ALEXA vs Varicam LT vs GH4 vs A7s – with William Wages, ASC – ON THE GO – Episode 83

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Feb 042018
 

n this episode of cinema5D ON THE GO, we wrap up our conversation with William Wages, ASC regarding using Lumix cameras on high-end productions.

 

Continuing our discussion about how William has changed to currently preferring the Varicam LT and Lumix environment, he tells us about the blind test he carried out to convince decision makers that the GH series of Panasonic cameras was indeed worthy.

But is there really a place for a Micro Four-Thirds sensor in the world of high-end filmmaking? As William says, the kind of situations that would require deploying a GH camera are exactly those where it would be challenging to set up a follow focus system. For this reason, the more restricted depth of field that the Micro Four-Thirds sensor size offers would in fact prove to be an advantage.

We also discuss Panasonic’s latest addition to its range of filmmaking cameras: the Panasonic EVA-1. While it could prove to be a solid B-Cam option to the Varicam line, for William Wages the small size of the Lumix line is still a major plus over this new model. (Please note that this episode was recorded before Panasonic released the final specs of the EVA-1).

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Sep 232014
 
Arri has just done something extraordinary. They have just announced the new Alexa 65 motion picture camera. This new Alexa features a format slightly larger than 65mm motion picture film. The camera’s resolution is 6550 x 3102 pixels.  As with the previous Alexa this camera handles 14 stops of dynamic range.  Not only that. but Arri also announced a range of prime lenses for this new camera that extend from 24 to 300mm plus a 50-110mm zoom!

For more info please click the link below:

petapixel

arri65_1arrilenses