Twenty Helpful Tips and Tricks for Photoshop

 Technique  Comments Off on Twenty Helpful Tips and Tricks for Photoshop
Nov 202017
 

Photoshop is a tremendously intricate and nuanced program, and you can never have enough tips and tricks to navigate all its features and options and make your workflow both more powerful and more efficient. This helpful video will show you 20 more tips and tricks you might not have seen before.

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DxOMark’s Pentax 645Z Review is Out After 2 Year Delay, Scores 101

 Gear  Comments Off on DxOMark’s Pentax 645Z Review is Out After 2 Year Delay, Scores 101
Nov 202017
 

Last month, we reported that DxOMark had reviewed the Pentax 645Z back in 2015 and given it a highest-ever score of 101 before pausing its medium format camera reviews prior to publishing any. That Pentax 645Z review is finally out, and DxOMark still has glowing things to say about the camera.

DxOMark says the 51.4-megapixel camera has extremely good image quality scores, and the large pixels on the sensor gives the camera the best low-light ISO scores ever recorded up to this point among all cameras.

“It’s clear from our testing that the Pentax 645Z’s sensor is extremely capable, coming within a whisper of matching the performance of the Hasselblad X1D sensor (our highest-scoring sensor to date),” DxOMark says. “The 645Z’s high dynamic range and color sensitivity make it ideally suited for capturing the types of scenes that are traditionally favored by medium-format photographers — landscapes, weddings, portraits, and still lifes (commercial).”

The camera is interesting to compare against the Nikon D850, DxOMark says. The Pentax has a sensor that’s 1.7 times larger, but the D850 is about 3 years newer. The Nikon D850 actually stacks up well against the medium format camera thanks to Sony’s sensor manufacturing prowess.

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SmallHD Firmware OS3 Adds Auto Calibration And Custom False Color

 Technique  Comments Off on SmallHD Firmware OS3 Adds Auto Calibration And Custom False Color
Nov 132017
 

SmallHD has released a firmware update they are calling their biggest yet. OS3 is available for all current SmallHD monitors, sporting advanced false color and waveform functionality, as well as much need auto calibration.

The above video gives you a nice little run down of SmallHD firmware update OS3.

SmallHD has focused on updating their false color and waveform exposure tools to make them much more customizable.

Customizable False Color

Previous to this update, the false color feature on SmallHD monitors was fairly standard – the image displayed was broken down into color shades that stretched a gradient from 0-100%.

Now, you can select specific IRE values (up to 10 different ranges) and assign them different colors.

How does this help? Primitive false color is one thing, but having the ability to really home in on certain IRE values is a step further in advanced exposure assistance.

You can set a certain level of IRE values that you know is good for skin tones, or set a low and/or high end cap on edge range values to ensure you don’t under or over expose.

It can be really good for greenscreen and cyc work also, as well as keeping track of exposure tones for long-term projects.

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FUJIFILM X-E3 Review – Sample Footage and First Impressions

 Gear  Comments Off on FUJIFILM X-E3 Review – Sample Footage and First Impressions
Nov 132017
 

The new FUJIFILM X-E3 is the latest edition to the ever growing family of FUJIFILM’s X-mount line. This APS-C sensor-sized, mirrorless stills camera, can shoot high quality 4k (UHD) video and, dare I say it, is the best they have produced so far! As a reviewer, I had the chance to work with the X-PRO2, X-T2, X-T20 and the GFX 50S. While all produce nice looking images, the new X-E3 sets itself apart from the crowd by offering greater ease of use (mostly due to the added focus lever and LCD touch screen), enhanced autofocus capabilities and very pleasing video quality. Read on for my FUJIFILM X-E3 review. 

FUJIFILM was kind enough to supply me with a production sample that I could use and explore for a few days; here are my findings from my FUJIFILM X-E3 review:

Ergonomics

The first thing I noticed when taking the camera out of the box was how light-weight it is, to the point of not being sure if FUJIFILM had decided to pull my leg and send me an empty camera shell! In a world where every gram counts, particularly in relation to international travel, this is a big advantage.

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Canon XF405 Review – Sample Footage and First Impressions

 Cinematography, Gear  Comments Off on Canon XF405 Review – Sample Footage and First Impressions
Oct 262017
 

With the introduction of the new Canon XF405, XF400, LEGRIA/VIXIA GX10 – as well as the whole of Sony’s new line – one can assume that the fastest growing market for news and documentary shooting is coming in the form of 4K (UHD), handheld 1” sensor-size cameras. It is not that we haven’t had them before, but they certainly have been getting better and more feature-rich with time. When it comes to affordability… well, it totally depends on who you are talking to and the model you choose.

Canon XF405 camera

If you are an independent filmmaker looking for an all-round shooting device that can produce a bit of a cinematic look thanks to a slightly larger sensor than those traditionally found in these type of cameras, or if you’re a broadcaster looking to equip news crews with a versatile and affordable piece of equipment, then the Canon XF405/400/LEGRIA GX10 might be the right cameras for you. Sound tempting? Then read on for my full Canon XF405 review.

Before continuing, it is important for me to make it clear that the image coming out of the camera I tested may be slightly different than that of the final product.

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Sony a7R III Announced Along Sony 24-105mm f4 and 400m f2.8

 Gear  Comments Off on Sony a7R III Announced Along Sony 24-105mm f4 and 400m f2.8
Oct 262017
 

Today is a Sony announcement day that sees the unveiling of the Sony a7R III and 24-105mm f4 zoom, and the announcement of an upcoming 400m f2.8 G Master lens.

Sony a7R III

The wait is over: Sony has finally unveiled the first in the new generation of the A7 series. As always, the Sony a7R III comes at the vanguard of the new announcements – ahead of the A7 and S models – and this time brings a host of improvements to existing features and a few new surprises.

As expected, the new Sony a7R III brings a high pixel-count sensor, with its 42.4MP of resolution once again making this the model aimed primarily at professional stills photographers. The camera’s back-illuminated Exmor R and BIONZ X processor make this model capable of capturing 10 still frames per second, for a buffer of 76 continuous compressed RAW or JPEG images. ISO is available from 100-32000, and Sony claims that noise has been reduced by up to a full stop.

All of this with the advanced autofocus capabilities we have come to expect from this line’s R model, thanks to its 399 phase-detection AF points across 68% of the image, in addition to 425 contrast-detection points. Sony also claims that the camera’s Eye AF performance has been improved when the subject is moving, backlit or looking down.

What about video?

Just like with the II, the new Sony a7R III is capable of recording internal 4K in both full-frame and Super 35mm modes. As you may remember from some of our camera tests of the previous generation, the A7R II offered a better 4K image in crop mode, so it remains to be seen whether this will still be the case with the a7R III (take a look at some comparisons here, and our review here). It’s worth mentioning that the camera also supports proxy recording for easier editing of high-resolution videos, particularly useful when dealing with the relatively processor-intensive XAVC codec. Additionally, one of the biggest improvements to the video capabilities of the camera is the ability to achieve an increased resolution of 5K in Super 35mm mode thanks to an oversampling of a 15MP section of the sensor.

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Pre-Order:

Sony a7R III Mirrorless Digital Camera Body

Sony FE 24-105mm f/4 G OSS E-Mount NEX Camera Lens

DJI AeroScope is Designed to Track Down Your Drone While Airborne

 Gear  Comments Off on DJI AeroScope is Designed to Track Down Your Drone While Airborne
Oct 262017
 

DJI has unveiled a new tool designed to increase safety and security in a world of crowded air space. AeroScope can identify and track any DJI drone by using the existing link between the drone itself and the controller on the ground. A bold move, you might think. Certainly, but also a necessary one!

Security is always an issue, and it’s always about keeping a balance. Surveillance, incapacitation and big brother authorities on the one hand, privacy and freedom on the other.

Photograph credit: Bertrand Bouchez | unsplash.com

We need regulation for the increasing air traffic caused by affordable drones, sure. But we also need to avoid a surveillance state in order to enforce these regulations. In comes DJI AeroScope, a tool which tries to satisfy both sides.

DJI AeroScope

This upcoming technology won’t be available for everybody. It’s designed to be used by authorized parties like police or aviation authorities only. AeroScope has been installed at two international airports since April, and DJI is continuing to test the system in other environments.

Basically AeroScope is a receiver that can detect any drones within its range once that drone is powered on. Before it’s even airborne, AeroScope can already know its location and its unique registration number, which relates it directly to its registered owner.

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