Blackmagic Camera 6.6 Firmware for BMPCC 4K and 6K Released

 Gear  Comments Off on Blackmagic Camera 6.6 Firmware for BMPCC 4K and 6K Released
Oct 292019
 

Blackmagic Design is continuously working hard to improve its BMPCC 4K and BMPCC 6K video cameras, and they now released a new firmware update: Blackmagic Camera Setup 6.6. This update unlocks a couple of new recording modes, a built-in camera horizon tool, improvements to the autofocus performances, and many other features. Let’s take a closer look at it!

BlackmagicCameraSetup6_6_Featured

Image credit: Blackmagic Design

Blackmagic Camera Setup 6.6

Blackmagic Design has now announced a new firmware update for its BMPCC 4K and 6K models called Blackmagic Camera Setup 6.6. This firmware update improves a lot of features on both Blackmagic Pocket Cinema Cameras including:

  • Added support for Blackmagic Pocket Battery Grip. The Battery Grip was announced during NAB 2019, and support up to two Sony NP-F style batteries for extended battery life.
  • Added support for language localization.
  • Added support for built-in camera horizon tool. This feature is useful for making sure your camera is perfectly level.
  • Added support for pinch to zoom up to 8x magnification.
  • USB PTP control support.
  • You now can type in customized frame guide ratios; you have no limit anymore to the built-in ones.
  • It has improved autofocus performance.
BlackmagicCameraSetup6_6_01

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Panasonic S1H Lab Test – Dynamic Range and Rolling Shutter Results

 Gear, Mirrorless  Comments Off on Panasonic S1H Lab Test – Dynamic Range and Rolling Shutter Results
Oct 292019
 

Finally, we were able to put the Panasonic S1H to the test in our cinema5D lab. Looking at the various frame rates and resolutions, as well as the full frame and Super 35 modes of this camera, this turned out to be quite an endeavour. Ready for a lab marathon? Read on…


Panasonic S1H – Image credit: cinema5D

I have long waited for the day to come when I would be able to put the Panasonic S1H through our lab test procedures. I sold my Sony a7S II a while ago expecting a successor to be announced soon, now finding myself impatient in the waiting position for my next camera purchase … will this cam be it?

Spoiler alert: lab results are very impressive – the Panasonic S1H is the first camera in our tests, that shows nearly identical dynamic range results for the two ISO settings of the dual gain sensor! I will share most of the results in detail with you, so this is going to be a long read. Sorry about that…

As described by my colleagues Nino, Jeff, and Johnnie in detail here, the Panasonic S1H is designed with a “video first” mindset by Panasonic and ticks a lot of my personal boxes. I was even hoping for an internal ProRes recording option, but dream on my friends (just to be clear, Panasonic and Atomos are working together in delivering 5.9K ProRes RAW data output to Atomos Ninja V recorder. More info can be found here).

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Tokina atx-i 11-16mm f/2.8 CF Lens Announced – Popular Ultra-Wide Comeback

 Gear  Comments Off on Tokina atx-i 11-16mm f/2.8 CF Lens Announced – Popular Ultra-Wide Comeback
Oct 242019
 

Tokina atx-i 11-16mm f/2.8 CF is a new ultra-wide-angle APS-C lens based on Tokina’s long seller – the AT-X 116 PRO DX II model. It comes in two versions to fit both Canon EF and Nikon F DSLR cameras. The lens features internal focus, water-repellent coating, one-touch focus clutch mechanism, and 77mm front filter thread. It offers overall good optical performance with a lightweight body at an affordable price – $449.

Tokina atx-i 11-16mm f/2.8 CF Lens announced. Image credit: Tokina

The original AT-X 116 PRO DX II 11-16mm f/2.8 lens from Tokina was the ultra-wide angle lens of choice for many filmmakers and photographers. It was a very good deal and especially filmmakers liked the lens for many reasons – it offered constant aperture f/2.8, front filter thread, lightweight design, and a friendly price tag. The new Tokina atx-i 11-16mm kind of builds on its success.

Tokina atx-i 11-16mm f/2.8 CF Lens

Based on the widely popular AT-X 116 PRO DX II, the model atx-i 11-16mm F2.8 CF is designed and optimized for contemporary APS-C sensor DSLR cameras in terms of improved specifications and renovated design.

Together with its predecessor, it is the only f/2.8 fast ultra-wide-angle zoom lens for APS-C sized DSLR cameras in the current market. A constant maximum aperture of f/2.8 throughout the entire zoom range is useful for low light environments, like interiors.

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Panasonic S1H Review – Is it the Best Full Frame Mirrorless Camera for Filmmakers yet?

 Cinematography, Gear, Mirrorless  Comments Off on Panasonic S1H Review – Is it the Best Full Frame Mirrorless Camera for Filmmakers yet?
Oct 242019
 

The Panasonic S1H is now finally available for purchasing and we took it for a spin in order to put it through its paces. If you are in a rush and have no time to continue reading, here is my conclusion first: Currently it is the best mirrorless camera that can shoot video in the market. Of course, no filming device is perfect, but any manufacturer who would like to produce something even better will have to work harder to achieve this. Ready to dive into details? Keep on reading. 

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Tamron Expands Their Sony Mirrorless Lens Line-Up with 4 New Lenses

 Cinematography, Gear, Mirrorless  Comments Off on Tamron Expands Their Sony Mirrorless Lens Line-Up with 4 New Lenses
Oct 242019
 
Tamron Expands Their Sony Mirrorless Lens Line-Up with 4 New Lenses

Tamron really has their focus on the Sony mirrorless camera users. The existing Tamron lenses for Sony mirrorless, the 28-75mm f/2.8 and 17-28mm f/2.8 have been quite successful due to their superb quality and competitive pricing. That is why many users have been awaiting the lens that would complete this zoom lens trinity, a fast telephoto lens, certainly. 

Today, Tamron announced the development of the Tamron 70-180mm F/2.8 Di III VXD. However, aside from that, a lot are still yet to be revealed by the third-party lens brand. In addition, however, they finally revealed the 3 new prime lenses for the Sony mirrorless line-up. The 20mm F/2.8 Di III OSD M1:2 (Model F050), 24mm F/2.8 Di III OSD M1:2 (Model F051), and 35mm F/2.8 Di III OSD M1:2 (Model F053). The 24mm and 35mm lenses will be available on November 20th and the 20mm will be available in January 2020. All three prime lenses share the same price tag of $349. 

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Zhiyun Weebill-S Compact Gimbal for Mirrorless and DSLR Cameras Announced

 Gear  Comments Off on Zhiyun Weebill-S Compact Gimbal for Mirrorless and DSLR Cameras Announced
Oct 172019
 

After the massive success of the Kickstarter campaign for their SMOOTH-Q2 smartphone gimbal, Zhiyun is back with a new gimbal for DSLR and Mirrorless cameras: the Zhiyun Weebill-S. This compact and robust handheld gimbal is a follow-up to the previous Weebill LAB that was announced at Photokina 2018. Let’s take a closer look at it!

Zhiyun Weebill-S Design

Zhiyun has just announced their new handheld gimbal for mirrorless and DSLR cameras: the Zhiyun Weebill-S. This fresh stabilizer is a follow-up to the previous Weebill LAB, but it is not a replacement. Overall, the one-of-his-kind design is similar between the two. If it works, don’t fix it.

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Nikon Releases NIKKOR Z 58mm f/0.95 S Noct Lens – World’s Fastest Z-Mount Lens

 Gear  Comments Off on Nikon Releases NIKKOR Z 58mm f/0.95 S Noct Lens – World’s Fastest Z-Mount Lens
Oct 172019
 

Nikon releases the NIKKOR Z 58mm f/0.95 S Noct manual-focus lens, which is currently the fastest lens for the Z-Mount and one of the world’s fastest lenses ever. It covers full-frame sensors, offers a function button, and comes with a dedicated case. This unique lens is now available for pre-order for slightly under $8,000.

NIKKOR Z 58mm f/0.95 Noct lens released. Image credit: Nikon

Nikon works hard to extend their mirrorless Z-mount lineup. The Japanese company recently announced the new APS-C camera Nikon Z50 along with two new budget DX lenses. Nikon also released an announcement including the fastest lens in the Z-mount lineup – NIKKOR Z 58mm f/0.95 S Noct lens. Let’s take a look at its features.

Nikon NIKKOR Z 58mm f/0.95 S Noct Lens

The NIKKOR Z 58mm f/0.95 S Noct is an ultra-fast, standard prime, manual-focus lens for the Nikon Z mount system’s full-frame (Nikon FX-format) mirrorless cameras – the Z 6 and Z 7. It takes advantage of the large-diameter (inner diameter of 55 mm) of Z-mount and 16 mm flange focal distance to realize an f/0.95 maximum aperture.

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Sirui Swift M1 and Swift P1 Gimbals for Smartphones and Mirrorless Cameras

 Action cams, Gear  Comments Off on Sirui Swift M1 and Swift P1 Gimbals for Smartphones and Mirrorless Cameras
Oct 172019
 

Sirui is launching an Indiegogo campaign for two new compact gimbals: the Sirui Swift M1 and Sirui Swift P1. The Sirui Swift M1 is designed for smartphones only, while the Swift P1 can take smartphones and mirrorless cameras up to 900 grams. Let’s take a closer look at these new stabilizers!

SiruiSwiftM1P1_Featured

Image credit: Sirui

Sirui Swift M1 Gimbal for Smartphones

The Sirui Swift M1 is a gimbal for smartphones that is lightweight at just 498 grams/1.1 lbs, and that can take a maximum load of 300 grams/0.66 lbs. As a reference, the iPhone 11 Pro Max weight 226 grams. The gimbal folds down in two and has an internal non-removable battery that should last for 6 hours, according to Sirui. There are locking buttons on every axis, so the gimbal won’t move when you transport it.

On the front of the Sirui Swift M1, there is a little OLED display that shows you the mode you are in. Below the screen, there is a control jog and four buttons: functions/menu/record/power. On the back of the gimbal, there is a little trigger button to reset all the axis. On the left side, there is a small dial to adjust the roll axis or change modes.

There’s nothing extraordinary on the hardware side, so what makes this gimbal different?

SiruiSwiftM1_02

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A Comprehensive Review of the Sony a7R IV

 Gear  Comments Off on A Comprehensive Review of the Sony a7R IV
Oct 142019
 
A Comprehensive Review of the Sony a7R IV

The Sony a7R IV brings the company’s latest innovations and improvements to the popular line of high-resolution full frame cameras. Along with its new sensor come a bevy of new upgrades and refinements to existing features, making it an interesting choice for a lot of photographers. This comprehensive and thorough review takes a deep look at the camera to help you decide if it is right for you. 

Coming to you from Maarten Heilbron, this excellent review takes a look at the Sony a7R IV. The a7R IV features lots of upgrades over the a7R III, the most prominent being the new 61-megapixel sensor, an upgrade of almost 50% over its predecessor. Along with the new sensor comes a better EVF, more ergonomic grip, more powerful autofocus, better weather-sealing, and more. The capability to fire at 10 fps at 61 megapixels is certainly a boon for many photographers, particularly wildlife photographers, who retain vast cropping capabilities with enough speed to capture animals in action, all supplemented by the capable autofocus system. 

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Kinotehnik LCDVF BM5 – New Viewfinder for Blackmagic Pocket Cinema Camera 4K and 6K

 Gear  Comments Off on Kinotehnik LCDVF BM5 – New Viewfinder for Blackmagic Pocket Cinema Camera 4K and 6K
Oct 142019
 

Kinotehnik just introduced their new LCDVF BM5 viewfinder for Blackmagic Pocket Cinema Camera 4K and 6K. It features 200% magnification, AR coated and optically corrected lens, magnetic frame, and 46mm threading to attach diopter correction lenses.

LCDVF BM5 viewfinder for BMPCC 4K and 6K. Image credit: Kinotehnik

Blackmagic Pocket Cinema Cameras 4K (our review) and 6K  (our review) have gotten very popular among filmmakers. They offer great image quality with solid codecs for a very affordable price. Numerous third-party accessories for this camera have already been released to compensate for these cameras’ downsides – particularly battery life and support for SSD media. When it comes to ergonomy, another downside of BMPCC 4K and 6K is the absence of a viewfinder.

Kinotehnik is a camera accessories manufacturer based in Estonia. They are known mostly for their LCDVF viewfinders and Practilite series of lights. The company just introduced LCDVF BM5 – their new viewfinder for Blackmagic Pocket Cinema Cameras 4K & 6K.

While Kinotehnik claims their LCDVF BM5 is a world’s first viewfinder for the BMPCC 4K and 6K, I personally know filmmakers who have been using viewfinder from a Brazilian company GRID with their BMPCC 4K. To be fair, GRID 5.0 viewfinder is quite expensive at $241 and the distribution might be a bit problematic. My point is, that Kinotehnik LCDVF BM5 certainly isn’t the world’s first in this regard.

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SIGMA fp Camera Cage – Taipan KABUTO FP-1 Soon to be Available

 Cinematography, Gear  Comments Off on SIGMA fp Camera Cage – Taipan KABUTO FP-1 Soon to be Available
Oct 142019
 

KABUTO FP1 from Taipan Cinema is the first cage system for the upcoming full-frame mirrorless camera SIGMA fp. It features a modular design with many ¼-20 UNC, 3/8-16 UNC mounting threads and ARRI 2-pin anti-rotation mount. It also includes T5 SSD holder and a cold shoe adapter without blocking any of the camera’s functions.

KABUTO FP-1 Cage for SIGMA fp. Image credit: Taipan Cinema

The compact full-frame mirrorless camera SIGMA fp is coming very soon. Now we know it is going to be priced slightly under $2,000. My colleague Johnnie was testing the camera in Japan and his early hands-on impressions article is coming very soon. In the meantime, Taipan Cinema introduced the first cage for this camera.

The Italian camera accessories company Taipan Cinema is focusing mostly on cages and rigs for popular cameras. They usually react very quickly and introduce first cages and rigging solutions to newly announced cameras – like with the EXO cage for DJI Osmo Pocket. This time Taipan Cinema most likely took advantage of the published 3D models of SIGMA fp camera and they introduced the first cage for the fp – KABUTO FP-1. What are its features?

Taipan KABUTO FP-1 Cage for SIGMA fp

KABUTO FP-1 cage features a modular design and is mounted on the camera like a mask, from the front. The name is inspired by the battle helmets used by Samurais in ancient Japan.

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KIPON Releases PRO Cine Adapters for PL and LPL Mount Lenses and Medium Format Lenses

 Cinematography, Gear  Comments Off on KIPON Releases PRO Cine Adapters for PL and LPL Mount Lenses and Medium Format Lenses
Oct 102019
 

KIPON announced a new PRO line of adapters for PL and LPL mount lenses and 0.7x speed boosters for selected medium format lenses. The adapters feature precisely manufactured bodies from strong stainless material and the possibility to add shim papers. They will be available for most popular mirrorless mounts  – Sony E, Micro Four Thirds, Nikon Z, EOS R-mount, L-mount, FUJIFILM G-mount, and RED cameras. The adapters are available now.

KIPON PRO cine adapters

The Shanghai-based company KIPON is known mainly for its lens adapters and affordable manual focus lenses. Back in March 2018, we informed you about their Canon-EF to FUJIFILM X-Mount autofocus adapters. Now KIPON releases a new PRO line of adapters. What kind of adapters are these exactly?

KIPON PRO Cine Adapters for PL and LPL Mount Lenses

First group of new PRO cine adapters from KIPON are adapters without an optical element. They are designed for PL and LPL mount cine lenses, so these adapters naturally do not support autofocus or aperture operation. They only support full manual operation.

All PRO adapters are manufactured with high precision using strong stainless material with very good abrasive resistance. KIPON says there will be no tolerance change for lens and body mount side even after years of use. There is also a possibility to add shim papers of various thicknesses to all PRO adapters to ensure precise (back-)focusing.

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SIGMA fp Pricing Revealed – A Sub-$2,000 Full Frame Camera With RAW Capabilities

 Cinematography, Gear  Comments Off on SIGMA fp Pricing Revealed – A Sub-$2,000 Full Frame Camera With RAW Capabilities
Oct 102019
 

Back in July, we reported about the launch of the SIGMA fp full-frame camera. We visited the SIGMA factory in August, we asked questions about it at this years IBC in September and we posted about the official release of highly accurate 3D models of the camera and its available accessories in order to create an even further expanded pool of custom accessories. But one thing remained in the dark and that’s the price of the fp camera. Now the company spilled the beans and here it is: The SIGMA fp will be yours for $1,899 US. Preorders are open as we speak

SIGMA fp

The SIGMA fp is not your average pocket-sized point’n’shoot camera. It’s kind of two cameras in one and it sports a full frame sensor. You can choose between a dedicated cine mode as well as a stills mode, accessible via a hardware switch right on the top plate of the camera, no more menu digging! That’s a lot of functionality inside this tiny body and it’s a fresh apporach of tackling all these menu settings and controls for both, stills and cine applications.

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What Is Apple’s Semantic Rendering and How Does It Affect iPhone 11 Photos?

 Apple, Gear  Comments Off on What Is Apple’s Semantic Rendering and How Does It Affect iPhone 11 Photos?
Oct 102019
 
What Is Apple's Semantic Rendering and How Does It Affect iPhone 11 Photos?

Apple has made a lot of noise with its camera-festooned iPhone 11 models, but beyond the lenses and hardware is a lot of interesting software. It’s arguably that software that’s driving the biggest changes to photography to date.

Some of that software isn’t available yet, such as “Deep Fusion” AI which Apple’s Marketing Chief described as “computational mad science,” or marketing speak for “I’m not really sure what this is yet, but it’s got a cool name.” But one of the technologies that is available right now is “semantic rendering,” which according to an article from Digital Trends is basically an editor in your phone touching up each individual part of your image.

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Sony a9 II Announced – More Speed for Pro Photographers, Same Video Specs

 Gear, Mirrorless  Comments Off on Sony a9 II Announced – More Speed for Pro Photographers, Same Video Specs
Oct 072019
 

Sony just announced the a9 II full-frame E-mount mirrorless camera. Aimed at professional sports photographers and photojournalistst, the Sony a9 II is all about speed. It has the same 24.2 MP CMOS sensor as the original a9. The camera is capable of 20fps continous blackout-free stills shooting with AF and AE tracking with electronic shutter (up to 10fps with mechanical shutter). The new a9 II also features better in-body image stabilization, weather resistance, and gigabit ethernet port for high speed communication. Available in October for $4,500 (€5,400).

Sony a9 II

Sony a9 sits on top of the alpha series of mirrorless cameras. It is aimed at professional photographers, who does not require the maximum possible resolution (for those Sony has the a7R series), but who require speed and other useful features (for example sports photographers and photojournalists). The first generation Sony a9 was presented during NAB 2017, so it has been more than two years. Today Sony announced the a9 II. What are its specs and innovations?

Sony a9 II – Speed Above All

As I mentioned above, the a9 series is all about speed. Sony a9 II (full model name: ILCE-9M2) features blackout-free continuous shooting at up to 20 frames per second (with electronic shutter) with Auto Focus and Auto Exposure tracking, 60 times per second AF/AE calculations. This applies for 1/125 sec. or higher shutter speed. In AF-C mode the maximum continuous frame rate will depend on the shooting mode and lens used. The number of AF calculations will depend on the lens used. A software update may be required for some lenses.

The high speed shooting can last for up to 361 JPEG images or 239 compressed RAW images (in “Hi” continuous shooting mode with UHS-II memory card), with no viewfinder blackout, allowing the photographer to follow the subject and action with no interruption to the EVF during picture taking. For times when mechanical shutter is preferred or required, the new A9 II has been improved to shoot at up to 10 fps, about 2x the speed of the A9.

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KIPON Releases PRO Cine Adapters for PL and LPL Mount Lenses and Medium Format Lenses

 Cinematography, Gear  Comments Off on KIPON Releases PRO Cine Adapters for PL and LPL Mount Lenses and Medium Format Lenses
Oct 072019
 

KIPON announced a new PRO line of adapters for PL and LPL mount lenses and 0.7x speed boosters for selected medium format lenses. The adapters feature precisely manufactured bodies from strong stainless material and the possibility to add shim papers. They will be available for most popular mirrorless mounts  – Sony E, Micro Four Thirds, Nikon Z, EOS R-mount, L-mount, FUJIFILM G-mount, and RED cameras. The adapters are available now.

KIPON PRO cine adapters

The Shanghai-based company KIPON is known mainly for its lens adapters and affordable manual focus lenses. Back in March 2018, we informed you about their Canon-EF to FUJIFILM X-Mount autofocus adapters. Now KIPON releases a new PRO line of adapters. What kind of adapters are these exactly?

KIPON PRO Cine Adapters for PL and LPL Mount Lenses

First group of new PRO cine adapters from KIPON are adapters without an optical element. They are designed for PL and LPL mount cine lenses, so these adapters naturally do not support autofocus or aperture operation. They only support full manual operation.

All PRO adapters are manufactured with high precision using strong stainless material with very good abrasive resistance. KIPON says there will be no tolerance change for lens and body mount side even after years of use. There is also a possibility to add shim papers of various thicknesses to all PRO adapters to ensure precise (back-)focusing.

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cinema5D

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Yuneec Typhoon H3 drone packs high-end Leica camera tech

 Gear  Comments Off on Yuneec Typhoon H3 drone packs high-end Leica camera tech
Oct 022019
 
Yuneec Typhoon H3 drone packs high-end Leica camera tech

Chinese drone company Yuneec has introduced the Typhoon H3, the company’s first drone launched in partnership with camera manufacturer Leica. The drone features the ION L1 Pro, a camera that features a large 1-inch sensor and Leica technology. Yuneec claims the Typhoon H3’s camera was designed specifically for aerial photography.

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Magic Cinema ViewFinder – Free Director’s Viewfinder App for iOS & Android

 Cinematography, Gear  Comments Off on Magic Cinema ViewFinder – Free Director’s Viewfinder App for iOS & Android
Oct 022019
 

Magic Cinema ViewFinder is an application for iOS and Android devices that makes location scouting a lot easier. Although there are already a couple of apps in the market that do the same thing, the Magic Cinema ViewFinder is free. Let’s take a closer look at it!

Location Scouting with Your Smartphone

Back in the days, I used to take stills with a point-and-shoot compact camera while doing location scouting. Don’t get me wrong; it’s still relevant today. But, we now all have in our pocket a smartphone that features a capable camera, and that can launch dozens of apps to make your life easier. I use tools like Sun Surveyor to know where the sun will be at any given hour. Also, Green Screener is an excellent app if the job requires green screen lighting. But one of the most useful to me is Cadrage, which is a viewfinder tool for location scouting.

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Large Format Is Still Completely Unrivaled: Canon 5DS R Versus 4×5 Large Format Film

 Cinematography, Gear  Comments Off on Large Format Is Still Completely Unrivaled: Canon 5DS R Versus 4×5 Large Format Film
Oct 012019
 

Over the last couple of months, I’ve been getting to know a photographer called Adam French who lives in the same city as me. French is a photographer who primarily shoots with a large format film camera. I was utterly blown away by some of the work he produced, and I asked him if he’d be interested in working with us on a YouTube video. 

In the video linked above, we decided to compare a 50-megapixel full-frame camera, the Canon 5DS R, to a large format 4×5 film camera. The lenses we used for the comparison were the Sigma 50mm f/1.4 Art on the Canon versus a 180mm f/2.9 lens on the 4×5 camera. If you’re interested in what the equivalents are, then the large-format lens would be somewhat similar to a 50mm lens with an aperture of around f/0.8 on a full-frame camera. This kind of depth of field is simply ridiculous, and currently, nothing like this exists for any digital camera produced by any of the well-known manufacturers. Even if you’re shooting with a digital medium format camera, it simply isn’t possible to produce that kind of depth of field natively. 

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GoPro HERO8 Black, Mods and GoPro MAX Announced

 Action cams, Gear  Comments Off on GoPro HERO8 Black, Mods and GoPro MAX Announced
Oct 012019
 

One year after the release of the GoPro HERO7 Black and a couple of months after the launch of the DJI Osmo Action, GoPro is back with loads of new products: the GoPro HERO8 Black, a couple of modular accessories called Mods, and the GoPro MAX that replaces the GoPro Fusion. Let’s take a closer look at all these new products for action lovers!

GoPro HERO8 Black – If It Works, Don’t Fix It

The GoPro HERO8 Black replaces the previous HERO7 Black. Let’s start with the exterior design because there is not a massive difference between the two:

  • The HERO8 Black measures 66.3mm x 48.6mm x 28.4mm, whereas the HERO7 is 62.3mm x 44.9mm x 33mm.
  • The HERO8 Black weighs 126 grams, which is 10 grams heavier than the previous version.
  • You don’t need a frame to attach your HERO8 Black to all existing GoPro mounts. Instead, the two swapping mounts are now built-in at the bottom of the action camera. They are retractable, so you can fold them if you don’t need to attach your camera to an accessory.
  • The lens cover is slimmer and is equipped with Corning Gorilla Glass which, according to GoPro, is “two times more impact resistant than previous models.” Gorilla Glass is the same type of glass that is used on iPhones.
  • There is no HDMI port on the HERO8 Black.

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