Richard Sisk

I am a photographer, in particular since 1993 a full time photographer. I have specialized in landscapes and city skylines. It has been an interesting journey that has taken me all around our great country. I have visited many historic sites and most of our magnificent cities. One thing that has struck me has been the kindness and helpful spirit of the many people I’ve met along the way. It has been an opportunity to learn a great deal about many remarkable locations and people. I was able to travel a remote portion of the Oregon Trail in Idaho. I visited the source of the Missouri River in Montana, and reached down to taste the cold, crystal clear water, as Meriwether Lewis had done 200 years earlier. A few months later I found his final resting place along the Natchez Trace in Tennessee. There have been many moving moments during this long journey. However, the wonderful and kind people of America have been the greatest source of inspiration throughout my travels.

Camera-Specific Outdoor Packs Suck, Here’s What I Use Instead

 Gear, travel  Comments Off on Camera-Specific Outdoor Packs Suck, Here’s What I Use Instead
Apr 022017
 

If you’ve ever loaded up a large camera backpack (like something from Think Tank Photo or LowePro) and hiked a mountain, you’ll be able to fully appreciate how terrible the experience is… well, except for the views.

The narrow shoulder straps dig deeply into your shoulders and neck. The pack bounces all over, sliding from side to side. The “waist belt”—a piece of bare 2-inch nylon webbing with a buckle—does more harm than good, and executes exactly zero of the functions that a waist belt is supposed to offer. You curse the thing under your breath and mutter that there must be a better way.

And there is!

The solution I found and have been very happy with is to ditch the camera bag and go with a pack that has been developed over decades with engineering designed to handle heavy loads comfortably in all kinds of conditions and terrains: a hiking pack.

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New Marshall 7″ On-Camera Monitor V-LCD70W-SH by; Olof Von Oss

 Gear  Comments Off on New Marshall 7″ On-Camera Monitor V-LCD70W-SH by; Olof Von Oss
Mar 262017
 

Marshall Electronics has just unveiled their latest LCD on-camera monitor, the 7″ V-LCD70W-SH. Originally planned for IBC 2016, it’s now finally available, so let’s have a quick look.

Marshall 7″ V-LCD70W-SH LCD monitor

There’s a wide range of decent on-camera monitors to choose from, and now there’s one more candidate: the new Marshall V-LCD70W-SH. It’s a 7″ HDMI and SDI LCD monitor with pretty much every feature you would expect in this class of monitors.

It features a detachable sun hood that’s also foldable, which can be quite useful for stowing away when not needed. Those tiny brackets look like they may be a little fragile, though…

Folded and extended sun hood.

When the sun hood is attached, all buttons remain accessible as they are located on the outside, which is nice. Three user-customizable buttons for common functions such as focus peaking can be found on the left-hand side of the monitor. The other buttons are for input, menu access and on/off.

In terms of connectivity, you can use both the HDMI and SDI signals as an input. There’s a cross converter built right into the V-LCD70W-SH, so you’re able to loop through whatever signal is needed to a client monitor, for example. As an addition, this 7″ LCD sports a built-in tally light with two colors to choose from: red or green.

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FUJIFILM X-T20 Review – Real World Video Samples and First Impressions

 Gear  Comments Off on FUJIFILM X-T20 Review – Real World Video Samples and First Impressions
Mar 262017
 

Late last year while visiting Japan, I was fortunate enough to test the FUJIFILM X-T2. Now I’m delighted to have its little sibling before me, the X-T20, which was first announced at the beginning of 2017. I certainly had some expectations in regards to the video capabilities from this little camera, especially knowing how well the bigger X-T2 preformed. Here’s my FUJIFILM X-T20 review, where I will focus on its video performance.

If you have been following the latest developments in our industry, you might agree with me that something good is happening regarding all things FUJI. Besides FUJINON – their optical devision that now brings us quality cinema zoom lenses at a reduced price – FUJIFILM now offers high-quality 4K video throughout their new APS-C line, an indicator that the company is listening to their customers. If I can be a fool and look into the future, I wouldn’t be surprised if FUJIFILM’s ambitions eventually merge, and what we will see is a proper high-quality filming tool to accompany their high-quality glass.

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Check Out This Crazy Deal on the 5D Mark IV by; Alex Cooke

 Gear  Comments Off on Check Out This Crazy Deal on the 5D Mark IV by; Alex Cooke
Mar 262017
 

This is the best price we’ve seen on the Canon 5D Mark IV yet, and it likely won’t last long. If you’re in the market for Canon’s latest full-frame body, now is a really good time to pick it up.

I just completed two shoots with my 5D Mark IV today, and it continues to be my favorite Canon body to date. It’s a very capable and versatile camera that spits out gorgeous files. I recommend it very highly to anyone in the Canon system.

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With the Panasonic GH5 Imminent, Atomos Announce the Ninja Inferno as the Ultimate Companion by; Mike Briggs

 Technique  Comments Off on With the Panasonic GH5 Imminent, Atomos Announce the Ninja Inferno as the Ultimate Companion by; Mike Briggs
Mar 262017
 

With reports that Panasonic have already begun to ship the hotly anticipated GH5, it seems Atomos have perfectly timed the announcement of their latest external monitor-recorder, the Ninja Inferno, due to ship March 31st. With 4:2:2 10-bit recording in 4k 60p and HD 120p, is this the ultimate companion for videographers awaiting their GH5 pre-order to arrive?

The Ninja Inferno will become the world’s first external monitor-recorder to accept 4k DCI signals from cameras like the GH5, recorded in ProRes or DNxHR and displayed on a 7″ 10-bit HDR touch screen LCD with 1500nits of brightness. You’ll get the typical rugged, high quality build you’d expect from an Atomos monitor-recorder made from ABS Polycarbonate. Also expect to see the usual features you’d expect in a premium external monitor-recorder such as focus peaking, zebra patterns, vectorscopes, false color and anamorphic desqueeze.

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Five Ways to Edit Video More Quickly in Adobe Premiere by; Alex Cooke

 Technique  Comments Off on Five Ways to Edit Video More Quickly in Adobe Premiere by; Alex Cooke
Mar 142017
 

Some view editing as the place where the magic happens, while others see it as a necessary evil before they can get back out to shoot some more. Either way, we’d all love to be more efficient at it. These five tips will help you speed up your workflow in Adobe Premiere.

I use workspaces constantly in Digital Performer, and they’ve dramatically increased my efficiency and allowed me to intuitively design my window sets for the task at hand. Along with workspaces come four other tips in this great video, including adjustment layers to apply effects and corrections to multiple clips simultaneously, using presets to save single or multiple effects, color-toning, etc. for easy access down the road, using nested sequences to ensure you can easily move around blocks of clips without disturbing their relative ordering, and of course, shortcuts to keep you out of menus.

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10 Tips and Tricks for Making Difficult Selections in Photoshop

 Technique  Comments Off on 10 Tips and Tricks for Making Difficult Selections in Photoshop
Mar 142017
 

If you’re just starting out in Photoshop and would like to learn the art of making difficult selections to isolate things in photos, check out this great video tutorial by Tutvid. It’s a 37-minute lesson with 10 tips and tricks on methods that range from beginner to advanced.

“Learn to make virtually ANY selection and cut out anything you would even need in Photoshop,” writes Nate Dodson. “We’ll make simple, straight-line selections with the Poly Lasso tool, we’ll select car parts with the Pen Tool and edit the path, we’ll use Calculations to create extremely intricate and difficult selections VERY quickly, we’ll learn to use and work with Select and Mask as well as Refine Edge, we’ll build a selection based on a single channel, and SO much more!”

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Lightroom Mobile Adds Powerful RAW HDR Capture Mode in Latest Update

 HDR Images, HDR Info  Comments Off on Lightroom Mobile Adds Powerful RAW HDR Capture Mode in Latest Update
Mar 142017
 

Adobe released a major update for Lightroom Mobile on both iOS and Android today. And in addition to a few simple features like “speed review” and a notification widget for iOS, and radial & linear selection tools for Android, Adobe dropped a bombshell: RAW HDR capture… on your smartphone.

Smartphone cameras are improving by leaps and bounds, but they still fall far short of bigger-sensor brethren, particularly where dynamic range is concerned. This update, claims Adobe, will change all that, allowing your measly smartphone to capture a wider range of tones than previously possible:

“The new HDR mode works by automatically scanning the scene to determine the correct exposure range and then capturing three DNG files which are then automatically aligned, merged, deghosted, and tonemapped in the app,” explains Adobe. “You get a 32­bit floating point DNG, with all of the benefits of both an HDR and a raw photo, which is processed by the same algorithms with the same quality as the HDR technology built into Adobe Camera Raw and Lightroom.”

The new RAW HDR mode in Lightroom Mobile should make a mockery of your phone’s built-in HDR capabilities, which can typically balance out only the harshest of tones by using two JPEGs. In comparison, Lightroom’s Mobile’s three RAW DNGs are orders of magnitude more useful.

To take advantage, you’ll have to have an iPhone 6s or newer, iPhone SE, or iPad Pro 9.7-inch on the iOS side, or a Samsung S7, S7 Edge, Google Pixel, or Pixel XL for Android. Additional Android devices are being developed for “as quickly as possible.”

Here are some sample photos, all of them captured using this new HDR mode:

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Rumor Has It Sigma Is Releasing a 70-200mm f/2.8 Sport Lens in Late 2017 by; Alex Cooke

 Gear  Comments Off on Rumor Has It Sigma Is Releasing a 70-200mm f/2.8 Sport Lens in Late 2017 by; Alex Cooke
Mar 062017
 

Sigma is showing no signs of slowing down. As their line of unique and high-quality lenses continues to expand at an explosive rate, it appears they’ll be adding a lens almost every photographer should own later this year: the 70-200mm f/2.8.

The 70-200mm f/2.8 lens is arguably the most important lens most photographers can carry, along with the 24-70mm f/2.8. Every major manufacturer has their own native version: Canon, Nikon, Sony, and Pentax, all of which represent some of their best optics and performance. Tamron also recently released the SP 70-200mm f/2.8 Di VC USD G2, an update that provides improved AF, stabilization, and optical quality. With Sigma on a roll, having released four new full-frame lenses, it’s only logical to hear that they’re planning an update to their 70-200mm f/2.8 lens, which is a holdover from the days before their revamped design that started with their Art series. Such a lens would surely be widely welcomed by photographers who have mostly embraced Sigma’s new lenses, while the continued pressure put on the mainstay manufacturers by increasingly tempting third-party options is always good for the market.

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New FUJIFILM X-T2 Cage – LockCircle Kinetics XT2 by; Jakub Han

 Cinematography, Gear  Comments Off on New FUJIFILM X-T2 Cage – LockCircle Kinetics XT2 by; Jakub Han
Mar 062017
 

LockCircle is introducing their new FUJIFILM X-T2 cage called Kinetics XT2. Its asymmetrical design approach lets you hold the original grip of the camera, and features various threads for accessories as well as a baseplate, and HDMI and USB ports protectors.

LockCircle Kinetics XT2 cage with all the features

FUJIFILM X-T2 Cage – LockCircle Kinetics XT2

FUJIFILM X-T2 is a very interesting mirrorless camera for filmmakers that is especially capable in 4K. We tested this little camera couple of months ago, os if you haven’t yet, make sure to take a look at our real world video test and also our Lab test where we compared it against the Sony a7S II. LockCircle is now introducing their ergonomic cage for the FUJIFILM X-T2, which is designed to fit around the camera with an “asymmetrical design approach” for a right-handed camera grip. This means it is possible to hold the camera using the original grip even when the cage is mounted, as visible in the product photos. The weight of the cage itself is 300g (10 oz).

All camera controls remain visible and available as the FUJIFILM XT-2 cage has many cutouts, and offers multiple threads to mount various accessories – 79x 1/4”-20 threads and 3x 3/8”. The cage has also several threads to mount the AC tape measurement titanium hook.

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Cinematic Motion with GoPro ND Filters – PolarPro Cinema Series Filter Review

 Action cams  Comments Off on Cinematic Motion with GoPro ND Filters – PolarPro Cinema Series Filter Review
Mar 062017
 

A little edit of my recent skiiing holidays in Flachau, Austria. I used the GoPro Hero 5 black with the Karma Grip Gimbal and PolarPro ND filters – combo that works very well! Music is “High Speed Chase” by Terry Devine-King, licenced from audionetwork.com

Let me know how you like it and feel free to share it!

Follow me on twitter: twitter.com/gunmac

The timelapse sequences were shot on my Sony A7s II

 

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FUJINON MK18-55mm Technical Review – The New E-Mount Cine Zoom in the Lab by; Sebastian Wober

 Cinematography, Gear  Comments Off on FUJINON MK18-55mm Technical Review – The New E-Mount Cine Zoom in the Lab by; Sebastian Wober
Mar 062017
 

FUJINON just introduced a new line of affordable E-Mount Cine Zooms made for documentary-style cine shooters. The FUJINON MK18-55mm T2.9 is the first of two complimentary zoom lenses and it’s already on our test bench – here’s our FUJINON MK18-55mm Review.

Featuring a claimed non-breathing focus mechanism, par-focal design and fully-geared cine lens controls, let’s confront this newcomer with our 8K test chart and compare it to the infamous new Zeiss LWZ.3 21-100mm T2.9-3.9 and a similarly-specced Canon photo lens.

Also, check out our Hands-on FUJINON MK 18-55mm with Footage HERE.

Why is this Lens Interesting for Cine Shooters?

First of all, let’s look at why this lens is interesting for us! For many years, large-sensor video shooters have been forced to use photo lenses with our Canon, or Canon-adapted large-sensor cameras. As many of us shoot documentaries or documentary-style projects, using photo zoom lenses has been a real frustration as they’re designed for photography, meaning they have a short focus throw, no hard stops, no manual iris control, clunky zooming, breathing, are non par-focal… the list goes on, as these are considerations that aren’t really relevant for shooting still images. Only recently manufacturers have finally started delivering zooms that are fit for video production and are not as heavy on the lens barrel and the wallet as high-end cine zooms. The Sony 28-135mm was the first of its kind (reviewed here), Canon was next, and now FUJINON is the one to catch our interest.

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Sony Develops Super Slow Motion Sensor for Smartphones by; Jakub Han

 Cinematography  Comments Off on Sony Develops Super Slow Motion Sensor for Smartphones by; Jakub Han
Feb 162017
 

The capabilities of image sensors are constantly getting better, also in the area of the ubiquitous small smartphone sensors. Sony has developed a new 3-layer stacked high speed CMOS sensor with DRAM. It promises to minimise image distortion and add super slow motion capabilities to future smartphones.

Sony announced the development of the industry’s first 3-layer stacked CMOS sensor for smartphones. Compared to traditional 2-layer sensors, the new Sony sensor features an added DRAM layer. The purpose of this extra layer is to increase data readout speeds and make it possible to capture still images of fast-moving subjects with minimal focal plane distortion (something we also call “rolling shutter”) as well as super slow motion movies at up to 1,000 frames per second in 1080p.

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HDRtist NX 1.0 introduced for macOS – Next generation HDR software

 HDR Software  Comments Off on HDRtist NX 1.0 introduced for macOS – Next generation HDR software
Feb 162017
 

Hengchun, Taiwan – Ohanaware Co., Ltd. today is proud to announce the release and immediate availability of HDRtist NX 1.0, their latest High Dynamic Range Imaging software developed exclusively for OS X. HDRtist NX is the third installment in the HDRtist series of applications that Ohanaware started back in 2009. NX is the absolute latest and most advanced version to date, featuring brand new technology and functionality that Ohanaware have been refining in the last 7 years.

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A Rare Glimpse Inside Elton John’s Massive Photography Collection by; Andrew Nodell

 Technique  Comments Off on A Rare Glimpse Inside Elton John’s Massive Photography Collection by; Andrew Nodell
Feb 082017
 

The director of The Sir Elton John Collection gives insight into the singer’s 8,000-piece photo cache and the current exhibition at Tate Modern in London.

For nearly 30 years, Elton John has kept hidden a significant part of his much-publicized life — until now.

“The Radical Eye: Modernist Photography From the Sir Elton John Collection” is the first-ever loan exhibition at a new extension to London’s Tate Modern and showcases nearly 200 black-and-white prints from the 69-year-old pianists’ massive private collection.

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Photos of Canon’s Mirrorless M6 and Removable EVF Leaked

 Gear  Comments Off on Photos of Canon’s Mirrorless M6 and Removable EVF Leaked
Feb 082017
 

Photos of Canon’s soon-to-be-announced EOS M6 mirrorless camera have leaked, and unlike the M5, it doesn’t feature an EVF. Instead, Canon is releasing a new removable EVF that has also leaked for your peeping pleasure.

These leaked photos come to us from Digicame-info, who regularly gets their hands on official product shots just days (or sometimes hours) before an official announcement. This time is no different. The M6 is expected to be announced this month before CP+, which starts February 23rd.

Scroll down to see all of the leaked photos of the black and silver M6 and the EVF-DC2 viewfinder, and keep your eyes peeled for an official announcement, probably in the next few days.

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Schneider Optics Announces New Cine Prime Tilt Lenses by; Jakub Han

 Gear  Comments Off on Schneider Optics Announces New Cine Prime Tilt Lenses by; Jakub Han
Feb 022017
 

A few days ago, German optics manufacturer Schneider announced a new range of full-frame cine prime tilt lenses. This dynamic functionality allows for extended focusing possibilities and tweaking of the depth of field in your shots.
Introduced on January 27th, these new Xenon primes from Schneider are the world’s first full-frame Cine Primes tilt lenses. In terms of design, they are basically regular Schneider Xenon full frame primes, just with the added tilt function. If tilt is left at 0°, there is no loss of image quality or sharpness compared to standard Xenon primes.

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Sigma 85mm f/1.4 Art Lens Awarded Highest Score Ever by DxOMark

 Gear  Comments Off on Sigma 85mm f/1.4 Art Lens Awarded Highest Score Ever by DxOMark
Feb 022017
 

Sigma is still on a roll when it comes to its high-end Art lenses, and the latest accolade is impressive: DxOMark just awarded the new Sigma 85mm f/1.4 Art lens the highest score the benchmarking company has ever given.

The lens beat out a trio of highly regarded Zeiss lenses for the top spot, earning an overall score of 50 while the Zeiss Otus 55mm f/2 received a 48.

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Honest MacBook Pro Review Says the New Laptop is Apple’s 5D Mark IV

 Apple  Comments Off on Honest MacBook Pro Review Says the New Laptop is Apple’s 5D Mark IV
Jan 242017
 

In a single sentence, photographer and reviewer Jaron Schneider summed up the problem with Apple’s new MacBook Pro: it’s basically Apple’s 5D Mark IV. Too much time and build-up meant insanely high expectations, and Apple didn’t come close to matching them even if they did release a good product.

Schneider’s MacBook Pro review is one of the best we’ve seen. It does a great job of staying neutral, starting out on a positive note, explaining what it is Apple “fanboys” are chasing and why they’re willing to put up with so much, and then giving Apple a well-deserved lashing for the ways in which the new MBP falls short.

The question he’s really trying to answer is: is the MacBook Pro really “Pro,” and the answer seems to be “sort of.” The ultimate problem is that Apple tried to please everyone, and in the process didn’t really satisfy anyone. In Scheider’s words, “[The MacBook Pro] is a wonderful, beautiful product… that is in constant disagreement with itself.”

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Leica Announces the M10 by Adam Ottke

 Gear  Comments Off on Leica Announces the M10 by Adam Ottke
Jan 212017
 

The Leica M10 is the latest iteration of digital German rangefinders. The M10 features a similar 24MP CMOS sensor to that of the M-P (Typ 240), expanded ISO performance from ISO 100-50,000, an improved viewfinder, new three-button back panel design, and more for a discount over the Typ 240.

At $6,595, the M10 is nearly 10 percent cheaper than the Typ 240 and offers better performance across the board. A new 0.73x viewfinder offers a 30-percent larger field of view and 50-percent increased eye relief. The menu system is designed to be controlled with a joystick and just three buttons: Play, Live View, and Menu. Meanwhile, a dedicated ISO dial offers automatic or manual selection from through the native range of ISO 100-6,400. A Leica Maestro II image processor allows for five-frame-per-second shooting.

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