Intro to Video: A Photographer’s Guide to Filmmaking

 Cinematography, Technique  Comments Off on Intro to Video: A Photographer’s Guide to Filmmaking
Aug 012018
 

As more and more people call themselves “professional photographers,” the need to diversify and offer other services to your clients is rapidly growing. With social media and advertising visuals fighting for more and more of our attention, the importance of video is at an all time high. Luckily, if you are a photographer, you already have 90% of the tools you need to start making professional videos and multimedia productions. This new Fstoppers tutorial on videography is aimed at helping both professional and amateur photographers take the gear they already own and start producing high quality videos. There is no better time to learn how to film video than right now!

Intro to Videography

The idea behind the Fstoppers website was first born back in 2010 when Patrick Hall and Lee Morris both had an interest in learning how to shoot video. Having both been successful wedding photographers, Patrick and Lee saw the value videography could supply to their own photography businesses. Over the years, Fstoppers has grown from a little side project used to explore behind the scenes videos into a full blown world wide community of photographers and videographers. Since 2010 when DSLRs first started shooting high definition video, Lee and Patrick have seen photographers and social media influencers transitioning to video at an alarming rate. In today’s cut throat market, the trend is very clear: if you are not incorporating video along side you photography, you are going to get left behind.

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Technical Camera: An iOS Camera App with a Simple UI and Serious Features

 Technique  Comments Off on Technical Camera: An iOS Camera App with a Simple UI and Serious Features
Jun 132018
 

The Hungarian software company DIRE Studio has just launched Technical Camera, a new iOS camera app that’s designed for serious photographers who want a simple yet advanced tool for capturing still photos.

Developer Laszlo Pusztai says he was inspired to create the app because he was frustrated with clutter screens, unorganized storage, the lack of resolution/size adjustments, and clumsy designs in existing camera apps.

The app lacks many of the bells and whistles found packaged with most cameras apps these days. There’s no video, no selfies with the front camera, no AI, and no fancy modes (e.g. panorama or portrait mode or studio lighting).

What the app does have is a sharp focus on creating still photos. The live view itself doesn’t have information or buttons overlaid on it, providing a clean view of what you’re framing.

There are professional-level controls that include manual exposure and focus, compensation and locks, focus peaking, and adjustable auto ISO. Smart Function Keys allow you to put your most used functions at your fingertips. Functions can also be customized: you can do things like change the direction of the shutter speed dial or choose the sides of the screen used for exposure compensation and manual focusing.

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The Fundamental Terms of Lighting in Photography

 Technique  Comments Off on The Fundamental Terms of Lighting in Photography
May 172018
 

When you’re first starting out with artificial lighting, the vast array of terms to describe and quantify the various parameters of light can be a bit overwhelming. This helpful video will introduce you to the most essential terms that will allow to effectively communicate how any light source behaves.

Coming to you from Mark Wallace of Adorama TV, this great video will introduce you to the fundamental language of lighting and how it’s used in practice. I know that when I first started, trying to learn them abstracted from experimenting with an actual light source felt a bit like trying to speak French in Russian. Nonetheless, it’s crucial to understand these terms so you can communicate how you want light to look. Once you’re ready, this, in turn, will allow you to better choose the proper modifier for a specific shoot. Even if you prefer to shoot natural light, this terminology still applies, and it’ll lend you a greater ability to understand how and why your final image looks the way it does and how to take control of that. As mentioned, I recommend grabbing a light and modifier and trying it out so you can see the effects in real time. Check out the video above for the full rundown.

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10 Handy Photoshop Shortcuts for Working with Layers

 Technique  Comments Off on 10 Handy Photoshop Shortcuts for Working with Layers
Dec 072017
 

Adobe just released this helpful 2-minute video that shares 10 handy shortcuts you can use in Photoshop when working with layers.

Here’s a quick rundown of the 10 shortcuts (watch the video above for visual demonstrations):

1. Add layer masks to hide all

To quickly add a layer mask to hide all of a layer, just hold down the Option key on Mac (or Alt on Windows) and click on the “Add Layer Mask” button in the Layers panel.

2. Delete layer masks

Instead of dragging a layer mask into the bin, you can just right click the layer mask itself and delete it from the tooltip menu that appears.

3. Add a layer mask based on selections

Creating a layer mask of a selection you have made is a useful thing to do for Photoshop users. Clicking the “Add Layer Mask” button will reveal your selection, but if you want to hide it then you just need to hold the Option key on Mac (or Alt for Windows) while clicking.

4. Invert a layer mask

If you want to invert your layer mask, just hold Command + I on Mac (or Control + I on Windows) to quickly move between the two.

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Twenty Helpful Tips and Tricks for Photoshop

 Technique  Comments Off on Twenty Helpful Tips and Tricks for Photoshop
Nov 202017
 

Photoshop is a tremendously intricate and nuanced program, and you can never have enough tips and tricks to navigate all its features and options and make your workflow both more powerful and more efficient. This helpful video will show you 20 more tips and tricks you might not have seen before.

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SmallHD Firmware OS3 Adds Auto Calibration And Custom False Color

 Technique  Comments Off on SmallHD Firmware OS3 Adds Auto Calibration And Custom False Color
Nov 132017
 

SmallHD has released a firmware update they are calling their biggest yet. OS3 is available for all current SmallHD monitors, sporting advanced false color and waveform functionality, as well as much need auto calibration.

The above video gives you a nice little run down of SmallHD firmware update OS3.

SmallHD has focused on updating their false color and waveform exposure tools to make them much more customizable.

Customizable False Color

Previous to this update, the false color feature on SmallHD monitors was fairly standard – the image displayed was broken down into color shades that stretched a gradient from 0-100%.

Now, you can select specific IRE values (up to 10 different ranges) and assign them different colors.

How does this help? Primitive false color is one thing, but having the ability to really home in on certain IRE values is a step further in advanced exposure assistance.

You can set a certain level of IRE values that you know is good for skin tones, or set a low and/or high end cap on edge range values to ensure you don’t under or over expose.

It can be really good for greenscreen and cyc work also, as well as keeping track of exposure tones for long-term projects.

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Why the Brush Tool Has a Weird Purple Line in Photoshop CC 2018

 Technique  Comments Off on Why the Brush Tool Has a Weird Purple Line in Photoshop CC 2018
Oct 242017
 

If you’ve started using Photoshop CC 2018, you may have noticed a strange purple line following your brush around as you’re using it now. That line is called a “brush leash,” and here’s a helpful 6-minute video by retoucher Pratik Naik about what that purple line is and how you can use and customize it.

Basically, the purple brush leash is meant to serve as a guide for the Smoothing feature of the Brush Tool. Turning Smoothing down to 0% removes the purple line and restores the brush tool to the original version.

You can also turn off the brush leash in the Cursors panel of your Preferences.

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How to Use the Foreground to Create Depth in Landscape Photos

 Technique  Comments Off on How to Use the Foreground to Create Depth in Landscape Photos
Oct 242017
 

Sometimes a beautiful landscape scene doesn’t look as good on camera as it did to your eye, but that’s because translating a 3-dimensional scene into a 2-dimensional space is challenging. Using strong foreground elements in your composition is one way to create depth and counter this problem, as shown in this 8-minute tutorial from Nature TTL.

There are a huge number of different rules and compositional guides you can adhere to, but one lesser-known rule is the “Rule of Odds.”

This suggests using an odd number of objects in your foreground, as the eye tends to find itself being drawn to the middle one. This means that you can use objects as stepping stones, drawing the eye into the image.

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Adobe Portfolio Now Integrates with Lightroom Collections

 Technique  Comments Off on Adobe Portfolio Now Integrates with Lightroom Collections
Oct 082017
 

Adobe Portfolio, a platform for photographers to share images online on their own websites, will now integrate with Lightroom collections. This means you can upload entire collections at once, straight from Lightroom to your online portfolio.

The “Manage Content” section that Adobe Portfolio users are familiar with has been changed to make all this as easy as possible. It’s now broken down into two separate tabs, “Website Pages” and “Integrations,” and you can quickly get an overview of your portfolio and use the powerful new features.

“Website Pages” will show you all of your galleries and pages, whereas “Integrations” will enable you to connect Lightroom collections as well as setting which gallery future Behance projects will appear in.

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Exploring the Limits – Resolution, HDR, HFR and Human Vision, by Richard Lackey

 Technique  Comments Off on Exploring the Limits – Resolution, HDR, HFR and Human Vision, by Richard Lackey
Jul 012017
 

More resolution, High Dynamic Range (HDR), higher frame rates… How exactly do the limits of the human visual system impact our technology?

When is enough, enough? This is one of the most interesting questions brought to mind after a discussion that came up at the recent ARRI Broadcast Day held at Die Fernsehwerft studio facilities in the new creative district of East Berlin Harbour. In a studio filled with international guests from across the industry, Marc Shipman-Mueller – ARRI’s head of camera systems – opened up this topic in a way that has permanently realigned the way I view today’s core developments in digital cinema acquisition, post and delivery.

These are purely my opinions based on an evolving thought process rooted in an exploration of new technology, and not an absolute truth. I may well end up being wrong, and am happy to learn things that may change my views expressed here. In fact, I’d love to open this up to you, and hear some of your thoughts, so I encourage you to leave comments.

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How to Improve the Sound of Your Speech in Premiere Pro, by Alex Cooke

 Technique  Comments Off on How to Improve the Sound of Your Speech in Premiere Pro, by Alex Cooke
Jun 232017
 

You can have the most visually stunning videos, but if you sound like you’re talking to your audience from two rooms over, they won’t be engaged by your work. Here’s how to get better-sounding speech in Premiere Pro.

Part of being a good video editor means getting your sound editing skills up to speed. Premiere Pro borrows some tools from Audition, Adobe’s audio editing software, to give video editors the ability to improve their sound within the program.

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Adobe Premiere Pro’s Editing Tools Explained, by Jason Boone

 Technique  Comments Off on Adobe Premiere Pro’s Editing Tools Explained, by Jason Boone
Jun 152017
 

It took me several years of editing video before I became comfortable venturing out to use some of Premiere Pro’s editing tools. The problem is that you can accomplish almost everything you need with the Selection tool, and some editors are comfortable doing just that. You can perform simple trims, move clips around, and add transitions all using just the Selection tool. To be honest, you never really need to use any of the tools provided in Premiere Pro. However, by exploring tools such as Ripple Edit, Rolling Edit, Track Selection, Rate Stretch, Slip, and Slide, I’ve ended up saving myself countless hours in the edit suite.Take the Ripple Edit tool as an example. The Ripple Edit tool allows you to trim or expand a clip while simultaneously shifting (rippling) all of your assets further on down the timeline. This happens all in one movement. Performing the same action with the Selection tool could easily take 3 movements, and sometimes, even more, depending on the complexity of your project. If you use the Ripple Edit tool enough, it begins to save you quite a bit of time.

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Quick Overview of DaVinci Resolve 14 Audio Editing Capabilities

 Technique  Comments Off on Quick Overview of DaVinci Resolve 14 Audio Editing Capabilities
May 132017
 

DaVinci Resolve 14 looks very promising and more videos about it are popping up on YouTube every day. One feature that was left out in many demonstrations until now is the integration of FairLight for audio editing. With the new version of Resolve, it’s possible to edit sound within the software. No need for an additional costly plugin, or any round-trip of a sort. Let’s see how with Casey Faris.

Resolve was primarily known for its color editing capabilities. It’s become an industry standard for grading, but Blackmagic Design wants to offer more to its users by creating a one-stop editing software. It has had editing possibilities for a while now, but audio edition wasn’t quite up to par. With the integration of FairLight Audio, it’s a whole different world, and it could potentially make other apps such as Adobe Audition useless for most video makers.

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Ingenious ‘FilmLab’ App is the Easiest Way to Turn Negatives Into Digital Files

 Technique  Comments Off on Ingenious ‘FilmLab’ App is the Easiest Way to Turn Negatives Into Digital Files
May 132017
 

Software developer Abe Fettig has a winner on his hands. His newly developed app FilmLab makes it easier than ever to turn film negatives and slides of various sizes into digital files without having to touch a scanner, understand wet mounting, or really do anymore more than point and shoot with your smartphone.

Fettig says he created the app for himself. “When I got into shooting film, I started imagining software that would make it easier and more fun to scan and share my negatives with other people,” he says in the Kickstarter video. “About six months ago I started working on FilmLab as a side project, and now I have a working prototype.”

And that prototype is impressive in its sheer simplicity. It really is as simple as point and shoot. No more difficult than scanning prints with a smartphone app like Google’s Photo Scan. Check out the walkthrough video below to see how it works:

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Famous B&W Photos Turned into Color by a 21-Year-Old Whiz

 Technique  Comments Off on Famous B&W Photos Turned into Color by a 21-Year-Old Whiz
Apr 162017
 

 

Marina Amaral is a 21-year-old Brazilian retoucher who is receiving widespread acclaim for her work adding color to famous historical B&W photos.

Amaral’s work provides a different and beautiful look at various people and events.

Archduke Franz Ferdinand of Austria, 1914
Senator John F. Kennedy and Jacqueline Kennedy, 1953

Each of the works requires a lot of careful research, planning, and retouching — Amaral sometimes spends months working on a single image. All the digital editing is done by hand in Photoshop, and often involves hundreds of different layers of color coming together to form the final look.

Here are some more colorizations Amaral has done so far:

Body of Confederate sharpshooter, 1863

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Adobe Lightroom for iOS updated with authentic HDR capture, by Zac Hall

 HDR Info, News, Technique  Comments Off on Adobe Lightroom for iOS updated with authentic HDR capture, by Zac Hall
Apr 132017
 

Adobe has released a new version of Photoshop Lightroom for iOS that includes more powerful tools for shooting on the iPhone. Authentic HDR is a new mode that rivals competing high-dynamic-range methods. Version 2.7 also includes exporting raw images and a new widget for 3D Touch and the Today view in Notification Center.

Authentic HDR, or raw HDR, is a new capture mode that Adobe says “combines the benefits of HDR technology and DNG raw” and “automatically analyzes a scene to determine the appropriate spread of exposure values over three shots, then automatically aligns, de-ghosts, and tone maps the image, creating a 32-bit floating point DNG file.”

Apple’s built-in Camera app has long supported shooting in HDR mode, but shooting in raw on iOS is still limited to third-party apps. Adobe also says its new raw HDR capture mode is superior to the iOS method that applies heavy noise reduction, sharpening and tone adjustment, and an overall lower quality image.

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Introduction to Aurora HDR 2017

 HDR Software, HDR360pro Discounts, Technique  Comments Off on Introduction to Aurora HDR 2017
Apr 112017
 

Download the FREE Trial at the link below!

Aurora HDR 2017

With the Panasonic GH5 Imminent, Atomos Announce the Ninja Inferno as the Ultimate Companion by; Mike Briggs

 Technique  Comments Off on With the Panasonic GH5 Imminent, Atomos Announce the Ninja Inferno as the Ultimate Companion by; Mike Briggs
Mar 262017
 

With reports that Panasonic have already begun to ship the hotly anticipated GH5, it seems Atomos have perfectly timed the announcement of their latest external monitor-recorder, the Ninja Inferno, due to ship March 31st. With 4:2:2 10-bit recording in 4k 60p and HD 120p, is this the ultimate companion for videographers awaiting their GH5 pre-order to arrive?

The Ninja Inferno will become the world’s first external monitor-recorder to accept 4k DCI signals from cameras like the GH5, recorded in ProRes or DNxHR and displayed on a 7″ 10-bit HDR touch screen LCD with 1500nits of brightness. You’ll get the typical rugged, high quality build you’d expect from an Atomos monitor-recorder made from ABS Polycarbonate. Also expect to see the usual features you’d expect in a premium external monitor-recorder such as focus peaking, zebra patterns, vectorscopes, false color and anamorphic desqueeze.

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Five Ways to Edit Video More Quickly in Adobe Premiere by; Alex Cooke

 Technique  Comments Off on Five Ways to Edit Video More Quickly in Adobe Premiere by; Alex Cooke
Mar 142017
 

Some view editing as the place where the magic happens, while others see it as a necessary evil before they can get back out to shoot some more. Either way, we’d all love to be more efficient at it. These five tips will help you speed up your workflow in Adobe Premiere.

I use workspaces constantly in Digital Performer, and they’ve dramatically increased my efficiency and allowed me to intuitively design my window sets for the task at hand. Along with workspaces come four other tips in this great video, including adjustment layers to apply effects and corrections to multiple clips simultaneously, using presets to save single or multiple effects, color-toning, etc. for easy access down the road, using nested sequences to ensure you can easily move around blocks of clips without disturbing their relative ordering, and of course, shortcuts to keep you out of menus.

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10 Tips and Tricks for Making Difficult Selections in Photoshop

 Technique  Comments Off on 10 Tips and Tricks for Making Difficult Selections in Photoshop
Mar 142017
 

If you’re just starting out in Photoshop and would like to learn the art of making difficult selections to isolate things in photos, check out this great video tutorial by Tutvid. It’s a 37-minute lesson with 10 tips and tricks on methods that range from beginner to advanced.

“Learn to make virtually ANY selection and cut out anything you would even need in Photoshop,” writes Nate Dodson. “We’ll make simple, straight-line selections with the Poly Lasso tool, we’ll select car parts with the Pen Tool and edit the path, we’ll use Calculations to create extremely intricate and difficult selections VERY quickly, we’ll learn to use and work with Select and Mask as well as Refine Edge, we’ll build a selection based on a single channel, and SO much more!”

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