GearComments Off on Kessler Lamprey – 200lbs. Universal Suction Mount
Kessler has announced a new 200lbs force rated suction mount. TheKessler Lamprey is a 8” suction cup with cheeseplate top, offering a variety of mounting options for camera, lighting and grip accessories.
Suction mounts in filmmaking are generally pigeon holed into car rigging, however Kessler quote that the Lamprey is suitable for “any non-porous surface” such as windows, table tops and (of course) car body panels.
The 8” suction mount has a built in pump and is rated for 200lbs.
On top, things are kept fairly universal, a cheeseplate array of 1/4-20 & 3/8-16 threads and holes means you can use the Kessler Lamprey in a variety of configurations.
GearComments Off on A Smart Remote That Can Add Features Your DSLR Doesn’t Have out of the Box
No matter what camera you have, it will be missing some feature available on another brand or model. I found that with my Canon DSLR, and when I moved to a Sony a7 III, I gave up some good features and gained a few.
During my Canon days, I became interested in a product called the Pluto Trigger. I was really interested in catching lightning where I live in the Arizona mountains. So, I picked up a Pluto Trigger for that purpose, and quickly realized it did a whole lot more for $119.
The Pluto (let’s shorten its name for brevity) packs a boatload of features that can enhance any DSLR. It supports Canon, Nikon, Sony, Minolta, Panasonic, Olympus, Pentax, and more. You’ll need a connecting cable to your remote port on your camera, and the company offers 13 remote cables that can control more than 300 cameras.
The Pluto uses an iOS or Android app for control. It’s easy to use and actually pretty self-explanatory when you are out in the field.
“So far I’ve modeled all the cameras in my personal camera graveyard and working collection, and my friends Canon collection,” Moses tells PetaPixel. “I think that I made the first ever RIGHT hand grip for a Pentax 6×7.”
Cinematography, GearComments Off on 41 7 1 Rhino Arc II – 4 Axis Motorized Head and Slider for Automated Camera Movement
There’s no shortage of solutions for automated camera movement on the market right now. However the Rhino Arc II tries to distinguish itself with some outstanding features, like the integrated focus motor, high load capacity of 15 lbs / 6,8 kg, the ability to do Light Lapses (day-to-night timelapses) and lots of other neat little features, that promise to make it easier to use than the competition out there. The Rhino Arc II is currently being funded on Kickstarter, with its initial funding goal of $50,000 already more than doubled. Here’s everything you need to know, to decide if you want to back it too.
The Rhino Arc II can be considered something of a new take on the usual “slider-with-a-pan-and-tilt-head” style solution. First of all everything is highly modular. In accordance to the claim of 4 axes (focus being one “axis”), the main parts of the Rhino Arc II system are: a motorized pan and tilt head, a focus motor, a slider motor and the sliders themselves. The interesting part is that the head is designed so that it can be used separately, say on a tripod, either as an automated head, or just as a motorized yet hand-controlled head using two ergonomically placed joysticks to control the pan and tilt, as well as focus and slide. This in itself is an interesting concept at this price point. Of course the system also comes with an app, to help control the head, plan movements and add new features (like the Light Lapse feature). The head has a load capacity of 15 lbs / 6,8 kg, features a high capacity battery with a DC out to power your camera and a built-in Manfrotto 501 plate receiver. This capacity will give you enough leeway to use most smaller cinema cameras, even rigged. The battery has a capacity of 60Wh, will power your timelapses for up to 48h and can be charged in around two hours.
GearComments Off on Canon May Be Planning a 75-Megapixel Mirrorless Camera
It’s clear that Canon intends to bring more bodies into their EOS R mirrorless line. Now, it looks as if an ultra-high-resolution camera may be part of what’s in store.
Canon Rumors is reporting that an EOS R body with just over 75 megapixels is in development. While Canon has the 5DS R, it wasn’t until the 80D and subsequent cameras that we saw a marked shift in sensor quality and dynamic range from the company, so it would be quite interesting to see how a high-resolution sensor made with their newer techniques performs.
GearComments Off on Profoto B10 Versus Godox AD400Pro: The Best Strobes Compared
A few months ago, we released our first impressions of the new Profoto B10 portable flash unit, and many of our readers claimed that we didn’t give it an honest review because it was wildly overpriced. Today, we are giving the critics what they asked for: we are going to compare it to the Godox AD400Pro.
Both of these flashes have more similarities than differences. They are both compact, battery-powered flashes that can also be plugged into AC power. The true differences are found in the details, and we have compiled the most detailed comparison in Fstoppers history. Let’s get to it.
GearComments Off on Check Out These Amazing Deals on the Canon 5D Mark IV and 6D Mark II
If you’re like me and have been waiting for the right deal on the Canon EOS 5D Mark IV Camera, now is the time to buy. It is currently the lowest online price ever at B&H Photo. There’s also a great deal on the Canon EOS 6D Mark II DSLR Camera.
In order to snag the $2,449 price for the Canon EOS 5D Mark IV, you need to order theprinter kit, listed at $2,799. This includes a $350 mail-in rebate that you will need to send in by December 31, 2018. The normal price for this kit is listed at $3,354. That’s a savings of $905!
GearComments Off on This Week’s Top Pre-Black-Friday Deals of the Week – Nikon D750, Mavic Pro, Sony A9, MZed and more
The Black Friday craze is already kicking into full gear, and there are more great deals than in any other week. Even now there are some outstanding offerings like Nikon’s full frame D750, the Mavic Pro Fly More Combo, a discounted Sony FS5 and Panasonic EVA-1 and much more. Check it out!
After combing through all the deals our partners B&H and CVP are currently offering, we came up with these 10 items. Our American readers will have the B&H selection to choose from, while CVP might be more interesting to our European readership. Here’s what we found:
B&H: Nikon D750 with Battery Grip, Battery, SD-Card and Shoulder Bag – $600 Discount
With all the mirrorless craziness going on right now, one could easily forget that cameras like the Nikon D750 are still highly dependable and nearly indestructible workhorses for any hybrid shooter. The first of our deals features a full frame 24 MP sensor shooting 6.5 fps with continous autofocus and 1080 60p with good autofocus. The battery grip improves the FPS in photo mode, and the battery pack will keep you shooting for hours. The included shoulder bag provides ample storage space for the body, two lenses and a few accessories.
GearComments Off on This $23,000 Nikon DSLR Kit on the ISS Had a Delivery Fee of $130,000+
The astronauts onboard the International Space Station get new cameras delivered from time to time — 10 Nikon D5s arrived in late 2017 afterNASA ordered 55 of them. But did you know that it’s extremely expensive to stock the ISS astronauts’ camera arsenal? That camera kit you see above cost at least $150,000 to send to the space station.
This past weekend, German ESA astronaut Alexander Gerst Tweeted photos of himself giving Russian cosmonaut Sergey Prokopyev a haircut in the Zvezda Service Module. That service module is where the station’s Nikon gear is mounted to the walls, so Gerst’s photos provide the latest look at what camera gear the astronauts are shooting with.
Cinematography, GearComments Off on Win $9000 Worth of Filmmaking Gear with Syrp, Renan Ozturk & cinema5D
Take part in a draw to win $9000 worth of camera gear! Find out how – the first live prize draw is happening very soon in the YouTube live stream above.
Together with Syrp, Manfrotto and Freefly we are giving you a chance to win a massive amount of kit.
We’re giving away 5 prizes and that means more chances for you to win! All prizes are based around Renan Ozturk’s camera gear – learn more about him and his adventures by clicking here!
GearComments Off on 10 Years of Micro Four Thirds: A Look Back at the Panasonic Lumix G1, the Camera That Started It All
In 2008, Olympus was teetering on the edge of photographic irrelevance, and Panasonic wasn’t a serious player in the camera industry. All that changed, however, when the latter launched a brand new mirrorless interchangeable lens system, dubbed Micro Four Thirds, with the Panasonic Lumix G1, released towards the end of that year.
While the G1 and Micro Four Thirds was technically not the first mirrorless camera (that would be the Epson R-D1), one could consider it the Ford Model T of this style of camera, a sort of mirrorless for the masses.
The system was formed as a partnership with Olympus, with both companies producing cameras and lenses that worked with one another (others, such as Blackmagic and whatever was left of Kodak would join later). The system itself was a miniaturization of the existing Four Thirds standard, a format championed by Olympus that ran a distant third to the APS-C and full-frame sensor sizes popularized by the two largest camera manufacturers, Canon and Nikon. The sensor size is physically smaller, about half the size of a full-frame camera such as a Canon 5D Mark IV, but Olympus and Panasonic bet that size, weight, and cost advantages, as well as an open format for other companies to adapt and use in their cameras would outweigh the physical disadvantages inherent in a smaller sensor, such as a noisier image.
GearComments Off on Canon and Nikon Are Approaching the Mirrorless Market From Opposite Sides, but Who Is Right?
With Photokina behind us and the unprecedented amount of new cameras and lenses announced over the past few months, we’ve had some time to let the dust settle, and there is something very interesting about just how differently Canon and Nikon are approaching the full frame mirrorless camera market. The question is: who is right?
Over the past few months, both Canon and Nikon have released their first full frame mirrorless cameras, Canon with the EOS R and Nikon with the Z7. Canon markets the EOS R as a sort of prosumer/enthusiast-level camera along the lines of the 6D Mark II and priced to match at $2,300 for the body — very similar to the 6D Mark II’s price on release. This contrasts the Nikon Z7, which is being touted as a sort of mirrorless D850, and its $3,400 price tag suits this comparison very well.
While two cameras having different prices isn’t interesting, when we take a deeper look into their currently available, upcoming, and rumored lenses, we can see the different approaches that Nikon and Canon are taking with their mirrorless full frame cameras. Alongside Canon’s enthusiast-level camera, they have released four lenses: the 28-70f/2L zoom, the 50mm f/1.2L, the 24-105 f/4L, and the 35mm f/1.8 Macro. If you notice, three of those four lenses are L branded, Canon’s professional-level branding.
Everyone’s list of Lightroom tricks and shortcuts is a bit different and when I started to compile mine I wasn’t 100% sure what they were exactly. It’s funny how you don’t even realize you’re using these handy timesavers as they become second nature when you apply them within your editing workflow.
In this 6-minute video, I review my list of 7 essential Lightroom tricks that I use on a daily basis. These are placed in order of importance simply based off of how often I use them. Some of these are widely known and others I don’t hear discussed very often – hopefully you aren’t familiar with all of them and you’re able to pick up a couple new ones that you can apply to your editing process moving forward.
7. Spot Removal Reselect
How often does Lightroom auto select an inaccurate area of your image to use as the basis for the spot removal tool? Happens to me all the time and if it happens to you, just hit the forward slash key ‘/‘. This will tell Lightroom to make another selection – you can keep doing this until you’re happy with the selection.
Cinematography, GearComments Off on This Week’s Top 10 Deals for Filmmakers – Canon 1DX Mark II, ZEISS Lens, Litepanels and more
There are a couple of new interesting deals for filmmakers available. We selected the best 10 offers of filmmaking gear from our partners’ online shops for this week. Including the Canon 1DX Mark II, a ZEISS ultra wide-angle lens, Litepanels LED lights, a case for the DJI Ronin-S, a Dell Alienware laptop and more.
I went through the current deals on our partners’ websites and selected the top 10 offers currently available, which I think could be interesting for you. First, there are B&H offers listed for our readers based in North and South America and then a couple of deals from our European partner CVP. By shopping at our affiliate partners’ stores you are supporting cinema5D through our buy links, as we get a small affiliate commission when a purchase is completed.
Now, let’s take a look at this week’s top 10 deals for filmmakers:
UncategorizedComments Off on $400 Camera vs $4,000 Camera: Can a Pro Photog Tell the Difference?, by Michael Zhang
Photographer and YouTube star Peter McKinnon decided to do an experiment on whether you can create top-quality content using entry-level camera gear. He had a pro photographer see if he could distinguish between photos from a $400 camera and those of a $4,000 camera.
Gear, Mirrorless, NewsComments Off on Fujifilm says it will ‘never’ launch a full-frame mirrorless camera, by Trevor Mogg
Nikon finally dove in. And so did Canon. But it appears that launching a full-frame mirrorless camera is not for Fujifilm.
The Japanese camera maker has enjoyed huge success with its line of mirrorless cameras, though none of them are full-frame devices. Indeed, Fujifilm has said in the past that it doesn’t plan on launching such a camera, and will focus its efforts instead on its X-Series (APS-C crop sensor) and GFX (medium format) systems.
But in a recent interview with DPReview, the company — to the surprise of some and perhaps to the disappointment of many — went out of its way to state that it will “never” release a full-frame mirrorless camera.
But if you want to enable some serious pixel peeping, you can go all out and buy the XF IQ4 camera system unveiled Tuesday by Danish camera maker Phase One. The IQ4, the new digital back that attaches to the XF camera body, packs a whopping 151 megapixels.
Perhaps spending $51,990 might put you off — a price that doesn’t include extra lenses that’ll add thousands more to the price. But there are customers who spring for this kind of gear. Among them are those who need enormous high-quality prints, who photograph models for fashion magazines, who shoot expensive products like luxury cars and jewelry, and who make high-quality reproductions of museum art and artifacts.
“If you need highest resolution possible, this is the only one providing 151 megapixels,” said Lau Norgaard, the camera’s architect.
Nikon’s newest super-telephoto is another addition to its PF series of lenses that use a phase fresnel lens element in order to reduce the size and weight of what would otherwise be a much larger lens similar to more traditional fast, super-telephotos. The maximum diameter of this 500mm f/5.6E PF lens is 106mm, and it’s just 237mm long. It weighs about as much as the AF-S 70-200mm f/2.8E FL ED VR lens, which is quite a feat for a lens with such reach. Most fast 500mm lenses weigh about twice that much. Naturally, this lens features Nikon’s dust- and drip-resistance as well as a fluorine coat on the front element to help repel dirt and moisture (and to also make it easy to clean).
GearComments Off on Nikon Announces the Nikon Z6 and Z7 Mirrorless Cameras
Nikon is finally here with its first professional, full-frame mirrorless cameras: the Z6 and the higher-megapixel Z7.
UPDATE: Pre-orders now open. Order now to get in line before everyone else.
We’ve waited for a long time for this, and now, after watching Sony from afar, tonight Nikon announced its answer to Sony’s rather successful a7- and a9-series cameras. The Z6 is Nikon’s low-light, mid-resolution body, high frame-rate body while the Z7 is a high-resolution equivalent. Alongside the Z-mount system, Nikon also introduced a new AF-S 500mm f/5.6E PF ED VR compact, super-telephoto lens with the standard F-mount. But let’s dive right into the specifications for the Z cameras.
Cinematography, GearComments Off on DJI Mavic 2 Pro & Mavic 2 Zoom Announced – Plenty of Improvements
Finally – today is the release day for the new DJI Mavic 2 drones. The DJI Mavic 2 Pro with integrated 1″ sensor Hasselblad camera and Mavic 2 Zoom, the world’s first foldable consumer drone with optical zoom capability. Both drones offer lots of smart features, flight time of up to 31 minutes and a more stable video transmission system.
The new DJI Mavic 2 Drones. Source: DJI
Every drone enthusiast was waiting for this. The day when DJI releases their new Mavic 2 drone. That day is today! As we already know since a month ago – DJI is not revealing one new drone, buttwo new drones. Number one: Mavic 2 Pro, the world’s first drone with an integrated Hasselblad camera. Number two: Mavic 2 Zoom, the world’s first foldable consumer drone with optical zoom capability. Both drones share the same foldable body design and offer a flight time of up to 31 minutes as well as a more stable video transmission system.
Brief History of the Mavic
When the original DJI Mavic Pro (our review here) came out in 2016, it caused a small revolution in the drone world – it featured an unprecedented combination of portability and image quality. With its foldable design it fitted in every bag and made drone shooting accessible to masses. Even despite its low bitrate of 60Mbps, and therefore not so great dynamic range, it carried much more strengths and is still a very popular product, to this day.
New DJI Mavic 2 Series Drones. Source: DJI
In january 2018 DJI presented Mavic Pro’s smaller brother – the DJI Mavic Air (hands-on video here, Mavic Procomparison here). It featured a higher bitrate of 100Mbps in a smaller, lighter and more affordable body. There were, however, some trade-offs when compared to the older Mavic Pro. For instance, the lower range due to different wireless technology used (OcuSync in Pro vs Extended Wifi in Air).
Both the Mavic Pro and the Mavic Air shared the same 1/2.3″ sensor. The field-of-view of the lens was 26mm (full frame equivalent) with the Pro and 24mm (full frame equivalent) with the Air.
DJI Mavic 2 Pro – Image Quality is Everything
The DJI Mavic 2 Pro features the brand-new camera module which DJI co-engineered with Hasselblad. The partnership with the medium format photography pioneer is very clear, as the Mavic 2 Pro proudly carries the Hasselblad logo right above the lens.