About Aurora HDR:
Aurora HDR is not just a tool for merging bracketed images, it also provides numerous tools and countless options to create perfect HDR photos for every taste – from one-click presets and advanced tone-mapping, to layers, noise reduction and powerful luminosity masking controls.
Aurora HDR 2018 will be availabe for pre-order TODAY, September 12th, and released on September 28th.
What’s new in Aurora HDR 2018:
* Lens Correction and Transform tools, as well as image flip and rotate will be available in the Mac version at launch, and arrive in the PC version with the first free update in the beginning of October. Other tools and features that are currently available for Mac only would be added to PC version by the end of the year.
Record 16:9 4K Ultra HD (3840×2160) in full frame glory using the total width
of the D850’s back-side illuminated CMOS sensor. Take advantage of
the large sensor size for clean output at high ISO and for shooting with zero
crop factor with full-frame NIKKOR lenses3, including wide and ultra-wide
I think this is just what I need… I have been a Nikon user but switched to Canon a number of years ago. I just may switch back!
The new Nikon D850 is now available for pre-order. Expected ship date is 09/7/2017
Nikon D850 FX-format Digital SLR Body – $3296.95
MB-D18 Multi-Power Battery Pack – $396.95
Nikon ES-2 Film Digitalizing Adapter Set for D850 – $139.95
AN-DC18 Strap – $24.95
FH-4 Strip Film Holder $34.95
FH-5 Slide Mount Holder – $24.95
The Nikon D850 is now official after quite a bit of anticipation following a development announcement just a few short weeks ago. Thankfully, Nikon has not disappointed and the new D850 houses some of the best specifications and features of any modern camera. Headlining the announcement is a new full frame 45.7MP BSI (back side illuminated) sensor with no low pass filter. We first saw this technology implemented in the Sony A7RII and it should allow for amazing dynamic range while still retaining great low light results, even with the higher resolution sensor. When the Nikon D800 first pioneered the high resolution DSLR, it did so with limited speed and performance. Thankfully the D850 matches the Canon 5D Mark IV’s ample 7fps shooting speed and can even exceed it by shooting up to 9fps when paired with the MB-D18 battery grip and EN-EL18a/b battery. Alright Nikon, you have my attention!
Adobe has released a new version of Photoshop Lightroom for iOS that includes more powerful tools for shooting on the iPhone. Authentic HDR is a new mode that rivals competing high-dynamic-range methods. Version 2.7 also includes exporting raw images and a new widget for 3D Touch and the Today view in Notification Center.
Authentic HDR, or raw HDR, is a new capture mode that Adobe says “combines the benefits of HDR technology and DNG raw” and “automatically analyzes a scene to determine the appropriate spread of exposure values over three shots, then automatically aligns, de-ghosts, and tone maps the image, creating a 32-bit floating point DNG file.”
Apple’s built-in Camera app has long supported shooting in HDR mode, but shooting in raw on iOS is still limited to third-party apps. Adobe also says its new raw HDR capture mode is superior to the iOS method that applies heavy noise reduction, sharpening and tone adjustment, and an overall lower quality image.
Canon has developed a 2/3″ sensor with a global shutter and high dynamic range, helping to pave the way toward future generations of video cameras.
The rolling shutter is a common issue in video. Because most cameras read each frame of sensor data by scanning across the frame either vertically or horizontally, this means that data from the sensor is not read simultaneously, which can cause artifacts, particularly with quickly moving subjects, the most common example being airplane propellers.
While certain cameras such as the Sony F55 have a global shutter, which reads all sensor data at the same time, the majority still use rolling shutters. Canon’s global shutter CMOS sensor initially had a smaller dynamic range that required two improvements to regain a wider range.
With the expected shipping date for the Panasonic GH5 just over the horizon (here’s our detailed feature GH5 hands-on post from earlier today), we thought it would be a good time to catch up with Panasonic’s M. Uematsu to chat about some of the more technical aspects of the next member of the popular GH line of mirrorless cameras. Check out our interview at cinema5D HQ… shot, of course, on the Panasonic GH5.
We all know how much of a cut-throat business the camera world is, with manufacturers constantly trying to one-up one another in a constant and quick succession of new camera releases. As the first big camera release of 2017, the Panasonic GH5 aims to come out swinging, promising to bring a host of truly nice features for indie filmmakers. And about time, too, as after almost 3 years, the popular GH4 was slowly starting to lag behind next to the competition.
But before diving into the great features that the GH5 will bring in a couple of months, we first wanted to know why Panasonic didn’t decide to go all out with some much-requested bells and whistles, especially given its popularity among filmmakers both amateur and professional. So, Panasonic, why didn’t you include internal ND filters and RAW recording?
The built-in flash found in the old GH4 is gone and a whole new array of magical features aimed squarely at indie filmmakers have taken its place in the MFT Panasonic DMC-GH5, unveiled today at CES in Las Vegas. However, the Panasonic GH5, like a fine wine, will need to age gracefully into the summer to reach its full potential. More on that later.
Back in May of 2014, the Panasonic Lumix GH4 hit the market and became an instant favorite. Lauded for its internal 4K, variable frame rate option, XLR input module and professional video features such as peaking, zebras and cinema color profiles, it was clear that Panasonic built the camera with the cinematographer in mind. On paper, engineers have outdone themselves in every way with the new GH5.
Panasonic will be squishing features like 4:2:2 10bit 4K with a bitrate of 400Mbps and 180fps FHD variable frame rate recording into the tiny 2.0 pound body of the GH5. Over the years you get used to seeing specs like this from companies such as RED Cinema, but with the price point of a BMW 5-series. For the GH5, we are more in 1998 Honda Civic territory with a camera body price point of $2,000.
In short, the GH5 looks stylish, feels great to hold and shoots gorgeous video.
The camera launches with a max resolution of 4096×2160 up to 60fps with a bitrate of 150Mbps. Notice the differences from the features in bold above? That’s because Panasonic is rolling out a free firmware plan upgrading the camera into the summer, and 4K (400Mbps) All-Intra recording will unlock by July.
Of course, it would be great to have all the banner features right as you open the box, but like many video games these days, you’ll need to wait for updates before the camera has its full feature list, but what a list of features it is.
Here is the full firmware breakdown:
GH5 Firmware Upgrade Path:
Earlier in the year, I reported on a photography service that was offering tourists the chance to summon a professional photographer through an app — essentially the photo-equivalent of Uber. Reaction to the concept was mixed, although there’s clearly potential in the idea, as 500px has just taken things up a notch with “500px for Business,” their newly-announced series of photography on-demand services.
So, what differentiates them from other companies offering similar services?
We draw upon billions of data points from social signals on our own site about what images people respond to based on their demographic and psychographic make up… from how Americans versus people from Asia want to see images of Amsterdam, to what kinds of images of coffee women like versus men.
You’d be hard pressed to find a single photographer who doesn’t have a soft spot for Leica; who doesn’t want a Leica body with a few lenses, even if not for their day-to-day work. The inhibiting factor is, of course, price. The ‘golden’ glove feel of a Leica with all its history behind it doesn’t come cheap, but the Red Dot company is offering a hand to help out in this way at the moment, with their trade-in and M upgrade program.
The M, even amidst the release of the SL, is the quintessential Leica and benchmark rangefinder, and through September 30th, you can trade up from any camera at a Leica Store, boutique, or dealer and receive a $750 cheque after your new M is registered. That means you get your camera’s trade-in value and the $750, with the only exclusions being the Leica M-D (Typ 262) and Leica M (Typ 262).
The process is quite simple, as you bring/send in the camera you’re looking to trade in, it’s appraised and given a valuation which is then put towards the purchase of the new M, and once the new M is registered your cheque is in the mail. You can call any Leica Store for more details and they’ll walk you through the process. It’s extremely rare that Leica offers any kind of financial incentive for their current line-up of cameras, so if you were thinking about Leica ownership, this would seem a great time.
Parachut is a new startup that wants to do for camera gear what Netflix did for movies. It gives photographers unlimited gear for $149 per month.
While camera gear rental is currently dominated by a few big players (e.g. LensRentals, BorrowLenses) and some upstart peer-to-peer services (e.g. CameraLends, ShareGrid), Parachut is trying to take the concept in a different direction — the subscription model.
After paying the monthly fee of $149/month ($99 for the first month), you’ll provide Parachut with a list of what you’d like in the area of cameras, lenses, drones, accessories, and more.
Once your needs and the available inventory is evaluated, Parachut will send you gear to use for your project — which may or may not be the exact items you’re requesting. You can keep the gear for as long as you’d like, and when you’re done with it you can send it back with pre-paid labels. Shipping is free both ways.
One of the world’s most popular cameras may be about to get a huge leap in tech and quality: a new report says that Apple is planning to introduce dual rear cameras in its upcoming iPhone 7 Plus.
AppleInsider reports that this news comes from KGI Securities’s Ming-Chi Kuo, one of the world’s top Apple analysts. Kuo says the technology is from Apple’s acquisition of LinX in April 2015. LinX was an Israeli startup that was developing multi-camera modules that promised to give phones DSLR-esque performance.
Nikon Singapore posted an announcement on its Facebook page yesterday, congratulating a photographer named Chay Yu Wei for capturing a perfect shot of an airplane framed by a ladder in Chinatown.
Photographers quickly pointed out that the photo is clearly the result of editing, and sarcastic comments soon flooded the post.
“Yu Wei chanced upon a set of ladders while on a photowalk with his friends in Chinatown, and thought the view above would make an interesting perspective,” Nikon wrote. “Little did he expect to catch an airplane in mid-air. We’ll try looking up too, Yu Wei.”
For the photo, reportedly shot with a Nikon D90 at f/2.8 and 1/1600s, Chay was gifted with a Nikon-branded trolley bag.
Founded in Manhattan in 1853, Steinway & Sons is widely considered to be one of the greatest piano makers in the world. Its grand pianos grace the world’s grandest stages and are played by the best pianists.
Architectural photographer Chris Payne visited the company’s factory at One Steinway Place in Astoria, New York, and created beautiful photos that document how raw materials are turned into some of the world’s finest musical instruments. His project is titled “Making Steinway: An American Workplace.”
Payne first toured the Steinway factory in 2002 while working as an architect. After his father and grandmother (both pianists) passed away, he decided to return to the factory to shoot a series about the instrument that had been so central to his family.
“The piano is something we all know and love as a whole; its deceptively simple, iconic form is instantly recognizable,” Payne writes. “But my photographs look in a different direction: a deconstruction of the piano’s unseen constituent parts and a glimpse into the skilled labor required to make them.”
If you’re looking to build an online portfolio website to showcase your best photos, Adobe Portfolio is a new option for doing so. Launched today, it’s a tool that helps creatives build simple yet beautiful portfolio sites.
The online editor is designed to help you get your own website designed, up, and running in just minutes.
You start out by picking a layout as a starting point (you can change your layout later on if you’d like). Next, you personalize the layout with your own style and design choices.
Zeiss has teamed up with Fellowes Brands to announce an intriguing new product line at CES. The duo utilizes Fellowes Brands pedigree of smartphone photography technology and Zeiss’ wealth of lens manufacturing history to bring an iPhone lens trio.
Pictured is the existing Exolens accessory mount by Fellowes Brands. It provides a solid platform to mount an additional iPhone lens, as well as a 1.4″ thread on the bottom for further mounting.
Zeiss have provided the optics to make up 3 new lenses for the iPhone 6; a wide, tele, and macro zoom lens.
“The first three lenses – wide-angle, telephoto and macro – are scheduled to be launched in late Q2 2016. The wide-angle and telephoto lenses offer excellent image performance with outstanding edge-to-edge contrast. The macro lens features a zoom function – unique for accessory lenses of this type – for flexible image composition. The new lenses can be used on the Apple® iPhone® with customized mounting brackets.”
Giroptic’s 360cam, first introduced earlier this year, is now available for pre-order. The camera features three cameras and lenses alongside three microphones for recording content across 360-degrees. As with similar cameras, these videos and pictures can then be viewed with VR headsets for a more immersive experience and with the maker’s related mobile app.
The 360cam’s resulting footage can be recorded at 2048p 2K and 4096p 4K. The content is stitched in-camera, meaning there’s no post-processing necessary. Camera control is available on mobile devices through the maker’s mobile app, as well. Says Giroptic, users can capture content, view it, and share it with a smartphone.