Snap On, Snap Off – Bright Tangerine Left Field Quick Release Bridge Plate

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Aug 112018

The Bright Tangerine Left Field 19mm Studio Quick Release Bridge Plate is a snap on, snap off bridge plate for ARRI Dovetail, compatible to ARRI and RED height standards.

High contender for the longest name in camera accessory history, the Bright Tangerine Left Field 19mm Studio Quick Release Bridge Plate initially surfaced around NAB last year, hidden under a few more-specific ARRI Alexa Mini accessories.

Bright Tangerine has now announced it as a stand-alone product, ready to pre-order.

What Makes it Unique

There’s a fair amount of Bridge Plates out there; the ARRI dovetail has been one of the industry-standard camera plates in the professional market for years.

Yet most conform to the old school way of slide on/slide off mounting.

Whilst the slide function is fantastic for fine (and broad) tuning the balance of the camera rig, it can be a bit of a fiddle to completely removing or mounting the camera.

Snap plates have the standard for other plates for ages (Euro, Arca Swiss, Sachtler, Manfrotto), it’s interesting to see the lack of snap on/off function in the ARRI Dovetail-compatible market.

This is exactly where the Bright Tangerine Left Field comes in, it’s a bridge plate that has full slide function for adjustment, but can be removed by turning the lever further and lifting the camera straight off.

It does this at half the price of the similar ARRI snap plate – The CBP-1 Compact Bridge Plate.

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Feb 252015

I have been a big fan of ARRI over the years and am pleased to see the success they have enjoyed in recent years. It appears that success will continue to expand with the many new camera innovations they are bringing to the market.




At the BVE show in London this week ARRI were showing the new ALEXA MINI publically for the first time. Newsshooter gained exclusive access to the camera and we were able to shoot with the prototype for a short time. Newsshooter team members Simon Glass, Elliot Smith and myself filmed handheld test shots in and around the EXCEL complex where the exhibition was being held.

We also spoke in detail with ARRI’s Michael Jonas about the camera. He gives us a full run-through of the features and offers great insight into the decisions ARRI made when designing the camera.

Announcing the new ARRI ALEXA Mini
ARRI announces the new ALEXA Mini, a versatile additional tool in the ARRI ALEXA camera range that combines a compact and lightweight form factor with the same unparalleled image quality that has made the ALEXA system a gold standard for the industry. Designed for specialized shot-making, the ALEXA Mini perfectly complements a full ALEXA shooting kit and allows crews to eliminate the complications of working with third-party cameras by keeping everything within a single system that is trusted all over the world.

To maintain ARRI’s famously rugged build quality in a small and lightweight camera, a number of unique design solutions have been incorporated. These include highly integrated and environmentally sealed electronics, a lightweight carbon housing and a solid titanium PL mount that connects directly with the new internal sensor mount to ensure a super-stable flange focal distance, even when using large lenses. Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere tool, easy to transport in backpacks or as carry-on luggage.

The ALEXA Mini can be operated in a number of ways: by wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Light enough to be comfortably held at arm’s length in a hand rig, its compact size and extremely quiet operation also make it ideal for tight shooting conditions. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, the ALEXA Mini’s interchangeable lens mount can be replaced with any of those designed for the ARRI AMIRA, allowing the use of B4 video and EF mount stills lenses.

Equipped with a 4:3 sensor, automatic de-squeeze mode for anamorphic productions and frame rates of 0.75-200 fps, the ALEXA Mini records ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder that can record image streams from up to four ALEXA Minis simultaneously — a compelling option for multi-camera setups such as 360° plate shots. Images from the ALEXA Mini will perfectly match those from all other ALEXA cameras, making the final grade easier and quicker.

Integrated functionality is at the heart of the ALEXA Mini’s efficient and self-contained design. A built-in lens motor controller allows new active lens motors to be connected directly to the titanium PL mount, while ARRI Lens Data System (LDS) technology provides frame-accurate metadata that can save time and money both on-set and in post. Wi-Fi connectivity means that iOS or Android devices can be used to remotely control camera functions such as the motorized internal ND filters, which permit rapid responses to changing light conditions without adding bulk to the camera configuration.

The body design is optimized for use with new-generation brushless gimbals, multicopters and other specialized rigs. It is compact enough in the lens direction to allow the use of standard PL mount lenses even on lightweight and space-constrained rigs, such as gyro-stabilized aerial systems. The camera’s superb low-light performance makes it perfect for underwater work; dedicated underwater housings are currently being developed by leading manufacturers.

Like the ARRI AMIRA, the ALEXA Mini can record 4K UHD ProRes images, facilitating real-time 4K UHD output and simple pipelines for high-resolution deliverables. More importantly, the Mini and all other ARRI cameras with the ALEV III sensor offer unrivalled overall image quality by focusing not just on spatial resolution, but also on other parameters such as colorimetry, skin tones and High Dynamic Range (HDR). This is equally true whether the chosen output is HD, 2K, 4K UHD or one of the native resolution outputs like uncompressed ARRIRAW 2.8K or ProRes 3.2K, ensuring that images captured with the ALEXA Mini are future-proof, whatever new industry standards emerge.

The ARRI ALEXA Mini is scheduled to begin shipping in May 2015, with orders being taken from March.

Sep 232014
Arri has just done something extraordinary. They have just announced the new Alexa 65 motion picture camera. This new Alexa features a format slightly larger than 65mm motion picture film. The camera’s resolution is 6550 x 3102 pixels.  As with the previous Alexa this camera handles 14 stops of dynamic range.  Not only that. but Arri also announced a range of prime lenses for this new camera that extend from 24 to 300mm plus a 50-110mm zoom!

For more info please click the link below: