41 7 1 Rhino Arc II – 4 Axis Motorized Head and Slider for Automated Camera Movement

 Cinematography, Gear  Comments Off on 41 7 1 Rhino Arc II – 4 Axis Motorized Head and Slider for Automated Camera Movement
Nov 282018
 

There’s no shortage of solutions for automated camera movement on the market right now. However the Rhino Arc II tries to distinguish itself with some outstanding features, like the integrated focus motor, high load capacity of 15 lbs / 6,8 kg, the ability to do Light Lapses (day-to-night timelapses) and lots of other neat little features, that promise to make it easier to use than the competition out there. The Rhino Arc II is currently being funded on Kickstarter, with its initial funding goal of $50,000 already more than doubled. Here’s everything you need to know, to decide if you want to back it too.

The Rhino Arc II can be considered something of a new take on the usual “slider-with-a-pan-and-tilt-head” style solution. First of all everything is highly modular.  In accordance to the claim of 4 axes (focus being one “axis”), the main parts of the Rhino Arc II system are: a motorized pan and tilt head, a focus motor, a slider motor and the sliders themselves. The interesting part is that the head is designed so that it can be used separately, say on a tripod, either as an automated head, or just as a motorized yet hand-controlled head using two ergonomically placed joysticks to control the pan and tilt, as well as focus and slide. This in itself is an interesting concept at this price point. Of course the system also comes with an app, to help control the head, plan movements and add new features (like the Light Lapse feature). The head has a load capacity of 15 lbs / 6,8 kg, features a high capacity battery with a DC out to power your camera and a built-in Manfrotto 501 plate receiver. This capacity will give you enough leeway to use most smaller cinema cameras, even rigged. The battery has a capacity of 60Wh, will power your timelapses for up to 48h and can be charged in around two hours.

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Canon May Be Planning a 75-Megapixel Mirrorless Camera

 Gear  Comments Off on Canon May Be Planning a 75-Megapixel Mirrorless Camera
Nov 272018
 

It’s clear that Canon intends to bring more bodies into their EOS R mirrorless line. Now, it looks as if an ultra-high-resolution camera may be part of what’s in store.

Canon Rumors is reporting that an EOS R body with just over 75 megapixels is in development. While Canon has the 5DS R, it wasn’t until the 80D and subsequent cameras that we saw a marked shift in sensor quality and dynamic range from the company, so it would be quite interesting to see how a high-resolution sensor made with their newer techniques performs.

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Canon and Nikon Are Approaching the Mirrorless Market From Opposite Sides, but Who Is Right?

 Gear  Comments Off on Canon and Nikon Are Approaching the Mirrorless Market From Opposite Sides, but Who Is Right?
Nov 112018
 

With Photokina behind us and the unprecedented amount of new cameras and lenses announced over the past few months, we’ve had some time to let the dust settle, and there is something very interesting about just how differently Canon and Nikon are approaching the full frame mirrorless camera market. The question is: who is right?

Over the past few months, both Canon and Nikon have released their first full frame mirrorless cameras, Canon with the EOS R and Nikon with the Z7. Canon markets the EOS R as a sort of prosumer/enthusiast-level camera along the lines of the 6D Mark II and priced to match at $2,300 for the body — very similar to the 6D Mark II’s price on release. This contrasts the Nikon Z7, which is being touted as a sort of mirrorless D850, and its $3,400 price tag suits this comparison very well.

While two cameras having different prices isn’t interesting, when we take a deeper look into their currently available, upcoming, and rumored lenses, we can see the different approaches that Nikon and Canon are taking with their mirrorless full frame cameras. Alongside Canon’s enthusiast-level camera, they have released four lenses: the 28-70 f/2L zoom, the 50mm f/1.2L, the 24-105 f/4L, and the 35mm f/1.8 Macro. If you notice, three of those four lenses are L branded, Canon’s professional-level branding.

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7 Essential Lightroom Tricks I Use Daily

 Cinematography, Technique  Comments Off on 7 Essential Lightroom Tricks I Use Daily
Nov 112018
 

Everyone’s list of Lightroom tricks and shortcuts is a bit different and when I started to compile mine I wasn’t 100% sure what they were exactly. It’s funny how you don’t even realize you’re using these handy timesavers as they become second nature when you apply them within your editing workflow.

In this 6-minute video, I review my list of 7 essential Lightroom tricks that I use on a daily basis. These are placed in order of importance simply based off of how often I use them. Some of these are widely known and others I don’t hear discussed very often – hopefully you aren’t familiar with all of them and you’re able to pick up a couple new ones that you can apply to your editing process moving forward.

7. Spot Removal Reselect

How often does Lightroom auto select an inaccurate area of your image to use as the basis for the spot removal tool? Happens to me all the time and if it happens to you, just hit the forward slash key ‘/‘. This will tell Lightroom to make another selection – you can keep doing this until you’re happy with the selection.

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This Week’s Top 10 Deals for Filmmakers – Canon 1DX Mark II, ZEISS Lens, Litepanels and more

 Cinematography, Gear  Comments Off on This Week’s Top 10 Deals for Filmmakers – Canon 1DX Mark II, ZEISS Lens, Litepanels and more
Nov 112018
 

There are a couple of new interesting deals for filmmakers available. We selected the best 10 offers of filmmaking gear from our partners’ online shops for this week. Including the Canon 1DX Mark II, a ZEISS ultra wide-angle lens, Litepanels LED lights, a case for the DJI Ronin-S, a Dell Alienware laptop and more.

I went through the current deals on our partners’ websites and selected the top 10 offers currently available, which I think could be interesting for you. First, there are B&H offers listed for our readers based in North and South America and then a couple of deals from our European partner CVP. By shopping at our affiliate partners’ stores you are supporting cinema5D through our buy links, as we get a small affiliate commission when a purchase is completed.

Now, let’s take a look at this week’s top 10 deals for filmmakers:

B&H: Canon EOS-1D X Mark II DSLR Body – $500 Discount

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Nikon Announces NIKKOR AF-S 500mm f/5.6E PF ED VR Compact Super-Telephoto Lens

 Cinematography, Gear  Comments Off on Nikon Announces NIKKOR AF-S 500mm f/5.6E PF ED VR Compact Super-Telephoto Lens
Aug 232018
 

Following up Nikon’s big mirrorless announcement, Nikon also announced a much-anticipated F-mount lens: the AF-S 500mm f/5.6E PF ED VR super-telephoto lens.

UPDATE: Pre-orders now available.

Nikon’s newest super-telephoto is another addition to its PF series of lenses that use a phase fresnel lens element in order to reduce the size and weight of what would otherwise be a much larger lens similar to more traditional fast, super-telephotos. The maximum diameter of this 500mm f/5.6E PF lens is 106mm, and it’s just 237mm long. It weighs about as much as the AF-S 70-200mm f/2.8E FL ED VR lens, which is quite a feat for a lens with such reach. Most fast 500mm lenses weigh about twice that much. Naturally, this lens features Nikon’s dust- and drip-resistance as well as a fluorine coat on the front element to help repel dirt and moisture (and to also make it easy to clean).

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Nikon Announces the Nikon Z6 and Z7 Mirrorless Cameras

 Gear  Comments Off on Nikon Announces the Nikon Z6 and Z7 Mirrorless Cameras
Aug 232018
 

Nikon is finally here with its first professional, full-frame mirrorless cameras: the Z6 and the higher-megapixel Z7.

UPDATE: Pre-orders now open. Order now to get in line before everyone else.

We’ve waited for a long time for this, and now, after watching Sony from afar, tonight Nikon announced its answer to Sony’s rather successful a7- and a9-series cameras. The Z6 is Nikon’s low-light, mid-resolution body, high frame-rate body while the Z7 is a high-resolution equivalent. Alongside the Z-mount system, Nikon also introduced a new AF-S 500mm f/5.6E PF ED VR compact, super-telephoto lens with the standard F-mount. But let’s dive right into the specifications for the Z cameras.

Nikon Z6

  • $1,995.95, $2,599.95 with 24-70 f/4 kit lens
  • Available late November 2018
  • 24.5 MP full-frame sensor
  • ISO 100-51,200 (expands to 204,800)
  • 273 AF point, Hybrid PDAF, 90-percent viewfinder coverage
  • 3.6M EVF
  • 3.2-inch, 2.1M touchscreen
  • 12 fps
  • Video: Full HD at 120p, 4K at 30p, N-LOG profile (4:2:2 10-bit HDMI)
  • Focus peaking and zebra stripes
  • 5-axis image stabilization
  • Single XQD card slot
  • Weather-sealed body
  • Bluetooth, Wi-Fi
  • EN-EL15b battery (supports both EN-EL15a/b)
  • Weighs 585g (similar to Sony a9 with battery)

Nikon Z7

  • $3,399.95, $3,999.95 with 24-70 f/4 kit lens
  • September 27 availability
  • 45.7 MP full-frame sensor
  • ISO 64-25,600 (expands to 102,400)
  • 493 AF point, Hybrid PDAF, 90-percent viewfinder coverage
  • 3.6M EVF
  • 3.2-inch 2.1M touchscreen
  • 9 fps
  • Video: Full HD at 120p, 4K at 30p, N-LOG profile (4:2:2 10-bit HDMI)
  • Focus peaking and zebra stripes
  • 5-axis image stabilization
  • Single XQD card slot
  • Weather-sealed body
  • Bluetooth, Wi-Fi
  • EN-EL15b battery (supports both EN-EL15a/b)
  • Weighs 585g (similar to Sony a9 with battery)

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PolarPro Quartzline ND Filter Review – a new Gold Standard?

 Cinematography, Gear  Comments Off on PolarPro Quartzline ND Filter Review – a new Gold Standard?
Aug 192018
 

In this review, I’m testing the new PolarPro Quartzline ND 64 filter and PolarPro ND16 / PL (polarizer) filter. Those filters are made of 99.9% fused quartz to ensure optical clarity with a very low refractive index. The frames are built from machined brass to ensure they thread on smoothly – very essential as I have experienced seized up filters from aluminium frames myself already. A very nasty experience …

PolarPro claims a neutral color balance, zero color shift and near perfect transmission by the optical coatings. For more information about the available filters and sizes, please head to Richard’s article.

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Canon IS vs Sony IBIS: Which Image Stabilization is Better?

 Gear  Comments Off on Canon IS vs Sony IBIS: Which Image Stabilization is Better?
Aug 192018
 

The Sony a7R III is a feature-filled camera that I’m sure many of us would consider to be one of the best currently available on the market. One of its very useful features is IBIS or in-body image stabilization. This feature helps prevent motion blur in your images by moving the sensor to compensate for unintentional vibrations and movements.

In practical uses this means you can shoot with relatively slower shutter speeds and still produce sharp images, preventing the need to increase the ISO. The great thing about having stabilization on the sensor is that it’s effective on pretty much any lens you put on the camera.

Canon, on the other hand, does not currently offer any camera with sensor stabilization. Their reason for this is because they believe stabilization in the lens is more effective because it’s designed specifically for the lens in question. For that reason, I decided to compare Canon’s lens IS against Sony’s IBIS to see which one is actually better.

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Hasselblad’s XV Lens Adapter Lets You Use V Lenses on the X1D-50c

 Gear  Comments Off on Hasselblad’s XV Lens Adapter Lets You Use V Lenses on the X1D-50c
Aug 192018
 

Hasselblad has launched its new XV lens adapter, which lets you mount old V system lenses on the new X1D-50c medium format mirrorless camera.

The XV adapter, which Hasselblad says “bridges its legacy and its future,” supports Hasselblad’s full lineup of C, CB, CF, CFI, CFE, F and FE lenses — it adds compatibility for over 60 lenses that range in focal length from 30mm to 500mm.

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PolarPro Quartzline ND Filter Review – a new Gold Standard?

 Cinematography  Comments Off on PolarPro Quartzline ND Filter Review – a new Gold Standard?
Aug 112018
 

I first got to know PolarPro cinema series ND filters about 1.5 years ago when I was conducting a GoPro Hero camera review fitted with their set of filters. (See my review here). Now they are venturing into the professional large diameter filter world (up to 82mm), essentially claiming a neutral color balance and near perfect optical quality. Is this claim true? Read on to find out. 

PolarPro Quartzline ND Filter

In this review, I’m testing the new PolarPro Quartzline ND 64 filter and PolarPro ND16 / PL (polarizer) filter. Those filters are made of 99.9% fused quartz to ensure optical clarity with a very low refractive index. The frames are built from machined brass to ensure they thread on smoothly – very essential as I have experienced seized up filters from aluminium frames myself already. A very nasty experience …

PolarPro claims a neutral color balance, zero color shift and near perfect transmission by the optical coatings. For more information about the available filters and sizes, please head to Richard’s article.

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DJI Mavic 2 Is Coming – Leaks Reveal Not Just One, but Two New Drones

 Action cams, Cinematography, Gear  Comments Off on DJI Mavic 2 Is Coming – Leaks Reveal Not Just One, but Two New Drones
Aug 012018
 

If you’re like us here at cinema5D eagerly waiting for some news on the anticipated DJI Mavic 2 drone, Well, here’s some solid information for you: British digital retailer Argos issued their latest (print) catalogue and in it, alert readers found two brand-new drone models : The Mavic 2 Pro and the Mavic 2 Zoom.

Cinema5D HQ actually received an invitation for an official event that should have taken place during July but this event has been postponed without any alternative date so far. So, now with everybody on the edges of their seats, let’s have a look at what surfaced in that aforementioned catalogue:

There will be not one but two models of the upcoming Mavic 2 drone and the difference lies within the actual camera gimbal. The so-called Mavic 2 Zoom will sport a 2x optical zoom (24mm – 48mm) while the Mavic 2 Pro will feature a Hasselblad camera with a 1-inch sensor but no zoom. You will have to decide whether Pro image quality or the flexibility of a zoom lens is your thing.

There’s no word on video recording capabilities. I assume 4K (UHD) recording but the amount of compression and the quality of the codec deployed are yet to be revealed. The gimbal itself doesn’t seem to be detachable, which is unfortunate but since we’re talking about a drone listed in the consumer section of the company’s lineup, it’s not surprising, really.

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Intro to Video: A Photographer’s Guide to Filmmaking

 Cinematography, Technique  Comments Off on Intro to Video: A Photographer’s Guide to Filmmaking
Aug 012018
 

As more and more people call themselves “professional photographers,” the need to diversify and offer other services to your clients is rapidly growing. With social media and advertising visuals fighting for more and more of our attention, the importance of video is at an all time high. Luckily, if you are a photographer, you already have 90% of the tools you need to start making professional videos and multimedia productions. This new Fstoppers tutorial on videography is aimed at helping both professional and amateur photographers take the gear they already own and start producing high quality videos. There is no better time to learn how to film video than right now!

Intro to Videography

The idea behind the Fstoppers website was first born back in 2010 when Patrick Hall and Lee Morris both had an interest in learning how to shoot video. Having both been successful wedding photographers, Patrick and Lee saw the value videography could supply to their own photography businesses. Over the years, Fstoppers has grown from a little side project used to explore behind the scenes videos into a full blown world wide community of photographers and videographers. Since 2010 when DSLRs first started shooting high definition video, Lee and Patrick have seen photographers and social media influencers transitioning to video at an alarming rate. In today’s cut throat market, the trend is very clear: if you are not incorporating video along side you photography, you are going to get left behind.

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Fujifilm Unveils the Fujinon XF 200mm f/2 and 8-16mm f/2.8

 Gear  Comments Off on Fujifilm Unveils the Fujinon XF 200mm f/2 and 8-16mm f/2.8
Jul 232018
 

Fujifilm has announced two new lenses for its X Series line of mirrorless cameras: an XF 200mm f/2 OIS telephoto lens and an 8-16mm f/2.8 ultra-wide-angle zoom lens. There’s also a new 1.4X teleconverter.

Fujinon XF200mm f/2 R LM OIS WR and 1.4X TC

 

The new Fujinon 200mm f/2 OIS is Fujifilm’s first super-fast telephoto lens in the XF stable. It has a maximum aperture of f/2.0 and a 35mm equivalent focal length of 305mm.

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Nikon’s New 500mm f/5.6 to Offer High-Quality Super-Telephoto in a Handheld Package

 Gear  Comments Off on Nikon’s New 500mm f/5.6 to Offer High-Quality Super-Telephoto in a Handheld Package
Jul 162018
 

Nikon announced the development of a new AF-S 500mm f/5.6E PF ED VR lens last month, but now we finally get a look at it thanks to an image posted to Twitter by Photographer Pavel Bednyakov, whose photograph makes it look like the new 500mm could be easier to hold than Nikon’s 200mm f/2.

If you’ve ever shot with the Nikon 200mm f/2G VR II (or the earlier version), you’ll likely remember how it was more or less at the limit of what could reasonably be handheld for longer periods of time. Essentially, the Nikon 200mm f/2 is to we normal humans as the 600mm f/4 is to Dwayne Johnson. But that’s what makes this new “PF” technology so exciting, as it enables this 500mm in development to be smaller and lighter than anything else before it.

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Panasonic EVA1 Guide by Barry Green now Available – For Free

 Cinematography, Gear  Comments Off on Panasonic EVA1 Guide by Barry Green now Available – For Free
Jul 102018
 

Do you own a Panasonic AU-EVA1 camera? Tired of digging through YouTube and/or shady forums to get additional intel on how to squeeze the very last piece of performance out of it? Well, look no further. Barry Green has published a comprehensive e-book – An EVA1 Guide for free!

Almost every major camera manufacturer has its own industry specialist. One who knows every last detail of a given camera and spreads the word among the community. Sony has Alister Chapman, RED has Phil Holland and Panasonic? Well, Panasonic has Barry Green. And that exact Barry Green has just published an extensive e-book, an EVA1 guide.

Panasonic AU-EVA1 Guide

Just as Alister Chapman’s guide to the Sony FS7 Cine EI mode, this EVA1 guide isn’t just a manual. It’s a comprehensive real-life guide to the camera. Since Barry Green is a professional in his line of work, this guide is far from real-life Youtube flicks which oftentimes come without too much insight.. This guide to the EVA1 covers everything there is: The camera body itself with all the connectors, buttons and dials, the menu structure, codecs and recordings formats, LUTs and looks, and everything else. All in one PDF. For a brief overview of the camera in question, watch the video below, also hosted by Barry Green:

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Canon Has Two Full Frame Mirrorless Cameras in the Works: Report

 Gear  Comments Off on Canon Has Two Full Frame Mirrorless Cameras in the Works: Report
Jul 052018
 

It’s not just Nikon. Canon is also reportedly planning to launch two different full frame mirrorless cameras in the very near future.

Canon Rumors is hearing that Canon will be releasing two full frame mirrorless cameras before the middle of 2019. And like Nikon’s rumored pair, Canon’s cameras will also arrive as a high-megapixel “flagship” model and a lower resolution, cheaper model.

The first camera to be announced will be a 30.4-megapixel mirrorless camera that could be “closely related” to the sensor found in the existing Canon 5D Mark IV, Canon Rumors writes. Canon said back in May that it’s finally willing to cannibalize its DSLRs to play a bigger part in the growth of mirrorless cameras.

The second Canon full frame mirrorless body launched afterward will reportedly have a lower pixel count — possibly 24 megapixels.

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Drone Comparison: New Parrot Anafi vs. DJI Mavic Air

 Cinematography, Gear  Comments Off on Drone Comparison: New Parrot Anafi vs. DJI Mavic Air
Jun 072018
 

Parrot just announced a new drone that may be able to challenge DJI’s domination in the hobby market. Let’s take a look at the specifications and check if the French manufacturer can take on the Chinese leader.

Size, Weight and Speed

The two drones are fighting in the similar lightweight category but the Anafi is lighter than the Mavic air at 374 grams versus 430 grams. It can be a curse or a blessing. Lighter drones tend to sustain less damage in case of crash but more weight also helps to stabilize the frame.

The Mavic Air wins the top speed category (42mph) but the Anafi is not too far behind (33mph). The key factor is to determine the maximum usable speed because the sport mode on DJI drones is not very good to record video (propellors in the field of view, limited stabilization) but it can help to fly back against strong winds.

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The Camera You Should Want: Fstoppers Reviews the Sony a7 III

 Gear  Comments Off on The Camera You Should Want: Fstoppers Reviews the Sony a7 III
Jun 072018
 

Sony has been making waves with the a7R III and a9, but a lot of photographers don’t need those crazy levels of resolution and frame rates. Instead, they look for a quality camera that can do almost anything asked of it at a reasonable price. The Sony a7 III may just be that camera, with an awesome feature set, excellent performance, and an aggressively competitive price. Check out our full review.

Key Specifications

  • 24-megapixel backside-illuminated sensor
  • 693 phase detection AF points with 93 percent frame coverage
  • ISO range: 100-51,200 (expandable to 50-204,800)
  • UHD 4K 30p with HLG and S-Log3 Gammas (6K oversampling at 24p and 5K oversampling with 1.2x crop at 30p)
  • 2.36-million dot OLED EVF
  • 3-inch, 922,000-dot tilting touchscreen
  • 5-Axis SteadyShot Stabilization
  • Continuous rate: 10 fps
  • Buffer: 89 raw, 177 JPEG
  • Dynamic range: 15 stops
  • Built-In Wi-Fi and Bluetooth
  • Anti-flicker mode
  • Dual SD slots
  • USB 3.0 Type-C port
  • Magnesium alloy chassis with weather-sealing
  • Battery life: 710 shots

 

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DJI Mavic Air vs. Mavic Pro Footage Comparison

 Action cams, Cinematography, Gear  Comments Off on DJI Mavic Air vs. Mavic Pro Footage Comparison
May 282018
 

After our hands-on with the Mavic Air in Monaco earlier this year, it was time to put the Mavic Air up against its older brother, the Mavic Pro, and compare the footage. Which footage holds up better?

Does the Mavic Air Make Superior Images?

The irony about new technology is often that newer generations are simply better, even in a model that sits in a lower price bracket than a predecessor that is still in the market. And this is exactly what we are seeing with the new Mavic Air, which I took for a hands-on spin at their press event in Monaco earlier this year (watch the video here). The Mavic Air is a classic example for this conundrum that many manufacturers face, unless they want to artificially strip newer technology off of some of the features of older, but “higher end” version of their products (C200, cough-cough!).