Win $9000 Worth of Filmmaking Gear with Syrp, Renan Ozturk & cinema5D

 Cinematography, Gear  Comments Off on Win $9000 Worth of Filmmaking Gear with Syrp, Renan Ozturk & cinema5D
Nov 122018
 

Take part in a draw to win $9000 worth of camera gear! Find out how – the first live prize draw is happening very soon in the YouTube live stream above. 

Together with Syrp, Manfrotto and Freefly we are giving you a chance to win a massive amount of kit.
We’re giving away 5 prizes and that means more chances for you to win! All prizes are based around Renan Ozturk’s camera gear – learn more about him and his adventures by clicking here!

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10 Years of Micro Four Thirds: A Look Back at the Panasonic Lumix G1, the Camera That Started It All

 Gear  Comments Off on 10 Years of Micro Four Thirds: A Look Back at the Panasonic Lumix G1, the Camera That Started It All
Nov 122018
 

In 2008, Olympus was teetering on the edge of photographic irrelevance, and Panasonic wasn’t a serious player in the camera industry. All that changed, however, when the latter launched a brand new mirrorless interchangeable lens system, dubbed Micro Four Thirds, with the Panasonic Lumix G1, released towards the end of that year.

While the G1 and Micro Four Thirds was technically not the first mirrorless camera (that would be the Epson R-D1), one could consider it the Ford Model T of this style of camera, a sort of mirrorless for the masses.

The system was formed as a partnership with Olympus, with both companies producing cameras and lenses that worked with one another (others, such as Blackmagic and whatever was left of Kodak would join later). The system itself was a miniaturization of the existing Four Thirds standard, a format championed by Olympus that ran a distant third to the APS-C and full-frame sensor sizes popularized by the two largest camera manufacturers, Canon and Nikon. The sensor size is physically smaller, about half the size of a full-frame camera such as a Canon 5D Mark IV, but Olympus and Panasonic bet that size, weight, and cost advantages, as well as an open format for other companies to adapt and use in their cameras would outweigh the physical disadvantages inherent in a smaller sensor, such as a noisier image.

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Canon and Nikon Are Approaching the Mirrorless Market From Opposite Sides, but Who Is Right?

 Gear  Comments Off on Canon and Nikon Are Approaching the Mirrorless Market From Opposite Sides, but Who Is Right?
Nov 112018
 

With Photokina behind us and the unprecedented amount of new cameras and lenses announced over the past few months, we’ve had some time to let the dust settle, and there is something very interesting about just how differently Canon and Nikon are approaching the full frame mirrorless camera market. The question is: who is right?

Over the past few months, both Canon and Nikon have released their first full frame mirrorless cameras, Canon with the EOS R and Nikon with the Z7. Canon markets the EOS R as a sort of prosumer/enthusiast-level camera along the lines of the 6D Mark II and priced to match at $2,300 for the body — very similar to the 6D Mark II’s price on release. This contrasts the Nikon Z7, which is being touted as a sort of mirrorless D850, and its $3,400 price tag suits this comparison very well.

While two cameras having different prices isn’t interesting, when we take a deeper look into their currently available, upcoming, and rumored lenses, we can see the different approaches that Nikon and Canon are taking with their mirrorless full frame cameras. Alongside Canon’s enthusiast-level camera, they have released four lenses: the 28-70 f/2L zoom, the 50mm f/1.2L, the 24-105 f/4L, and the 35mm f/1.8 Macro. If you notice, three of those four lenses are L branded, Canon’s professional-level branding.

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7 Essential Lightroom Tricks I Use Daily

 Cinematography, Technique  Comments Off on 7 Essential Lightroom Tricks I Use Daily
Nov 112018
 

Everyone’s list of Lightroom tricks and shortcuts is a bit different and when I started to compile mine I wasn’t 100% sure what they were exactly. It’s funny how you don’t even realize you’re using these handy timesavers as they become second nature when you apply them within your editing workflow.

In this 6-minute video, I review my list of 7 essential Lightroom tricks that I use on a daily basis. These are placed in order of importance simply based off of how often I use them. Some of these are widely known and others I don’t hear discussed very often – hopefully you aren’t familiar with all of them and you’re able to pick up a couple new ones that you can apply to your editing process moving forward.

7. Spot Removal Reselect

How often does Lightroom auto select an inaccurate area of your image to use as the basis for the spot removal tool? Happens to me all the time and if it happens to you, just hit the forward slash key ‘/‘. This will tell Lightroom to make another selection – you can keep doing this until you’re happy with the selection.

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petapixel

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This Week’s Top 10 Deals for Filmmakers – Canon 1DX Mark II, ZEISS Lens, Litepanels and more

 Cinematography, Gear  Comments Off on This Week’s Top 10 Deals for Filmmakers – Canon 1DX Mark II, ZEISS Lens, Litepanels and more
Nov 112018
 

There are a couple of new interesting deals for filmmakers available. We selected the best 10 offers of filmmaking gear from our partners’ online shops for this week. Including the Canon 1DX Mark II, a ZEISS ultra wide-angle lens, Litepanels LED lights, a case for the DJI Ronin-S, a Dell Alienware laptop and more.

I went through the current deals on our partners’ websites and selected the top 10 offers currently available, which I think could be interesting for you. First, there are B&H offers listed for our readers based in North and South America and then a couple of deals from our European partner CVP. By shopping at our affiliate partners’ stores you are supporting cinema5D through our buy links, as we get a small affiliate commission when a purchase is completed.

Now, let’s take a look at this week’s top 10 deals for filmmakers:

B&H: Canon EOS-1D X Mark II DSLR Body – $500 Discount

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$400 Camera vs $4,000 Camera: Can a Pro Photog Tell the Difference?, by Michael Zhang

 Uncategorized  Comments Off on $400 Camera vs $4,000 Camera: Can a Pro Photog Tell the Difference?, by Michael Zhang
Oct 242018
 

Photographer and YouTube star Peter McKinnon decided to do an experiment on whether you can create top-quality content using entry-level camera gear. He had a pro photographer see if he could distinguish between photos from a $400 camera and those of a $4,000 camera.

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Fujifilm says it will ‘never’ launch a full-frame mirrorless camera, by Trevor Mogg

 Gear, Mirrorless, News  Comments Off on Fujifilm says it will ‘never’ launch a full-frame mirrorless camera, by Trevor Mogg
Oct 242018
 

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Phase One pushes the limits with 151-megapixel XF IQ4 camera system, by Stephen Shankland

 Gear, News  Comments Off on Phase One pushes the limits with 151-megapixel XF IQ4 camera system, by Stephen Shankland
Aug 302018
 

Enough people apparently can afford a $51,990 medium-format camera to keep this ultrapremium company in business.

If you want a new camera to take your photography to the next level, you could get a 42-megapixel Sony A7R III for $3,200, a 50-megapixel Canon EOS 5DR for $3,900 or a 46-megapixel Nikon Z7 for $3,400.

But if you want to enable some serious pixel peeping, you can go all out and buy the XF IQ4 camera system unveiled Tuesday by Danish camera maker Phase One. The IQ4, the new digital back that attaches to the XF camera body, packs a whopping 151 megapixels.

Perhaps spending $51,990 might put you off — a price that doesn’t include extra lenses that’ll add thousands more to the price. But there are customers who spring for this kind of gear. Among them are those who need enormous high-quality prints, who photograph models for fashion magazines, who shoot expensive products like luxury cars and jewelry, and who make high-quality reproductions of museum art and artifacts.

“If you need highest resolution possible, this is the only one providing 151 megapixels,” said Lau Norgaard, the camera’s architect.

The camera system goes on sale in October.

Most of us prefer a 12-megapixel camera on a pocketable iPhone X or Samsung Galaxy S9 to a bulky, high-end Canon, Nikon or Sony camera. But the continued existence of Phase One — a 300-person company founded 25 years ago in Copenhagen — shows there’s also a market for the highest possible image quality.

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CNET

 

Nikon Announces NIKKOR AF-S 500mm f/5.6E PF ED VR Compact Super-Telephoto Lens

 Cinematography, Gear  Comments Off on Nikon Announces NIKKOR AF-S 500mm f/5.6E PF ED VR Compact Super-Telephoto Lens
Aug 232018
 

Following up Nikon’s big mirrorless announcement, Nikon also announced a much-anticipated F-mount lens: the AF-S 500mm f/5.6E PF ED VR super-telephoto lens.

UPDATE: Pre-orders now available.

Nikon’s newest super-telephoto is another addition to its PF series of lenses that use a phase fresnel lens element in order to reduce the size and weight of what would otherwise be a much larger lens similar to more traditional fast, super-telephotos. The maximum diameter of this 500mm f/5.6E PF lens is 106mm, and it’s just 237mm long. It weighs about as much as the AF-S 70-200mm f/2.8E FL ED VR lens, which is quite a feat for a lens with such reach. Most fast 500mm lenses weigh about twice that much. Naturally, this lens features Nikon’s dust- and drip-resistance as well as a fluorine coat on the front element to help repel dirt and moisture (and to also make it easy to clean).

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Nikon Announces the Nikon Z6 and Z7 Mirrorless Cameras

 Gear  Comments Off on Nikon Announces the Nikon Z6 and Z7 Mirrorless Cameras
Aug 232018
 

Nikon is finally here with its first professional, full-frame mirrorless cameras: the Z6 and the higher-megapixel Z7.

UPDATE: Pre-orders now open. Order now to get in line before everyone else.

We’ve waited for a long time for this, and now, after watching Sony from afar, tonight Nikon announced its answer to Sony’s rather successful a7- and a9-series cameras. The Z6 is Nikon’s low-light, mid-resolution body, high frame-rate body while the Z7 is a high-resolution equivalent. Alongside the Z-mount system, Nikon also introduced a new AF-S 500mm f/5.6E PF ED VR compact, super-telephoto lens with the standard F-mount. But let’s dive right into the specifications for the Z cameras.

Nikon Z6

  • $1,995.95, $2,599.95 with 24-70 f/4 kit lens
  • Available late November 2018
  • 24.5 MP full-frame sensor
  • ISO 100-51,200 (expands to 204,800)
  • 273 AF point, Hybrid PDAF, 90-percent viewfinder coverage
  • 3.6M EVF
  • 3.2-inch, 2.1M touchscreen
  • 12 fps
  • Video: Full HD at 120p, 4K at 30p, N-LOG profile (4:2:2 10-bit HDMI)
  • Focus peaking and zebra stripes
  • 5-axis image stabilization
  • Single XQD card slot
  • Weather-sealed body
  • Bluetooth, Wi-Fi
  • EN-EL15b battery (supports both EN-EL15a/b)
  • Weighs 585g (similar to Sony a9 with battery)

Nikon Z7

  • $3,399.95, $3,999.95 with 24-70 f/4 kit lens
  • September 27 availability
  • 45.7 MP full-frame sensor
  • ISO 64-25,600 (expands to 102,400)
  • 493 AF point, Hybrid PDAF, 90-percent viewfinder coverage
  • 3.6M EVF
  • 3.2-inch 2.1M touchscreen
  • 9 fps
  • Video: Full HD at 120p, 4K at 30p, N-LOG profile (4:2:2 10-bit HDMI)
  • Focus peaking and zebra stripes
  • 5-axis image stabilization
  • Single XQD card slot
  • Weather-sealed body
  • Bluetooth, Wi-Fi
  • EN-EL15b battery (supports both EN-EL15a/b)
  • Weighs 585g (similar to Sony a9 with battery)

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DJI Mavic 2 Pro & Mavic 2 Zoom Announced – Plenty of Improvements

 Cinematography, Gear  Comments Off on DJI Mavic 2 Pro & Mavic 2 Zoom Announced – Plenty of Improvements
Aug 232018
 

Finally – today is the release day for the new DJI Mavic 2 drones. The DJI Mavic 2 Pro with integrated 1″ sensor Hasselblad camera and Mavic 2 Zoom, the world’s first foldable consumer drone with optical zoom capability. Both drones offer lots of smart features, flight time of up to 31 minutes and a more stable video transmission system.

The new DJI Mavic 2 Drones. Source: DJI

Every drone enthusiast was waiting for this. The day when DJI releases their new Mavic 2 drone. That day is today! As we already know since a month ago – DJI is not revealing one new drone, but two new drones. Number one: Mavic 2 Pro, the world’s first drone with an integrated Hasselblad camera. Number two: Mavic 2 Zoom, the world’s first foldable consumer drone with optical zoom capability. Both drones share the same foldable body design and offer a flight time of up to 31 minutes as well as a more stable video transmission system.

Brief History of the Mavic

When the original DJI Mavic Pro (our review here) came out in 2016, it caused a small revolution in the drone world – it featured an unprecedented combination of portability and image quality. With its foldable design it fitted in every bag and made drone shooting accessible to masses. Even despite its low bitrate of 60Mbps, and therefore not so great dynamic range, it carried much more strengths and is still a very popular product, to this day.

New DJI Mavic 2 Series Drones. Source: DJI

In january 2018 DJI presented Mavic Pro’s smaller brother – the DJI Mavic Air (hands-on video here, Mavic Pro comparison here). It featured a higher bitrate of 100Mbps in a smaller, lighter and more affordable body. There were, however, some trade-offs when compared to the older Mavic Pro. For instance, the lower range due to different wireless technology used (OcuSync in Pro vs Extended Wifi in Air).

Both the Mavic Pro and the Mavic Air shared the same 1/2.3″ sensor. The field-of-view of the lens was 26mm (full frame equivalent) with the Pro and 24mm (full frame equivalent) with the Air.

DJI Mavic 2 Pro – Image Quality is Everything

The DJI Mavic 2 Pro features the brand-new camera module which DJI co-engineered with Hasselblad. The partnership with the medium format photography pioneer is very clear, as the Mavic 2 Pro proudly carries the Hasselblad logo right above the lens.

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PolarPro Quartzline ND Filter Review – a new Gold Standard?

 Cinematography, Gear  Comments Off on PolarPro Quartzline ND Filter Review – a new Gold Standard?
Aug 192018
 

In this review, I’m testing the new PolarPro Quartzline ND 64 filter and PolarPro ND16 / PL (polarizer) filter. Those filters are made of 99.9% fused quartz to ensure optical clarity with a very low refractive index. The frames are built from machined brass to ensure they thread on smoothly – very essential as I have experienced seized up filters from aluminium frames myself already. A very nasty experience …

PolarPro claims a neutral color balance, zero color shift and near perfect transmission by the optical coatings. For more information about the available filters and sizes, please head to Richard’s article.

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Canon IS vs Sony IBIS: Which Image Stabilization is Better?

 Gear  Comments Off on Canon IS vs Sony IBIS: Which Image Stabilization is Better?
Aug 192018
 

The Sony a7R III is a feature-filled camera that I’m sure many of us would consider to be one of the best currently available on the market. One of its very useful features is IBIS or in-body image stabilization. This feature helps prevent motion blur in your images by moving the sensor to compensate for unintentional vibrations and movements.

In practical uses this means you can shoot with relatively slower shutter speeds and still produce sharp images, preventing the need to increase the ISO. The great thing about having stabilization on the sensor is that it’s effective on pretty much any lens you put on the camera.

Canon, on the other hand, does not currently offer any camera with sensor stabilization. Their reason for this is because they believe stabilization in the lens is more effective because it’s designed specifically for the lens in question. For that reason, I decided to compare Canon’s lens IS against Sony’s IBIS to see which one is actually better.

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Hasselblad’s XV Lens Adapter Lets You Use V Lenses on the X1D-50c

 Gear  Comments Off on Hasselblad’s XV Lens Adapter Lets You Use V Lenses on the X1D-50c
Aug 192018
 

Hasselblad has launched its new XV lens adapter, which lets you mount old V system lenses on the new X1D-50c medium format mirrorless camera.

The XV adapter, which Hasselblad says “bridges its legacy and its future,” supports Hasselblad’s full lineup of C, CB, CF, CFI, CFE, F and FE lenses — it adds compatibility for over 60 lenses that range in focal length from 30mm to 500mm.

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Canon 5D Mark IV & Canon 6D Mark II With $400 Rebates & Free Battery Grip | Ending Soon

 Gear  Comments Off on Canon 5D Mark IV & Canon 6D Mark II With $400 Rebates & Free Battery Grip | Ending Soon
Aug 012018
 

In our field, gear matters, and you’d have to have a bank balance bigger than your bank account number for you to acquire all you likely would want when the whim takes you. However, if you keep your ear to the ground like we do, you come about the best photography deals currently on the market, and within our Deal Dashes, we share them with you:

Summer started with a bang when it came to gear deals, as we saw some of the best we’d seen off peak holiday times on everything from mirrorless and DSLR bodies to lenses and cases and all else. Some of the best deals were for top-tier Nikon and Canon DSLR bodies with big rebates that came (for a limited time) with free first-party battery grips, which on their own go for anywhere from $300-$450. This is on bodies like the Nikon D500, D750, Canon 5D Mark IV, and 6D Mark II.

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Canon is Already #1 in Mirrorless Cameras in Japan

 Gear  Comments Off on Canon is Already #1 in Mirrorless Cameras in Japan
Aug 012018
 

Sony has multiple full frame mirrorless cameras on the market and Nikon is planning to unveil its first later this month, but it seems that having a pro-oriented mirrorless camera isn’t a prerequisite for doing well in the mirrorless market. Case in point: Canon is apparently already the #1 mirrorless camera company in Japan even before announcing its own rumored full frame mirrorless system.

Canon Rumors reports that in reporting its 2018 2nd quarter financial results recently, Canon claims that it has taken the #1 spot in mirrorless camera market share over the first half of 2018.

The APS-C Canon EOS M50 is apparently selling well enough to the masses to beat out the technologically impressive cameras by competitors such as Sony (which won “Camera of the Year” for the a9).

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petapixel

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Leica and Others Investing in “Light”, Raising $121M

 Gear  Comments Off on Leica and Others Investing in “Light”, Raising $121M
Jul 232018
 

As part of a $121M series D funding round, German manufacturer Leica –among others– invests in Light. The startup tech company focuses on multi-lens cameras which make massive use of computational imaging. With fresh money and the renowed Leica brand in their back, new fields of products are in plain sight.

Remember the Light L16 concept camera which actually became a reality in 2017? This pocket-sized camera is able to capture 52 megapixel snaps with 16 lenses (and therefore 16 sensors). All the individual images will be combined into one single 52 MP picture using computational imaging. Now, with another $121M at their disposal, the company wants to drastically expand their lineup.

Light Cameras

If you’re still not sure about what exactly the L16 camera concept is, this quote by SoftBank’s Partner Akshay Naheta (SoftBank led this Series D funding) might clearify things:

Light is a world leader in computational imaging. By replacing mechanical complexity with digital sophistication, they have been able to drastically reduce the size, weight, and cost of traditional cameras. This has paved the way for a whole new era of intelligent imaging applications.

As a first product, and after three funding rounds in which Light raised a total of $64.7M, the L16 camera was announced in 2015 and released in 2017. The L16 is a pocket-sized 52 megapixel beast of a camera. In terms of video it’s capable of shooting 4K video but it only uses single lenses out of its 16-lens arsenal. Choose between 28mm, 70mm or 150mm. No image-fusion in video mode, at least not yet.

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Fujifilm Unveils the Fujinon XF 200mm f/2 and 8-16mm f/2.8

 Gear  Comments Off on Fujifilm Unveils the Fujinon XF 200mm f/2 and 8-16mm f/2.8
Jul 232018
 

Fujifilm has announced two new lenses for its X Series line of mirrorless cameras: an XF 200mm f/2 OIS telephoto lens and an 8-16mm f/2.8 ultra-wide-angle zoom lens. There’s also a new 1.4X teleconverter.

Fujinon XF200mm f/2 R LM OIS WR and 1.4X TC

 

The new Fujinon 200mm f/2 OIS is Fujifilm’s first super-fast telephoto lens in the XF stable. It has a maximum aperture of f/2.0 and a 35mm equivalent focal length of 305mm.

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Call to Action for All Sony Shooters: Test Your Lens Adapter for Sharpness

 Cinematography, Gear  Comments Off on Call to Action for All Sony Shooters: Test Your Lens Adapter for Sharpness
Jul 232018
 

With the exodus of Canon users to Sony’s Alpha series, adapters have become incredibly important, particularly the Metabones V and the Sigma MC-11. Photographer Luis Gabriel Gerena has done a comparison and produced some slightly alarming — albeit very limited — results regarding sharpness when shooting with a wide angle lens.

It’s worth keeping in mind that Gerena’s results are based on just one comparison and one lens, so here’s our call to action: if you have access to both the Sigma MC-11 and the Metabones V, please perform your own test with your widest lens and post the results below.

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Nikon’s New 500mm f/5.6 to Offer High-Quality Super-Telephoto in a Handheld Package

 Gear  Comments Off on Nikon’s New 500mm f/5.6 to Offer High-Quality Super-Telephoto in a Handheld Package
Jul 162018
 

Nikon announced the development of a new AF-S 500mm f/5.6E PF ED VR lens last month, but now we finally get a look at it thanks to an image posted to Twitter by Photographer Pavel Bednyakov, whose photograph makes it look like the new 500mm could be easier to hold than Nikon’s 200mm f/2.

If you’ve ever shot with the Nikon 200mm f/2G VR II (or the earlier version), you’ll likely remember how it was more or less at the limit of what could reasonably be handheld for longer periods of time. Essentially, the Nikon 200mm f/2 is to we normal humans as the 600mm f/4 is to Dwayne Johnson. But that’s what makes this new “PF” technology so exciting, as it enables this 500mm in development to be smaller and lighter than anything else before it.

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