You’re a photographer, not a printer. You’re the artist, not the laborer; the visionary and not the executive. This is how most photographers see themselves, and they are most likely right. Are there photographers out there with phenomenal grasps of the technical side of the digital photo world? Sure, throw a rock in a room of a thousand and you’re bound to hit three or four, but they are the exceptions, and you’re likely the rule. In this digital age, where the playing field is greatly leveled, you should cross that line in the sand to be an exception.
But how does one do this? Well, for a start, understand that there’s a lot more to being a photographer than taking great images, and part of that is understanding the digital space in which we all now work. When we think of digital spaces (not that we all do very often), in this instance what I’m referring to is color spaces. It’s sort of a dreaded topic because, for an artist, it’s sort of the antithesis of what we want to be learning. But if you want your work to look as good as you know it is, you should have a grasp on it.