Fujifilm X-T3 Versus X-T2: Which Camera Should You Buy?

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Feb 072019
 

When a new camera comes out, one of the most common questions I see is whether it’s worth upgrading to or not. This I think is a very reasonable and fair question because in many cases now, new cameras tend to be minor updates as opposed full on upgrades. Based on that, how does the Fujifilm X-T3 compare to the X-T2 and is it worth paying slightly more for the upgrade?

Personally, I feel that Fujifilm make some of the best APS-C cameras currently available. This is precisely why I’m such a fan of their cameras. The X-T2 was such a fantastic camera and currently its price point makes it a fantastic value for the money. It offers incredible image quality with some very useful video features. Fuji did such a good job with that camera that it’s going to take something pretty special to beat it.

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fstoppers.com

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The best free Photoshop plugins for photographers: 52 to choose from!

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Dec 282018
 

Useful and creative plugins to add to your Photoshop toolbox

Adobe Photoshop is still the go-to piece of software for artworkers and photographers looking to improve and edit their images. 

However, while its suite of functions is impressive, there are some things you can’t do with the native software alone. Or, if you can, there might be certain ways you’d like to use those tools which it doesn’t accommodate very easily.

Thankfully, there is a great variety of plugins you can add on to Photoshop out there, to increase the range of functions available to you as you work on your images. While some of these are paid-for, there’s still an impressive selection of plugins you can get for absolutely free.

We’ve assembled this list of the 52 best free Photoshop plugins for photographers that we’ve found, so hopefully you’ll find something to suit your needs in here.

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These Most Stunning Wildlife Photos of 2018 Will Make You Feel Many Things, by Hilary Brueck

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Dec 282018
 
(© Sergey Gorshkov – Highly commended, Animals in Their Environment)

Marsel van Oosten slipped and stumbled over logs, struggling to lug his camera gear through the verdant mountain forests of China.

Undeterred, he pressed on, finally capturing a stunning photo of a pair of golden snub-nosed monkeys, an eye-catching shot that would win him £10,000.

Breathtaking photos of the natural world can bring attention to endangered species, highlight important environmental issues, or simply fascinate us as they reveal the world’s bizarre and beautiful creatures.

Each year, the Natural History Museum in London crowns one lucky camera-holder Wildlife Photographer of the Year. The 2018 prize brings van Oosten international recognition, along with the pile of cash. (Judges also award a Young Wildlife Photographer of the Year who’s under the age of 18.)

Other images that made the list of winners and finalists this year depict a mother gorilla mourning her dead babe, owls that found refuge in a rusty urban spot, and a Caribbean flamingo behind the steering wheel of a car.

Take a look at these stunning photos of the world’s most fantastic beasts from the 2018 contest.

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Our new camera predictions for 2019, by Matt Golowczynski

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Dec 282018
 

2018 was a far busier year for the photography industry than many anticipated, with some expected releases finally surfacing and some unexpected announcements (looking at you, L-mount alliance) alongside. So what do we reckon 2019 will throw our way?

Some manufactures have been open about their intentions for their systems, and so we already know of a handful of cameras and lenses that should be confirmed. But what else might we see? We’ve pooled together what we know for sure with our predictions for the next twelve months.

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OBJECT OF DESIRE: CAMRANGER MINI, by Greg Scoblete

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Dec 282018
 

Connect the CamRanger mini via USB to your Canon or Nikon DSLR and you can unlock a bevy of remote control options on your mobile device using the CamRanger’s ad-hoc Wi-Fi network. As the name suggests, the mini is a downsized version of the original CamRanger, but you’ll find more than just less size. The mini has a longer Wi-Fi range, faster speed and is less expensive than the original.

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$400 Camera vs $4,000 Camera: Can a Pro Photog Tell the Difference?, by Michael Zhang

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Oct 242018
 

Photographer and YouTube star Peter McKinnon decided to do an experiment on whether you can create top-quality content using entry-level camera gear. He had a pro photographer see if he could distinguish between photos from a $400 camera and those of a $4,000 camera.

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Going Doc-Style with the Blackmagic URSA Mini Pro on Robbie Williams’ Europe Tour

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Nov 282017
 

Many filmmakers, including myself are hesitant about using the Blackmagic URSA Mini Pro and URSA Mini 4.6K cameras in documentary environments, but James Tonkin of Hangman proves us wrong, taking the URSA cameras into the battlefield of Robbie William’s European Tour 2017.

James Tonik’s URSA Mini Pro with a Letus gimbal and remote focus rig

James Tonkin was recently tasked to document Williams’ 2017 European tour in its entirety. From rehearsals through to live shows, to the all-important backstage moments with Robbie Williams, Tonkin’s primary camera choices were the Blackmagic URSA Mini Pro and URSA Mini 4.6K as well as the RED Weapon. For some run and gun filmmakers this might not be the first choice of camera systems when it comes to filming documentaries. In comparison to others, they have drawbacks in lowlight situations and handling. But from a quality standpoint the choice certainly makes sense, if one can make them work documentary style – and Tonkin did.

With a relationship spanning 16 years, Tonkin already had a unique understanding of when and where to capture the tours most potent moments. Furthermore preparation ahead of the tour alongside an understanding of the end goal was imperative for delivering a high-quality production that would meet the brief.

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cinema5D

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Zenit is Back! First Look at New 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2

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Sep 172017
 

News broke back in February that Russian camera manufacturer Zenit was going to come back and take on Leica in the luxury camera market. But the first Zenit products to see the light of day aren’t cameras, it’s three very fast KMZ/Zenit lenses: the Zenitar 50mm f/0.95, 50mm f/1.2, and 85mm f/1.2.

Photo Rumors initially spotted the lenses last week on Russian photographer Denis Gavrilov’s website (translated link). And when we got in touch with Gavrilov to ask permission to share the images, he was kind enough to upload even more!

So let’s take the new lenses one by one, starting with the fastest of them.

Zenitar 50mm f/0.95

No doubt meant to give mere mortals an affordable alternative to the much lusted-after Noctilux (although, we hope, at a significantly lower price tag), the Zenitar 50mm f/0.95 is meant for Sony’s FE mirrorless cameras.

Sporting 9 elements in 8 groups, the lens’s 14 aperture blades in 2 levels surprised Gavrilov. The lens will supposedly arrive sometime in 2017 and run you close to $500… so yes, just a touch cheaper than the $9,700 Noctilux.

Here are a few more shots of the lens:

Zenitar_50_095_1

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petapixel

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Indiecam nakedEYE is First Compact VR RAW Camera – 12bit 4k 60p

 Gear, Uncategorized, virtual reality  Comments Off on Indiecam nakedEYE is First Compact VR RAW Camera – 12bit 4k 60p
Sep 152016
 

At IBC 2016, Indiecam presented their version of a VR camera. True to their roots, the nakedEYE is a small, lightweight and all-manual VR RAW camera. 

Austria-based Indiecam develops and manufactures high-quality miniature action cameras for filmmakers. Their RAW action cameras have been used on dozens of famous productions, like Ron Howard’s Rush or Into the Heart of the Sea.

The Indiecam nakedEYE is the logical next step when it comes to miniature RAW cameras. But according to managing director Raphael Barth this VR RAW Camera is just the first step in their move towards Virtual Reality Acquisition.

While a resolution of 4K is rather limiting when it comes to a full 360° VR image, the intriguing attributes about the Indiecam nakedEYE VR RAW Camera are:

  • Full Manual Controls
  • Global Shutter
  • High Dynamic Range and good low-light performance
  • 12-bit CinemaDNG RAW
  • 2 lens construction for an easy workflow
  • 2x 2K square sensors (4K 60p)

To me this looks like a very important step in professional VR production. While this seems to be the “Digital Bolex of VR cameras”, it surely is heading in the right direction for larger formats to come.

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cinema5d

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Nov 292014
 

Camera and cine lenses need to operate perfectly in extreme conditions, withstanding everything from scorching heat and bitter cold to sandstorms and severe vibrations. The video shows how Carl Zeiss researchers systematically submit lenses to extreme stresses in order to arrive at findings that can help in future lens design and development. The video was shot with a Sony NEX-FS100 and Carl Zeiss ZF.2 SLR lenses with an F to E mount adapter.

httpvh://youtu.be/LVssYtOJP2U

Oct 212014
 
One of my favorite performers is the very funny John Cleese.
Here shares some wisdom on the fascinating subject of creativity…
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httpvh://youtu.be/S8XHtvHZn4A
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Oct 252012
 

httpvh://vimeo.com/52099522

Check out more of Manny’s videos here:

Manny’s Videos on Vimeo

Apr 272012
 

This is obvious but essential. As tempting as it may be to shoot free hand (or from the hip),if you want good, sharp HDR images you need to stabilize your camera. Ideally, use a sturdy tripod, or in a pinch, set the camera down on a solid surface.

 

 

Second, some of your over exposed frames need to capture shadow details and you may actually be shooting at shutter speeds so long that you can have difficulties holding the camera steady. So in addition to creating problems aligning frames that shifted due to the camera changing position between frames, you may also have frames that are blurry due to long exposure times. These will have a negative affect on the merge process and image sharpness.In addition to a sturdy tripod or solid surface to mount the camera, you will also want to minimize any movement caused by you touching the camera between shots. This can be accomplished a number of ways, the easiest of which is to use the self timer or a cable release trigger to fire the camera. Another option that several professionals use is Promote Remote www.promotesystems.com. This device plugs-in to your camera and actually takes over the bracketing and exposure controls. This is a huge benefit for Canon shooters with cameras that only support 3 shot bracketing.Of course if you really want to get picky and you are shooting with a D-SLR, you’ll mount the camera on a weighted tripod with a sturdy ball head, put the camera in Mirror-Up mode and use the cable release or Promote Remote to fire the camera. This adds an extra delay between the moment the mirror goes up and when the shutter opens, reducing any additional vibration caused by the mirror flipping up and down.Don’t forget, if you are using Vibration Reduction, Image Stabilized or Steady Shot lenses, turn this feature off when the camera is attached to a tripod. You don’t want to induce lens movement when the camera isn’t moving.There are some promising new camera and sensor technologies on the horizon that will allow for very fast sequential exposures that may eventually get us to the point of having a virtual 1-click HDR series that can be captured freehand without the need for a tripod. Until then, its better to not hold your breath and just use the reliable tripod.

 

Text REDCROSS to 90999 to Give $10 Japan Earthquake and Pacific Tsunami

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Mar 152011
 

American Red Cross: Text 2 Help

Nov 202010
 

This is a very rare example of HDR High Definition video! Do you like it or not?

[vimeo]http://vimeo.com/14821961[/vimeo]