Richard Sisk

I am a photographer, in particular since 1993 a full time photographer. I have specialized in landscapes and city skylines. It has been an interesting journey that has taken me all around our great country. I have visited many historic sites and most of our magnificent cities. One thing that has struck me has been the kindness and helpful spirit of the many people I’ve met along the way. It has been an opportunity to learn a great deal about many remarkable locations and people. I was able to travel a remote portion of the Oregon Trail in Idaho. I visited the source of the Missouri River in Montana, and reached down to taste the cold, crystal clear water, as Meriwether Lewis had done 200 years earlier. A few months later I found his final resting place along the Natchez Trace in Tennessee. There have been many moving moments during this long journey. However, the wonderful and kind people of America have been the greatest source of inspiration throughout my travels.

Tokina FiRIN 20mm F/2 FE – A New Autofocus Lens For Sony E-Mount Cameras

 Gear  Comments Off on Tokina FiRIN 20mm F/2 FE – A New Autofocus Lens For Sony E-Mount Cameras
Feb 242018
 

Tokina continue to grow their E-mount lens lineup with the FiRIN 20mm F/2 FE Autofocus lens, compatible with Sony IBIS and Fast Hybrid AF.

FiRIN 20mm Autofocus lens on the left, Vs. FiRIN 20mm Manual lens on the right

Back in 2016 Tokina announced the FiRIN line of dedicated E-mount lenses, starting off the range with the manual focus 20mm F/2 lens. Possibly compared to the ZEISS Loxia prime lenses, the native E-mount and manual focus FiRIN seemed geared towards Sony alpha video shooters. Since then, Sony released the a7RIII with lightning fast auto focus, so it seems like a smart move for Tokina to release an AF version of the lens, which has the same optical design as the MF version.

In terms of its wide angle optical performance, the FiRIN 20mm F/2 FE AF has 2 aspherical elements and 3 super-low dispersion elements which will reduce distortion and chromatic aberration, that can be inherent in wide angle filming and photography. Tokina suggests that even at F/2, the FiRIN lens will perform with high resolution results and minimal distortion.

Read More:

cinema5D

~

ALEXA vs Varicam LT vs GH4 vs A7s – with William Wages, ASC – ON THE GO – Episode 83

 Cinematography, Gear  Comments Off on ALEXA vs Varicam LT vs GH4 vs A7s – with William Wages, ASC – ON THE GO – Episode 83
Feb 042018
 

n this episode of cinema5D ON THE GO, we wrap up our conversation with William Wages, ASC regarding using Lumix cameras on high-end productions.

 

Continuing our discussion about how William has changed to currently preferring the Varicam LT and Lumix environment, he tells us about the blind test he carried out to convince decision makers that the GH series of Panasonic cameras was indeed worthy.

But is there really a place for a Micro Four-Thirds sensor in the world of high-end filmmaking? As William says, the kind of situations that would require deploying a GH camera are exactly those where it would be challenging to set up a follow focus system. For this reason, the more restricted depth of field that the Micro Four-Thirds sensor size offers would in fact prove to be an advantage.

We also discuss Panasonic’s latest addition to its range of filmmaking cameras: the Panasonic EVA-1. While it could prove to be a solid B-Cam option to the Varicam line, for William Wages the small size of the Lumix line is still a major plus over this new model. (Please note that this episode was recorded before Panasonic released the final specs of the EVA-1).

Read More:

cinema5D

~

Panavision Announces New Millennium DXL2 8K Camera with the RED Monstro 8K VV Sensor

 Cinematography, Gear  Comments Off on Panavision Announces New Millennium DXL2 8K Camera with the RED Monstro 8K VV Sensor
Feb 042018
 

The new Panavision Millenium DXL2 builds on the success of the original Millennium DXL. Both models operate in an ecosystem (or should I say marriage) between three top-class companies in the moving picture industry: Panavision, Light Iron and RED. However, this time the development of the camera has gone even further by incorporating Panavision with the RED MONSTRO 8K VV sensor, and Light Iron color2 science.

 

As stated by Michael Cioni, senior VP of Innovation at Panavision and Light Iron: “Panavision’s vast inventory of advanced large-format and anamorphic optics combined with RED’s MONSTRO imager expands what’s possible, allowing filmmakers to create radically inventive and powerfully cinematic images, customized for the needs of the project and the vision of creative teams.”

Watch the video below which demonstrates the DXL2 in action.

Read More:

cinema5d

~

Canon May Add Fingerprint ID to Its Cameras and Lenses

 Gear  Comments Off on Canon May Add Fingerprint ID to Its Cameras and Lenses
Jan 302018
 

Fingerprint ID is used on many smartphones these days for security and identification, but would you like to see the same feature on your camera gear? Canon has apparently developed a fingerprint ID system that can identify the photographer using the camera or lens.

Canon Rumors reports that a new Canon patent published this month in the US (US20180012061 A1) describes an “electronic apparatus having finger authenticating function.”

The patent and illustrations describe and show a camera and lens that have a fingerprint ID reader built into them.

Read More:

petapixel

~

Shootout: $4,990 Zeiss Otus 28mm vs $4,250 Leica Q

 Gear  Comments Off on Shootout: $4,990 Zeiss Otus 28mm vs $4,250 Leica Q
Jan 302018
 

In the pantheon of lens focal lengths, 28mm is a bit of an outlier. Photojournalists are more apt to reach for the 35mm, while many manufacturers have settled on 24mm for primes and the wide end of their zoom lenses. But 28mm has become visually familiar to consumers because its field-of-view equivalent can be found on many smartphones like the iPhone.

Zeiss caused a ruckus when it announced its line of Otus lenses in 2013; a line designed for maximum still photography performance with a weatherproof construction made of glass, aluminum, and rubber. Maximum quality also means eye-popping prices. The 28mm f/1.4 Otus can be yours for a touch under $5,000.

Read More:

petapixel

~

Canon Takes 1st Place in 2018 Japanese Camera Ranking

 Gear  Comments Off on Canon Takes 1st Place in 2018 Japanese Camera Ranking
Jan 232018
 

The annual Japan BCN rankings are in and Canon emerges as the winner of some major categories, including DSLRs. Canon also wins the 2nd place in the category “mirrorless” and thus points Sony to 3rd place.

What are the annual BCN rankings, you might ask. The winners of one of the many categories are being determined by multible factors, the Japanese company behind it, BCN  (Business Computer News), explains:

The “BCN AWARD” is an annual (January 1st – December 31st) sales comparison of BCN, which collects the current sales data of large electronics wholesalers nationwide, PC specialty stores and Internet shops. It is a system for rewarding a manufacturer’s cumulative numbers.

These awards can be seen as an indicator of the (Japanese) market situation regarding all kinds of electronic goods, including digital cameras and lenses which renders the outcome interesting for us.

Read More:

cinema5D

~

RED Hydrogen One: Details and Specs Emerge Surrounding RED’s Holographic Smartphone

 Gear  Comments Off on RED Hydrogen One: Details and Specs Emerge Surrounding RED’s Holographic Smartphone
Jan 232018
 

The RED Hydrogen One smartphone was announced last summer, but details about a release date and more solid specifications are finally emerging thanks to a post by RED Founder and CEO Jim Jannard. The Android-run smartphone will operate with a Snapdragon 835x processor (as what is currently in the Samsung Galaxy S8) and will feature a massive 4,500 mAh battery (125 percent the battery capacity of the similarly sized Galaxy S8+). But there’s much more than just a big battery in RED’s 5.7-inch smartphone.

That massive battery will support all of the content creation for which RED expects its users will be using the phone quite often. With a modular design, the Hydrogen will be able to perform a variety of additional tasks both at launch and in the future with simple add-ons that connect via a Pogo pin system for both power and data delivery and a wide range of flexibility.

Read More:

fstoppers

~

Fstoppers’ First Hands-On Look at the DJI Mavic Air

 Gear  Comments Off on Fstoppers’ First Hands-On Look at the DJI Mavic Air
Jan 232018
 

Today, Fstoppers was at the DJI Event in NYC where they announced the Mavic Air. After learning about this drone and seeing examples of photo and video it had produced, I knew that I had to get my hands on one of them to try out. As a current owner of a Mavic Pro, there is no doubt that I questioned whether or not I should get one of these drones. So I went and flew them around a bit and got a little taste of what’s to come.

Design/Feel

Like most DJI products, this drone has a really sturdy build. I have to say that it actually feels a bit more durable than the Mavic Pro, especially when it comes to the folding parts on the drone. To me, everything just felt more intact and sturdier when I went to fold the legs in and out. I was shocked to see that they got rid of the foldable props, but I also think that in some way it is better for flying overall. I have never had an issue with the folding props on the Mavic Pro, but if I had to be honest, they do get annoying when I go to pack the drone up and put it back into its case.

The controller was also felt better than I thought and more well built than previous controllers from DJI. It is more like the Spark’s controller; it does not have a screen on it, but it gets hooked up directly to your phone just like the Mavic Pro. The coolest feature about the remote is that the joysticks can be removed and stored in the controller. Whenever you want to spark up a conversation about portability, don’t hesitate to bring up this sleek new controller!

Read More:

fstoppers

~

LG Reveals Its First-ever 4K HDR, Compact and Affordable Home Cinema Projector

 Cinematography  Comments Off on LG Reveals Its First-ever 4K HDR, Compact and Affordable Home Cinema Projector
Jan 142018
 

At CES 2018, LG wants to hit the jackpot. Armed with its new invention to enhance the home cinema experience, LG has just announced the HU80KA projector, its first 4K UHD model designed to deliver ultra-sharp video in a compact, beautiful design.

As stated by Tim Alessi, head of product marketing at LG Electronics USA: “LG’s first-ever 4K UHD projector represents the pinnacle of innovation in the portable entertainment market… Offering superb brightness coupled with a design that offers true versatility, the new HU80KA will lead the way in changing how consumers enjoy 4K content in their home and on the go.”

150-inch screen, 2,500 lumens and HDR

The HU80KA projector has the potential to deliver a 150-inch screen projection with 2,500 lumens, making it LG’s brightest projector. Furthermore, it supports HDR content (HDR 10).

Regarding sound, external speakers can be connected via optical output, HDMI or wirelessly through Bluetooth for enhanced audio performance.

As stated by Tim Alessi, head of product marketing at LG Electronics USA: “LG’s first-ever 4K UHD projector represents the pinnacle of innovation in the portable entertainment market… Offering superb brightness coupled with a design that offers true versatility, the new HU80KA will lead the way in changing how consumers enjoy 4K content in their home and on the go.”

150-inch screen, 2,500 lumens and HDR

The HU80KA projector has the potential to deliver a 150-inch screen projection with 2,500 lumens, making it LG’s brightest projector. Furthermore, it supports HDR content (HDR 10).

Regarding sound, external speakers can be connected via optical output, HDMI or wirelessly through Bluetooth for enhanced audio performance.

Read More:

cinema5D

~

Panasonic GH5S Video Hands-On – Highlights of the New Camera

 Gear  Comments Off on Panasonic GH5S Video Hands-On – Highlights of the New Camera
Jan 142018
 

The wait is over. Panasonic just announced their new flagship video-orientated mirrorless photo camera, the GH5S. Watch our GH5S Video Hands-on above! (And the Mini Documentary I’ve shot with that new camera) Promising to perform (much) better than its predecessor in low-light, the new camera was also designed to compete with Sony’s a7S series. Is it up to the task? In our opinion: YES! 

Before we get started:
Stay tuned to our continuous coverage of the new Panasonic GH5S. A short review and original footage is coming up today too. Tomorrow, please look out for Nino’s lowlight test/review video and on top, our exclusive interview with Yamane-san – head of Panasonic imaging division – where we ask the questions that deserve answers. Only on cinema5D.com!  

Read More:

cinema5D

~

DJI Reveals New Handheld Stabilizers at CES 2018 – Osmo Mobile 2 and Ronin-S

 Gear  Comments Off on DJI Reveals New Handheld Stabilizers at CES 2018 – Osmo Mobile 2 and Ronin-S
Jan 072018
 

DJI is aiming straight at the mobile & DSLR/mirrorless market with two new single-handed stabilizers. Meet Osmo Mobile 2 and Ronin-S, both of which will be presented at CES 2018 in Las Vegas.

Osmo Mobile 2 – an improved handheld smartphone camera stabilizer

The Osmo Mobile 2 has a lightweight design, a built-in three-axis gimbal and supports pivoting between landscape and portrait orientation (by the two-way mobile clamp). DJI’s SmoothTrack technology detects how you are moving the camera and compensates, so it becomes a smoother, more “cinematic” shot. On top of that, user experience has been improved and all the controls where simplified, DJI claims it’s now more similar to operating “a professional camera”.

Read More:

cinema5D

~

Sony Announces New E 18-135mm F3.5-5.6 APS-C Lens ahead of CES 2018

 Cinematography, Gear  Comments Off on Sony Announces New E 18-135mm F3.5-5.6 APS-C Lens ahead of CES 2018
Jan 072018
 

Sony E 18-135mm F3.5-5.6 for APS-C cameras has just been announced a few days ahead of CES in Las Vegas. It’s their 46th E-Mount lens. They also released a silver version of the a6300 camera.

The new Sony E 18-135mm F3.5-5.6 OSS E-mount lens includes a functional wide to telephoto focal range of 18-135mm, as well as an aperture range of F3.5-5.6, making this lens versatile whether you are filming indoors or outdoors. The lens auto focus features a linear motor, for fast and quiet operation. This could make for impressive auto focus tracking performance for video, when paired with the Sony a6500 for example, which is already known for its great video auto focus.

The lens features Sony’s powerful OSS or ‘Optical SteadyShot’ image stabilization which will aid in achieving steady and crisp images while shooting hand held, or in lower light scenarios. For improved optical performance, the lens also includes two extra-low dispersion elements and one aspherical lens which will reduce chromatic aberration.

Weighing only 325g, the lens and camera combination is ideal for those that like a lightweight and compact setup, whether that is for traveling, street work, or on a hand held gimbal.

Read More:

cinema5D

~

KipperTie Revolva – RED Lens Mount With Built In ND Filter Wheel

 Cinematography, Gear  Comments Off on KipperTie Revolva – RED Lens Mount With Built In ND Filter Wheel
Dec 102017
 

KipperTie has announced Revolva, a new mount for the DSMC2 RED cameras offering a PL or EF mount with built-in ND wheel. The wheel can be swapped out quickly to more ND or even a diffusion set.

Kippertie has been known for making filtration-related RED products for some time. The Revolva may just be their most significant yet.

With a name and colour wave akin to another favourite UK camera accessory company, the Revolva is suitably garish in appearance as with many RED-related products.

It’s a lens mount and ND wheel built in-one. Both PL and EF mounts will be available, electronically also for aperture changes and lens data (exactly the same as the RED EF mount).

Read More:

cinema5D

~

AXIOM Open-Source Cinema Camera Unveils New Design and Recording solutions

 Gear  Comments Off on AXIOM Open-Source Cinema Camera Unveils New Design and Recording solutions
Dec 102017
 

Apertus has unveiled new major updates regarding technological and design solutions for AXIOM, the world’s first open-hardware and open-software cinema camera. Read on to learn more about this fascinating camera. 

 

AXIOM

Backed by a team of experts from a large swathe of technological and artistic fields (developers, filmmakers, engineers and artists), the apertus° project is stepping forward to the next level of manufacturing and delivering of the AXIOM camera.

cinema5D has been following the progression of this ambitious project from its beginnings, and it is indeed fascinating to see this open-source camera taking shape. It’s actually finally starting to look like a cinema camera!

AXIOM camera main features:

– 4K resolution

– Super35 sensor

– Global shutter

– Up to 15 stops dynamic range

– Up to 300 fps

– 12 bit

– Target price well below $10,000

Read More:

cinema5D

~

Fstoppers Reviews the ZhongYi Mitakon Speedmaster 35mm f/0.95 for Fujifilm

 Gear  Comments Off on Fstoppers Reviews the ZhongYi Mitakon Speedmaster 35mm f/0.95 for Fujifilm
Dec 102017
 

Over the past few years, Zhongyi Optics have introduced several lenses in their Mitakon “Speedmaster” series of reasonably-priced, well-constructed, super-fast manual focus lenses. The 35mm f/0.95 Mark II lens falls straight into that category. We’ll be looking at the Fujifilm mount version, but this lens is also available for EOS-M and Sony E cameras. So, let’s get into it and look at sharpness, build quality, and, of course, bokeh.

I picked up this lens a little over a month ago and was initially a little disappointed with it. It didn’t seem to fit the Fujifilm system all that well and it certainly didn’t fit my style of shooting. That would all change over time as I got used to the way it was designed and learned to work with it for certain types of shooting. It’s certainly not an all-rounder, but it is a beautiful lens and one worth considering if you like to shoot wide open a lot.

Build Quality and Handling

The all-metal-and-glass construction of the ZY Mitakon 35mm f/0.95 makes for an “old-school” feeling lens. When I first picked it up, I found it reminiscent of the Nikkor 35mm f/1.4 I used to use on my old Nikon FM. The resistance in the focus ring and the weight were the first things that stood out to me.

At 460 grams and just 63x60mm in size, it is a stocky lens that feels very solid in the hand. It’s almost too heavy on the smaller Fujifilm bodies and I found that it felt best on the X-Pro2. On the X-T2, or especially with the smaller bodies, it tips the center of balance too far forward and I felt like I was constantly supporting the lens and not the body. Compared to Fujifilm’s 35mm offerings it is much larger and heavier and you will instantly notice the difference.

The aperture ring is positioned at the front of the lens and is declicked. Both of these things feel rather strange on a Fujifilm body at first and take some getting used to. The aperture ring is far too easy to knock in the position it is in. Perhaps a lock switch would help to stop it from rotating with everything it touches. I have found that keeping it at f/0.95 (and let’s face it, that’s why you buy the lens) is quite difficult in the field. I’m constantly having to check the ring before I raise the camera to my eye. This declicked design may be useful for video shooters, but to be honest, I’d prefer a clicked aperture for stills.

The front element of the lens also sits disconcertingly close to the end of the lens barrel and the package doesn’t come with a lens hood. This is disappointing in a $500-plus lens and I would hope that ZhongYi includes hoods with their future lenses. There are a few options out there from third-party manufacturers, so you can certainly get one to fit.

Read More:

fstoppers

~

Freefly Movi is a Cinematic Gimbal for Your Smartphone

 Gear  Comments Off on Freefly Movi is a Cinematic Gimbal for Your Smartphone
Dec 072017
 

 

Freefly creates professional drone and gimbal solutions for the cinema industry, and today it released a specialized gimbal for smartphones: the Freefly Movi.

“Movi’s incredible stabilization technology is the same found in our professional rigs,” says Freefly. “Freefly Gimbals are first-in-class stabilizers used in multimillion-dollar films.”

Read More:

petapixel

~

10 Handy Photoshop Shortcuts for Working with Layers

 Technique  Comments Off on 10 Handy Photoshop Shortcuts for Working with Layers
Dec 072017
 

Adobe just released this helpful 2-minute video that shares 10 handy shortcuts you can use in Photoshop when working with layers.

Here’s a quick rundown of the 10 shortcuts (watch the video above for visual demonstrations):

1. Add layer masks to hide all

To quickly add a layer mask to hide all of a layer, just hold down the Option key on Mac (or Alt on Windows) and click on the “Add Layer Mask” button in the Layers panel.

2. Delete layer masks

Instead of dragging a layer mask into the bin, you can just right click the layer mask itself and delete it from the tooltip menu that appears.

3. Add a layer mask based on selections

Creating a layer mask of a selection you have made is a useful thing to do for Photoshop users. Clicking the “Add Layer Mask” button will reveal your selection, but if you want to hide it then you just need to hold the Option key on Mac (or Alt for Windows) while clicking.

4. Invert a layer mask

If you want to invert your layer mask, just hold Command + I on Mac (or Control + I on Windows) to quickly move between the two.

Read More:

petapixel

~

The Sigma 85mm 1.4: One Year Later

 Cinematography, Gear  Comments Off on The Sigma 85mm 1.4: One Year Later
Nov 282017
 

About this time last year, the Sigma 85mm 1.4 Art series lens was released and I went ahead and decided to pull the trigger and invest in the new glass. I had heard great things about other entries in the art lineup and understandably Sigma’s new 85mm focal length was getting a solid amount of hype. For the past year, I have been shooting exclusively with Sigma’s 85mm. It’s been the only lens in my camera bag and the only lens I’ve used for a straight year. What follows are my impressions after a solid year of use; what I like about the lens and what I don’t like.

Let’s start out with some of the things that I love about this lens. After a year of continuous use, I can say that there is no question that the Sigma 85mm 1.4 is a great piece of glass. I am first and foremost a portrait photographer so the focal length itself is a no-brainer for me. As a short/medium telephoto lens, the 85mm gives me a gorgeous level of background compression, beautiful bokeh, and I don’t need to be overly concerned with facial distortion if I come in for a closeup shot. It’s been said before and will be said again that the 85mm focal length is pretty much perfect for portraits.

As I currently live in Colorado and have generally have access to gorgeous sunsets for most of the year I have developed a love for shooting backlit images. If you’ve ever shot backlit before, you know that depending on the angle and position of the sunlight, as well as your own preferences regarding lens flare, some lenses can be finicky about nailing focus. This is understandable as you’re basically asking your camera to nail focus while either direct or angled light is coming right into the lens. I can say with confidence that the Sigma 85mm handles backlighting scenarios like a boss. This is one of the first things that I noticed about this lens; even in less than ideal backlit situations, the lens is wildly successful at getting great focus right where you want it.

Read More:

fstoppers

~

Going Doc-Style with the Blackmagic URSA Mini Pro on Robbie Williams’ Europe Tour

 Uncategorized  Comments Off on Going Doc-Style with the Blackmagic URSA Mini Pro on Robbie Williams’ Europe Tour
Nov 282017
 

Many filmmakers, including myself are hesitant about using the Blackmagic URSA Mini Pro and URSA Mini 4.6K cameras in documentary environments, but James Tonkin of Hangman proves us wrong, taking the URSA cameras into the battlefield of Robbie William’s European Tour 2017.

James Tonik’s URSA Mini Pro with a Letus gimbal and remote focus rig

James Tonkin was recently tasked to document Williams’ 2017 European tour in its entirety. From rehearsals through to live shows, to the all-important backstage moments with Robbie Williams, Tonkin’s primary camera choices were the Blackmagic URSA Mini Pro and URSA Mini 4.6K as well as the RED Weapon. For some run and gun filmmakers this might not be the first choice of camera systems when it comes to filming documentaries. In comparison to others, they have drawbacks in lowlight situations and handling. But from a quality standpoint the choice certainly makes sense, if one can make them work documentary style – and Tonkin did.

With a relationship spanning 16 years, Tonkin already had a unique understanding of when and where to capture the tours most potent moments. Furthermore preparation ahead of the tour alongside an understanding of the end goal was imperative for delivering a high-quality production that would meet the brief.

Read More:

cinema5D

~

The Steadicam Volt Smartphone Stabilizer is Now Shipping

 Gear  Comments Off on The Steadicam Volt Smartphone Stabilizer is Now Shipping
Nov 282017
 

We first reported about this product back in January 2017 upon launch of the Kickstarter campaign. The Steadicam Volt was developed by the Tiffen company, a pioneer in the camera stabilizing business, with its line of Steadicam stabilisers now a staple of the industry.

Read More:

cinema5D

~