ZEISS Supreme Cinema Primes Announced – Large Format Continues to Grow

 Gear  Comments Off on ZEISS Supreme Cinema Primes Announced – Large Format Continues to Grow
May 282018
 

ZEISS has announced a new set of Cinema Primes suitable for the Large Sensor Format. The ZEISS Supreme Prime Lens Line will be mostly rated at T 1.5 and compatible with PL, LPL and EF mount.

ZEISS Supreme Primes – Large Sensor High-End Cinema Primes

With ARRIs announcement of the large sensor Alexa LF back in April, we knew it was only a matter of time before more large-sensor-specific lens lines would surface.

The ZEISS Supreme Primes have an image circle of 46.2mm and are the first from the German company to be specifically compatible with this large sensor format.

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Transform Your DJI Drone in a Handheld Gimbal With This Accessory by PolarPro

 Cinematography, Gear  Comments Off on Transform Your DJI Drone in a Handheld Gimbal With This Accessory by PolarPro
Apr 122018
 

Everyone I know who shoots video dreams to own a gimbal if they don’t already. But did you know that if you have a drone, you actually already own a gimbal that you can use to shoot anything?

The role of the gimbal is to keep something horizontal no matter what. When flying a drone, it’s quite essential to maintain the camera stable and avoid any movement due to external elements or when flying it aggressively. However, a drone can also record videos and take pictures while on the ground. This means you can use it as a camera and take advantage of its gimbal to make super steady shots even if you don’t own a stabilizer for your bigger DSLR.

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Sony Interview: FS5 II, What’s REALLY New?

 Cinematography, Gear  Comments Off on Sony Interview: FS5 II, What’s REALLY New?
Apr 092018
 

I spoke with Claus Pfeifer from Sony about the newly announced FS5 II and the other new cameras. And I asked the tough question: What’s REALLY new about the FS5 II?

A few hours ago Sony announced the FS5 II, an update to Sony’s little FS7 brother (see our report here). Some of our readers were asking: What’s REALLY new about it though? It seems to use the same sensor and have the same exact body as the original FS5. And while the FS7 II at least got the Vari ND feature that the FS7 was missing, the original FS5 already had that.

 

RAW for “free”, Better Color Science & “Instant HDR”

Sony is teasing the integrated RAW output functionality in the FS5 II, which was a payable firmware upgrade in the original FS5 – a welcome addition of a feature becoming standard, especially with the newly announced ProRes RAW (article here) and the upgrade of the Atomos Shogun Inferno and Sumo19 recorders to support ProRes RAW recording (article here). Now also the formerly payable high frame rate output and internal high frame rate recording capabilities are included with the FS5 II.

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Blackmagic Pocket Cinema 4K Camera Hands on with CEO Grant Petty

 Cinematography, Gear  Comments Off on Blackmagic Pocket Cinema 4K Camera Hands on with CEO Grant Petty
Apr 092018
 

No longer only a mysterious billboard outside NAB 2018, the Blackmagic Pocket Cinema 4K camera is here and it shoots 12-bit RAW cinema 4K 60fps and full HD at up to 120fps — all at an impressive price point. The specs, pricing and more are below including an interview with Blackmagic Design CEO, Grant Petty: 

 

Unlike its HD-only predecessor, the Blackmagic Design Pocket Cinema Camera, the new 4K version shoots full cinema 4K (4096 x 2160 pixels) at up-to 60fps with a newly designed M4/3 (21.60 x 17.30mm) sensor. You’ll also be able to capture full HD 120 fps cropped (no info on how much of a crop) slow motion in both 12-bit CinemaDNG RAW and 10-bit Apple ProRes 422 (HQ) varieties. Unfortunately you won’t be able to shoot in the newly announced Pro Res RAW  at least not yet.

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Pre-Order Now:

Blackmagic Design Pocket Cinema Camera 4K Body Only with Active Micro Four Thirds Lens Mount

$1295 with Free Expedited Shipping.

The CEO of Sigma Explains the Challenges of Curved Sensor Technology

 Cinematography, Gear  Comments Off on The CEO of Sigma Explains the Challenges of Curved Sensor Technology
Mar 132018
 

The French website Mizuwari published a series of captivating interviews with the CEO of Sigma, Kazuto Yamaki. Among other things, the Japanese executive mentions the challenges of implementing curved sensor technology in digital cameras.

Simply put, camera lenses are round and project different rays of light on a flat sensor, which is not an ideal solution. This explains, for instance, the softness issue encountered on the corners of the image, especially when shooting wide open. In a perfect world, the shape of the sensor would match the light beam created by the lens. Several manufacturers, such as Sony, have been working for years to develop curved sensors where each pixel could be placed at the perfect distance in relation of the light beam. Easier said than done.

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Seven More of the Best Nikon Tricks

 Gear  Comments Off on Seven More of the Best Nikon Tricks
Mar 132018
 

Although it is popular to talk about mirrorless cameras these days, DSLR cameras are still alive, and with the help of some useful tricks, you can make the most of your DSLR. Especially if you own a Nikon camera, you might be surprised with these features that most photographers skip using.

Well-known nature photographer Steve Perry has published a video previously about Nikon tricks, and in this second video of the series, he shares seven new tricks about Nikon cameras, with in-depth explanations.

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Read more Canon C200 vs Panasonic EVA1 – Zacuto Camera Shootout 2018

 Gear  Comments Off on Read more Canon C200 vs Panasonic EVA1 – Zacuto Camera Shootout 2018
Mar 122018
 

The Zacuto camera shootout is back! If you were wondering which was the better camera, then tune in to this smart and scrupulous battle going LIVE on March 14th at 11am CST.

The “Camera Shootout 2018 – Canon C200 vs Panasonic EVA1” hosted by Zacuto has a challenging mission: to put the Panasonic EVA1 and Canon C200 through a series of tests, and try and declare a “winner”. 

“Our shootouts are back!! Side by side, Bruce Logan, ASC put the Panasonic EVA1 and Canon C200 through a series of tests” as stated on the Facebook event page. 

I remember the fascinating “Great Camera Shootout 2011”, which I watched a couple times! The 2011 Zacuto camera shootout demonstrated side by side comparisons of the ARRI Alexa, Sony F35, Sony F3, Canon 5D Mark II, Canon 7D, Canon 1D Mark IV, Nikon D7000, Weisscam HS-2, Phantom Flex, Panasonic AG-AF100, RED ONE M-X and 35mm Kodak 5213 and 5219 film.

Yes, you heard right! The Canon 7D was compared to the ALEXA, and film against digital, all by carefully testing essential parameters like sharpness, low-light sensitivity, exposure, latitude, highlight detail, shadow detail, color quality, skin tone reproduction, compression losses and shutter artefacts.

Conducted by consultants, specialists and technicians from various areas of the motion picture industry, these on-set challenges were designed to push these cameras to the limit.

The 2011 battle was extremely educational and, in my opinion, must be watched by film educators, as the whole project is on Vimeo.

Take a look at the full sessions of the “Great Camera Shootout 2011”:

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SIGMA Unveils New Art Lenses for Sony E-Mount

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Mar 112018
 

Hot on the heels of this year’s CP+, which took place in Japan, our own Johnnie Behiri had the opportunity to chat with SIGMA’s Yamaki-san about the brand-new lineup of native Art lenses for Sony E-mount.

SIGMA’s lineup of Art labled lenses is extremely popular due to excellent optical performance and build quality. But although these lenses are available for a range of mounts including Canon, Nikon, Sony A and SIGMA, you couldn’t get a native SIGMA Art lens for Sony E-mount. Until now.

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ALEXA vs Varicam LT vs GH4 vs A7s – with William Wages, ASC – ON THE GO – Episode 83

 Cinematography, Gear  Comments Off on ALEXA vs Varicam LT vs GH4 vs A7s – with William Wages, ASC – ON THE GO – Episode 83
Feb 042018
 

n this episode of cinema5D ON THE GO, we wrap up our conversation with William Wages, ASC regarding using Lumix cameras on high-end productions.

 

Continuing our discussion about how William has changed to currently preferring the Varicam LT and Lumix environment, he tells us about the blind test he carried out to convince decision makers that the GH series of Panasonic cameras was indeed worthy.

But is there really a place for a Micro Four-Thirds sensor in the world of high-end filmmaking? As William says, the kind of situations that would require deploying a GH camera are exactly those where it would be challenging to set up a follow focus system. For this reason, the more restricted depth of field that the Micro Four-Thirds sensor size offers would in fact prove to be an advantage.

We also discuss Panasonic’s latest addition to its range of filmmaking cameras: the Panasonic EVA-1. While it could prove to be a solid B-Cam option to the Varicam line, for William Wages the small size of the Lumix line is still a major plus over this new model. (Please note that this episode was recorded before Panasonic released the final specs of the EVA-1).

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Panavision Announces New Millennium DXL2 8K Camera with the RED Monstro 8K VV Sensor

 Cinematography, Gear  Comments Off on Panavision Announces New Millennium DXL2 8K Camera with the RED Monstro 8K VV Sensor
Feb 042018
 

The new Panavision Millenium DXL2 builds on the success of the original Millennium DXL. Both models operate in an ecosystem (or should I say marriage) between three top-class companies in the moving picture industry: Panavision, Light Iron and RED. However, this time the development of the camera has gone even further by incorporating Panavision with the RED MONSTRO 8K VV sensor, and Light Iron color2 science.

 

As stated by Michael Cioni, senior VP of Innovation at Panavision and Light Iron: “Panavision’s vast inventory of advanced large-format and anamorphic optics combined with RED’s MONSTRO imager expands what’s possible, allowing filmmakers to create radically inventive and powerfully cinematic images, customized for the needs of the project and the vision of creative teams.”

Watch the video below which demonstrates the DXL2 in action.

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Canon Takes 1st Place in 2018 Japanese Camera Ranking

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Jan 232018
 

The annual Japan BCN rankings are in and Canon emerges as the winner of some major categories, including DSLRs. Canon also wins the 2nd place in the category “mirrorless” and thus points Sony to 3rd place.

What are the annual BCN rankings, you might ask. The winners of one of the many categories are being determined by multible factors, the Japanese company behind it, BCN  (Business Computer News), explains:

The “BCN AWARD” is an annual (January 1st – December 31st) sales comparison of BCN, which collects the current sales data of large electronics wholesalers nationwide, PC specialty stores and Internet shops. It is a system for rewarding a manufacturer’s cumulative numbers.

These awards can be seen as an indicator of the (Japanese) market situation regarding all kinds of electronic goods, including digital cameras and lenses which renders the outcome interesting for us.

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LG Reveals Its First-ever 4K HDR, Compact and Affordable Home Cinema Projector

 Cinematography  Comments Off on LG Reveals Its First-ever 4K HDR, Compact and Affordable Home Cinema Projector
Jan 142018
 

At CES 2018, LG wants to hit the jackpot. Armed with its new invention to enhance the home cinema experience, LG has just announced the HU80KA projector, its first 4K UHD model designed to deliver ultra-sharp video in a compact, beautiful design.

As stated by Tim Alessi, head of product marketing at LG Electronics USA: “LG’s first-ever 4K UHD projector represents the pinnacle of innovation in the portable entertainment market… Offering superb brightness coupled with a design that offers true versatility, the new HU80KA will lead the way in changing how consumers enjoy 4K content in their home and on the go.”

150-inch screen, 2,500 lumens and HDR

The HU80KA projector has the potential to deliver a 150-inch screen projection with 2,500 lumens, making it LG’s brightest projector. Furthermore, it supports HDR content (HDR 10).

Regarding sound, external speakers can be connected via optical output, HDMI or wirelessly through Bluetooth for enhanced audio performance.

As stated by Tim Alessi, head of product marketing at LG Electronics USA: “LG’s first-ever 4K UHD projector represents the pinnacle of innovation in the portable entertainment market… Offering superb brightness coupled with a design that offers true versatility, the new HU80KA will lead the way in changing how consumers enjoy 4K content in their home and on the go.”

150-inch screen, 2,500 lumens and HDR

The HU80KA projector has the potential to deliver a 150-inch screen projection with 2,500 lumens, making it LG’s brightest projector. Furthermore, it supports HDR content (HDR 10).

Regarding sound, external speakers can be connected via optical output, HDMI or wirelessly through Bluetooth for enhanced audio performance.

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Sony Announces New E 18-135mm F3.5-5.6 APS-C Lens ahead of CES 2018

 Cinematography, Gear  Comments Off on Sony Announces New E 18-135mm F3.5-5.6 APS-C Lens ahead of CES 2018
Jan 072018
 

Sony E 18-135mm F3.5-5.6 for APS-C cameras has just been announced a few days ahead of CES in Las Vegas. It’s their 46th E-Mount lens. They also released a silver version of the a6300 camera.

The new Sony E 18-135mm F3.5-5.6 OSS E-mount lens includes a functional wide to telephoto focal range of 18-135mm, as well as an aperture range of F3.5-5.6, making this lens versatile whether you are filming indoors or outdoors. The lens auto focus features a linear motor, for fast and quiet operation. This could make for impressive auto focus tracking performance for video, when paired with the Sony a6500 for example, which is already known for its great video auto focus.

The lens features Sony’s powerful OSS or ‘Optical SteadyShot’ image stabilization which will aid in achieving steady and crisp images while shooting hand held, or in lower light scenarios. For improved optical performance, the lens also includes two extra-low dispersion elements and one aspherical lens which will reduce chromatic aberration.

Weighing only 325g, the lens and camera combination is ideal for those that like a lightweight and compact setup, whether that is for traveling, street work, or on a hand held gimbal.

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KipperTie Revolva – RED Lens Mount With Built In ND Filter Wheel

 Cinematography, Gear  Comments Off on KipperTie Revolva – RED Lens Mount With Built In ND Filter Wheel
Dec 102017
 

KipperTie has announced Revolva, a new mount for the DSMC2 RED cameras offering a PL or EF mount with built-in ND wheel. The wheel can be swapped out quickly to more ND or even a diffusion set.

Kippertie has been known for making filtration-related RED products for some time. The Revolva may just be their most significant yet.

With a name and colour wave akin to another favourite UK camera accessory company, the Revolva is suitably garish in appearance as with many RED-related products.

It’s a lens mount and ND wheel built in-one. Both PL and EF mounts will be available, electronically also for aperture changes and lens data (exactly the same as the RED EF mount).

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The Sigma 85mm 1.4: One Year Later

 Cinematography, Gear  Comments Off on The Sigma 85mm 1.4: One Year Later
Nov 282017
 

About this time last year, the Sigma 85mm 1.4 Art series lens was released and I went ahead and decided to pull the trigger and invest in the new glass. I had heard great things about other entries in the art lineup and understandably Sigma’s new 85mm focal length was getting a solid amount of hype. For the past year, I have been shooting exclusively with Sigma’s 85mm. It’s been the only lens in my camera bag and the only lens I’ve used for a straight year. What follows are my impressions after a solid year of use; what I like about the lens and what I don’t like.

Let’s start out with some of the things that I love about this lens. After a year of continuous use, I can say that there is no question that the Sigma 85mm 1.4 is a great piece of glass. I am first and foremost a portrait photographer so the focal length itself is a no-brainer for me. As a short/medium telephoto lens, the 85mm gives me a gorgeous level of background compression, beautiful bokeh, and I don’t need to be overly concerned with facial distortion if I come in for a closeup shot. It’s been said before and will be said again that the 85mm focal length is pretty much perfect for portraits.

As I currently live in Colorado and have generally have access to gorgeous sunsets for most of the year I have developed a love for shooting backlit images. If you’ve ever shot backlit before, you know that depending on the angle and position of the sunlight, as well as your own preferences regarding lens flare, some lenses can be finicky about nailing focus. This is understandable as you’re basically asking your camera to nail focus while either direct or angled light is coming right into the lens. I can say with confidence that the Sigma 85mm handles backlighting scenarios like a boss. This is one of the first things that I noticed about this lens; even in less than ideal backlit situations, the lens is wildly successful at getting great focus right where you want it.

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Canon XF405 Review – Sample Footage and First Impressions

 Cinematography, Gear  Comments Off on Canon XF405 Review – Sample Footage and First Impressions
Oct 262017
 

With the introduction of the new Canon XF405, XF400, LEGRIA/VIXIA GX10 – as well as the whole of Sony’s new line – one can assume that the fastest growing market for news and documentary shooting is coming in the form of 4K (UHD), handheld 1” sensor-size cameras. It is not that we haven’t had them before, but they certainly have been getting better and more feature-rich with time. When it comes to affordability… well, it totally depends on who you are talking to and the model you choose.

Canon XF405 camera

If you are an independent filmmaker looking for an all-round shooting device that can produce a bit of a cinematic look thanks to a slightly larger sensor than those traditionally found in these type of cameras, or if you’re a broadcaster looking to equip news crews with a versatile and affordable piece of equipment, then the Canon XF405/400/LEGRIA GX10 might be the right cameras for you. Sound tempting? Then read on for my full Canon XF405 review.

Before continuing, it is important for me to make it clear that the image coming out of the camera I tested may be slightly different than that of the final product.

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LG’s V30 Smartphone: 10-bit color, LG Cine-Log Video in a Phone?

 Cinematography, Gear  Comments Off on LG’s V30 Smartphone: 10-bit color, LG Cine-Log Video in a Phone?
Oct 162017
 

Move over Apple, there’s a new kid in town. The LG V30 takes mobile video to new heights with a 10-bit HDR Image Sensor and LG Cine-Log gamma.

In case you didn’t catch that: the LG V30 promises to record 4K video at 10-bit color depth with log gamma encoding. Before getting too excited about this, it is important to separate fact from fiction, and cinema5D will do exactly this with the LG V30 after some thorough tests, the results of which you can expect in a subsequent article.

Meanwhile, check out Parker Walbeck’s LG V30 vs RED Weapon video on his YouTube channel Fulltime Filmmaker:

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A Canon Full-Frame Mirrorless Camera May Arrive in 2018 with New Sensor

 Gear  Comments Off on A Canon Full-Frame Mirrorless Camera May Arrive in 2018 with New Sensor
Oct 082017
 

It looks like Canon and Nikon are now racing to unleash a full frame mirrorless camera on the world of photography. Nikon has given numerous statements in recent days that seem to confirm its development of such a camera, and now more details are emerging of an upcoming Canon full-frame mirrorless camera as well.

Canon Rumors is hearing from a trusted source that Canon’s first full-frame mirrorless camera will contain its own dedicated CMOS sensor rather than one that’s already being used in Canon’s full frame DSLR cameras (e.g. the 6D Mark II and the 5D Mark IV).

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Nikon D850 Best DSLR Ever, Gets First Full 100 Score at DxOMark

 Cinematography, Gear  Comments Off on Nikon D850 Best DSLR Ever, Gets First Full 100 Score at DxOMark
Oct 082017
 

The Nikon D850 was just awarded the first full 100 overall score ever given out to a DSLR by the testing lab DxOMark. The D850 now sits alone in the top spot on the camera leaderboard, with the full-frame mirrorless Sony a7R II sitting at #2 with a score of 98.

This is the first time a full-frame backside-illuminated sensor has appeared in a Nikon camera, and it’s a sensor that “breaks new ground for image quality,” DxOMark says. The D850 has the best color and dynamic range at base ISO among all commercially available cameras tested by the lab — it’s so good it rivals medium format sensors in some aspects.

“At base ISO, the Nikon D850 image quality for color is unrivaled for a DSLR, although the mirrorless Sony A7R II and full frame compact RX1R II comes pretty close,” DxOMark writes. “The D850’s color is on par with the best results we’ve seen on medium-format sensors, such as the Phase One IQ180 digital back, and fractionally ahead of the Phase One P65.”

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Looking Through the Viewfinder of a Hasselblad XPan

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Oct 022017
 

The XPan was the first Hasselblad camera to 35mm film and was able to shoot ultra-wide panorama negatives. Photographer Jordan Lockhart decided to mount an action camera to his XPan to capture what it’s like to frame the world and shoot with this unique camera.

“It took us a while to figure out a proper way to make this work but we eventually found out a decent solution, which I hope will give you a taste of why I love this camera so much,” writes Vincent Moschetti of OYWFO, who made the 6-minute video above showing the experiment. “We used a roll of Kodak Portra 800 which seemed like the perfect film to use on this rainy day and explore the city of Tampere in Finland.”

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