Kandao QooCam Review and 3D 180 / 360 Video Samples

 Cinematography, Gear, virtual reality, VR HDR  Comments Off on Kandao QooCam Review and 3D 180 / 360 Video Samples
Nov 112018
 

The Kandao QooCam is a handheld 360 and 180 3D VR camera that creates great looking VR video for social media. Check out our Kandao QooCam review and test videos.

Kandao is one of the most innovative players in the VR camera space at the moment. This is an increasingly contested and fast developing market at the cutting edge of computational photography’s disruptive infiltration towards the mainstream.

The QooCam comes from the makers of the Obsidian Go, Obsidian R and Obsidian S 8K and high speed 360 VR cameras. We’ve covered a number of recent developments from Kandao here on cinema5D including the recent 8K VR live streaming demonstrated at IBC. We also covered the announcement of the QooCam back in May.

Before getting too deep, here are the sample videos shot with the QooCam.

QooCam 3D 180 / 360 Videos Samples

Below are the videos I shot while in Istanbul and in L.A. The top video is 3D 180, and the bottom video is 360. If you’re not set up for the full VR viewing experience, I recommend watching these on your phone rather than desktop, you’ll be able to move your phone around as a virtual window on the scene.

Read More:

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Nikkor fisheye lens 6mm f/2.8 with Nikon D4s – Photografica Copenhagen

 Gear, immersive, News, Technique, virtual reality, VR HDR  Comments Off on Nikkor fisheye lens 6mm f/2.8 with Nikon D4s – Photografica Copenhagen
Nov 152014
 

httpvh://youtu.be/RRxUc22xfyE

Filming through a Nikkor 6mm fisheye with a Nikon D4s. See every built-in filter in the Nikkor 6mm lens. Watch the video to get a 220 degree picture view.

This link will take you to the current listing on eBay for this rare lens: Bid Now

Photografica Copenhagen

Nov 122014
 

Read at at slrlouge.com:

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Widening Your Horizons

If you are a professional photographer, you know how the photography market has morphed over the last few years. We have more competition than ever from our fellow pro shooters. The relative ease of creating digital images has inundated stock photo agencies to the point that our images often get lost in a “sea of similars.”

To add insult to injury, we are now seeing a tidal wave of smart phone images and a perception that images should be free!

Over the last 21 years, the art of creating visually compelling (and highly marketable) panoramic images has brought me the unique appeal I always wanted as a professional photographer. 

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A Profitable and Fun Niche

I found that the panoramic format is fun, as well as challenging, in many ways. I love the cinematic feel of panoramas and enjoy the compositional opportunities the format has to offer. By concentrating my efforts, I have found a unique way to compete in a changing marketplace.

Creating Your Panoramas

First of all, you may want to investigate the technical aspects and gear requirements of the format. One of the most important technical aspects of creating panos is that your lens must rotate around the entrance pupil of the lens. Sometimes, this point is called the “Nodal Point.” This is essential to getting a good stitch. You can read a good explanation about it here.

When shooting images for a pano be sure your camera is set on manual exposure and focus. If these change during your exposure sequence, the resulting panorama will be useless. Also, be sure to use a remote to trigger your exposures as any vibrations can ruin the panorama.

I set my exposure based on the brightest portion of the panorama using “Expose to the Right” technique.

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Use Gear You Already Own 

Add a good a panoramic tripod head, either manual or automated and you are on your way. Here are a few panoramic gear suppliers;

360 Precision

Nodal Ninja 

Really Right Stuff 

Seitz Roundshot 

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Dedicated Panoramic Cameras?

With the exception of the Seitz Roundshot Digital cameras, all of the dedicated panoramic cameras use film… not that there’s anything wrong with that! Actually, the Fuji and Linhof panoramic cameras are fantastic. The problem is that we just don’t know how much longer we’ll be able to purchase film and find labs to process it. These cameras served me well for many years. That being said, I have rarely used my film cameras in the last few years. 

Most camera manufacturers have not produced digital panoramic cameras due largely to the lack of appropriate sensors. Development costs and what would be a miniscule scale of production are to blame. The Seitz cameras are the exception, as I mentioned. Their panoramic cameras are famous for their Swiss precision and durable design. I use their VR-Drive tripod head which automates the process of shooting images needed for the subsequent stitching process. The customer service at Seitz is first rate! Ask for Werner Seitz. Mr Seitz has been very helpful to me over the years.

Aspect Ratio?

Panoramics can be any aspect ratio greater than 2-1. However the best selling and most common aspect ratio used is 3-1. Unless there is a compelling compositional reason not to use the 3-1 aspect ratio, that is what I recommend. The 3-1 ratio being exactly double the width of the full frame 35mm standard format. As such, 3-1 works well for advertising and coffee table books where the images are often displayed across two pages. 

Specialized Software 

Though you can stitch panos in Photoshop CC, I use specialty software; 

PTGui 

Autopano Giga 

HDR Expose 3 

PTGui and Autopano Giga are stitching programs which allow a greater degree of stitching control and precision over Photoshop CC. These programs allow you to create panoramas, but also 360 degree virtual reality images. HDR Expose 3 will allow you to create extremely precise and realistic HDR images and HDR panoramic images. Although there are many HDR software programs, HDR Expose 3 now has a unique “Pano Prep Batch Processing” mode. This new mode allows the application of identical tone-mapping to the HDR panels for subsequent stitching. 

What to Shoot

You will need to consider the types of subject matter that are in demand if you are hoping to get your images licensed on the one hand, or sold as “Print On Demand” on the other. My experience is that compelling scenics will sell, however well composed city skyline images can do extremely well. Nicely executed composites are salable if you have a great concept, and if you have excellent compositing skills. 

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I have found that standard views of well known places may well become best sellers. The images must be well composed, clean and taken in attractive light. 

Marketing Your Panoramas

Working with a specialty panoramic stock agency can be very helpful. I am under contract with Panoramic Images (Doug Segal, President).

Other options for marketing your panoramic images are increasing and well worth investigating. Here are a few that come to mind;

Stocksy 

500px Prime 

I suggest you also set up a section of your website to show off your panoramas. My website is tightly focused on my panoramic work.

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Mastering the Panoramic Medium

The rules of composition for panoramas are no different from standard formats. I have found that one point perspective to be especially effective with panos. The Golden Mean or Golden Ratio is a powerful tool. For years, I used a Golden Mean grid over the ground glass of my V-Pan 617 MKIII panoramic view camera. 

Learning More

The varied technical aspects of panorama shooting are beyond the scope of this article, but stay tuned as I plan to follow up soon with more information on the subject! 

About the Guest Contributor

richardsiskr

Twenty one years ago, I began a voyage to photograph the American landscape with high-resolution panoramic cameras. I used several cameras for this project, including the Fuji G617, the V-Pan 617 Mark III and more recently, high resolution Canon digital cameras and an advanced panoramic device called the Seitz VR-Drive.

There have been many moving moments during this long journey. However, the people I met along the way, have been the greatest source of inspiration throughout my travels.

I wish you the best with your own dreams, photography and adventures of discovery.

Richard Sisk – www.richardsiskproductions.com

Aug 102014
 

Bublcam the Toronto-based hardware startup that has created the first spherical, 360-degree consumer camera, is ready to ship its product next month.

The startup was formerly part of the Canadian Film Centre’s (CFC) ideaBOOST accelerator program, and recently launched pre-orders for the product. It’ll start shipping in early September, continuing into October.

Bubl’s current collaboration with Google allows anyone with a Bublcam to upload spherical photos directly to Google Maps, StreetView and Google+. Other features include real-time image stitching, self-calibration and image stabilization, a four-camera, tetrahedral design for zero blind spots and live video streaming.

To view full article please click the link below:
BUBLCAM

httpvh://vimeo.com/91509966

May 252014
 
Click the image below to view the Immersive HDR panorama:

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