code: “SPRING40” in your cart.

Introduction to Aurora HDR 2017

 HDR Software, HDR360pro Discounts, Technique  Comments Off on Introduction to Aurora HDR 2017
Apr 112017
 

Download the FREE Trial at the link below!

Aurora HDR 2017

Leica Thalia Lens Line Announced for Alexa 65 and Vista Vision by; Tim Fok

 Gear  Comments Off on Leica Thalia Lens Line Announced for Alexa 65 and Vista Vision by; Tim Fok
Apr 022017
 

Leica has just announced a new set of primes for the 65mm Cinema format, compatible also with smaller sensor sizes. The Leica Thalia spherical lenses are compact, come in 9 focal lengths, and will cover a 60mm image circle.

The new Leica Thalia lens line.

The Leica Thalia collection has been designed with large format cinema in mind – think Alexa 65 and Vista Vision (RED Weapon 8K VV). The large image circle, however, will also enable their use on smaller, more regularly-used formats in Super35 film and digital.

Leica has announced 9 focal lengths straight off the bat, with no drip-feeding over time: 24, 30, 35, 45, 70, 100, 120, and 180mm, with T-stops ranging from 3.6 to 2.2 (see the graph further down for itemised T stops).

The Thalia lens line features a PL mount, with i Technology contacts for providing metadata.

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Metabones PL-E T CINE Speed Booster ULTRA is Here by; Jakub Han

 Gear  Comments Off on Metabones PL-E T CINE Speed Booster ULTRA is Here by; Jakub Han
Apr 022017
 

The new Metabones PL-E T CINE Speed booster ULTRA was recently announced. It uses special materials and allows you to mount PL (Positive lock) full-frame cinema lenses on E-mount Sony cameras and X-mount FUJIFILM cameras.

Metabones PL-E T CINE Speed Booster ULTRA

The new Metabones PL-E T CINE Speed Booster ULTRA features a new 5-element/4-group optical design with ultra-high index tantalum-based optical glass, which should improve corner sharpness, distortion, and reduce vignetting.

Just like the original Speed Booster, it reduces crop factor by 0.71x. Given the standard crop factor of 1.5 of most APS-C/Super35 cameras, using the new Speed Booster will result in having almost no crop at all (1.5 x 0.71 = 1.065). Remember that Speed Boosters are designed to only cover an APS-C/Super35 image circle, so on full-frame camera bodies (A7 series, NEX-VG900) the camera needs to be in “APS-C/Super35” capture mode.

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Camera-Specific Outdoor Packs Suck, Here’s What I Use Instead

 Gear, travel  Comments Off on Camera-Specific Outdoor Packs Suck, Here’s What I Use Instead
Apr 022017
 

If you’ve ever loaded up a large camera backpack (like something from Think Tank Photo or LowePro) and hiked a mountain, you’ll be able to fully appreciate how terrible the experience is… well, except for the views.

The narrow shoulder straps dig deeply into your shoulders and neck. The pack bounces all over, sliding from side to side. The “waist belt”—a piece of bare 2-inch nylon webbing with a buckle—does more harm than good, and executes exactly zero of the functions that a waist belt is supposed to offer. You curse the thing under your breath and mutter that there must be a better way.

And there is!

The solution I found and have been very happy with is to ditch the camera bag and go with a pack that has been developed over decades with engineering designed to handle heavy loads comfortably in all kinds of conditions and terrains: a hiking pack.

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New Marshall 7″ On-Camera Monitor V-LCD70W-SH by; Olof Von Oss

 Gear  Comments Off on New Marshall 7″ On-Camera Monitor V-LCD70W-SH by; Olof Von Oss
Mar 262017
 

Marshall Electronics has just unveiled their latest LCD on-camera monitor, the 7″ V-LCD70W-SH. Originally planned for IBC 2016, it’s now finally available, so let’s have a quick look.

Marshall 7″ V-LCD70W-SH LCD monitor

There’s a wide range of decent on-camera monitors to choose from, and now there’s one more candidate: the new Marshall V-LCD70W-SH. It’s a 7″ HDMI and SDI LCD monitor with pretty much every feature you would expect in this class of monitors.

It features a detachable sun hood that’s also foldable, which can be quite useful for stowing away when not needed. Those tiny brackets look like they may be a little fragile, though…

Folded and extended sun hood.

When the sun hood is attached, all buttons remain accessible as they are located on the outside, which is nice. Three user-customizable buttons for common functions such as focus peaking can be found on the left-hand side of the monitor. The other buttons are for input, menu access and on/off.

In terms of connectivity, you can use both the HDMI and SDI signals as an input. There’s a cross converter built right into the V-LCD70W-SH, so you’re able to loop through whatever signal is needed to a client monitor, for example. As an addition, this 7″ LCD sports a built-in tally light with two colors to choose from: red or green.

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FUJIFILM X-T20 Review – Real World Video Samples and First Impressions

 Gear  Comments Off on FUJIFILM X-T20 Review – Real World Video Samples and First Impressions
Mar 262017
 

Late last year while visiting Japan, I was fortunate enough to test the FUJIFILM X-T2. Now I’m delighted to have its little sibling before me, the X-T20, which was first announced at the beginning of 2017. I certainly had some expectations in regards to the video capabilities from this little camera, especially knowing how well the bigger X-T2 preformed. Here’s my FUJIFILM X-T20 review, where I will focus on its video performance.

If you have been following the latest developments in our industry, you might agree with me that something good is happening regarding all things FUJI. Besides FUJINON – their optical devision that now brings us quality cinema zoom lenses at a reduced price – FUJIFILM now offers high-quality 4K video throughout their new APS-C line, an indicator that the company is listening to their customers. If I can be a fool and look into the future, I wouldn’t be surprised if FUJIFILM’s ambitions eventually merge, and what we will see is a proper high-quality filming tool to accompany their high-quality glass.

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Check Out This Crazy Deal on the 5D Mark IV by; Alex Cooke

 Gear  Comments Off on Check Out This Crazy Deal on the 5D Mark IV by; Alex Cooke
Mar 262017
 

This is the best price we’ve seen on the Canon 5D Mark IV yet, and it likely won’t last long. If you’re in the market for Canon’s latest full-frame body, now is a really good time to pick it up.

I just completed two shoots with my 5D Mark IV today, and it continues to be my favorite Canon body to date. It’s a very capable and versatile camera that spits out gorgeous files. I recommend it very highly to anyone in the Canon system.

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Five Ways to Edit Video More Quickly in Adobe Premiere by; Alex Cooke

 Technique  Comments Off on Five Ways to Edit Video More Quickly in Adobe Premiere by; Alex Cooke
Mar 142017
 

Some view editing as the place where the magic happens, while others see it as a necessary evil before they can get back out to shoot some more. Either way, we’d all love to be more efficient at it. These five tips will help you speed up your workflow in Adobe Premiere.

I use workspaces constantly in Digital Performer, and they’ve dramatically increased my efficiency and allowed me to intuitively design my window sets for the task at hand. Along with workspaces come four other tips in this great video, including adjustment layers to apply effects and corrections to multiple clips simultaneously, using presets to save single or multiple effects, color-toning, etc. for easy access down the road, using nested sequences to ensure you can easily move around blocks of clips without disturbing their relative ordering, and of course, shortcuts to keep you out of menus.

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10 Tips and Tricks for Making Difficult Selections in Photoshop

 Technique  Comments Off on 10 Tips and Tricks for Making Difficult Selections in Photoshop
Mar 142017
 

If you’re just starting out in Photoshop and would like to learn the art of making difficult selections to isolate things in photos, check out this great video tutorial by Tutvid. It’s a 37-minute lesson with 10 tips and tricks on methods that range from beginner to advanced.

“Learn to make virtually ANY selection and cut out anything you would even need in Photoshop,” writes Nate Dodson. “We’ll make simple, straight-line selections with the Poly Lasso tool, we’ll select car parts with the Pen Tool and edit the path, we’ll use Calculations to create extremely intricate and difficult selections VERY quickly, we’ll learn to use and work with Select and Mask as well as Refine Edge, we’ll build a selection based on a single channel, and SO much more!”

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Lightroom Mobile Adds Powerful RAW HDR Capture Mode in Latest Update

 HDR Images, HDR Info  Comments Off on Lightroom Mobile Adds Powerful RAW HDR Capture Mode in Latest Update
Mar 142017
 

Adobe released a major update for Lightroom Mobile on both iOS and Android today. And in addition to a few simple features like “speed review” and a notification widget for iOS, and radial & linear selection tools for Android, Adobe dropped a bombshell: RAW HDR capture… on your smartphone.

Smartphone cameras are improving by leaps and bounds, but they still fall far short of bigger-sensor brethren, particularly where dynamic range is concerned. This update, claims Adobe, will change all that, allowing your measly smartphone to capture a wider range of tones than previously possible:

“The new HDR mode works by automatically scanning the scene to determine the correct exposure range and then capturing three DNG files which are then automatically aligned, merged, deghosted, and tonemapped in the app,” explains Adobe. “You get a 32­bit floating point DNG, with all of the benefits of both an HDR and a raw photo, which is processed by the same algorithms with the same quality as the HDR technology built into Adobe Camera Raw and Lightroom.”

The new RAW HDR mode in Lightroom Mobile should make a mockery of your phone’s built-in HDR capabilities, which can typically balance out only the harshest of tones by using two JPEGs. In comparison, Lightroom’s Mobile’s three RAW DNGs are orders of magnitude more useful.

To take advantage, you’ll have to have an iPhone 6s or newer, iPhone SE, or iPad Pro 9.7-inch on the iOS side, or a Samsung S7, S7 Edge, Google Pixel, or Pixel XL for Android. Additional Android devices are being developed for “as quickly as possible.”

Here are some sample photos, all of them captured using this new HDR mode:

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Photos of Canon’s Mirrorless M6 and Removable EVF Leaked

 Gear  Comments Off on Photos of Canon’s Mirrorless M6 and Removable EVF Leaked
Feb 082017
 

Photos of Canon’s soon-to-be-announced EOS M6 mirrorless camera have leaked, and unlike the M5, it doesn’t feature an EVF. Instead, Canon is releasing a new removable EVF that has also leaked for your peeping pleasure.

These leaked photos come to us from Digicame-info, who regularly gets their hands on official product shots just days (or sometimes hours) before an official announcement. This time is no different. The M6 is expected to be announced this month before CP+, which starts February 23rd.

Scroll down to see all of the leaked photos of the black and silver M6 and the EVF-DC2 viewfinder, and keep your eyes peeled for an official announcement, probably in the next few days.

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Schneider Optics Announces New Cine Prime Tilt Lenses by; Jakub Han

 Gear  Comments Off on Schneider Optics Announces New Cine Prime Tilt Lenses by; Jakub Han
Feb 022017
 

A few days ago, German optics manufacturer Schneider announced a new range of full-frame cine prime tilt lenses. This dynamic functionality allows for extended focusing possibilities and tweaking of the depth of field in your shots.
Introduced on January 27th, these new Xenon primes from Schneider are the world’s first full-frame Cine Primes tilt lenses. In terms of design, they are basically regular Schneider Xenon full frame primes, just with the added tilt function. If tilt is left at 0°, there is no loss of image quality or sharpness compared to standard Xenon primes.

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Sigma 85mm f/1.4 Art Lens Awarded Highest Score Ever by DxOMark

 Gear  Comments Off on Sigma 85mm f/1.4 Art Lens Awarded Highest Score Ever by DxOMark
Feb 022017
 

Sigma is still on a roll when it comes to its high-end Art lenses, and the latest accolade is impressive: DxOMark just awarded the new Sigma 85mm f/1.4 Art lens the highest score the benchmarking company has ever given.

The lens beat out a trio of highly regarded Zeiss lenses for the top spot, earning an overall score of 50 while the Zeiss Otus 55mm f/2 received a 48.

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