Canon’s Next 18-55mm Kit Lens May Have a Built-In LCD Screen

 Gear  Comments Off on Canon’s Next 18-55mm Kit Lens May Have a Built-In LCD Screen
Jun 192018
 

It looks like electronic info displays are becoming a new norm for camera lenses. A new patent filed by Canon suggests that the company’s next 18-55mm kit lens will feature an LCD display.

New Camera first spotted the new Canon patent (JP2018005130A) for aberration reduction in an interchangeable lens. Within the document is an illustration showing what appears to be the 18-55mm f/3.5-5.6 IS III kit lens, and one of the reference indicators is for a “lens information display.”

The info display is found next to the AF/MF and IS ON/OFF toggle switches.

Zeiss kicked off the idea of sticking electronic displays on lenses with the Batis series back in April 2015.

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Canon Announces EF 70-200mm f/2.8L IS III and EF 70-200mm f/4L IS II Lenses [Update: Pre-Order Now]

 Gear  Comments Off on Canon Announces EF 70-200mm f/2.8L IS III and EF 70-200mm f/4L IS II Lenses [Update: Pre-Order Now]
Jun 072018
 

Tonight, Canon announced the EF 70-200mm f/2.8L IS III USM and EF 70-200mm f/4L IS II USM lenses. These both include the latest technologies in their categories for improved performance within one of the most popular zoom ranges around.

The Canon EF 70-200mm f/2.8L IS III lens features an Air Sphere Coating (ASC) for better flaring and ghosting control. Other features include the Optical Image Stabilizer with up to 3.5 stops of correction, fluorine coating on front and rear elements to help reduce smears and fingerprints, an inner focusing system with Ring Ultrasonic Motor (USM), one fluorite lens and five UD lenses that help to provide high-image quality, a minimum focusing distance of 1.2m (3.9ft), and a circular eight-blade aperture. This lens features 23 elements in 19 groups.

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Canon Is Announcing Multiple New 70-200mm Lenses Soon [Rumor]

 Gear, News  Comments Off on Canon Is Announcing Multiple New 70-200mm Lenses Soon [Rumor]
May 172018
 

The Canon 70-200mm lens lineup contains some of the company’s best and most popular lenses. Nonetheless, with several of the lenses hovering around the decade mark in age, it may be about time to upgrade them. Thankfully, word has it that that’s exactly what Canon will be doing in short time.

The good folks at Canon Rumors are reporting that Canon is planning on replacing both the EF 70-200mm f/2.8L IS II and EF 70-200mm f/4L IS lenses soon, with an announcement likely coming early next month. The site is quite certain, saying they can “100 percent confirm” the f/4’s update to a Mark II version and “95 percent confirm” the f/2.8’s update to a Mark III version, which would be the second Mark III lens in Canon’s lineup (the first being the EF 16-35mm f/2.8L III). Both are excellent lenses, but the f/2.8L was released in 2010 and the f/4L was released in 2006, and with their status as essential lenses (particularly the larger aperture version) and sensor resolutions pushing higher and higher, an update would surely be welcome, particularly considering the inroads third party manufacturers have made in the intervening years.

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What Nikon F to Sony E Adapter Is the Best Choice?

 Gear  Comments Off on What Nikon F to Sony E Adapter Is the Best Choice?
May 022018
 

If you are a Nikon user thinking about making the switch to Sony cameras, you probably wonder what adapter could help you make a smooth and cheap transition by keeping your precious glass. In this video, Matt Granger shows you the different adapters available for you and which one is the best — or the less bad.

Switching from one camera manufacturer to another is always a pain because of all the lenses accumulated that must be replaced. It can be difficult to sell them, and it’s not rare to lose a bit of money along the way. With the mirrorless systems, what’s great is the possibility of using adapters to keep the glass from our current system. Many Canon users have had a smooth transition by doing so, but we hear less Nikon users telling similar stories.

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Aputure Amaran MX & F7 LED Lights Announced & Reviewed

 Gear  Comments Off on Aputure Amaran MX & F7 LED Lights Announced & Reviewed
Apr 022018
 

Aputure just announced their new small and super powerful MX and F7 LED lights, and our man Eric van Vuuren already reviewed them in detail in this video.

Aputure Amaran MX – small with big output

The new Amaran MX light by Aputure is the successor of the popular M9 light, but this time it’s very sturdily built using aircraft aluminium, on the footprint of a credit card. It features 128 LEDs and is supposed to be 3 times as bright as the M9 – when using the “booster” function, it can temporarily output even 4 times as much light as the M9 (for up to 60 seconds).

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Canon M50 Hands-On Review – The Best Vlogging Camera?

 Gear  Comments Off on Canon M50 Hands-On Review – The Best Vlogging Camera?
Mar 142018
 

The Canon M50 was recently announced, and now I had a chance to review a pre-production version of it. Is Canon’s first attempt at a 4K mirrorless camera also the best vlogging camera out there? Let’s have a look.

A Beginner’s Camera

I can’t stress this point enough before diving deep into the camera’s functions: This is a beginner’s camera and its price point (below $800 or €600) make it a great deal compared to its competition. So whenever I lament about a missing function, this should be kept in mind. It’s not an apples-to-apples comparison with the more expensive entry-level camera from Sony, the A6500, which is almost twice as expensive.

Tiny Footprint

The Canon M50 has a tiny footprint, and is sturdily built around Canon’s EOS M lens mount. A smaller version of the EOS lens mount – which is also backwards-compatible, but an adapter is needed. The camera feels very sturdy despite its entry-level status and it feels like it can take a beating. It seems like Canon designed this as a “family camera” that can be in anyone’s hand from time to time. The flip-out screen makes it very convenient to use from every angle. It gives a lot of  nice flexibility that their higher-end DSLR offerings are missing – lightness and the flexible screen, plus a decent viewfinder which can of course also be used for video. “Of course” because this is a mirrorless camera – on their DSLRs, the optical viewfinder becomes useless when you switch to the video modes, because the mirror blocks your view.

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Read more Canon C200 vs Panasonic EVA1 – Zacuto Camera Shootout 2018

 Gear  Comments Off on Read more Canon C200 vs Panasonic EVA1 – Zacuto Camera Shootout 2018
Mar 122018
 

The Zacuto camera shootout is back! If you were wondering which was the better camera, then tune in to this smart and scrupulous battle going LIVE on March 14th at 11am CST.

The “Camera Shootout 2018 – Canon C200 vs Panasonic EVA1” hosted by Zacuto has a challenging mission: to put the Panasonic EVA1 and Canon C200 through a series of tests, and try and declare a “winner”. 

“Our shootouts are back!! Side by side, Bruce Logan, ASC put the Panasonic EVA1 and Canon C200 through a series of tests” as stated on the Facebook event page. 

I remember the fascinating “Great Camera Shootout 2011”, which I watched a couple times! The 2011 Zacuto camera shootout demonstrated side by side comparisons of the ARRI Alexa, Sony F35, Sony F3, Canon 5D Mark II, Canon 7D, Canon 1D Mark IV, Nikon D7000, Weisscam HS-2, Phantom Flex, Panasonic AG-AF100, RED ONE M-X and 35mm Kodak 5213 and 5219 film.

Yes, you heard right! The Canon 7D was compared to the ALEXA, and film against digital, all by carefully testing essential parameters like sharpness, low-light sensitivity, exposure, latitude, highlight detail, shadow detail, color quality, skin tone reproduction, compression losses and shutter artefacts.

Conducted by consultants, specialists and technicians from various areas of the motion picture industry, these on-set challenges were designed to push these cameras to the limit.

The 2011 battle was extremely educational and, in my opinion, must be watched by film educators, as the whole project is on Vimeo.

Take a look at the full sessions of the “Great Camera Shootout 2011”:

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How Good Are Adapted Lenses for Mirrorless Cameras in 2018?

 Gear  Comments Off on How Good Are Adapted Lenses for Mirrorless Cameras in 2018?
Mar 112018
 

Sony is growing by leaps and bounds, but one of the biggest advantages Canon and Nikon continue to hold is the deep investment a lot of their users have made in native lenses. This great video examines the current state of affairs for adapters and if they can work for you.

Coming to you from The Camera Store TV, this helpful video will show you just what you can expect from trying to use adapted lenses on mirrorless cameras in 2018. I’m personally shooting mostly with a Sony a7R III these days, and I’ve found that that in combination with a Metabones V adapter actually works better for my Canon 85mm f/1.2L II lens than a native body, as the adapter still works about as quickly as a Canon body, but there are no AFMA errors as one encounters with DSLR bodies (even after years of AFMA adjustments, this lens is still finicky for me). Combine that with Eye AF and my keeper rate went up substantially when I switched to a Sony body, so much so that I now trust the Sony enough to make it my main body for a lot of work. If you’re curious about their system but married to a lot of Canon or Nikon glass, now is a good time to watch the video above.

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Canon May Add Fingerprint ID to Its Cameras and Lenses

 Gear  Comments Off on Canon May Add Fingerprint ID to Its Cameras and Lenses
Jan 302018
 

Fingerprint ID is used on many smartphones these days for security and identification, but would you like to see the same feature on your camera gear? Canon has apparently developed a fingerprint ID system that can identify the photographer using the camera or lens.

Canon Rumors reports that a new Canon patent published this month in the US (US20180012061 A1) describes an “electronic apparatus having finger authenticating function.”

The patent and illustrations describe and show a camera and lens that have a fingerprint ID reader built into them.

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Canon Takes 1st Place in 2018 Japanese Camera Ranking

 Gear  Comments Off on Canon Takes 1st Place in 2018 Japanese Camera Ranking
Jan 232018
 

The annual Japan BCN rankings are in and Canon emerges as the winner of some major categories, including DSLRs. Canon also wins the 2nd place in the category “mirrorless” and thus points Sony to 3rd place.

What are the annual BCN rankings, you might ask. The winners of one of the many categories are being determined by multible factors, the Japanese company behind it, BCN  (Business Computer News), explains:

The “BCN AWARD” is an annual (January 1st – December 31st) sales comparison of BCN, which collects the current sales data of large electronics wholesalers nationwide, PC specialty stores and Internet shops. It is a system for rewarding a manufacturer’s cumulative numbers.

These awards can be seen as an indicator of the (Japanese) market situation regarding all kinds of electronic goods, including digital cameras and lenses which renders the outcome interesting for us.

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Canon XF405 Review – Sample Footage and First Impressions

 Cinematography, Gear  Comments Off on Canon XF405 Review – Sample Footage and First Impressions
Oct 262017
 

With the introduction of the new Canon XF405, XF400, LEGRIA/VIXIA GX10 – as well as the whole of Sony’s new line – one can assume that the fastest growing market for news and documentary shooting is coming in the form of 4K (UHD), handheld 1” sensor-size cameras. It is not that we haven’t had them before, but they certainly have been getting better and more feature-rich with time. When it comes to affordability… well, it totally depends on who you are talking to and the model you choose.

Canon XF405 camera

If you are an independent filmmaker looking for an all-round shooting device that can produce a bit of a cinematic look thanks to a slightly larger sensor than those traditionally found in these type of cameras, or if you’re a broadcaster looking to equip news crews with a versatile and affordable piece of equipment, then the Canon XF405/400/LEGRIA GX10 might be the right cameras for you. Sound tempting? Then read on for my full Canon XF405 review.

Before continuing, it is important for me to make it clear that the image coming out of the camera I tested may be slightly different than that of the final product.

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A Canon Full-Frame Mirrorless Camera May Arrive in 2018 with New Sensor

 Gear  Comments Off on A Canon Full-Frame Mirrorless Camera May Arrive in 2018 with New Sensor
Oct 082017
 

It looks like Canon and Nikon are now racing to unleash a full frame mirrorless camera on the world of photography. Nikon has given numerous statements in recent days that seem to confirm its development of such a camera, and now more details are emerging of an upcoming Canon full-frame mirrorless camera as well.

Canon Rumors is hearing from a trusted source that Canon’s first full-frame mirrorless camera will contain its own dedicated CMOS sensor rather than one that’s already being used in Canon’s full frame DSLR cameras (e.g. the 6D Mark II and the 5D Mark IV).

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Canon 6D Mark II Vs. 80D and 7D Mark II In-Depth Review

 Cinematography, Gear  Comments Off on Canon 6D Mark II Vs. 80D and 7D Mark II In-Depth Review
Sep 072017
 

The Canon 6D Mark II has not been the most well-received camera thus far. But how does it actually perform, and are the complaints justified?

The initial complaints were around the fact that this camera does not shoot 4K video. Discussions then moved on to its dynamic range and how it underperformed even against APS-C cameras. The most recent complaints are around the fact that its performance at higher ISOs may be worse than the original 6D. Personally, my biggest gripe about this camera is the fact that it only has one storage slot. This one individual point makes it less viable in a professional setting for me, however this may not bring as much concern to shooters upgrading from the original. The 6D Mark II has been referred to as a bigger Canon 80D and for good reason. There are a few minor differences between the two cameras except for the sensor size and price tag. The Canon 7D Mark II sits in between the 80D and 6D Mark II when it comes to the price and for that reason, it’s viable to compare these three to one another.

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Which Video Camera Would You Buy Today? Here’s a Comparison of 4K Systems from Canon, Sony, and Others

 Gear  Comments Off on Which Video Camera Would You Buy Today? Here’s a Comparison of 4K Systems from Canon, Sony, and Others
Aug 012017
 

Every time I’m on a set or grabbing coffee with another local filmmaker, we always end up talking gear for a bit, and inevitably the question comes up of “What camera would you buy if you had to buy right now, and why?” I decided to research things a bit and put together an article that explains what I’d buy if I absolutely had to right now, and the answer might surprise you.

First, let me just define a few parameters. I’m going to look at 4K-capable cameras that can capture internally, and cost less than $10,000. To further refine the list, fixed-lens cameras will not be listed, but don’t disregard them. They still serve a lot of event productions and run-and-gun shooters should really consider them a viable option when speed and versatility are more important than being able to change lenses. I’ll also being leaving DSLR-style cameras off the list, even though they are a popular choice. I wanted to keep the comparison as direct as possible.

Here’s a chart to get us started which should give us a quick glance at some major specs and price points. Below, I’ll hit on key points, note any special considerations, and finally end with my suggested picks for the kind of videographer or filmmaker you might be.

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Comparison Breakdown: The Lightest, Most Affordable, Professional Full-Frame System

 Gear  Comments Off on Comparison Breakdown: The Lightest, Most Affordable, Professional Full-Frame System
Jul 272017
 

In a world where less than a handful of brands are considered well-established in the professional full-frame camera market and where more than a handful of other brands have done a very healthy share of innovating to wedge their way into the market, where do we stand? If you’re going to buy a new system to start fresh or are just starting out and getting serious, this is for you. Here’s a thorough comparison of the major bodies and lens kits you’ll likely be considering. As long as you’re considering full frame, regardless of budget, here’s a comparison for it.

The DSLR establishment is extremely interested in the possibility of mirrorless cameras, and rightly so. They’re faster, cheaper, lighter, and more compact… or are they? If you’re thinking of Fujifilm’s X-Series cameras, you’d be right. And those might work for you. But for professionals coming from the top DSLR brands, they’ll be lacking in speed, versatility, and sensor size (not to mention ISO performance), as they’re all APS-C-based. But what about the full-frame mirrorless cameras? Of course, we’re now talking about Sony’s a7-series cameras.

YouTuber Duncan Dimanche recently published a video that compared the price and weight of an entry-level full-frame kit from four different brands, including Canon, Nikon, Pentax, and Sony. NikonRumors has a great summary of that video, but there were a few issues in there. First and foremost, none of the combinations of lens kits were anything that any reasonable person would purchase together. It was a good first effort, but with a number of the zoom ranges of the cheap lens kits overlapping and with the results slightly skewed toward Nikon with a few interesting and cheaper not-quite-equivalent options included (and I’m a Nikon fan, even), the video didn’t quite do it for me. Still, it more than piqued my curiosity. Let’s dive into a comparison based on what we’d actually get. Scroll down to the conclusion for the final advice, or read on to get all the details.

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Lots of Canon Lenses Likely Coming at the End of August [Rumor]

 Gear  Comments Off on Lots of Canon Lenses Likely Coming at the End of August [Rumor]
Jul 162017
 

I think few people can argue that Sigma hasn’t been killing it lately, particularly with their 85mm f/1.4 Art and borderline audacious 135mm f/1.8 Art lenses turning in mostly rave reviews. It was only a matter of time before the big manufacturers responded, and from the looks of things, Canon is preparing to do just that.

Our friends over at Canon Rumors are reporting that Canon is preparing to announce the fabled EF 85mm f/1.4L IS lens at the end of August, along with three other lenses. Which mount these additional lenses will be for is unknown at the moment, though with Canon continuing to update their mirrorless models, it’s possible they may be looking to expand the EF-M line. Other lenses getting long in the tooth include the 50mm f/1.4 and 135mm f/2L. The 85mm f/1.4L IS will not replace the legendary 85mm f/1.2L II lens, but if it improves wide-open sharpness over its f/1.2 cousin (bringing it at least near that of the Sigma Art) and adds image stabilization while only giving up a third of a stop, it could be an extremely intriguing lens for Canon users and would complicate the choice for fans of the Sigma lens’ performance. Be sure to check out the full report over at Canon Rumors for more.

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Canon Working on Global Shutter With High Dynamic Range, by Alex Cooke

 HDR Info, News  Comments Off on Canon Working on Global Shutter With High Dynamic Range, by Alex Cooke
Apr 132017
 

Canon has developed a 2/3″ sensor with a global shutter and high dynamic range, helping to pave the way toward future generations of video cameras.

The rolling shutter is a common issue in video. Because most cameras read each frame of sensor data by scanning across the frame either vertically or horizontally, this means that data from the sensor is not read simultaneously, which can cause artifacts, particularly with quickly moving subjects, the most common example being airplane propellers.

While certain cameras such as the Sony F55 have a global shutter, which reads all sensor data at the same time, the majority still use rolling shutters. Canon’s global shutter CMOS sensor initially had a smaller dynamic range that required two improvements to regain a wider range.

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Photos of Canon’s Mirrorless M6 and Removable EVF Leaked

 Gear  Comments Off on Photos of Canon’s Mirrorless M6 and Removable EVF Leaked
Feb 082017
 

Photos of Canon’s soon-to-be-announced EOS M6 mirrorless camera have leaked, and unlike the M5, it doesn’t feature an EVF. Instead, Canon is releasing a new removable EVF that has also leaked for your peeping pleasure.

These leaked photos come to us from Digicame-info, who regularly gets their hands on official product shots just days (or sometimes hours) before an official announcement. This time is no different. The M6 is expected to be announced this month before CP+, which starts February 23rd.

Scroll down to see all of the leaked photos of the black and silver M6 and the EVF-DC2 viewfinder, and keep your eyes peeled for an official announcement, probably in the next few days.

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Canon 5D Mark IV vs Nikon D810 vs Sony A7R II: Side-by-Side Comparison

 Gear  Comments Off on Canon 5D Mark IV vs Nikon D810 vs Sony A7R II: Side-by-Side Comparison
Jan 012017
 

If you’re in the market for a high-end full-frame camera, chances are good the Canon 5D Mark IV, Sony A7R II, and Nikon D810 are all contenders. Check out this side-by-side comparison if you’re having a hard time deciding which of the three is best for you.

This comparison was put together by JP Morgan over at The Slanted Lens, who enlisted the help of Kenneth Merrill to put all three of these cameras through their paces using native glass. They tested image quality, autofocus accuracy and tracking, dynamic range, and high ISO/low light performance to see where each camera excelled, or if there’s even a noticeable difference.

You should definitely check out the full video to see the comparison tests and judge the results for yourself, but if you’re in a hurry, you can read our summary below.

fullframeshootout_feat

Image Quality

Canon really fell short here, but then again it’s also the lowest resolution camera of the bunch at just 30.4MP compared to Nikon’s 36.3MP and Sony’s 42MP. Both the Nikon and Sony came out very sharp, but each exposed the scene a little differently, and the lower res Nikon seems to have generated the highest quality image.

Autofocus

Sony won tracking hands down thanks to the plethora of AF points going all the way to the edge of the sensor and its nifty Face Detection mode. As far as accuracy, Nikon seems to hit the mark more accurately than Canon (the Sony had to sit this test out).

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HDR? This Canon White Paper Demystifies High Dynamic Range

 HDR Info, Technique  Comments Off on HDR? This Canon White Paper Demystifies High Dynamic Range
Nov 062016
 

High Dynamic Range. Heard of it? Canon recently released a white paper on HDR written by Canon Fellow Larry Thorpe, laying down the key concepts and preoccupations regarding this emerging technology.

HDR. You’ve probably seen it advertised all over the place: on the latest generation Atomos recorders, on silly smartphone apps that take the High Dynamic Range look way over to the extreme, on new televisions and monitors claiming to be HDR Ready… It seems like its something we should want… but what is it?

In his recent white paper about HDR, Senior Canon Fellow Larry Thorpe explains the trends in advancements in imaging technologies, and the main 5 parameters in which there has been particular preoccupation.

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