Zenit is Back! First Look at New 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2

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Sep 172017
 

News broke back in February that Russian camera manufacturer Zenit was going to come back and take on Leica in the luxury camera market. But the first Zenit products to see the light of day aren’t cameras, it’s three very fast KMZ/Zenit lenses: the Zenitar 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2.

Photo Rumors initially spotted the lenses last week on Russian photographer Denis Gavrilov’s website (translated link). And when we got in touch with Gavrilov to ask permission to share the images, he was kind enough to upload even more!

So let’s take the new lenses one by one, starting with the fastest of them.

Zenitar 50mm f/0.95

No doubt meant to give mere mortals an affordable alternative to the much lusted-after Noctilux (although, we hope, at a significantly lower price tag), the Zenitar 50mm f/0.95 is meant for Sony’s FE mirrorless cameras.

Sporting 9 elements in 8 groups, the lens’s 14 aperture blades in 2 levels surprised Gavrilov. The lens will supposedly arrive sometime in 2017 and run you close to $500… so yes, just a touch cheaper than the $9,700 Noctilux.

Here are a few more shots of the lens:

Zenitar_50_095_1

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petapixel

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Indiecam nakedEYE is First Compact VR RAW Camera – 12bit 4k 60p

 Gear, Uncategorized, virtual reality  Comments Off on Indiecam nakedEYE is First Compact VR RAW Camera – 12bit 4k 60p
Sep 152016
 

At IBC 2016, Indiecam presented their version of a VR camera. True to their roots, the nakedEYE is a small, lightweight and all-manual VR RAW camera. 

Austria-based Indiecam develops and manufactures high-quality miniature action cameras for filmmakers. Their RAW action cameras have been used on dozens of famous productions, like Ron Howard’s Rush or Into the Heart of the Sea.

The Indiecam nakedEYE is the logical next step when it comes to miniature RAW cameras. But according to managing director Raphael Barth this VR RAW Camera is just the first step in their move towards Virtual Reality Acquisition.

While a resolution of 4K is rather limiting when it comes to a full 360° VR image, the intriguing attributes about the Indiecam nakedEYE VR RAW Camera are:

  • Full Manual Controls
  • Global Shutter
  • High Dynamic Range and good low-light performance
  • 12-bit CinemaDNG RAW
  • 2 lens construction for an easy workflow
  • 2x 2K square sensors (4K 60p)

To me this looks like a very important step in professional VR production. While this seems to be the “Digital Bolex of VR cameras”, it surely is heading in the right direction for larger formats to come.

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cinema5d

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Nov 292014
 

Camera and cine lenses need to operate perfectly in extreme conditions, withstanding everything from scorching heat and bitter cold to sandstorms and severe vibrations. The video shows how Carl Zeiss researchers systematically submit lenses to extreme stresses in order to arrive at findings that can help in future lens design and development. The video was shot with a Sony NEX-FS100 and Carl Zeiss ZF.2 SLR lenses with an F to E mount adapter.

Oct 212014
 
One of my favorite performers is the very funny John Cleese.
Here shares some wisdom on the fascinating subject of creativity…
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Oct 252012
 

Check out more of Manny’s videos here:

Manny’s Videos on Vimeo

Apr 272012
 

This is obvious but essential. As tempting as it may be to shoot free hand (or from the hip),if you want good, sharp HDR images you need to stabilize your camera. Ideally, use a sturdy tripod, or in a pinch, set the camera down on a solid surface.

 

 

Second, some of your over exposed frames need to capture shadow details and you may actually be shooting at shutter speeds so long that you can have difficulties holding the camera steady. So in addition to creating problems aligning frames that shifted due to the camera changing position between frames, you may also have frames that are blurry due to long exposure times. These will have a negative affect on the merge process and image sharpness.In addition to a sturdy tripod or solid surface to mount the camera, you will also want to minimize any movement caused by you touching the camera between shots. This can be accomplished a number of ways, the easiest of which is to use the self timer or a cable release trigger to fire the camera. Another option that several professionals use is Promote Remote www.promotesystems.com. This device plugs-in to your camera and actually takes over the bracketing and exposure controls. This is a huge benefit for Canon shooters with cameras that only support 3 shot bracketing.Of course if you really want to get picky and you are shooting with a D-SLR, you’ll mount the camera on a weighted tripod with a sturdy ball head, put the camera in Mirror-Up mode and use the cable release or Promote Remote to fire the camera. This adds an extra delay between the moment the mirror goes up and when the shutter opens, reducing any additional vibration caused by the mirror flipping up and down.Don’t forget, if you are using Vibration Reduction, Image Stabilized or Steady Shot lenses, turn this feature off when the camera is attached to a tripod. You don’t want to induce lens movement when the camera isn’t moving.There are some promising new camera and sensor technologies on the horizon that will allow for very fast sequential exposures that may eventually get us to the point of having a virtual 1-click HDR series that can be captured freehand without the need for a tripod. Until then, its better to not hold your breath and just use the reliable tripod.

 

Text REDCROSS to 90999 to Give $10 Japan Earthquake and Pacific Tsunami

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Mar 152011
 

American Red Cross: Text 2 Help

Nov 202010
 

This is a very rare example of HDR High Definition video! Do you like it or not?

[vimeo]http://vimeo.com/14821961[/vimeo]