New FUJIFILM X-T30 Released – The X-T3’s Little Brother is Here

 Cinematography, Gear, Mirrorless  Comments Off on New FUJIFILM X-T30 Released – The X-T3’s Little Brother is Here
Feb 142019
 

Today FUJIFILM released their new X-T30 mirrorless camera with APS-C sized sensor. While housed in a more compact and more lightweight body than its bigger brother, the X-T30 sport the same sensor, the same processor and the same film simulations from the X-T3. Even F-log is on board!


The new FUJIFILM X-T30 comes in three colors. The one in the middle is called “charcoal silver”

FUJIFILM X-T30

This new model isn’t part of FUJIFILM’s premier league of mirrorless cameras. Its two-digit name puts it in the second devision, yet the pure specs speak another language: 4K 25p/30p, F-log, 4:2:2 10-bit output, FullHD 100p/120p @ 200Mpbs. Not bad! There’s a downside though as the recording times are pretty limited:

  • C4K (4096×2160) // 29.97p/25p/24p/23.98p // 200Mbps/100Mbps // up to approx. 10min
  • 4K UHD (3840×2160) // 29.97p/25p/24p/23.98p // 200Mbps/100Mbps // up to approx. 10min
  • Full HD (2048 ×1080) // 59.94p/50p/29.97p/25p/24p/23.98p // 200Mbps/100Mbps // up to approx. 15min.
  • Full HD (1920×1080) // 59.94p/50p/29.97p/25p/24p/23.98p // 200Mbps/100Mbps // up to approx. 15min.
  • Full HD (1920×1080) // 120p/100p // 200Mbps // up to approx. 6min.

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Hands-On Preview With the Panasonic S1R

 Gear  Comments Off on Hands-On Preview With the Panasonic S1R
Feb 122019
 

In a world where it feels like there is a new camera every month, finding an identity in the market is becoming increasing difficult. Where do Panasonic’s new cameras fit and will they be successful?

In this first look from DPReview you won’t get their entire in-depth review quite yet but you will learn about some of the real-world features and issues. One of the main features that caught my attention when first learning about this camera was its capability to produce 187-megapixel images; yes, you read that correctly. The sensor is rated at 47.3 megapixels but using its pixel shift technology, you can essentially quadruple the effective resolution. While this technology isn’t anything new, it has become something I am personally keeping a close eye on within the market as a landscape photographer.

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Lifetime Review: Canon EF 85mm f/1.8 USM Lens

 Gear  Comments Off on Lifetime Review: Canon EF 85mm f/1.8 USM Lens
Feb 102019
 

The Canon EF 85mm f/1.8 USM lens is the oldest piece of kit in my work camera bag. As I get ready to upgrade all of my gear, I thought a lifetime review was in order.

I purchased this lens a very long time ago, it may be around a decade ago, I am not really sure. What I am sure of though is that it has paid for itself many times over. This is perhaps the best return on investment that a single piece of equipment has ever given me. I vividly remember walking to my local camera shop in Leicester during a lunch break to purchase a copy of this lens, with very little thought, research, or general clue as to what I was doing. I assume I had heard of a pro photographer who liked an 85mm lens and assumed I needed one. Back then I would have probably only had a crop-sensor camera so it was a little on the tight side for my taste, but I seem to remember buying my first full-frame body shortly after to remedy this, also with very little research and forethought.

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Micro Four Thirds Versus Full Frame: How Much Heavier Is Panasonic’s S1?

 Cinematography, Gear, Mirrorless  Comments Off on Micro Four Thirds Versus Full Frame: How Much Heavier Is Panasonic’s S1?
Feb 102019
 

For those of us that like shooting on a mirrorless camera, we’ve probably become accustomed to the lightweight and easy to manage cameras. So are the S1 and S1R a step too far on the scales?

Now that Panasonic are entering the full-frame mirrorless market, they’ve created the heaviest camera of the bunch. The S1 weighs 2.25 pounds, with the S1R weighing basically the same at 2.24 pounds. Out of the competition, it’s only the Sony a9 that comes close with 1.48 pounds. All of this is with the battery inside the camera. Here’s a breakdown:

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Canon EOS RP Revealed in Leaked Photos and Specs

 Gear, Mirrorless  Comments Off on Canon EOS RP Revealed in Leaked Photos and Specs
Feb 072019
 

Canon is gearing up to announce its second full-frame mirrorless camera following the EOS R. It you can’t wait for the official announcement just around the corner, today’s your lucky day: the upcoming Canon EOS RP has been revealed in leaked photos and specs.

From the photos, we see that the RP isn’t just the same R body with modified specs and features. We can see that the design and form factor are noticeably different (and the RP is smaller):

To scale: a size comparison between the EOS RP (left) and EOS R (right).

Nokishita, which first published the photos, reports that the Canon EOS RP will feature a 26.2-megapixel full-frame CMOS sensor with Dual Pixel CMOS AF and a DIGIC 8 image processor.

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Fujifilm X-T30 Leaked Photos Show New Joystick

 Gear, Mirrorless  Comments Off on Fujifilm X-T30 Leaked Photos Show New Joystick
Feb 072019
 

Fujifilm appears to be gearing up to announce the successor to the X-T20, and purported photos of the X-T30 have leaked onto the Web.

The Japanese camera rumor site Nokishita posted the photos today after receiving them from overseas sources.

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Sony a6400 Review – Is the End of Manual Focus Lenses Near?

 Cinematography, Gear, Mirrorless  Comments Off on Sony a6400 Review – Is the End of Manual Focus Lenses Near?
Feb 032019
 

With the introduction of the Sony a6400, I had a chance to take the new camera for a short spin and after playing with it for a bit, I made up my mind. Sony’s latest offering is very different and interesting, BUT, is it worth the upgrade from its a6300 and a6500 siblings? (Same sensor but enhanced image processing engine). Is it really a Vlogger’s camera? What is its strongest selling point and last but not least, what is the real reason for Sony to introduce this camera in my personal opinion? Interested? Keep reading.

It is the middle of January. My short (and yet to be disclosed) assignment in Japan is almost over but before going back home, I’m lucky enough to put my hands on the new Sony a6400 to take it for a short spin. At first, my plan was to shoot a short documentary with it and by doing so, explore its video capabilities, but after noticing that most features and even technical specifications are very similar to the Sony a6300 and a6500 (which I reviewed and tested before), I decided to scrap my original plan and concentrate on testing a single feature, the one that captured my attention most.

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OLYMPUS OM-D E-M1X Announced – First Impressions and Hands-On Review

 Cinematography, Gear  Comments Off on OLYMPUS OM-D E-M1X Announced – First Impressions and Hands-On Review
Feb 032019
 

The OLYMPUS OM-D E-M1X was just announced and we were lucky enough to get our hands on the camera well before the announcement. We filmed with it, tested it, and are now happy to share our thoughts about its video capabilities and overall performance. (All information is related only to the video functionality of the camera).

Two years and a bit after their last major announcement, OLYMPUS can pride themselves with having a new camera – the E-M1X. As you can see, I’m very careful about NOT calling it the new “flagship” camera, as both, the OM-D E-M Mark II and the new OM-D E-M1X will co-exist in OLYMPUS’ portfolio, allowing them to target a wider variety of users with different photo/filming needs and budgets.

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APPLE’S 2019 IPHONE MAY SPORT 3D CAMERAS MANUFACTURED BY SONY: REPORT

 Apple, Gear, News  Comments Off on APPLE’S 2019 IPHONE MAY SPORT 3D CAMERAS MANUFACTURED BY SONY: REPORT
Jan 052019
 

Apple is reportedly collaborating with Sony to deploy 3D cameras in its next-generation iPhone, also rumoured to be called the iPhone XI.

First reported by Bloomberg, Apple will apparently be using Sony’s long-range 3D Camera based on Time of Flight (ToF) technologyThis technology, which uses invisible laser pulses to measures the time before they bounce back to build detailed 3D models of objects, has the potential to transform photography, security, and gaming in the 2019 iPhones.

Image: Reuters

Further, these long-range 3D camera sensors by Sony will apparently also help in mapping rooms and objects for AR and VR experiences. Currently, Apple uses a TrueDepth sensor, which is a short-range 3D technology. However, Sony’s technology could really change the game for the 2019 iPhone users.

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Panasonic hints at a future entry-level full-frame camera, by Phil Hall

 Gear, Mirrorless  Comments Off on Panasonic hints at a future entry-level full-frame camera, by Phil Hall
Jan 042019
 

We know Panasonic is launching its professional-focused Lumix S1 and S1R full-frame cameras this year, but it looks like we could see a more affordable entry-level model as well.

In a wide-ranging interview with DPReview.com, the President of Panasonic’s Imaging Network Business Division, Yosuke Yamane, was questioned on whether the new full-frame S series will grow to include entry-level products.

Yamane responded that “the first generation will be specialized for professionals, but in the future, of course we’re also aiming to attract entry-level users”.

It appears, though, that for now the priority is to appeal to professionals, with Yamane stating that “our image to professional users is very important. That’s why we’re attacking this segment [initially]”.

Yamane also discussed aspects of the philosophy behind Panasonic’s first full-frame mirrorless cameras, from why the company chose to enter the sector to its decisions regarding the size of its cameras. 

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Kessler Lamprey – 200lbs. Universal Suction Mount

 Gear  Comments Off on Kessler Lamprey – 200lbs. Universal Suction Mount
Dec 032018
 

Kessler has announced a new 200lbs force rated suction mount. The Kessler Lamprey is a 8” suction cup with cheeseplate top, offering a variety of mounting options for camera, lighting and grip accessories.

Suction mounts in filmmaking are generally pigeon holed into car rigging, however Kessler quote that the Lamprey is suitable for “any non-porous surface” such as windows, table tops and (of course) car body panels.

The 8” suction mount has a built in pump and is rated for 200lbs.

On top, things are kept fairly universal, a cheeseplate array of 1/4-20 & 3/8-16 threads and holes means you can use the Kessler Lamprey in a variety of configurations.

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A Smart Remote That Can Add Features Your DSLR Doesn’t Have out of the Box

 Gear  Comments Off on A Smart Remote That Can Add Features Your DSLR Doesn’t Have out of the Box
Dec 032018
 

No matter what camera you have, it will be missing some feature available on another brand or model. I found that with my Canon DSLR, and when I moved to a Sony a7 III, I gave up some good features and gained a few.

During my Canon days, I became interested in a product called the Pluto Trigger. I was really interested in catching lightning where I live in the Arizona mountains. So, I picked up a Pluto Trigger for that purpose, and quickly realized it did a whole lot more for $119.

The Pluto (let’s shorten its name for brevity) packs a boatload of features that can enhance any DSLR. It supports Canon, Nikon, Sony, Minolta, Panasonic, Olympus, Pentax, and more. You’ll need a connecting cable to your remote port on your camera, and the company offers 13 remote cables that can control more than 300 cameras.

The Pluto uses an iOS or Android app for control. It’s easy to use and actually pretty self-explanatory when you are out in the field.

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Sony a7/R III Firmware v2 Unlocks All AF Modes for Adapted Lenses

 Gear, Mirrorless  Comments Off on Sony a7/R III Firmware v2 Unlocks All AF Modes for Adapted Lenses
Dec 032018
 

Two months ago, Sony released a major firmware version for its popular a7 III and a7R III mirrorless cameras. Version 2.0 brought new features and improvements… including the ability for a wide range of adapted lenses to make use of all the camera’s autofocus modes.

The update “Adds support for Zone, Expand Flexible Spot, and Lock-on AF focus areas when using the LA-EA3 mount adaptor,” Sony writes.

Sony specifically mentioned the LA-EA3 mount adapter, which is designed to let photographers use Sony A-mount lenses on E-mount cameras. But it seems the new feature goes well beyond that use case and includes all lenses, according to DPReview.

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BUTTER GRIP Offers 3D-Printed Grips for Classic Film Cameras

 Gear  Comments Off on BUTTER GRIP Offers 3D-Printed Grips for Classic Film Cameras
Dec 032018
 

Shoot a classic film camera but wish it had better ergonomics? BUTTER GRIP is a new line of 3D-printed grip attachments designed specifically for a large number of vintage cameras.

The brand is the brainchild of photographer Ethan Moses, the guy behind the 3-printed Cameradactyl 4×5 field camera.

“So far I’ve modeled all the cameras in my personal camera graveyard and working collection, and my friends Canon collection,” Moses tells PetaPixel. “I think that I made the first ever RIGHT hand grip for a Pentax 6×7.”

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41 7 1 Rhino Arc II – 4 Axis Motorized Head and Slider for Automated Camera Movement

 Cinematography, Gear  Comments Off on 41 7 1 Rhino Arc II – 4 Axis Motorized Head and Slider for Automated Camera Movement
Nov 282018
 

There’s no shortage of solutions for automated camera movement on the market right now. However the Rhino Arc II tries to distinguish itself with some outstanding features, like the integrated focus motor, high load capacity of 15 lbs / 6,8 kg, the ability to do Light Lapses (day-to-night timelapses) and lots of other neat little features, that promise to make it easier to use than the competition out there. The Rhino Arc II is currently being funded on Kickstarter, with its initial funding goal of $50,000 already more than doubled. Here’s everything you need to know, to decide if you want to back it too.

The Rhino Arc II can be considered something of a new take on the usual “slider-with-a-pan-and-tilt-head” style solution. First of all everything is highly modular.  In accordance to the claim of 4 axes (focus being one “axis”), the main parts of the Rhino Arc II system are: a motorized pan and tilt head, a focus motor, a slider motor and the sliders themselves. The interesting part is that the head is designed so that it can be used separately, say on a tripod, either as an automated head, or just as a motorized yet hand-controlled head using two ergonomically placed joysticks to control the pan and tilt, as well as focus and slide. This in itself is an interesting concept at this price point. Of course the system also comes with an app, to help control the head, plan movements and add new features (like the Light Lapse feature). The head has a load capacity of 15 lbs / 6,8 kg, features a high capacity battery with a DC out to power your camera and a built-in Manfrotto 501 plate receiver. This capacity will give you enough leeway to use most smaller cinema cameras, even rigged. The battery has a capacity of 60Wh, will power your timelapses for up to 48h and can be charged in around two hours.

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DJI Osmo Pocket – Tiny 3-Axis Stabilized Camera with 4K 60fps Recording

 Action cams, Gear  Comments Off on DJI Osmo Pocket – Tiny 3-Axis Stabilized Camera with 4K 60fps Recording
Nov 282018
 

DJI just announced the smallest camera with mechanical gimbal ever – DJI Osmo Pocket. It can take 12MP stills and record true 4K video at up to 60fps. There will also be a handful of accessories available for the new Osmo Pocket.

DJI Osmo Pocket – Smallest Osmo ever. Source: DJI

Right now, DJI is having an event in New York City called “Because Life is Big” and they announced their smallest camera with a 3-axis mechanical gimbal ever – the DJI Osmo Pocket. Nino Leitner from the cinema5D team is attending the event to bring the fresh information to our readers – we will also share a video about the announcement with a first hands-on tomorrow.

DJI Osmo Pocket

Just like previous generations of Osmo, this is a very compact camera with a mechanical gimbal and a handle. Although the word compact is getting a whole new dimension here – the DJI Osmo pocket is incredibly tiny – it only weighs 4.1 oz (116g) and it is 4.8″ (122mm) long. The camera can record true 4K video at up to 60fps with 100Mbps bitrate.

The DJI Osmo Pocket uses built-in dual microphones and advanced noise-canceling algorithms to ensure high quality audio. The built-in Li-Po battery offers up to two hours shooting video in 4K (30fps), but it is not interchangeable. On the back of the camera grip there is a touchscreen display to monitor the image and control the camera, two buttons for quick controls and a universal port to connect various accessories.

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Canon’s Upcoming 8K Camera – Concept Explanation

 Cinematography, Gear  Comments Off on Canon’s Upcoming 8K Camera – Concept Explanation
Nov 272018
 

Please turn CC on for English subtitles.

Canon 8K technology was demonstrated with a prototype camera body during Inter BEE 2018. We talked about it with Toshiyuki Akimoto from Canon who is responsible for the development of 8K monitors and cameras.

 

8K resolution is slowly making its way in the line-ups of camera manufacturers. During Inter BEE 2018 we saw an interesting 8K camera concept from Astro. RED of course has already had working 8K cinema cameras for a while with their MONSTRO and HELIUM cinema cameras. Panasonic claims to have an 8K capable camera for the Olympic Games in Tokyo in 2020. Now Canon also presented their 8K cinema camera concept.

The Canon 8K camera concept presented at Inter BEE 2018 has quite a compact body very similar to the Canon C300 Mark II. It will have a super 35mm sensor and an 8K processing unit inside and mind you that recording will not be done internally. You will have to find and attach an external 8K recording solution. According to Canon, the purpose of this demonstration is to research the market and to gather the customer’s opinion regarding future 8K demand.

Since this 8K camera is still only a prototype and future technology demonstration, there is no detailed explanation of its functions or ergonomics yet. The presented camera, however, looks to being very close to the production stage.

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Canon May Be Planning a 75-Megapixel Mirrorless Camera

 Gear  Comments Off on Canon May Be Planning a 75-Megapixel Mirrorless Camera
Nov 272018
 

It’s clear that Canon intends to bring more bodies into their EOS R mirrorless line. Now, it looks as if an ultra-high-resolution camera may be part of what’s in store.

Canon Rumors is reporting that an EOS R body with just over 75 megapixels is in development. While Canon has the 5DS R, it wasn’t until the 80D and subsequent cameras that we saw a marked shift in sensor quality and dynamic range from the company, so it would be quite interesting to see how a high-resolution sensor made with their newer techniques performs.

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The Nikon Z6: The Best Full-Frame Mirrorless Camera (Except for One Thing)?

 Gear  Comments Off on The Nikon Z6: The Best Full-Frame Mirrorless Camera (Except for One Thing)?
Nov 272018
 

With Nikon’s shiny new Z6 hitting the shelves in a matter of weeks, Kai Wong puts it through its paces at a nearby zoo, testing its autofocus and all-round performance with the help of a seasoned, Nikon-shooting photojournalist.

Photographer Paul John Bayfield has been shooting Nikons in the field for several years, so he’s the perfect candidate to see how the Z6 compares to its DSLR counterparts, and discuss how it stacks up against the Z7.

As mentioned elsewhere, the autofocus system just doesn’t quite compare to the 3D tracking offered by the likes of the D850 and the D5. For Nikon enthusiasts, this was undoubtedly something of a disappointment. The new combination of contrast detect and phase detect systems implemented in the Z range seems to be in its infancy, and prior to the launch of the Z7, expectations were high thanks to the 3D tracking in Nikon’s DSLRs that had set the standard by which it would be compared.

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Profoto B10 Versus Godox AD400Pro: The Best Strobes Compared

 Gear  Comments Off on Profoto B10 Versus Godox AD400Pro: The Best Strobes Compared
Nov 212018
 

A few months ago, we released our first impressions of the new Profoto B10 portable flash unit, and many of our readers claimed that we didn’t give it an honest review because it was wildly overpriced. Today, we are giving the critics what they asked for: we are going to compare it to the Godox AD400Pro.

Both of these flashes have more similarities than differences. They are both compact, battery-powered flashes that can also be plugged into AC power. The true differences are found in the details, and we have compiled the most detailed comparison in Fstoppers history. Let’s get to it.

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