Apr 182016

In a bold move from Hasselblad, the new H6D-100c looks set to include some

While it’s been clear for some time that a move beyond super 35mm and even full frame sensors would materialise at the high-end of digital cinema acquisition, the likes of Arri’s Alexa65 reaches a niche demographic among the world’s top cinematographers, and is rental-only. It’s never been totally clear where a more mainstream offering would come from. At EUR 28,900 the H6D-100c is hardly mainstream in the sense of the average DSLR, but it will be a commercial production camera, stocked by dealers, and accessible by anyone willing to part with the cash.

If you are craving the ultra shallow depth of field, and the commanding imaging aesthetic of the ultra large format look in video (think Lubezki’s arresting cinematography with the Alexa65 in The Revenant, and Robert Richardson’s work with Ultra Panavision 70 in The Hateful Eight), it looks like the new Hasselblad H6D-100c might give you just that.

Read More: