GearComments Off on Nikon Unveils the NIKKOR Z 24-70mm f/2.8 S
Nikon has announced the new NIKKOR Z 24-70mm f/2.8 S lens for its full-frame mirrorless cameras.
The lens is the first to feature Nikon’s new ARNEO coating, which
complements Nikon’s Nano Crystal Coat to further reduce flare and
“While Nano Crystal Coat suppresses ghosting and flare coming from backlight at diagonal angles, the ARNEO coat compensates for light entering the lens from vertical angles,” Nikon says. “This expanded field enables the lens to capture exceptional contrast and sharpness even when the light source is visible inside the frame.”
The lens is also the first NIKKOR Z lens to feature a dedicated manual focus ring (that’s present in addition to the customizable control ring), a Function (L-Fn) button, and an info display.
The Organic EL Lens Information Panel on the side of the lens displays key settings such as focus distance, depth-of-field, aperture, and focal length.
GearComments Off on Canon EOS RP Released – A Few Less Features for Way Less Money
Today Canon has unveiled their latest addition to their new EOS R lineup of full frame mirrorless cameras: The Canon EOS RP sits below the already available EOS R in regards of both, features and pricing. This aggressive pricing might be a good thing, though: As a bottom line we get plenty of features for less money. Update: There are six new RF lenses in development, too.
Canon’s transition from the legacy EOS D line of DSLRs to the EOS R line of full frame mirrorless cameras seems to be in full swing. Next up: The new EOS RP. It’s not the flagship R camera many of us are eagerly waiting for, though. If the EOS R is the middle class body, the RP is the entry level model.
It’s less expensive and it has fewer features but it is based on the same robust platform. So what is the news with the new Canon EOS RP? Well, in terms of cost-performance ratio it might get the nod instead of its bigger brother, the EOR R (read our coverage here and here plus our full review here).
GearComments Off on Hands-On Preview With the Panasonic S1R
In a world where it feels like there is a
new camera every month, finding an identity in the market is becoming
increasing difficult. Where do Panasonic’s new cameras fit and will they be successful?
In this first look from DPReview you
won’t get their entire in-depth review quite yet but you will learn
about some of the real-world features and issues. One of the main
features that caught my attention when first learning about this camera
was its capability to produce 187-megapixel images; yes, you read that
correctly. The sensor is rated at 47.3 megapixels but using its pixel
shift technology, you can essentially quadruple the effective
resolution. While this technology isn’t anything new, it has become
something I am personally keeping a close eye on within the market as a
GearComments Off on Lifetime Review: Canon EF 85mm f/1.8 USM Lens
I purchased this lens a very long time ago, it may be around a decade ago, I am not really sure. What I am sure of though is that it has paid for itself many times over. This is perhaps the best return on investment that a single piece of equipment has ever given me. I vividly remember walking to my local camera shop in Leicester during a lunch break to purchase a copy of this lens, with very little thought, research, or general clue as to what I was doing. I assume I had heard of a pro photographer who liked an 85mm lens and assumed I needed one. Back then I would have probably only had a crop-sensor camera so it was a little on the tight side for my taste, but I seem to remember buying my first full-frame body shortly after to remedy this, also with very little research and forethought.
For those of us that like shooting on a
mirrorless camera, we’ve probably become accustomed to the lightweight
and easy to manage cameras. So are the S1 and S1R a step too far on the
Now that Panasonic are entering the full-frame mirrorless market, they’ve created the heaviest camera of the bunch. The S1 weighs 2.25 pounds, with the S1R weighing basically the same at 2.24 pounds. Out of the competition, it’s only the Sony a9 that comes close with 1.48 pounds. All of this is with the battery inside the camera. Here’s a breakdown:
UncategorizedComments Off on Fujifilm X-T3 Versus X-T2: Which Camera Should You Buy?
When a new camera comes out, one of the
most common questions I see is whether it’s worth upgrading to or not.
This I think is a very reasonable and fair question because in many
cases now, new cameras tend to be minor updates as opposed full on
upgrades. Based on that, how does the Fujifilm X-T3 compare to the X-T2 and is it worth paying slightly more for the upgrade?
Personally, I feel that Fujifilm make some of the best APS-C cameras currently available. This is precisely why I’m such a fan of their cameras. The X-T2 was such a fantastic camera and currently its price point makes it a fantastic value for the money. It offers incredible image quality with some very useful video features. Fuji did such a good job with that camera that it’s going to take something pretty special to beat it.
With the introduction of the Sony a6400, I had a chance to take the new camera for a short spin and after playing with it for a bit, I made up my mind. Sony’s latest offering is very different and interesting, BUT, is it worth the upgrade from its a6300 and a6500 siblings? (Same sensor but enhanced image processing engine). Is it really a Vlogger’s camera? What is its strongest selling point and last but not least, what is the real reason for Sony to introduce this camera in my personal opinion? Interested? Keep reading.
It is the middle of January. My short (and yet to be disclosed) assignment in Japan is almost over but before going back home, I’m lucky enough to put my hands on the new Sony a6400 to take it for a short spin. At first, my plan was to shoot a short documentary with it and by doing so, explore its video capabilities, but after noticing that most features and even technical specifications are very similar to the Sony a6300 and a6500 (which I reviewed and tested before), I decided to scrap my original plan and concentrate on testing a single feature, the one that captured my attention most.
Cinematography, GearComments Off on OLYMPUS OM-D E-M1X Announced – First Impressions and Hands-On Review
The OLYMPUS OM-D E-M1X was just announced and we were lucky enough to get our hands on the camera well before the announcement. We filmed with it, tested it, and are now happy to share our thoughts about its video capabilities and overall performance. (All information is related only to the video functionality of the camera).
Two years and a bit after their last major announcement, OLYMPUS can pride themselves with having a new camera – the E-M1X. As you can see, I’m very careful about NOT calling it the new “flagship” camera, as both, the OM-D E-M Mark II and the new OM-D E-M1X will co-exist in OLYMPUS’ portfolio, allowing them to target a wider variety of users with different photo/filming needs and budgets.
Action cams, GearComments Off on DJI Osmo Pocket – Tiny 3-Axis Stabilized Camera with 4K 60fps Recording
DJI just announced the smallest camera with mechanical gimbal ever – DJI Osmo Pocket. It can take 12MP stills and record true 4K video at up to 60fps. There will also be a handful of accessories available for the new Osmo Pocket.
Right now, DJI is having an event in New York City called “Because Life is Big” and they announced their smallest camera with a 3-axis mechanical gimbal ever – the DJI Osmo Pocket. Nino Leitner from the cinema5D team is attending the event to bring the fresh information to our readers – we will also share a video about the announcement with a first hands-on tomorrow.
Just like previous generations of Osmo, this is a very compact camera with a mechanical gimbal and a handle. Although the word compact is getting a whole new dimension here – the DJI Osmo pocket is incredibly tiny – it only weighs 4.1 oz (116g) and it is 4.8″ (122mm) long. The camera can record true 4K video at up to 60fps with 100Mbps bitrate.
The DJI Osmo Pocket uses built-in dual microphones and advanced noise-canceling algorithms to ensure high quality audio. The built-in Li-Po battery offers up to two hours shooting video in 4K (30fps), but it is not interchangeable. On the back of the camera grip there is a touchscreen display to monitor the image and control the camera, two buttons for quick controls and a universal port to connect various accessories.
Canon 8K technology was demonstrated with a prototype camera body during Inter BEE 2018. We talked about it with Toshiyuki Akimoto from Canon who is responsible for the development of 8K monitors and cameras.
8K resolution is slowly making its way in the line-ups of camera manufacturers. During Inter BEE 2018 we saw an interesting 8K camera concept from Astro. RED of course has already had working 8K cinema cameras for a while with their MONSTRO and HELIUM cinema cameras. Panasonic claims to have an 8K capable camera for the Olympic Games in Tokyo in 2020. Now Canon also presented their 8K cinema camera concept.
The Canon 8K camera concept presented at Inter BEE 2018 has quite a compact body very similar to the CanonC300 Mark II. It will have a super 35mm sensor and an 8K processing unit inside and mind you that recording will not be done internally. You will have to find and attach an external 8K recording solution. According to Canon, the purpose of this demonstration is to research the market and to gather the customer’s opinion regarding future 8K demand.
Since this 8K camera is still only a prototype and future technology demonstration, there is no detailed explanation of its functions or ergonomics yet. The presented camera, however, looks to being very close to the production stage.
GearComments Off on Roland V-02HD – World’s Smallest Video Mixer
At Inter BEE 2018 in Tokyo, Roland introduced their new video mixer – the Roland V-02HD – which happens to be the world’s smallest device of its kind. It can mix two HDMI video inputs up to 1080p and embed analog audio to the resulting HDMI output.
Roland V-02HD is new compact video mixer (also called “micro switcher”) primarily designed for smaller events or productions where size plays an important role. It is capable of various tasks and combines more standalone units in one. It can function as:
inline video effects compositor
Mixing Two Video Inputs
With this product, Roland is allowing also smaller productions to record or stream output from two cameras. Using a live switcher onsite lets users have an immediate deliverable. The Roland V-02HD takes HDMI output up to 1080p from two cameras and seamlessly switches to a connected recorder or live streaming encoder. The operator can switch between cameras using the dedicated controls on the device. There is also FS-6 foot controler with pedals included, so the person switching the signal can operate one camera at the same time.
GearComments Off on This Week’s Top Pre-Black-Friday Deals of the Week – Nikon D750, Mavic Pro, Sony A9, MZed and more
The Black Friday craze is already kicking into full gear, and there are more great deals than in any other week. Even now there are some outstanding offerings like Nikon’s full frame D750, the Mavic Pro Fly More Combo, a discounted Sony FS5 and Panasonic EVA-1 and much more. Check it out!
After combing through all the deals our partners B&H and CVP are currently offering, we came up with these 10 items. Our American readers will have the B&H selection to choose from, while CVP might be more interesting to our European readership. Here’s what we found:
B&H: Nikon D750 with Battery Grip, Battery, SD-Card and Shoulder Bag – $600 Discount
With all the mirrorless craziness going on right now, one could easily forget that cameras like the Nikon D750 are still highly dependable and nearly indestructible workhorses for any hybrid shooter. The first of our deals features a full frame 24 MP sensor shooting 6.5 fps with continous autofocus and 1080 60p with good autofocus. The battery grip improves the FPS in photo mode, and the battery pack will keep you shooting for hours. The included shoulder bag provides ample storage space for the body, two lenses and a few accessories.
Cinematography, GearComments Off on Win $9000 Worth of Filmmaking Gear with Syrp, Renan Ozturk & cinema5D
Take part in a draw to win $9000 worth of camera gear! Find out how – the first live prize draw is happening very soon in the YouTube live stream above.
Together with Syrp, Manfrotto and Freefly we are giving you a chance to win a massive amount of kit.
We’re giving away 5 prizes and that means more chances for you to win! All prizes are based around Renan Ozturk’s camera gear – learn more about him and his adventures by clicking here!
Everyone’s list of Lightroom tricks and shortcuts is a bit different and when I started to compile mine I wasn’t 100% sure what they were exactly. It’s funny how you don’t even realize you’re using these handy timesavers as they become second nature when you apply them within your editing workflow.
In this 6-minute video, I review my list of 7 essential Lightroom tricks that I use on a daily basis. These are placed in order of importance simply based off of how often I use them. Some of these are widely known and others I don’t hear discussed very often – hopefully you aren’t familiar with all of them and you’re able to pick up a couple new ones that you can apply to your editing process moving forward.
7. Spot Removal Reselect
How often does Lightroom auto select an inaccurate area of your image to use as the basis for the spot removal tool? Happens to me all the time and if it happens to you, just hit the forward slash key ‘/‘. This will tell Lightroom to make another selection – you can keep doing this until you’re happy with the selection.
Cinematography, GearComments Off on This Week’s Top 10 Deals for Filmmakers – Canon 1DX Mark II, ZEISS Lens, Litepanels and more
There are a couple of new interesting deals for filmmakers available. We selected the best 10 offers of filmmaking gear from our partners’ online shops for this week. Including the Canon 1DX Mark II, a ZEISS ultra wide-angle lens, Litepanels LED lights, a case for the DJI Ronin-S, a Dell Alienware laptop and more.
I went through the current deals on our partners’ websites and selected the top 10 offers currently available, which I think could be interesting for you. First, there are B&H offers listed for our readers based in North and South America and then a couple of deals from our European partner CVP. By shopping at our affiliate partners’ stores you are supporting cinema5D through our buy links, as we get a small affiliate commission when a purchase is completed.
Now, let’s take a look at this week’s top 10 deals for filmmakers:
The Kandao QooCam is a handheld 360 and 180 3D VR camera that creates great looking VR video for social media. Check out our Kandao QooCam review and test videos.
Kandao is one of the most innovative players in the VR camera space at the moment. This is an increasingly contested and fast developing market at the cutting edge of computational photography’s disruptive infiltration towards the mainstream.
The QooCam comes from the makers of the Obsidian Go, Obsidian R and Obsidian S 8K and high speed 360 VR cameras. We’ve covered a number of recent developments from Kandao here on cinema5D including the recent 8KVR live streaming demonstrated at IBC. We also covered the announcement of the QooCam back in May.
Before getting too deep, here are the sample videos shot with the QooCam.
QooCam 3D 180 / 360 Videos Samples
Below are the videos I shot while in Istanbul and in L.A. The top video is 3D 180, and the bottom video is 360. If you’re not set up for the full VR viewing experience, I recommend watching these on your phone rather than desktop, you’ll be able to move your phone around as a virtual window on the scene.
Nikon’s newest super-telephoto is another addition to its PF series of lenses that use a phase fresnel lens element in order to reduce the size and weight of what would otherwise be a much larger lens similar to more traditional fast, super-telephotos. The maximum diameter of this 500mm f/5.6E PF lens is 106mm, and it’s just 237mm long. It weighs about as much as the AF-S 70-200mm f/2.8E FL ED VR lens, which is quite a feat for a lens with such reach. Most fast 500mm lenses weigh about twice that much. Naturally, this lens features Nikon’s dust- and drip-resistance as well as a fluorine coat on the front element to help repel dirt and moisture (and to also make it easy to clean).
Cinematography, GearComments Off on DJI Mavic 2 Pro & Mavic 2 Zoom Announced – Plenty of Improvements
Finally – today is the release day for the new DJI Mavic 2 drones. The DJI Mavic 2 Pro with integrated 1″ sensor Hasselblad camera and Mavic 2 Zoom, the world’s first foldable consumer drone with optical zoom capability. Both drones offer lots of smart features, flight time of up to 31 minutes and a more stable video transmission system.
The new DJI Mavic 2 Drones. Source: DJI
Every drone enthusiast was waiting for this. The day when DJI releases their new Mavic 2 drone. That day is today! As we already know since a month ago – DJI is not revealing one new drone, buttwo new drones. Number one: Mavic 2 Pro, the world’s first drone with an integrated Hasselblad camera. Number two: Mavic 2 Zoom, the world’s first foldable consumer drone with optical zoom capability. Both drones share the same foldable body design and offer a flight time of up to 31 minutes as well as a more stable video transmission system.
Brief History of the Mavic
When the original DJI Mavic Pro (our review here) came out in 2016, it caused a small revolution in the drone world – it featured an unprecedented combination of portability and image quality. With its foldable design it fitted in every bag and made drone shooting accessible to masses. Even despite its low bitrate of 60Mbps, and therefore not so great dynamic range, it carried much more strengths and is still a very popular product, to this day.
New DJI Mavic 2 Series Drones. Source: DJI
In january 2018 DJI presented Mavic Pro’s smaller brother – the DJI Mavic Air (hands-on video here, Mavic Procomparison here). It featured a higher bitrate of 100Mbps in a smaller, lighter and more affordable body. There were, however, some trade-offs when compared to the older Mavic Pro. For instance, the lower range due to different wireless technology used (OcuSync in Pro vs Extended Wifi in Air).
Both the Mavic Pro and the Mavic Air shared the same 1/2.3″ sensor. The field-of-view of the lens was 26mm (full frame equivalent) with the Pro and 24mm (full frame equivalent) with the Air.
DJI Mavic 2 Pro – Image Quality is Everything
The DJI Mavic 2 Pro features the brand-new camera module which DJI co-engineered with Hasselblad. The partnership with the medium format photography pioneer is very clear, as the Mavic 2 Pro proudly carries the Hasselblad logo right above the lens.