DJI Osmo Pocket – Tiny 3-Axis Stabilized Camera with 4K 60fps Recording

 Action cams, Gear  Comments Off on DJI Osmo Pocket – Tiny 3-Axis Stabilized Camera with 4K 60fps Recording
Nov 282018
 

DJI just announced the smallest camera with mechanical gimbal ever – DJI Osmo Pocket. It can take 12MP stills and record true 4K video at up to 60fps. There will also be a handful of accessories available for the new Osmo Pocket.

DJI Osmo Pocket – Smallest Osmo ever. Source: DJI

Right now, DJI is having an event in New York City called “Because Life is Big” and they announced their smallest camera with a 3-axis mechanical gimbal ever – the DJI Osmo Pocket. Nino Leitner from the cinema5D team is attending the event to bring the fresh information to our readers – we will also share a video about the announcement with a first hands-on tomorrow.

DJI Osmo Pocket

Just like previous generations of Osmo, this is a very compact camera with a mechanical gimbal and a handle. Although the word compact is getting a whole new dimension here – the DJI Osmo pocket is incredibly tiny – it only weighs 4.1 oz (116g) and it is 4.8″ (122mm) long. The camera can record true 4K video at up to 60fps with 100Mbps bitrate.

The DJI Osmo Pocket uses built-in dual microphones and advanced noise-canceling algorithms to ensure high quality audio. The built-in Li-Po battery offers up to two hours shooting video in 4K (30fps), but it is not interchangeable. On the back of the camera grip there is a touchscreen display to monitor the image and control the camera, two buttons for quick controls and a universal port to connect various accessories.

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Canon’s Upcoming 8K Camera – Concept Explanation

 Cinematography, Gear  Comments Off on Canon’s Upcoming 8K Camera – Concept Explanation
Nov 272018
 

Please turn CC on for English subtitles.

Canon 8K technology was demonstrated with a prototype camera body during Inter BEE 2018. We talked about it with Toshiyuki Akimoto from Canon who is responsible for the development of 8K monitors and cameras.

 

8K resolution is slowly making its way in the line-ups of camera manufacturers. During Inter BEE 2018 we saw an interesting 8K camera concept from Astro. RED of course has already had working 8K cinema cameras for a while with their MONSTRO and HELIUM cinema cameras. Panasonic claims to have an 8K capable camera for the Olympic Games in Tokyo in 2020. Now Canon also presented their 8K cinema camera concept.

The Canon 8K camera concept presented at Inter BEE 2018 has quite a compact body very similar to the Canon C300 Mark II. It will have a super 35mm sensor and an 8K processing unit inside and mind you that recording will not be done internally. You will have to find and attach an external 8K recording solution. According to Canon, the purpose of this demonstration is to research the market and to gather the customer’s opinion regarding future 8K demand.

Since this 8K camera is still only a prototype and future technology demonstration, there is no detailed explanation of its functions or ergonomics yet. The presented camera, however, looks to being very close to the production stage.

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Roland V-02HD – World’s Smallest Video Mixer

 Gear  Comments Off on Roland V-02HD – World’s Smallest Video Mixer
Nov 202018
 

At Inter BEE 2018 in Tokyo, Roland introduced their new video mixer – the Roland V-02HD – which happens to be the world’s smallest device of its kind. It can mix two HDMI video inputs up to 1080p and embed analog audio to the resulting HDMI output.

Roland V-02HD is new compact video mixer (also called “micro switcher”) primarily designed for smaller events or productions where size plays an important role. It is capable of various tasks and combines more standalone units in one. It can function as:

  • simple switcher
  • scaler
  • input expander
  • audio solution
  • inline video effects compositor

Mixing Two Video Inputs

With this product, Roland is allowing also smaller productions to record or stream output from two cameras. Using a live switcher onsite lets users have an immediate deliverable. The Roland V-02HD takes HDMI output up to 1080p from two cameras and seamlessly switches to a connected recorder or live streaming encoder. The operator can switch between cameras using the dedicated controls on the device. There is also FS-6 foot controler with pedals included, so the person switching the signal can operate one camera at the same time.

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This Week’s Top Pre-Black-Friday Deals of the Week – Nikon D750, Mavic Pro, Sony A9, MZed and more

 Gear  Comments Off on This Week’s Top Pre-Black-Friday Deals of the Week – Nikon D750, Mavic Pro, Sony A9, MZed and more
Nov 202018
 

The Black Friday craze is already kicking into full gear, and there are more great deals than in any other week. Even now there are some outstanding offerings like Nikon’s full frame D750, the Mavic Pro Fly More Combo, a discounted Sony FS5 and Panasonic EVA-1 and much more. Check it out!

After combing through all the deals our partners B&H and CVP are currently offering, we came up with these 10 items. Our American readers will have the B&H selection to choose from, while CVP might be more interesting to our European readership. Here’s what we found:

B&H: Nikon D750 with Battery Grip, Battery, SD-Card and Shoulder Bag – $600 Discount

With all the mirrorless craziness going on right now, one could easily forget that cameras like the Nikon D750 are still highly dependable and nearly indestructible workhorses for any hybrid shooter. The first of our deals features a full frame 24 MP sensor shooting 6.5 fps with continous autofocus and 1080 60p with good autofocus. The battery grip improves the FPS in photo mode, and the battery pack will keep you shooting for hours. The included shoulder bag provides ample storage space for the body, two lenses and a few accessories.

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Win $9000 Worth of Filmmaking Gear with Syrp, Renan Ozturk & cinema5D

 Cinematography, Gear  Comments Off on Win $9000 Worth of Filmmaking Gear with Syrp, Renan Ozturk & cinema5D
Nov 122018
 

Take part in a draw to win $9000 worth of camera gear! Find out how – the first live prize draw is happening very soon in the YouTube live stream above. 

Together with Syrp, Manfrotto and Freefly we are giving you a chance to win a massive amount of kit.
We’re giving away 5 prizes and that means more chances for you to win! All prizes are based around Renan Ozturk’s camera gear – learn more about him and his adventures by clicking here!

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7 Essential Lightroom Tricks I Use Daily

 Cinematography, Technique  Comments Off on 7 Essential Lightroom Tricks I Use Daily
Nov 112018
 

Everyone’s list of Lightroom tricks and shortcuts is a bit different and when I started to compile mine I wasn’t 100% sure what they were exactly. It’s funny how you don’t even realize you’re using these handy timesavers as they become second nature when you apply them within your editing workflow.

In this 6-minute video, I review my list of 7 essential Lightroom tricks that I use on a daily basis. These are placed in order of importance simply based off of how often I use them. Some of these are widely known and others I don’t hear discussed very often – hopefully you aren’t familiar with all of them and you’re able to pick up a couple new ones that you can apply to your editing process moving forward.

7. Spot Removal Reselect

How often does Lightroom auto select an inaccurate area of your image to use as the basis for the spot removal tool? Happens to me all the time and if it happens to you, just hit the forward slash key ‘/‘. This will tell Lightroom to make another selection – you can keep doing this until you’re happy with the selection.

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This Week’s Top 10 Deals for Filmmakers – Canon 1DX Mark II, ZEISS Lens, Litepanels and more

 Cinematography, Gear  Comments Off on This Week’s Top 10 Deals for Filmmakers – Canon 1DX Mark II, ZEISS Lens, Litepanels and more
Nov 112018
 

There are a couple of new interesting deals for filmmakers available. We selected the best 10 offers of filmmaking gear from our partners’ online shops for this week. Including the Canon 1DX Mark II, a ZEISS ultra wide-angle lens, Litepanels LED lights, a case for the DJI Ronin-S, a Dell Alienware laptop and more.

I went through the current deals on our partners’ websites and selected the top 10 offers currently available, which I think could be interesting for you. First, there are B&H offers listed for our readers based in North and South America and then a couple of deals from our European partner CVP. By shopping at our affiliate partners’ stores you are supporting cinema5D through our buy links, as we get a small affiliate commission when a purchase is completed.

Now, let’s take a look at this week’s top 10 deals for filmmakers:

B&H: Canon EOS-1D X Mark II DSLR Body – $500 Discount

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Kandao QooCam Review and 3D 180 / 360 Video Samples

 Cinematography, Gear, virtual reality, VR HDR  Comments Off on Kandao QooCam Review and 3D 180 / 360 Video Samples
Nov 112018
 

The Kandao QooCam is a handheld 360 and 180 3D VR camera that creates great looking VR video for social media. Check out our Kandao QooCam review and test videos.

Kandao is one of the most innovative players in the VR camera space at the moment. This is an increasingly contested and fast developing market at the cutting edge of computational photography’s disruptive infiltration towards the mainstream.

The QooCam comes from the makers of the Obsidian Go, Obsidian R and Obsidian S 8K and high speed 360 VR cameras. We’ve covered a number of recent developments from Kandao here on cinema5D including the recent 8K VR live streaming demonstrated at IBC. We also covered the announcement of the QooCam back in May.

Before getting too deep, here are the sample videos shot with the QooCam.

QooCam 3D 180 / 360 Videos Samples

Below are the videos I shot while in Istanbul and in L.A. The top video is 3D 180, and the bottom video is 360. If you’re not set up for the full VR viewing experience, I recommend watching these on your phone rather than desktop, you’ll be able to move your phone around as a virtual window on the scene.

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Nikon Announces NIKKOR AF-S 500mm f/5.6E PF ED VR Compact Super-Telephoto Lens

 Cinematography, Gear  Comments Off on Nikon Announces NIKKOR AF-S 500mm f/5.6E PF ED VR Compact Super-Telephoto Lens
Aug 232018
 

Following up Nikon’s big mirrorless announcement, Nikon also announced a much-anticipated F-mount lens: the AF-S 500mm f/5.6E PF ED VR super-telephoto lens.

UPDATE: Pre-orders now available.

Nikon’s newest super-telephoto is another addition to its PF series of lenses that use a phase fresnel lens element in order to reduce the size and weight of what would otherwise be a much larger lens similar to more traditional fast, super-telephotos. The maximum diameter of this 500mm f/5.6E PF lens is 106mm, and it’s just 237mm long. It weighs about as much as the AF-S 70-200mm f/2.8E FL ED VR lens, which is quite a feat for a lens with such reach. Most fast 500mm lenses weigh about twice that much. Naturally, this lens features Nikon’s dust- and drip-resistance as well as a fluorine coat on the front element to help repel dirt and moisture (and to also make it easy to clean).

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DJI Mavic 2 Pro & Mavic 2 Zoom Announced – Plenty of Improvements

 Cinematography, Gear  Comments Off on DJI Mavic 2 Pro & Mavic 2 Zoom Announced – Plenty of Improvements
Aug 232018
 

Finally – today is the release day for the new DJI Mavic 2 drones. The DJI Mavic 2 Pro with integrated 1″ sensor Hasselblad camera and Mavic 2 Zoom, the world’s first foldable consumer drone with optical zoom capability. Both drones offer lots of smart features, flight time of up to 31 minutes and a more stable video transmission system.

The new DJI Mavic 2 Drones. Source: DJI

Every drone enthusiast was waiting for this. The day when DJI releases their new Mavic 2 drone. That day is today! As we already know since a month ago – DJI is not revealing one new drone, but two new drones. Number one: Mavic 2 Pro, the world’s first drone with an integrated Hasselblad camera. Number two: Mavic 2 Zoom, the world’s first foldable consumer drone with optical zoom capability. Both drones share the same foldable body design and offer a flight time of up to 31 minutes as well as a more stable video transmission system.

Brief History of the Mavic

When the original DJI Mavic Pro (our review here) came out in 2016, it caused a small revolution in the drone world – it featured an unprecedented combination of portability and image quality. With its foldable design it fitted in every bag and made drone shooting accessible to masses. Even despite its low bitrate of 60Mbps, and therefore not so great dynamic range, it carried much more strengths and is still a very popular product, to this day.

New DJI Mavic 2 Series Drones. Source: DJI

In january 2018 DJI presented Mavic Pro’s smaller brother – the DJI Mavic Air (hands-on video here, Mavic Pro comparison here). It featured a higher bitrate of 100Mbps in a smaller, lighter and more affordable body. There were, however, some trade-offs when compared to the older Mavic Pro. For instance, the lower range due to different wireless technology used (OcuSync in Pro vs Extended Wifi in Air).

Both the Mavic Pro and the Mavic Air shared the same 1/2.3″ sensor. The field-of-view of the lens was 26mm (full frame equivalent) with the Pro and 24mm (full frame equivalent) with the Air.

DJI Mavic 2 Pro – Image Quality is Everything

The DJI Mavic 2 Pro features the brand-new camera module which DJI co-engineered with Hasselblad. The partnership with the medium format photography pioneer is very clear, as the Mavic 2 Pro proudly carries the Hasselblad logo right above the lens.

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PolarPro Quartzline ND Filter Review – a new Gold Standard?

 Cinematography, Gear  Comments Off on PolarPro Quartzline ND Filter Review – a new Gold Standard?
Aug 192018
 

In this review, I’m testing the new PolarPro Quartzline ND 64 filter and PolarPro ND16 / PL (polarizer) filter. Those filters are made of 99.9% fused quartz to ensure optical clarity with a very low refractive index. The frames are built from machined brass to ensure they thread on smoothly – very essential as I have experienced seized up filters from aluminium frames myself already. A very nasty experience …

PolarPro claims a neutral color balance, zero color shift and near perfect transmission by the optical coatings. For more information about the available filters and sizes, please head to Richard’s article.

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Canon IS vs Sony IBIS: Which Image Stabilization is Better?

 Gear  Comments Off on Canon IS vs Sony IBIS: Which Image Stabilization is Better?
Aug 192018
 

The Sony a7R III is a feature-filled camera that I’m sure many of us would consider to be one of the best currently available on the market. One of its very useful features is IBIS or in-body image stabilization. This feature helps prevent motion blur in your images by moving the sensor to compensate for unintentional vibrations and movements.

In practical uses this means you can shoot with relatively slower shutter speeds and still produce sharp images, preventing the need to increase the ISO. The great thing about having stabilization on the sensor is that it’s effective on pretty much any lens you put on the camera.

Canon, on the other hand, does not currently offer any camera with sensor stabilization. Their reason for this is because they believe stabilization in the lens is more effective because it’s designed specifically for the lens in question. For that reason, I decided to compare Canon’s lens IS against Sony’s IBIS to see which one is actually better.

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PolarPro Quartzline ND Filter Review – a new Gold Standard?

 Cinematography  Comments Off on PolarPro Quartzline ND Filter Review – a new Gold Standard?
Aug 112018
 

I first got to know PolarPro cinema series ND filters about 1.5 years ago when I was conducting a GoPro Hero camera review fitted with their set of filters. (See my review here). Now they are venturing into the professional large diameter filter world (up to 82mm), essentially claiming a neutral color balance and near perfect optical quality. Is this claim true? Read on to find out. 

PolarPro Quartzline ND Filter

In this review, I’m testing the new PolarPro Quartzline ND 64 filter and PolarPro ND16 / PL (polarizer) filter. Those filters are made of 99.9% fused quartz to ensure optical clarity with a very low refractive index. The frames are built from machined brass to ensure they thread on smoothly – very essential as I have experienced seized up filters from aluminium frames myself already. A very nasty experience …

PolarPro claims a neutral color balance, zero color shift and near perfect transmission by the optical coatings. For more information about the available filters and sizes, please head to Richard’s article.

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DJI Mavic 2 Is Coming – Leaks Reveal Not Just One, but Two New Drones

 Action cams, Cinematography, Gear  Comments Off on DJI Mavic 2 Is Coming – Leaks Reveal Not Just One, but Two New Drones
Aug 012018
 

If you’re like us here at cinema5D eagerly waiting for some news on the anticipated DJI Mavic 2 drone, Well, here’s some solid information for you: British digital retailer Argos issued their latest (print) catalogue and in it, alert readers found two brand-new drone models : The Mavic 2 Pro and the Mavic 2 Zoom.

Cinema5D HQ actually received an invitation for an official event that should have taken place during July but this event has been postponed without any alternative date so far. So, now with everybody on the edges of their seats, let’s have a look at what surfaced in that aforementioned catalogue:

There will be not one but two models of the upcoming Mavic 2 drone and the difference lies within the actual camera gimbal. The so-called Mavic 2 Zoom will sport a 2x optical zoom (24mm – 48mm) while the Mavic 2 Pro will feature a Hasselblad camera with a 1-inch sensor but no zoom. You will have to decide whether Pro image quality or the flexibility of a zoom lens is your thing.

There’s no word on video recording capabilities. I assume 4K (UHD) recording but the amount of compression and the quality of the codec deployed are yet to be revealed. The gimbal itself doesn’t seem to be detachable, which is unfortunate but since we’re talking about a drone listed in the consumer section of the company’s lineup, it’s not surprising, really.

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Intro to Video: A Photographer’s Guide to Filmmaking

 Cinematography, Technique  Comments Off on Intro to Video: A Photographer’s Guide to Filmmaking
Aug 012018
 

As more and more people call themselves “professional photographers,” the need to diversify and offer other services to your clients is rapidly growing. With social media and advertising visuals fighting for more and more of our attention, the importance of video is at an all time high. Luckily, if you are a photographer, you already have 90% of the tools you need to start making professional videos and multimedia productions. This new Fstoppers tutorial on videography is aimed at helping both professional and amateur photographers take the gear they already own and start producing high quality videos. There is no better time to learn how to film video than right now!

Intro to Videography

The idea behind the Fstoppers website was first born back in 2010 when Patrick Hall and Lee Morris both had an interest in learning how to shoot video. Having both been successful wedding photographers, Patrick and Lee saw the value videography could supply to their own photography businesses. Over the years, Fstoppers has grown from a little side project used to explore behind the scenes videos into a full blown world wide community of photographers and videographers. Since 2010 when DSLRs first started shooting high definition video, Lee and Patrick have seen photographers and social media influencers transitioning to video at an alarming rate. In today’s cut throat market, the trend is very clear: if you are not incorporating video along side you photography, you are going to get left behind.

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Nikon’s New 500mm f/5.6 to Offer High-Quality Super-Telephoto in a Handheld Package

 Gear  Comments Off on Nikon’s New 500mm f/5.6 to Offer High-Quality Super-Telephoto in a Handheld Package
Jul 162018
 

Nikon announced the development of a new AF-S 500mm f/5.6E PF ED VR lens last month, but now we finally get a look at it thanks to an image posted to Twitter by Photographer Pavel Bednyakov, whose photograph makes it look like the new 500mm could be easier to hold than Nikon’s 200mm f/2.

If you’ve ever shot with the Nikon 200mm f/2G VR II (or the earlier version), you’ll likely remember how it was more or less at the limit of what could reasonably be handheld for longer periods of time. Essentially, the Nikon 200mm f/2 is to we normal humans as the 600mm f/4 is to Dwayne Johnson. But that’s what makes this new “PF” technology so exciting, as it enables this 500mm in development to be smaller and lighter than anything else before it.

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Samyang Unveils an 85mm f/1.4 Full Frame Lens for Canon EF

 Gear  Comments Off on Samyang Unveils an 85mm f/1.4 Full Frame Lens for Canon EF
Jun 192018
 

Samyang has just announced its new Samyang/Rokinon 85mm f/1.4 full frame autofocus lens for Canon EF-mount cameras. The announcement comes just one week after the company unveiled its new 24mm f/2.8 lens.

The lens is the equivalent of a 136mm when mounted on a Canon crop sensor APS-C camera.

Thanks to its internal design and technologies such as a Hybrid Aspherical element, the 85mm measures less than 3 inches long and is lightweight for its focal length (17oz/482g). The features (including Ultra Multi-Coating) also help reduce and control distortion and aberrations.

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Drone Comparison: New Parrot Anafi vs. DJI Mavic Air

 Cinematography, Gear  Comments Off on Drone Comparison: New Parrot Anafi vs. DJI Mavic Air
Jun 072018
 

Parrot just announced a new drone that may be able to challenge DJI’s domination in the hobby market. Let’s take a look at the specifications and check if the French manufacturer can take on the Chinese leader.

Size, Weight and Speed

The two drones are fighting in the similar lightweight category but the Anafi is lighter than the Mavic air at 374 grams versus 430 grams. It can be a curse or a blessing. Lighter drones tend to sustain less damage in case of crash but more weight also helps to stabilize the frame.

The Mavic Air wins the top speed category (42mph) but the Anafi is not too far behind (33mph). The key factor is to determine the maximum usable speed because the sport mode on DJI drones is not very good to record video (propellors in the field of view, limited stabilization) but it can help to fly back against strong winds.

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DJI Mavic Air vs. Mavic Pro Footage Comparison

 Action cams, Cinematography, Gear  Comments Off on DJI Mavic Air vs. Mavic Pro Footage Comparison
May 282018
 

After our hands-on with the Mavic Air in Monaco earlier this year, it was time to put the Mavic Air up against its older brother, the Mavic Pro, and compare the footage. Which footage holds up better?

Does the Mavic Air Make Superior Images?

The irony about new technology is often that newer generations are simply better, even in a model that sits in a lower price bracket than a predecessor that is still in the market. And this is exactly what we are seeing with the new Mavic Air, which I took for a hands-on spin at their press event in Monaco earlier this year (watch the video here). The Mavic Air is a classic example for this conundrum that many manufacturers face, unless they want to artificially strip newer technology off of some of the features of older, but “higher end” version of their products (C200, cough-cough!).

Skydio R1 – Impressive Fully Autonomous 4K Drone

 Cinematography, Gear  Comments Off on Skydio R1 – Impressive Fully Autonomous 4K Drone
May 032018
 

The California-based startup Skydio has introduced a fully autonomous drone named Skydio R1. Its development took 4 years. The R1 is an artificial intelligence-powered quadcopter capable of shooting 4K video of a subject and maneuvering complex environments entirely on its own. It uses 13 onboard cameras and vision-based computer system to actually see the obstacles and avoid them while following and filming the desired subject.

There were initiatives to make autonomous drones before. We still remember the sad story behind the autonomous drone Lilly, which never made it in production. It is obviously quite a challenging task to design a drone that can safely fly in busy and changing environments. Skydio seems to have succeeded with the R1. Interesting fact is that their first batch of drones called “the frontier edition” is being assembled directly in their facility in the USA. The company did not say anything about outsourcing their production to China yet.

The Skydio R1 does not come with a controller. It can be controlled with a smartphone using the Skydio mobile app. Since this is an autonomous drone, users will not need the controls so often though. Mostly only take-off and landing of the drone are being managed through the app. Furthermore users can see video previews of footage there or control how the drone captures that footage with presets like:

  • follow – drone follows and films the subject from behind
  • side – drone films the subject from the side
  • lead – drone films its subject from the front
  • tripod – drone hovers at one place and turns to have the subject in the picture
  • orbit – drone circles around the subject to create 360-degree shots

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