Should I Use a Crop Sensor or Crop an Image From a Full Frame Sensor?

 Gear, Mirrorless  Comments Off on Should I Use a Crop Sensor or Crop an Image From a Full Frame Sensor?
Jun 082020
 
Should I Use a Crop Sensor or Crop an Image From a Full Frame Sensor?

If a crop sensor is used, it will look like the focal length is much longer. Photographers that need long telephoto lenses can benefit from this. But instead of using a crop sensor, it is also possible to crop a full frame sensor to have the same field of view. Let’s take a look at the differences.

It isn’t really that difficult. A small sensor will record only a part of the projected image of the lens you are using. A bigger sensor will record a larger part of that same projected image. A full frame sensor with the dimensions of 24 x 36 mm will have a larger area compared to a 1.5x crop sensor that measures 23 x 15 mm. But when the recorded image is viewed at the same size on a screen, the image of the crop sensor will result in a magnification of 1.5 times that of the full frame sensor.

This is why a lens on a camera with a sensor that is smaller than a full frame sensor will act as if it has a longer focal length. A 24mm the lens will act like a 36mm lens, a 50mm lens will become a 75mm lens, and a 400mm lens will imitate a 600mm lens. This is when the sensor has a 1.5x crop. If a micro 4/3 sensor is used, with a crop factor of 2x, the focal lengths will be 50mm, 100mm, and 800mm compared to its full frame cousin.

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Ocean Video GlareGuard 5.0 for BMPCC 4K and 6K – Foldable Sunshade

 Gear  Comments Off on Ocean Video GlareGuard 5.0 for BMPCC 4K and 6K – Foldable Sunshade
Jun 072020
 

GlareGuard 5.0 is a foldable plastic sunshade for Blackmagic Pocket Cinema Camera 4K and 6K from Ocean Video. It attaches to the camera via magnets and a metal frame (the same one used for Kinotehnik LCDVF BM5).

GlareGuard 5.0 – Sunshade for BMPCC 4K and 6K. Source: Ocean Video

The 5″ screen of Blackmagic Design’s Pocket 4K and Pocket 6K cameras is fairly large, but not quite bright enough to be usable in sunny environments. On a side note, a brighter screen would drain the battery quicker and shorten the already very short battery life of the camera, so maybe this is a good compromise.

There are, however, some third-party solutions to improve the screen’s usability in harsh light. Some companies, like Tilta and Smallrig, are making a sun hood that can be screwed on the camera’s cage. Others, like for example Kinotehnik (watch our video interview here), make magnetic viewfinder loupe to attach to the screen and help with precise manual focusing and usability in bright conditions. Ocean Video recently presented another solution called GlareGuard 5.0.

Ocean Video was founded in 1994 by Richard Goodman and Jeb Johenning. The company specialized in an on-set all digital video record-playback systems (video assist solutions). More recently, Ocean Video created a custom sunshade for RED camera monitors (both 4.7″ and 7″ versions) called the GlareGuard. Now, the GlareGuard sunshade got adapted for the BMPCC 4K and 6K cameras.

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Canon 1D X Mark III Review and Sample Footage

 Gear, Mirrorless  Comments Off on Canon 1D X Mark III Review and Sample Footage
Jun 072020
 

The Canon 1D X Mark III has been shipping for quite some time and with its capability to record up to 5.5k RAW video internally, it promises to be a leader in its class. Together with the upcoming EOS R5, Canon is showing muscle flexing and an explosion of technical generosity. To me, it looks like a true come back for the creator of the VDSLR segment and a former leader of that field.  

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Canon Will Launch the EOS R5 and R6 ‘On or Around July 2nd’: Report

 Gear, Mirrorless  Comments Off on Canon Will Launch the EOS R5 and R6 ‘On or Around July 2nd’: Report
Jun 072020
 

Canon’s upcoming full-frame mirrorless cameras will be here very soon. According to the most recent reports, both the heavily previewed Canon EOS R5 and the rumored Canon EOS R6 will be announced together “on or around July 2nd.”

This news comes from the ever-reliable Canon Rumors, who has been on a tear in terms of predicting Canon’s moves with the EOS R-series of cameras. Initial reports of an EOS R with 20fps continuous shooting and 8K video capability were scoffed at, only to be confirmed by Canon shortly thereafter. Since then, just about every spec they’ve reported has been officially confirmed.

Now, CR is reporting that both the EOS R5 and its lower-resolution little brother, the 20MP EOS R6, will be officially announced in less than a month.

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SANDMARC Motion Variable ND Filter for iPhone Launched

 Gear  Comments Off on SANDMARC Motion Variable ND Filter for iPhone Launched
Jun 012020
 

Smartphone accessories specialized company SANDMARC has just introduced a new variable ND filter for iPhone and smartphone shooters: the SANDMARC Motion Variable Filter. This filter is compatible with SANDMARC lenses, but you can also simply clip it directly onto your phone, without the need for a dedicated case. With a range from ND8 to ND64, let’s take a closer look at how this SANDMARC Motion Variable Filter can help you capture better footage with your smartphone.

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8Sinn SIGMA fp Cage – Hands On

 Gear  Comments Off on 8Sinn SIGMA fp Cage – Hands On
Jun 012020
 


8Sinn
, an accessories manufacturer based out of Poland, creates a wide variety of products aimed at supporting a majority of the small sized camera market. The SIGMA fp camera, launched in 2019, is billed as the world’s smallest full frame mirrorless camera weighing in at under a pound and I’ve been finding ways to beef up the camera to a true Cine-style rig. Will the 8Sinn SIGMA fp cage both hold up to the constant stress of production? Let’s find out!

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Samyang Unveils New 85mm f/1.4 Autofocus Lens for Canon RF Mount

 Cinematography, Gear  Comments Off on Samyang Unveils New 85mm f/1.4 Autofocus Lens for Canon RF Mount
May 282020
 

Following last year’s release of the AF 85mm f/1.4 FE for the Sony E Mount, Samyang/Rokinon today unveiled a version of the lens for Canon’s full-frame mirrorless RF Mount. According to Rokinon, the new AF 85mm f/1.4 RF is “arguably the best value, high performance and affordable autofocusing portrait prime available.”

Optically, the Samyang/Rokinon AF 85mm f/1.4 RF looks to be identical to the Sony FE version. There are 11 elements in 8 groups, including 1 Extra Low Dispersion (ED) element and 4 High Refractive Index (HRI) elements to cut down on chromatic aberration and allow for a smaller lens design, respectively, as well as the company’s Ultra Multi Coating (UMC) to eliminate ghosting and flare.

The lens boasts a 9-blade circular aperture, and the only ‘decoration’ on the lens barrel is the AF/MF mode switch. For autofocus, the lens uses a Dual Linear Sonic Motor (DLSM), which you can see demonstrated in the video below created for the Sony FE lens launch:

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Pentax Officially Unveils Long-Awaited FA* 85mm f/1.4 Lens for the K-Mount

 Gear  Comments Off on Pentax Officially Unveils Long-Awaited FA* 85mm f/1.4 Lens for the K-Mount
May 282020
 

After first showing off the lens over a year ago, and sharing a few more teasers during a livestreamtwo weeks ago, Ricoh has officially unveiled the HD Pentax-D FA* 85mm f/1.4ED SDM AW—a “next-generation, high-performance” portrait prime for K-mount DSLRs.

The lens is only the second prime to be added to the “Star series” of high-performance lenses for digital cameras, and like its 50mm f/1.4 predecessor, it promises to deliver “extra-clear, high-contrast images with edge-to-edge sharpness.”

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Blackmagic URSA Mini Pro 6.9.3 Firmware Update

 Cinematography, Gear  Comments Off on Blackmagic URSA Mini Pro 6.9.3 Firmware Update
May 272020
 

List of updates are as follows for Blackmagic Camera Setup 6.9.3:

  • Add language localization support.
  • Add slider and 1/3rd stop increments when adjusting ISO.
  • Add common off-speed frame rate options above slider.
  • Add ability to embed custom LUTs in Blackmagic RAW clips.
  • Add sidetone level adjustment.
  • Add improved ballistics and scaling of audio meters.
  • Add choice of -18 or -20dB reference levels for audio meters.
  • Add ability to remap the HFR button.
  • Add ability to disable function and HFR buttons.
  • Add ability to remap VTR and Ret buttons on B4 lenses.
  • Add quick media switching from the heads up display.
  • Add support for HDR metadata in SDI output.
  • Add ‘LUT’ icon to status text overlays.
  • Add ‘PRE’ icon to status text overlays for preset timecode.
  • Add 2:1, 1:1 and 4:5 monitoring frame guides.
  • Add customizable frame guides.
  • Add ability to lock timecode to SDI Input.
  • Retain jam synced timecode after power cycle.
  • Improved jam sync timecode accuracy after playback.
  • Improved stability when using external or program reference.
  • Improved compatibility for embedded audio on SDI outputs.
  • Improved accuracy of status text on SDI outputs.
  • Improved ND filter status text.
  • Improved auto exposure speed and performance.
  • Improved media formatting user interface.

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Sony Announces the ZV-1: A Compact 4K Vlogging Camera With Fully Articulating Screen

 Cinematography, Gear  Comments Off on Sony Announces the ZV-1: A Compact 4K Vlogging Camera With Fully Articulating Screen
May 272020
 
Sony Announces the ZV-1: A Compact 4K Vlogging Camera With Fully Articulating Screen

Sony has just announced the launch of the ZV-1, a compact camera that’s ready for vlogging out of the box.

The ZV-1, available for pre-order for $748 and due to ship on June 11, is a lightweight, compact camera featuring a one-inch sensor and a fixed 24-70mm equivalent lens, complete with optical and digital stabilization, and capable of shooting 4K at up to 30 fps.

The major specifications:

  • 20.1MP 1″ Exmor RS BSI CMOS Sensor
  • ZEISS 24-70mm-equivalent f/1.8-2.8 Lens
  • UHD 4K30p Video with HLG and S-Log3 Gammas
  • 3.0″ Side Flip-Out Touchscreen LCD

Notably, the LCD touchscreen articulates fully to the side. Other features include a built-in ND filter, eye-detect and face-detect autofocus, and a 3.5mm microphone jack.

The camera seems to blend the compact size of the RX100 III — as well as the same lens — but stealing many of the powerful video features of the a6100 and a6600.

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Hollyland Cosmo M7 7″ High-Brightness Wireless Monitor Introduced

 Gear  Comments Off on Hollyland Cosmo M7 7″ High-Brightness Wireless Monitor Introduced
May 252020
 

We had a conversation with Lawrence Leigh from Hollyland during our cinema5D Virtual Show to talk about their all-in-one wireless monitor: the Hollyland Cosmo M7. This 7-inch touchscreen features a built-in wireless receiver and is a straightforward director/client monitor or for a focus puller. Let’s take a closer look!

HollylandCosmoM7_01

Image credit: Hollyland

Hollyland Cosmo M7 Features

Lately, we’ve seen more and more wireless all-in-one monitors in the market, like the SmallHD Bolt series or the Vaxis Storm Focus, for example. Hollyland is joining the competition with its new Hollyland Cosmo M7. These wireless monitoring solutions are exquisite because the wireless receiver is built-in the monitor, which means you just have to power it, and the monitor connects automatically to the wireless transmitter on the camera. Right now however, it is only officially compatible with Hollyland transmitters.

The Cosmo M7 features a 7-inch display with a resolution of 1920 x 1200. The screen has a maximum brightness of 1500 Nits and a viewing angle of 178°, which should be enough for outdoor use. As I previously mentioned, everything is built-in the Cosmo M7, so it is very compact at 19.2cm x 12cm x 2.5cm (without external antenna and batteries) and lightweight at only 1.65lbs/750g.

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The Canon EOS R5 Should Be Priced Less Than $4,000

 Cinematography, Gear  Comments Off on The Canon EOS R5 Should Be Priced Less Than $4,000
May 252020
 
The Canon EOS R5 Should Be Priced Less Than $4,000

Before anyone gets the wrong idea, I should clarify that the title of this article is a suggestion and not a claim. 

Recently, there has been some speculation about the price of the upcoming Canon EOS R5. Although no official numbers have been announced yet, there was a rumor that originated from an Australian retailer, suggesting the price will be $6,700. For many people, including myself, I’d say that’s a pretty reasonable price point, considering what this camera could offer. At that price point, the EOS R5 would be the cheapest full-frame 8K video camera on the market that also shoots raw. The few alternatives cost significantly more (when you consider the full setup required), and the R5 is likely to offer some brilliant options for photographers too.  

I’m sure some of you will disagree with how fair that price is, however, it’s difficult to argue, considering what the camera is set to offer. Despite this, I still think the price of this camera, when released, should not be any higher than $4,000 mark. 

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Fstoppers Reviews the Fujifilm X-T4: A Deviation

 Gear  Comments Off on Fstoppers Reviews the Fujifilm X-T4: A Deviation
May 212020
 
Fstoppers Reviews the Fujifilm X-T4: A Deviation

In a release cycle reminiscent of certain other manufacturers, Fujifilm decided to replace their flagship X-T series camera in 18 months rather than the usual 2 years. With a smattering of feature updates, a new battery, and a couple of cosmetic changes, is it really worth the upgrade from the X-T3? Let’s find out. 

This review will be taken from the perspective of someone who has owned an X-T1, two X-T2s, an X-H1, and an X-T3. You could say I’m an addict. The other thing to note is that I’m a full time stills photographer. About once or twice a year, I’ll be asked to shoot a video, but my main use for these cameras is stills, so we won’t be taking a deep dive into the changes for video work. With that out of the way, let’s take a look at the heavy hitting features of the X-T4

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RED Komodo Update – Price, Pre-Release Custom-Color Version, PDAF

 Gear  Comments Off on RED Komodo Update – Price, Pre-Release Custom-Color Version, PDAF
May 212020
 

RED Komodo is getting close to its release. While we still don’t have final confirmed specs of the camera, we now know the price will be around $7.000 for Stormtrooper (white) edition and around $6.000 for the regular black version which comes after that. Before Stormtroopers, RED will ship limited custom-colored Komodos for $7.000 or slightly above that. According to Jarred Land, this will happen already on June 1st, 2020.

RED Komodo Stormtrooper version will cost around $7.000 Source: RED

When hunting for new information about RED Komodo, in addition to REDuser.net, Jarred’s social media accounts seem to be the right place. Recently, Jarred Land, president of RED Digital Cinema, posted some useful information regarding RED Komodo on his Instagram account.

It has been a while since we last posted an update on RED’s latest compact cinema camera. Since then, there have been a few interesting updates, so let’s get into it.

RED Komodo – Sale Starts with Limited Pre-Release Colored Version

In his post on Instagram, Jarred wrote that the production of RED Komodo is back on track after the interruption caused by the COVID-19 pandemic. Due to the new safety protocols, it is, however, going much slower. Jarred further wrote that in two weeks, RED will start selling the first batch of cameras in “super limited low quantities”. The post was written on May 17, so I suppose this will start on June 1, 2020 (as May 31 is a Sunday).

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In Praise of the Mamiya 645, the Perfect Compact Medium Format SLR Camera

 Gear, Mirrorless  Comments Off on In Praise of the Mamiya 645, the Perfect Compact Medium Format SLR Camera
May 202020
 

When it comes to shooting on medium format, you’d be forgiven for thinking that starting out involves a heavy investment. The Mamiya 645 Pro, by contrast, is refreshingly affordable and the modular design means you can tweak your setup to your heart’s content.

Shane Taylor of Framelines has put together this short video explaining why he chose the Mamiya 645 Pro for his latest street photography project,t which resulted in a printed zine. As Fstoppers’ own James Madison will testify, the Mamiya 645 Pro offers medium format quality in a very compact body and, as Taylor mentions, it even shoots 35mm film. And if that’s not enough to get you tempted, be sure to check out the thoughts of photographer Nick Carver, who was looking for something smaller than his Mamiya RB67 but that wasn’t a rangefinder.

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DJI Mavic Air 2 Review & First Look – 4K 60p, 1080p 240fps

 Action cams, Gear  Comments Off on DJI Mavic Air 2 Review & First Look – 4K 60p, 1080p 240fps
May 192020
 

DJI just announced the Mavic Air 2, its new generation of the popular consumer drone, which boasts 4K 60p video at 120Mbps and 1080p at up to 240fps slow motion, 48 Megapixel photos, 8K Hyperlapse function, a fly time of up to 34 minutes and enhanced autonomy features, and more. Let’s check it out!

Mavic Air … Two Years Ago

The original Mavic Air was launched over two years ago, and at the time, I flew it in Monaco at DJI’s launch event, and it offered video images with less compression than the more expensive Mavic Pro (Mark 1), in a much cheaper package. 

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CAME-TV Boltzen Q-55S Mini Bi-Color Fresnel LED Introduced

 Gear  Comments Off on CAME-TV Boltzen Q-55S Mini Bi-Color Fresnel LED Introduced
May 192020
 

There are numerous choices to be made when it comes to proper lighting. Budget, space, available manpower, the list goes on. If you’re a solo shooter you’re likely giving the nod to flexible, lightweight, budget-friendly solutions. In that case, the new CAME-TV Boltzen Q-55S might be worth a close look. It is a focusable, bi-color 55W LED unit with numerous power options in one compact unit.

Boltzen Q-55S

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MOZA Mini-P Cross-Platform Gimbal Launched

 Cinematography, Gear  Comments Off on MOZA Mini-P Cross-Platform Gimbal Launched
May 142020
 

The highly compact new MOZA Mini-P gimbal should hold everything from a tiny action camera through to a Canon EOS RP.

MOZA Mini-P gimbal launched

The MOZA Mini-P gimbal has been launched. Image: Gudsen MOZA.

The gimbal market is a highly crowded one, and while designs are improving all the time, there is still a need to stand out from the competition. Yesterday the MOZA Mini-P gimbal was launched, and the company claims it is its most versatile device so far.

The principal stand out feature is that it can be used with small action cameras like the GoPro or the Sony RX0M2, but also with mirrorless cameras such as the Canon EOS RP and Sony a7R III. Of course there are some limitations in that the lens combo you use on the latter must be light enough not to overload the device’s rated maximum payload of 900g. For example a Sony a7R III with a Samyang AF 35mm f/2.8 FE lens. However regardless of this, it does make the Mini-P quite an attractive proposition, particularly when it comes to travelling light. See the chart below for the full camera compatibility list:-

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Lindsey Optics Large Format Director’s Viewfinder – Interview with Dwight Lindsey

 Cinematography, Gear  Comments Off on Lindsey Optics Large Format Director’s Viewfinder – Interview with Dwight Lindsey
May 142020
 

During our cinema5D Virtual Show, we had a conversation with Dwight Lindsey – CEO and founder of Lindsey Optics – about their latest Lindsey Optics Large Format Director’s Viewfinder. This lens finder is used to preview shots without any electronics inside, and it covers formats from Super-35 up to Alexa 65. Let’s take a closer look at it!

LindseyOptics_Featured

Lindsey Optics Large Format Director’s Viewfinder

The cinema5D Virtual Show is an excellent occasion to learn more about new high-end products. The Lindsey Optics Large Format Director’s Viewfinder that was announced last month is no different.

The main advantage of a “mechanical” lens finder compared to a smartphone, for example, is that it is 100% reliable. There are no electronics, so no battery, no glitch, no reboot, no digital contrast enhancement. What you see through it is the view the lens is going to give to the camera. Also, by looking directly into the viewfinder, you get a much more “immersive” feel to what the shot will look like, and you can adjust the eyepiece diopter to your vision from -4 to +4.

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Atomos Announces 12-Bit Apple ProRes RAW Support For Z CAM E2 Camera

 Cinematography, Gear, HDR Digital Cinema  Comments Off on Atomos Announces 12-Bit Apple ProRes RAW Support For Z CAM E2 Camera
May 142020
 

Atomos has just announced that the Atomos Ninja V 5″ HDR monitor-recorder will support ProRes RAW recording from the Z CAM E2. The Ninja V will be able to record 12-bit Apple ProRes RAW at up to 4K60p. We caught up with Dan Chung from Atomos to learn more about it.

AtomosZCamE2_02

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