Richard Sisk

I am a photographer, in particular since 1993 a full time photographer. I have specialized in landscapes and city skylines. It has been an interesting journey that has taken me all around our great country. I have visited many historic sites and most of our magnificent cities. One thing that has struck me has been the kindness and helpful spirit of the many people I’ve met along the way. It has been an opportunity to learn a great deal about many remarkable locations and people. I was able to travel a remote portion of the Oregon Trail in Idaho. I visited the source of the Missouri River in Montana, and reached down to taste the cold, crystal clear water, as Meriwether Lewis had done 200 years earlier. A few months later I found his final resting place along the Natchez Trace in Tennessee. There have been many moving moments during this long journey. However, the wonderful and kind people of America have been the greatest source of inspiration throughout my travels.

Lightroom Mobile Adds Powerful RAW HDR Capture Mode in Latest Update

 HDR Images, HDR Info  Comments Off on Lightroom Mobile Adds Powerful RAW HDR Capture Mode in Latest Update
Mar 142017
 

Adobe released a major update for Lightroom Mobile on both iOS and Android today. And in addition to a few simple features like “speed review” and a notification widget for iOS, and radial & linear selection tools for Android, Adobe dropped a bombshell: RAW HDR capture… on your smartphone.

Smartphone cameras are improving by leaps and bounds, but they still fall far short of bigger-sensor brethren, particularly where dynamic range is concerned. This update, claims Adobe, will change all that, allowing your measly smartphone to capture a wider range of tones than previously possible:

“The new HDR mode works by automatically scanning the scene to determine the correct exposure range and then capturing three DNG files which are then automatically aligned, merged, deghosted, and tonemapped in the app,” explains Adobe. “You get a 32­bit floating point DNG, with all of the benefits of both an HDR and a raw photo, which is processed by the same algorithms with the same quality as the HDR technology built into Adobe Camera Raw and Lightroom.”

The new RAW HDR mode in Lightroom Mobile should make a mockery of your phone’s built-in HDR capabilities, which can typically balance out only the harshest of tones by using two JPEGs. In comparison, Lightroom’s Mobile’s three RAW DNGs are orders of magnitude more useful.

To take advantage, you’ll have to have an iPhone 6s or newer, iPhone SE, or iPad Pro 9.7-inch on the iOS side, or a Samsung S7, S7 Edge, Google Pixel, or Pixel XL for Android. Additional Android devices are being developed for “as quickly as possible.”

Here are some sample photos, all of them captured using this new HDR mode:

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Rumor Has It Sigma Is Releasing a 70-200mm f/2.8 Sport Lens in Late 2017 by; Alex Cooke

 Gear  Comments Off on Rumor Has It Sigma Is Releasing a 70-200mm f/2.8 Sport Lens in Late 2017 by; Alex Cooke
Mar 062017
 

Sigma is showing no signs of slowing down. As their line of unique and high-quality lenses continues to expand at an explosive rate, it appears they’ll be adding a lens almost every photographer should own later this year: the 70-200mm f/2.8.

The 70-200mm f/2.8 lens is arguably the most important lens most photographers can carry, along with the 24-70mm f/2.8. Every major manufacturer has their own native version: Canon, Nikon, Sony, and Pentax, all of which represent some of their best optics and performance. Tamron also recently released the SP 70-200mm f/2.8 Di VC USD G2, an update that provides improved AF, stabilization, and optical quality. With Sigma on a roll, having released four new full-frame lenses, it’s only logical to hear that they’re planning an update to their 70-200mm f/2.8 lens, which is a holdover from the days before their revamped design that started with their Art series. Such a lens would surely be widely welcomed by photographers who have mostly embraced Sigma’s new lenses, while the continued pressure put on the mainstay manufacturers by increasingly tempting third-party options is always good for the market.

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New FUJIFILM X-T2 Cage – LockCircle Kinetics XT2 by; Jakub Han

 Cinematography, Gear  Comments Off on New FUJIFILM X-T2 Cage – LockCircle Kinetics XT2 by; Jakub Han
Mar 062017
 

LockCircle is introducing their new FUJIFILM X-T2 cage called Kinetics XT2. Its asymmetrical design approach lets you hold the original grip of the camera, and features various threads for accessories as well as a baseplate, and HDMI and USB ports protectors.

LockCircle Kinetics XT2 cage with all the features

FUJIFILM X-T2 Cage – LockCircle Kinetics XT2

FUJIFILM X-T2 is a very interesting mirrorless camera for filmmakers that is especially capable in 4K. We tested this little camera couple of months ago, os if you haven’t yet, make sure to take a look at our real world video test and also our Lab test where we compared it against the Sony a7S II. LockCircle is now introducing their ergonomic cage for the FUJIFILM X-T2, which is designed to fit around the camera with an “asymmetrical design approach” for a right-handed camera grip. This means it is possible to hold the camera using the original grip even when the cage is mounted, as visible in the product photos. The weight of the cage itself is 300g (10 oz).

All camera controls remain visible and available as the FUJIFILM XT-2 cage has many cutouts, and offers multiple threads to mount various accessories – 79x 1/4”-20 threads and 3x 3/8”. The cage has also several threads to mount the AC tape measurement titanium hook.

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Cinematic Motion with GoPro ND Filters – PolarPro Cinema Series Filter Review

 Action cams  Comments Off on Cinematic Motion with GoPro ND Filters – PolarPro Cinema Series Filter Review
Mar 062017
 

A little edit of my recent skiiing holidays in Flachau, Austria. I used the GoPro Hero 5 black with the Karma Grip Gimbal and PolarPro ND filters – combo that works very well! Music is “High Speed Chase” by Terry Devine-King, licenced from audionetwork.com

Let me know how you like it and feel free to share it!

Follow me on twitter: twitter.com/gunmac

The timelapse sequences were shot on my Sony A7s II

 

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FUJINON MK18-55mm Technical Review – The New E-Mount Cine Zoom in the Lab by; Sebastian Wober

 Cinematography, Gear  Comments Off on FUJINON MK18-55mm Technical Review – The New E-Mount Cine Zoom in the Lab by; Sebastian Wober
Mar 062017
 

FUJINON just introduced a new line of affordable E-Mount Cine Zooms made for documentary-style cine shooters. The FUJINON MK18-55mm T2.9 is the first of two complimentary zoom lenses and it’s already on our test bench – here’s our FUJINON MK18-55mm Review.

Featuring a claimed non-breathing focus mechanism, par-focal design and fully-geared cine lens controls, let’s confront this newcomer with our 8K test chart and compare it to the infamous new Zeiss LWZ.3 21-100mm T2.9-3.9 and a similarly-specced Canon photo lens.

Also, check out our Hands-on FUJINON MK 18-55mm with Footage HERE.

Why is this Lens Interesting for Cine Shooters?

First of all, let’s look at why this lens is interesting for us! For many years, large-sensor video shooters have been forced to use photo lenses with our Canon, or Canon-adapted large-sensor cameras. As many of us shoot documentaries or documentary-style projects, using photo zoom lenses has been a real frustration as they’re designed for photography, meaning they have a short focus throw, no hard stops, no manual iris control, clunky zooming, breathing, are non par-focal… the list goes on, as these are considerations that aren’t really relevant for shooting still images. Only recently manufacturers have finally started delivering zooms that are fit for video production and are not as heavy on the lens barrel and the wallet as high-end cine zooms. The Sony 28-135mm was the first of its kind (reviewed here), Canon was next, and now FUJINON is the one to catch our interest.

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Sony Develops Super Slow Motion Sensor for Smartphones by; Jakub Han

 Cinematography  Comments Off on Sony Develops Super Slow Motion Sensor for Smartphones by; Jakub Han
Feb 162017
 

The capabilities of image sensors are constantly getting better, also in the area of the ubiquitous small smartphone sensors. Sony has developed a new 3-layer stacked high speed CMOS sensor with DRAM. It promises to minimise image distortion and add super slow motion capabilities to future smartphones.

Sony announced the development of the industry’s first 3-layer stacked CMOS sensor for smartphones. Compared to traditional 2-layer sensors, the new Sony sensor features an added DRAM layer. The purpose of this extra layer is to increase data readout speeds and make it possible to capture still images of fast-moving subjects with minimal focal plane distortion (something we also call “rolling shutter”) as well as super slow motion movies at up to 1,000 frames per second in 1080p.

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HDRtist NX 1.0 introduced for macOS – Next generation HDR software

 HDR Software  Comments Off on HDRtist NX 1.0 introduced for macOS – Next generation HDR software
Feb 162017
 

Hengchun, Taiwan – Ohanaware Co., Ltd. today is proud to announce the release and immediate availability of HDRtist NX 1.0, their latest High Dynamic Range Imaging software developed exclusively for OS X. HDRtist NX is the third installment in the HDRtist series of applications that Ohanaware started back in 2009. NX is the absolute latest and most advanced version to date, featuring brand new technology and functionality that Ohanaware have been refining in the last 7 years.

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A Rare Glimpse Inside Elton John’s Massive Photography Collection by; Andrew Nodell

 Technique  Comments Off on A Rare Glimpse Inside Elton John’s Massive Photography Collection by; Andrew Nodell
Feb 082017
 

The director of The Sir Elton John Collection gives insight into the singer’s 8,000-piece photo cache and the current exhibition at Tate Modern in London.

For nearly 30 years, Elton John has kept hidden a significant part of his much-publicized life — until now.

“The Radical Eye: Modernist Photography From the Sir Elton John Collection” is the first-ever loan exhibition at a new extension to London’s Tate Modern and showcases nearly 200 black-and-white prints from the 69-year-old pianists’ massive private collection.

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Photos of Canon’s Mirrorless M6 and Removable EVF Leaked

 Gear  Comments Off on Photos of Canon’s Mirrorless M6 and Removable EVF Leaked
Feb 082017
 

Photos of Canon’s soon-to-be-announced EOS M6 mirrorless camera have leaked, and unlike the M5, it doesn’t feature an EVF. Instead, Canon is releasing a new removable EVF that has also leaked for your peeping pleasure.

These leaked photos come to us from Digicame-info, who regularly gets their hands on official product shots just days (or sometimes hours) before an official announcement. This time is no different. The M6 is expected to be announced this month before CP+, which starts February 23rd.

Scroll down to see all of the leaked photos of the black and silver M6 and the EVF-DC2 viewfinder, and keep your eyes peeled for an official announcement, probably in the next few days.

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Schneider Optics Announces New Cine Prime Tilt Lenses by; Jakub Han

 Gear  Comments Off on Schneider Optics Announces New Cine Prime Tilt Lenses by; Jakub Han
Feb 022017
 

A few days ago, German optics manufacturer Schneider announced a new range of full-frame cine prime tilt lenses. This dynamic functionality allows for extended focusing possibilities and tweaking of the depth of field in your shots.
Introduced on January 27th, these new Xenon primes from Schneider are the world’s first full-frame Cine Primes tilt lenses. In terms of design, they are basically regular Schneider Xenon full frame primes, just with the added tilt function. If tilt is left at 0°, there is no loss of image quality or sharpness compared to standard Xenon primes.

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Sigma 85mm f/1.4 Art Lens Awarded Highest Score Ever by DxOMark

 Gear  Comments Off on Sigma 85mm f/1.4 Art Lens Awarded Highest Score Ever by DxOMark
Feb 022017
 

Sigma is still on a roll when it comes to its high-end Art lenses, and the latest accolade is impressive: DxOMark just awarded the new Sigma 85mm f/1.4 Art lens the highest score the benchmarking company has ever given.

The lens beat out a trio of highly regarded Zeiss lenses for the top spot, earning an overall score of 50 while the Zeiss Otus 55mm f/2 received a 48.

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Honest MacBook Pro Review Says the New Laptop is Apple’s 5D Mark IV

 Apple  Comments Off on Honest MacBook Pro Review Says the New Laptop is Apple’s 5D Mark IV
Jan 242017
 

In a single sentence, photographer and reviewer Jaron Schneider summed up the problem with Apple’s new MacBook Pro: it’s basically Apple’s 5D Mark IV. Too much time and build-up meant insanely high expectations, and Apple didn’t come close to matching them even if they did release a good product.

Schneider’s MacBook Pro review is one of the best we’ve seen. It does a great job of staying neutral, starting out on a positive note, explaining what it is Apple “fanboys” are chasing and why they’re willing to put up with so much, and then giving Apple a well-deserved lashing for the ways in which the new MBP falls short.

The question he’s really trying to answer is: is the MacBook Pro really “Pro,” and the answer seems to be “sort of.” The ultimate problem is that Apple tried to please everyone, and in the process didn’t really satisfy anyone. In Scheider’s words, “[The MacBook Pro] is a wonderful, beautiful product… that is in constant disagreement with itself.”

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Leica Announces the M10 by Adam Ottke

 Gear  Comments Off on Leica Announces the M10 by Adam Ottke
Jan 212017
 

The Leica M10 is the latest iteration of digital German rangefinders. The M10 features a similar 24MP CMOS sensor to that of the M-P (Typ 240), expanded ISO performance from ISO 100-50,000, an improved viewfinder, new three-button back panel design, and more for a discount over the Typ 240.

At $6,595, the M10 is nearly 10 percent cheaper than the Typ 240 and offers better performance across the board. A new 0.73x viewfinder offers a 30-percent larger field of view and 50-percent increased eye relief. The menu system is designed to be controlled with a joystick and just three buttons: Play, Live View, and Menu. Meanwhile, a dedicated ISO dial offers automatic or manual selection from through the native range of ISO 100-6,400. A Leica Maestro II image processor allows for five-frame-per-second shooting.

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Fuji Announces X100F and X-T20 Cameras, Fujinon XF 50mm f/2 R WR Lens, and GFX 50S Full Specs, All With Preorders, by Alex Cooke

 Gear  Comments Off on Fuji Announces X100F and X-T20 Cameras, Fujinon XF 50mm f/2 R WR Lens, and GFX 50S Full Specs, All With Preorders, by Alex Cooke
Jan 212017
 

Well, it’s quite a day to be a Fuji fan! The company has announced two new camera bodies, a new lens, and the full specifications for their upcoming mirrorless medium format camera.

X100F Camera

The X100F is the next iteration of the X100 series of cameras. I personally still use my X100S and love it. Check out the X100F’s full specs:

  • 24.3MP X-Trans CMOS III APS-C sensor
  • 23mm f/2 lens
  • Advanced hybrid viewfinder
  • User-adjustable magnification in rangefinder mode for improved focusing accuracy
  • 60 fps electronic viewfinder
  • Realtime parallax correction
  • Improved performance times, including 0.5-second startup time, 0.2-second shooting interval, 0.01-second shutter lag, and AF speed as fast as 0.08 seconds
  • 91 AF points, with 40% of the imaging area covered by phase detection points
  • New ACROS film simulation with optional grain simulation (available on all simulations)
  • Built-in ISO dial
  • Built-in three-stop ND filter
  • Electronic shutter with speeds up to 1/32,000 s
  • Digital teleconverter option with 50mm and 70mm-equivalent angles of view
  • Interval shooting with unlimited frames
  • Wi-Fi control

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The Medium Format Fujifilm GFX 50S Camera is Finally Here and Shoots Video, by Sebastian Woberr

 Gear  Comments Off on The Medium Format Fujifilm GFX 50S Camera is Finally Here and Shoots Video, by Sebastian Woberr
Jan 212017
 

A few months ago Fujifilm unveiled its new mirrorless medium format camera that also shoots video, the Fujifilm GFX 50S. Today they’ve finally released all the details, including the GFX 50S video capabilities, pricing and availability.

The Fujifilm GFX 50S is a Big Thing for Photographers

We’re all about video functionality here at cinema5D, but first and foremost, the Fujifilm GFX 50S is significant news for photographers as it introduces a much more affordable medium format system, including lenses and accessories, in comparison to other systems in this field. Now it’s official, that the new GFX 50S goes for $6,499.

Other benefits of the Fujifilm GFX 50S is its compact size, the removable OLED viewfinder with close to Full HD resolution and of course the high sensor resolution of 51.4-megapixels (8256 x 6192). Fujifilm is also releasing three lenses as part of the new GF series, which cover a variety of focal lengths and promises more lens releases throughout 2017.

 

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Yi Erida tricopter drone carries the new 4K+ 60p Action Camera to new heights

 Gear  Comments Off on Yi Erida tricopter drone carries the new 4K+ 60p Action Camera to new heights
Jan 112017
 

Yi has launched a new version of what they are claim is the world’s ‘fastest tricopter drone’ (although we have no idea which tricopter drone previously held the record so its a bit hard to verify), the Yi Erida. The company says the Erida is exceptionally fast and agile, and can reach speeds of up to 75 miles per hour (120 km/h). To put that speed into perspective the DJI Inspire 2 can fly at up to 58 mph or 94 kph in Sport mode.

The only major difference between the new drone and the one that was originally announced in the middle of last year, is that it will now include the company’s latest YI 4K+ Action Camera. The 4K+ the only action camera in the world that can capture UHD video at up to 60fps. The Erida also has a built-in advanced gimbal system.

For those not familiar with the drone, the Yi Erida features patented folding rotors which helps make the drone more portable. It can be controlled from any mobile device using the compatible YI Erida mobile app, which means there is no need for a remote control. From the app, users can set the flight mode, choose the height and shooting angle, control takeoff and landing, and check battery status, distance and flight time. If you don’t want to use a smart phone or tablet to control the Erida, it is possible to connect a regular RC remote control.

The Erida also has a claimed maximum flying time of up to 40 minutes. The drone weighs 1.3 kg (2.86lb) and is made out of carbon fibre. The company also uses a very unique three-rotor design and innovative aeronautics to make the drone capable of flying at such high speeds.

As far as built in safety features go the Erida uses Yi’s custom LIDAR system. This system has built-in laser scanners that automatically increases the altitude if the surface elevates. The LIDAR system operates at altitudes up to 6,000 meters, and is effective at up to 30 meters. The Erida also works with Beidou, GPS and GLONASS satellites to provide high accuracy and safety of flight. Supporting messages include integrity protection, geofencing, and spoofing detection.

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Insta360 Pro VR Camera – 8K, Up to 100fps 4K, HDR and RAW by: Graham Sheldon

 Gear  Comments Off on Insta360 Pro VR Camera – 8K, Up to 100fps 4K, HDR and RAW by: Graham Sheldon
Jan 082017
 

This week at CES 2017, Chinese camera manufacturer Insta360 announced their Insta360 Pro VR camera with a truly impressive spec list: 8K maximum resolution, 100fps in 4K, HDR, RAW and a great price tag.  All the details including pricing and availability below: 

I have had the opportunity to try several different types of 360 video cameras from a number of manufacturers, and anything below 4K tends to look blurry in my opinion. Some may scoff at the push for higher and higher resolution camera tech in the 2D world, but for VR I believe it’s absolutely necessary.

The Insta360 Pro VR camera has a few major features that could all add up to some gorgeous-looking VR video experiences in the future. Its 6 independent HD lenses can capture 360-degree video in up to 8K resolution in both RAW and HDR. When in 4K mode, the camera can also record up to 100fps. Specs like these put the camera more in line with premium 360 cameras like the $45,000 Nokia OZO or the $15,000 Google Jump, versus the cheaper Samsung Gear 360 ($278.00).

With a price tag of $3,000, the Insta360 Pro could appeal to both professional and hobbyist shooters alike when it hits the market later in the year. There is no word yet regarding the potential overheating issues that other 360 cameras in this category have also suffered from.

The “3D Video” mode lets you shoot 3D 360-degree video up to 6K, or up to 4K with real time stitching (H.265 or H.264). You can also live stream 360-degree video over Ethernet, WiFi and 4G (this will destroy your data plan) to Facebook, YouTube and Twitter.

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The Hardware of the Panasonic GH5 – An Interview with Panasonic’s M. Uematsu by: Fabian Chaundy

 Gear, News  Comments Off on The Hardware of the Panasonic GH5 – An Interview with Panasonic’s M. Uematsu by: Fabian Chaundy
Jan 082017
 

With the expected shipping date for the Panasonic GH5 just over the horizon (here’s our detailed feature GH5 hands-on post from earlier today), we thought it would be a good time to catch up with Panasonic’s M. Uematsu to chat about some of the more technical aspects of the next member of the popular GH line of mirrorless cameras. Check out our interview at cinema5D HQ… shot, of course, on the Panasonic GH5.

We all know how much of a cut-throat business the camera world is, with manufacturers constantly trying to one-up one another in a constant and quick succession of new camera releases. As the first big camera release of 2017, the Panasonic GH5 aims to come out swinging, promising to bring a host of truly nice features for indie filmmakers. And about time, too, as after almost 3 years, the popular GH4 was slowly starting to lag behind next to the competition.

But before diving into the great features that the GH5 will bring in a couple of months, we first wanted to know why Panasonic didn’t decide to go all out with some much-requested bells and whistles, especially given its popularity among filmmakers both amateur and professional. So, Panasonic, why didn’t you include internal ND filters and RAW recording?

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Panasonic GH5 Hands-on – “6K” Anamorphic Video, 4K 60p, 180fps FHD by: Graham Sheldon

 Gear  Comments Off on Panasonic GH5 Hands-on – “6K” Anamorphic Video, 4K 60p, 180fps FHD by: Graham Sheldon
Jan 082017
 

The GH5 was announced back in September last year, but Panasonic kept many features of the camera close to the chest. Today, at CES, Panasonic pulled back the curtain. We have the full feature list and were invited to an exclusive prior GH5 hands-on event in Los Angeles. Spoiler alert, the camera looks great and it’s a cinematographer’s dream. Features, pricing and availability below: 

Watch our new interview about the GH5 with Panasonic advisor M. Uematsu in this new article by clicking here.

The built-in flash found in the old GH4 is gone and a whole new array of magical features aimed squarely at indie filmmakers have taken its place in the MFT Panasonic DMC-GH5, unveiled today at CES in Las Vegas. However, the Panasonic GH5, like a fine wine, will need to age gracefully into the summer to reach its full potential. More on that later.

Back in May of 2014, the Panasonic Lumix GH4 hit the market and became an instant favorite. Lauded for its internal 4K, variable frame rate option, XLR input module and professional video features such as peaking, zebras and cinema color profiles, it was clear that Panasonic built the camera with the cinematographer in mind. On paper, engineers have outdone themselves in every way with the new GH5.

Panasonic will be squishing features like 4:2:2 10bit 4K with a bitrate of 400Mbps and 180fps FHD variable frame rate recording into the tiny 2.0 pound body of the GH5. Over the years you get used to seeing specs like this from companies such as RED Cinema, but with the price point of a BMW 5-series. For the GH5, we are more in 1998 Honda Civic territory with a camera body price point of $2,000.

In short, the GH5 looks stylish, feels great to hold and shoots gorgeous video.

The camera launches with a max resolution of 4096×2160 up to 60fps with a bitrate of 150Mbps. Notice the differences from the features in bold above? That’s because Panasonic is rolling out a free firmware plan upgrading the camera into the summer, and 4K (400Mbps) All-Intra recording will unlock by July.

Of course, it would be great to have all the banner features right as you open the box, but like many video games these days, you’ll need to wait for updates before the camera has its full feature list, but what a list of features it is.

Here is the full firmware breakdown:

GH5 Firmware Upgrade Path:

4:2:2 10bit – Available April, 2017
6K/24p Anamorphic Video Mode (4:3) – Available Summer, 2017
(200 Mbps) FHD 4:2:2 10bit ALL-Intra – Available Summer, 2017
(400Mbps) 4K 4:2:2 10bit ALL-Intra – Available, Summer 2017

V-Log Color Profile  – Available at launch, Cost: $100

6K/24p Anamorphic Video Mode will be available in a 4:3 aspect ratio in the Summer and the very fact we are talking about getting 6K, or close, Anamorphic out of a $2,000 MFT body is exciting. Panasonic is calling this upcoming mode: “High Resolution Anamorphic” as it is 6K resolution in terms of pixel density, but not 6000 pixels of horizontal resolution.

**Update: The camera ships with Anamorphic 4K (4:3) with H.264 compression enabled. Come Summer 2017, 6K (4:3) will be shootable in H.265 compression with free firmware update. Firmware schedule below.  

Unfortunately, if you previously purchased V-Log for your GH4 you will not be able to transfer that update over to the new GH5. A new purchase is required.

While the GH5 has the same dynamic range as the Panasonic GH4, it has slightly improved lowlight performance, but I wouldn’t call this a lowlight camera by any means. We were presented with a ISO 6400 video sample and noise in the picture was very evident. On top of that, when shooting with high ISO settings, the camera will automatically reduce noise internally. This feature cannot currently be turned off and can only be controlled via the menu with high/mid/ and low settings. Panasonic is certainly willing to listen to feedback and might consider adding a complete “off position button” if there is a demand for it.

Color depth is improved and the GH5 will eventually shoot internal 4:2:2 10bit, compared to the 4:2:0 8bit of its predecessor, but launches with 4:2:0 8bit only in IPB compression. 4:2:2 10bit color is double the information of 4:2:0 and provides greater grading flexibility in the post process before the image falls apart.

Here is some gorgeous footage, shot on GH5, from the good folks over at Neumann Films:

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Panasonic GH5 Hands-on – “6K” Anamorphic Video, 4K 60p, 180fps FHD, By Graham Sheldon

 Cinematography, Gear, News  Comments Off on Panasonic GH5 Hands-on – “6K” Anamorphic Video, 4K 60p, 180fps FHD, By Graham Sheldon
Jan 052017
 

The GH5 was announced back in September last year, but Panasonic kept many features of the camera close to the chest. Today, at CES, Panasonic pulled back the curtain. We have the full feature list and were invited to an exclusive prior GH5 hands-on event in Los Angeles. Spoiler alert, the camera looks great and it’s a cinematographer’s dream. Features, pricing and availability below:

The built-in flash found in the old GH4 is gone and a whole new array of magical features aimed squarely at indie filmmakers have taken its place in the MFT Panasonic DMC-GH5, unveiled today at CES in Las Vegas. However, the Panasonic GH5, like a fine wine, will need to age gracefully into the summer to reach its full potential. More on that later.
Back in May of 2014, the Panasonic Lumix GH4 hit the market and became an instant favorite. Lauded for its internal 4K, variable frame rate option, XLR input module and professional video features such as peaking, zebras and cinema color profiles, it was clear that Panasonic built the camera with the cinematographer in mind. On paper, engineers have outdone themselves in every way with the new GH5.
Panasonic will be squishing features like 4:2:2 10bit 4K with a bitrate of 400Mbps and 180fps FHD variable frame rate recording into the tiny 2.0 pound body of the GH5. Over the years you get used to seeing specs like this from companies such as RED Cinema, but with the price point of a BMW 5-series. For the GH5, we are more in 1998 Honda Civic territory with a camera body price point of $2,000.
In short, the GH5 looks stylish, feels great to hold and shoots gorgeous video.

The camera launches with a max resolution of 4096×2160 up to 60fps with a bitrate of 150Mbps. Notice the differences from the features in bold above? That’s because Panasonic is rolling out a free firmware plan upgrading the camera into the summer, and 4K (400Mbps) All-Intra recording will unlock by July.
Of course, it would be great to have all the banner features right as you open the box, but like many video games these days, you’ll need to wait for updates before the camera has its full feature list, but what a list of features it is.
Here is the full firmware breakdown:
GH5 Firmware Upgrade Path:

4:2:2 10bit – Available April, 2017
6K/24p Anamorphic Video Mode (4:3) – Available Summer, 2017
(200 Mbps) FHD 4:2:2 10bit ALL-Intra – Available Summer, 2017
(400Mbps) 4K 4:2:2 10bit ALL-Intra – Available, Summer 2017
V-Log Color Profile – Available at launch, Cost: $100
6K/24p Anamorphic Video Mode is available in a 4:3 aspect ratio. However, the very fact we are talking about getting 6K, or close, Anamorphic out of a $2,000 MFT body is exciting. Panasonic is calling this upcoming mode: “High Resolution Anamorphic” as it is 6K resolution in terms of pixel density, but not 6000 pixels of horizontal resolution.

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