TechniqueComments Off on Adobe Portfolio Now Integrates with Lightroom Collections
Adobe Portfolio, a platform for photographers to share images online on their own websites, will now integrate with Lightroom collections. This means you can upload entire collections at once, straight from Lightroom to your online portfolio.
The “Manage Content” section that Adobe Portfolio users are familiar with has been changed to make all this as easy as possible. It’s now broken down into two separate tabs, “Website Pages” and “Integrations,” and you can quickly get an overview of your portfolio and use the powerful new features.
“Website Pages” will show you all of your galleries and pages, whereas “Integrations” will enable you to connect Lightroom collections as well as setting which gallery future Behance projects will appear in.
TechniqueComments Off on Exploring the Limits – Resolution, HDR, HFR and Human Vision, by Richard Lackey
More resolution, High Dynamic Range (HDR), higher frame rates… How exactly do the limits of the human visual system impact our technology?
When is enough, enough? This is one of the most interesting questions brought to mind after a discussion that came up at the recent ARRI Broadcast Day held at Die Fernsehwerft studio facilities in the new creative district of East Berlin Harbour. In a studio filled with international guests from across the industry, Marc Shipman-Mueller – ARRI’s head of camera systems – opened up this topic in a way that has permanently realigned the way I view today’s core developments in digital cinema acquisition, post and delivery.
These are purely my opinions based on an evolving thought process rooted in an exploration of new technology, and not an absolute truth. I may well end up being wrong, and am happy to learn things that may change my views expressed here. In fact, I’d love to open this up to you, and hear some of your thoughts, so I encourage you to leave comments.
TechniqueComments Off on How to Improve the Sound of Your Speech in Premiere Pro, by Alex Cooke
You can have the most visually stunning videos, but if you sound like you’re talking to your audience from two rooms over, they won’t be engaged by your work. Here’s how to get better-sounding speech in Premiere Pro.
Part of being a good video editor means getting your sound editing skills up to speed. Premiere Pro borrows some tools from Audition, Adobe’s audio editing software, to give video editors the ability to improve their sound within the program.
TechniqueComments Off on Adobe Premiere Pro’s Editing Tools Explained, by Jason Boone
It took me several years of editing video before I became comfortable venturing out to use some of Premiere Pro’s editing tools. The problem is that you can accomplish almost everything you need with the Selection tool, and some editors are comfortable doing just that. You can perform simple trims, move clips around, and add transitions all using just the Selection tool. To be honest, you never really need to use any of the tools provided in Premiere Pro. However, by exploring tools such as Ripple Edit, Rolling Edit, Track Selection, Rate Stretch, Slip, and Slide, I’ve ended up saving myself countless hours in the edit suite.Take the Ripple Edit tool as an example. The Ripple Edit tool allows you to trim or expand a clip while simultaneously shifting (rippling) all of your assets further on down the timeline. This happens all in one movement. Performing the same action with the Selection tool could easily take 3 movements, and sometimes, even more, depending on the complexity of your project. If you use the Ripple Edit tool enough, it begins to save you quite a bit of time.
TechniqueComments Off on Quick Overview of DaVinci Resolve 14 Audio Editing Capabilities
DaVinci Resolve 14 looks very promising and more videos about it are popping up on YouTube every day. One feature that was left out in many demonstrations until now is the integration of FairLight for audio editing. With the new version of Resolve, it’s possible to edit sound within the software. No need for an additional costly plugin, or any round-trip of a sort. Let’s see how with Casey Faris.
Resolve was primarily known for its color editing capabilities. It’s become an industry standard for grading, but Blackmagic Design wants to offer more to its users by creating a one-stop editing software. It has had editing possibilities for a while now, but audio edition wasn’t quite up to par. With the integration of FairLight Audio, it’s a whole different world, and it could potentially make other apps such as Adobe Audition useless for most video makers.
TechniqueComments Off on Ingenious ‘FilmLab’ App is the Easiest Way to Turn Negatives Into Digital Files
Software developer Abe Fettig has a winner on his hands. His newly developed app FilmLab makes it easier than ever to turn film negatives and slides of various sizes into digital files without having to touch a scanner, understand wet mounting, or really do anymore more than point and shoot with your smartphone.
Fettig says he created the app for himself. “When I got into shooting film, I started imagining software that would make it easier and more fun to scan and share my negatives with other people,” he says in the Kickstarter video. “About six months ago I started working on FilmLab as a side project, and now I have a working prototype.”
And that prototype is impressive in its sheer simplicity. It really is as simple as point and shoot. No more difficult than scanning prints with a smartphone app like Google’s Photo Scan. Check out the walkthrough video below to see how it works:
Amaral’s work provides a different and beautiful look at various people and events.
Each of the works requires a lot of careful research, planning, and retouching — Amaral sometimes spends months working on a single image. All the digital editing is done by hand in Photoshop, and often involves hundreds of different layers of color coming together to form the final look.
Here are some more colorizations Amaral has done so far:
HDR Info, News, TechniqueComments Off on Adobe Lightroom for iOS updated with authentic HDR capture, by Zac Hall
Adobe has released a new version of Photoshop Lightroom for iOS that includes more powerful tools for shooting on the iPhone. Authentic HDR is a new mode that rivals competing high-dynamic-range methods. Version 2.7 also includes exporting raw images and a new widget for 3D Touch and the Today view in Notification Center.
Authentic HDR, or raw HDR, is a new capture mode that Adobe says “combines the benefits of HDR technology and DNG raw” and “automatically analyzes a scene to determine the appropriate spread of exposure values over three shots, then automatically aligns, de-ghosts, and tone maps the image, creating a 32-bit floating point DNG file.”
Apple’s built-in Camera app has long supported shooting in HDR mode, but shooting in raw on iOS is still limited to third-party apps. Adobe also says its new raw HDR capture mode is superior to the iOS method that applies heavy noise reduction, sharpening and tone adjustment, and an overall lower quality image.
TechniqueComments Off on With the Panasonic GH5 Imminent, Atomos Announce the Ninja Inferno as the Ultimate Companion by; Mike Briggs
With reports that Panasonic have already begun to ship the hotly anticipated GH5, it seems Atomos have perfectly timed the announcement of their latest external monitor-recorder, the Ninja Inferno, due to ship March 31st. With 4:2:2 10-bit recording in 4k 60p and HD 120p, is this the ultimate companion for videographers awaiting their GH5 pre-order to arrive?
The Ninja Inferno will become the world’s first external monitor-recorder to accept 4k DCI signals from cameras like the GH5, recorded in ProRes or DNxHR and displayed on a 7″ 10-bit HDR touch screen LCD with 1500nits of brightness. You’ll get the typical rugged, high quality build you’d expect from an Atomos monitor-recorder made from ABS Polycarbonate. Also expect to see the usual features you’d expect in a premium external monitor-recorder such as focus peaking, zebra patterns, vectorscopes, false color and anamorphic desqueeze.
TechniqueComments Off on Five Ways to Edit Video More Quickly in Adobe Premiere by; Alex Cooke
Some view editing as the place where the magic happens, while others see it as a necessary evil before they can get back out to shoot some more. Either way, we’d all love to be more efficient at it. These five tips will help you speed up your workflow in Adobe Premiere.
I use workspaces constantly inDigital Performer, and they’ve dramatically increased my efficiency and allowed me to intuitively design my window sets for the task at hand. Along with workspaces come four other tips in this great video, including adjustment layers to apply effects and corrections to multiple clips simultaneously, using presets to save single or multiple effects, color-toning, etc. for easy access down the road, using nested sequences to ensure you can easily move around blocks of clips without disturbing their relative ordering, and of course, shortcuts to keep you out of menus.
TechniqueComments Off on 10 Tips and Tricks for Making Difficult Selections in Photoshop
If you’re just starting out in Photoshop and would like to learn the art of making difficult selections to isolate things in photos, check out this great video tutorial by Tutvid. It’s a 37-minute lesson with 10 tips and tricks on methods that range from beginner to advanced.
“Learn to make virtually ANY selection and cut out anything you would even need in Photoshop,” writes Nate Dodson. “We’ll make simple, straight-line selections with the Poly Lasso tool, we’ll select car parts with the Pen Tool and edit the path, we’ll use Calculations to create extremely intricate and difficult selections VERY quickly, we’ll learn to use and work with Select and Mask as well as Refine Edge, we’ll build a selection based on a single channel, and SO much more!”
TechniqueComments Off on A Rare Glimpse Inside Elton John’s Massive Photography Collection by; Andrew Nodell
The director of The Sir Elton John Collection gives insight into the singer’s 8,000-piece photo cache and the current exhibition at Tate Modern in London.
For nearly 30 years, Elton John has kept hidden a significant part of his much-publicized life — until now.
“The Radical Eye: Modernist Photography From the Sir Elton John Collection” is the first-ever loan exhibition at a new extension to London’s Tate Modern and showcases nearly 200 black-and-white prints from the 69-year-old pianists’ massive private collection.
TechniqueComments Off on Using Adobe’s Kuler Tool to Color Tone Images By Mark Bowers
Something I get asked often is how to add color tones to your images. Often the easiest option is to use filters either in Lightroom or with a plugin software such as Google Nik. However, as you delve deeper into the world of color grading you will eventually become curious how to create your own effects.
There are obviously an enormous number of ways to achieve a certain look to your photos. The Adobe Kuler plugin for Photoshop is an incredibly powerful option that is available to anyone with Photoshop (for free) and provides complete control over the look and feel of an adjustment.
The first concept to grasp is color theory. You know, the whole color wheel thingy and colors complementing one another… Well this is huge. And while you don’t need to be an expert on the subject, it helps to know the basics which will eventually lead to a better understanding of the subject as you use it in practice. One article I have found extremely helpful on his topic was written by one of my favorite landscape photographers of today, Ted Gore. Gore has won several accolades in his field and produces some of the most amazing images I have ever seen. His article titled “Color Theory and Landscapes Photography” goes into great detail about color harmonies and how to work them into your images. He explains the difference between analogous, complementary, and monochromatic color harmonies (as well as several others that are much less obvious) and gives great examples of how he uses them in his work. I highly recommend this read as it applies not only to landscapes imagery but color grading and application on any photograph. At its core the idea is that certain colors simply work well together and are pleasing to the viewers’ eye when introduced into an image with subtlety. For example, blue and yellow are complementary colors. When the darker tones in an image are “cooler” and the lighter tones are “warmer,” the image is more aesthetically pleasing than if the color tones were simply left to chance.
This is where Adobe Kuler comes in. For one, the Adobe Kuler tool is free if you already have a Creative Cloud membership and you can also install the tool directly into Photoshop (directions provided here). Once installed, it is available by going to Window > Extensions > Adobe Color Themes which creates a new tab in your workspace. How is this useful? The tool provides a built-in color wheel which allows you to create custom complimentary color tones. More importantly though, it contains a ton of color pallets already available for use that follow the “rules” of color theory.
TechniqueComments Off on OmniVision’s new image sensors will bring zHDR technology to smartphones
Chinese image sensor manufacturer OmniVision Technologies has announced four new smartphone sensors capable of capturing more dynamic range and less noise than ever before.
The four sensors use OmniVision’s second-generation PureCel Plus and PureCel Plus-S pixel technologies to achieve the increase in performance.
To increase dynamic range, OmniVision has increased full-well capacity (FWC), meaning each pixel is capable of collecting more light before clipping of the highlights begins to occur. This improvement is said to increase dynamic range by 20 percent over the previous generation.
TechniqueComments Off on Google adds High Dynamic Range (HDR) video support to YouTube
For some millennials, YouTube stars are more important than popular pop musicians or famous Hollywood actors. Older folks may not understand this phenomenon, but it actually makes a lot of sense — YouTube is a platform where many young people spend their time.
Today, Google announces that it is making YouTube even better. The service can already stream video in 4K, and is available on countless devices, but now the videos are gaining High Dynamic Range (HDR) support too. This means the content will be presented with better contrast and more vibrant colors. Of course, the benefits will only be relaized with displays that support HDR.
“Starting today, you can watch YouTube videos in HDR on supported devices, such as HDR TVs with the new Chromecast Ultra, and soon on all 2016 Samsung SUHD and UHD TVs. If you’re using a device that doesn’t yet support HDR, don’t worry, videos will still play in standard dynamic range. As more HDR devices become available, YouTube will work with partners to enable streaming of the HDR version”, says Steven Robertson, Software Engineer, Google.
Robertson also shares, “any creator can upload HDR videos to YouTube. To make sure creators can tell awesome stories with even more color, we’ve been working with companies across the industry. We’ve worked with the DaVinci Resolve team to make uploading HDR just as simple as SDR videos to YouTube. We’ve also outfitted the YouTube Spaces in LA and NYC with all the gear needed to produce great HDR content”.
Google shares the above side-by-side images to show the potential benefits. As you can see, the HDR image on the right is more detailed and vibrant, while the simulated SDR image on the left looks washed-out.
Want to check out some HDR content now? Google shares the following YouTube playlist that contains videos that are already compatible.
TechniqueComments Off on Affinity Photo is Now on Windows: Get the Free Beta
One of the most highly regarded Photoshop alternatives is now available on Windows. Affinity Photo today launched its free public beta for Windows users, allowing anyone to download the popular pro photo editing software.
HDR Info, TechniqueComments Off on HDR? This Canon White Paper Demystifies High Dynamic Range
High Dynamic Range. Heard of it? Canon recently released a white paper on HDR written by Canon Fellow Larry Thorpe, laying down the key concepts and preoccupations regarding this emerging technology.
HDR. You’ve probably seen it advertised all over the place: on the latest generation Atomos recorders, on silly smartphone apps that take the High Dynamic Range look way over to the extreme, on new televisions and monitors claiming to be HDR Ready… It seems like its something we should want… but what is it?
In hisrecent white paper about HDR, Senior Canon Fellow Larry Thorpe explains the trends in advancements in imaging technologies, and the main 5 parameters in which there has been particular preoccupation.
Gear, TechniqueComments Off on MIOPS MOBILE: A Versatile Camera Remote That Connects to Your Phone
With only 3 days left and over triple the minimum funding goal of $50 000, Miops Mobile is offering something that is both useful and compact for your everyday filmmaking needs.
Camera Remotes have been a standard tool in everyone’s kit for a while now, but they can be expensive, plain and boring. Many have tried to use Kickstarter as a platform to reinvent the small black and white screened remotes. With Apple OS Kits allowing customers to tap into the power of mobile applications, MIOPS have tapped into the power of using an app that allows more than any trigger could possibly offer, and that at an even better price.
MIOPS MOBILE Remote features
Motion, Vibration Sense and Sound Trigger Mode
The app’s MOTION mode uses the smartphone’s camera to watch for the action. It captures photos of moving objects without the need for a manual trigger. This could be useful for capturing wildlife, or even a moving selfie.
The MIOPS MOBILE will also trigger a shot using its vibration sense feature. Using the architecture of a smartphone’s gyroscope and accelerometer, the phone can be attached to a pole, which will allow you to capture your best slam dunk.
Using the smartphone’s microphone, the MIOPS is capable of triggering on sound bites.
Gear, TechniqueComments Off on This Cooled Nikon D5500a Chills the Sensor for Clearer Star Photos
An Italian astrophotography company called PrismaLuceLab has launched a modded version of the Nikon D5500 DSLR. Called the “D5500a Cooled,” the camera uses a special cooling system mounted on the back to chill the sensor and reduce noise during long-exposure photos.
“It’s the first ever cooled Nikon camera ever for astrophotography,” PrismaLuceLab CEO Filippo Bradaschia tells PetaPixel. Cooled CCD cameras generally have better performance in astrophotography compared to traditional DSLRs, but Bradaschia is aiming to narrow the gap with his company’s new modified DSLR. Unlike other CCD astro cameras on the market, the D5500a Cooled can be used without a computer.
The cooling system is a box that protrudes from the LCD screen space on the camera back — the LCD screen is kept in a flipped out position to the side of the camera. Temperatures inside the camera are reduced by a double Peltier cell by as much as 27°C (~80.1°F) compared to ambient temperature, dramatically reducing noise.
Here’s a “dark frame” comparison at ISO 6400 of a photo with the cooling system on and sensor at -2°C (left) and with the cooling system off and sensor at 20°C (right):