ALEXA vs Varicam LT vs GH4 vs A7s – with William Wages, ASC – ON THE GO – Episode 83

 Cinematography, Gear  Comments Off on ALEXA vs Varicam LT vs GH4 vs A7s – with William Wages, ASC – ON THE GO – Episode 83
Feb 042018
 

n this episode of cinema5D ON THE GO, we wrap up our conversation with William Wages, ASC regarding using Lumix cameras on high-end productions.

 

Continuing our discussion about how William has changed to currently preferring the Varicam LT and Lumix environment, he tells us about the blind test he carried out to convince decision makers that the GH series of Panasonic cameras was indeed worthy.

But is there really a place for a Micro Four-Thirds sensor in the world of high-end filmmaking? As William says, the kind of situations that would require deploying a GH camera are exactly those where it would be challenging to set up a follow focus system. For this reason, the more restricted depth of field that the Micro Four-Thirds sensor size offers would in fact prove to be an advantage.

We also discuss Panasonic’s latest addition to its range of filmmaking cameras: the Panasonic EVA-1. While it could prove to be a solid B-Cam option to the Varicam line, for William Wages the small size of the Lumix line is still a major plus over this new model. (Please note that this episode was recorded before Panasonic released the final specs of the EVA-1).

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Panavision Announces New Millennium DXL2 8K Camera with the RED Monstro 8K VV Sensor

 Cinematography, Gear  Comments Off on Panavision Announces New Millennium DXL2 8K Camera with the RED Monstro 8K VV Sensor
Feb 042018
 

The new Panavision Millenium DXL2 builds on the success of the original Millennium DXL. Both models operate in an ecosystem (or should I say marriage) between three top-class companies in the moving picture industry: Panavision, Light Iron and RED. However, this time the development of the camera has gone even further by incorporating Panavision with the RED MONSTRO 8K VV sensor, and Light Iron color2 science.

 

As stated by Michael Cioni, senior VP of Innovation at Panavision and Light Iron: “Panavision’s vast inventory of advanced large-format and anamorphic optics combined with RED’s MONSTRO imager expands what’s possible, allowing filmmakers to create radically inventive and powerfully cinematic images, customized for the needs of the project and the vision of creative teams.”

Watch the video below which demonstrates the DXL2 in action.

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Canon May Add Fingerprint ID to Its Cameras and Lenses

 Gear  Comments Off on Canon May Add Fingerprint ID to Its Cameras and Lenses
Jan 302018
 

Fingerprint ID is used on many smartphones these days for security and identification, but would you like to see the same feature on your camera gear? Canon has apparently developed a fingerprint ID system that can identify the photographer using the camera or lens.

Canon Rumors reports that a new Canon patent published this month in the US (US20180012061 A1) describes an “electronic apparatus having finger authenticating function.”

The patent and illustrations describe and show a camera and lens that have a fingerprint ID reader built into them.

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Shootout: $4,990 Zeiss Otus 28mm vs $4,250 Leica Q

 Gear  Comments Off on Shootout: $4,990 Zeiss Otus 28mm vs $4,250 Leica Q
Jan 302018
 

In the pantheon of lens focal lengths, 28mm is a bit of an outlier. Photojournalists are more apt to reach for the 35mm, while many manufacturers have settled on 24mm for primes and the wide end of their zoom lenses. But 28mm has become visually familiar to consumers because its field-of-view equivalent can be found on many smartphones like the iPhone.

Zeiss caused a ruckus when it announced its line of Otus lenses in 2013; a line designed for maximum still photography performance with a weatherproof construction made of glass, aluminum, and rubber. Maximum quality also means eye-popping prices. The 28mm f/1.4 Otus can be yours for a touch under $5,000.

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Canon Takes 1st Place in 2018 Japanese Camera Ranking

 Gear  Comments Off on Canon Takes 1st Place in 2018 Japanese Camera Ranking
Jan 232018
 

The annual Japan BCN rankings are in and Canon emerges as the winner of some major categories, including DSLRs. Canon also wins the 2nd place in the category “mirrorless” and thus points Sony to 3rd place.

What are the annual BCN rankings, you might ask. The winners of one of the many categories are being determined by multible factors, the Japanese company behind it, BCN  (Business Computer News), explains:

The “BCN AWARD” is an annual (January 1st – December 31st) sales comparison of BCN, which collects the current sales data of large electronics wholesalers nationwide, PC specialty stores and Internet shops. It is a system for rewarding a manufacturer’s cumulative numbers.

These awards can be seen as an indicator of the (Japanese) market situation regarding all kinds of electronic goods, including digital cameras and lenses which renders the outcome interesting for us.

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RED Hydrogen One: Details and Specs Emerge Surrounding RED’s Holographic Smartphone

 Gear  Comments Off on RED Hydrogen One: Details and Specs Emerge Surrounding RED’s Holographic Smartphone
Jan 232018
 

The RED Hydrogen One smartphone was announced last summer, but details about a release date and more solid specifications are finally emerging thanks to a post by RED Founder and CEO Jim Jannard. The Android-run smartphone will operate with a Snapdragon 835x processor (as what is currently in the Samsung Galaxy S8) and will feature a massive 4,500 mAh battery (125 percent the battery capacity of the similarly sized Galaxy S8+). But there’s much more than just a big battery in RED’s 5.7-inch smartphone.

That massive battery will support all of the content creation for which RED expects its users will be using the phone quite often. With a modular design, the Hydrogen will be able to perform a variety of additional tasks both at launch and in the future with simple add-ons that connect via a Pogo pin system for both power and data delivery and a wide range of flexibility.

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Fstoppers’ First Hands-On Look at the DJI Mavic Air

 Gear  Comments Off on Fstoppers’ First Hands-On Look at the DJI Mavic Air
Jan 232018
 

Today, Fstoppers was at the DJI Event in NYC where they announced the Mavic Air. After learning about this drone and seeing examples of photo and video it had produced, I knew that I had to get my hands on one of them to try out. As a current owner of a Mavic Pro, there is no doubt that I questioned whether or not I should get one of these drones. So I went and flew them around a bit and got a little taste of what’s to come.

Design/Feel

Like most DJI products, this drone has a really sturdy build. I have to say that it actually feels a bit more durable than the Mavic Pro, especially when it comes to the folding parts on the drone. To me, everything just felt more intact and sturdier when I went to fold the legs in and out. I was shocked to see that they got rid of the foldable props, but I also think that in some way it is better for flying overall. I have never had an issue with the folding props on the Mavic Pro, but if I had to be honest, they do get annoying when I go to pack the drone up and put it back into its case.

The controller was also felt better than I thought and more well built than previous controllers from DJI. It is more like the Spark’s controller; it does not have a screen on it, but it gets hooked up directly to your phone just like the Mavic Pro. The coolest feature about the remote is that the joysticks can be removed and stored in the controller. Whenever you want to spark up a conversation about portability, don’t hesitate to bring up this sleek new controller!

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