GearComments Off on DJI Zenmuse X7: The First Super 35mm Camera for Aerial Cinematography
DJI just announced the DJI Zenmuse X7, the world’s first Super 35mm camera optimized for aerial cinematography. It’s designed primarily for the DJI Inspire 2 drone and features interchangeable lenses as well as a new DJI Cinema Color system for greater creative freedom in cinematography.
Cinematography, GearComments Off on Arma Orbital Non-Rotating Front For Lomo And Hawk C-Series Anamorphics
It’s fairly common for vintage lenses to have their quirks.
Aesthetic quirks are usually embraced, it’s often why a particular lens is a selection in the first place, but mechanical quirks can be a whole different beast.
Some older lens sets require little modification to get up to spec – conforming all front diameters to the same size for ease, or using a thicker focus gear because one of the lenses telescopes a little.
But there are some popular lenses out there that are particularly tricky. Take the Lomo Round Fronts, for example, they telescope (substantially) as you focus and the front of the lenses rotates.
GearComments Off on Should You Invest in Large Aperture Lenses That Have f/2.8 or Larger?
Buying a beautiful f/2.8 lens zoom is tempting. Large apertures are always better. If you’re using primes, a f/1.8 or f/1.4 is even better. But is that expensive large aperture lens really necessary for your photography?
The first lens I bought next to the one I got with my camera was the beautiful white Canon EF 70-200mm f/2.8L IS USM. Its name is a mouth full, basically meaning it has that amazing f/2.8 aperture over the complete focal range. It is white, it is large, it is heavy, it looked good on the camera, and people were impressed by this huge white expensive looking lens.
GearComments Off on VAXIS ATOM 600 KV – Wireless Video Module for RED Komodo Announced
VAXIS has announced that they are working on a new wireless video transmitter for the upcoming RED Komodo. The VAXIS ATOM 600 KV will connect to the camera via a dual Canon BP battery slot and provide a power pass-through for V-Mount batteries. It will offer up to 600ft transmission distance for up to 1080p video signal with less than 0.1s delay.
Cinematography, GearComments Off on Z CAM Electronic ND Filter for Z CAM E2 S6, F6, and F8 Cameras Now Available
Z CAM eND (electronic ND) Filter is a new product compatible with Z CAM E2 S6, F6 and F8 cinema cameras (EF or PL Mount versions). First introduced during the IBC 2019, the eND filter offers ND range from 1.7 to 6.7 stops in 1/3 stop increments. It is now available for pre-order.
Z CAM eND Filter Unit. Source: Z CAM
Last year during the IBC Show in Amsterdam, we stopped by at the Z CAM booth to talk about their new flagship cameras and we were happy to see the planned optional Electronic ND Filter unit. Make sure to check the video and the article itself.
GearComments Off on The Sigma fp Will Get Cinemagraphs, 120fps RAW Video, and More in Major Firmware Update
Sigma has announced a forthcoming firmware update for the full-frame mirrorless Sigma fp that will add some very impressive features including cinemagraph functionality, Full HD 120fps RAW video capture, HDR shooting, and more.
The official announcement was posted last night as a sort of “preview of coming attractions.” Slated to be released in Summer of 2020, the Firmware Update Ver.2.00 will improve the Sigma fp by adding support for six important features:
Gear, MirrorlessComments Off on Sony a7III vs Fuji X-T4 vs Nikon Z6: IBIS and Video Comparison
YouTuber Max Yuryev recently went out on the streets of New York with the Sony a7 III, Nikon Z6, and the brand new Fuji X-T4 to compare the video quality and—of particular interest to stills shooters—the IBIS performance of all three cameras side-by-side.
It’s really worth watching the comparison in its entirety above, especially if you have a 4K display and can crank the video’s resolution for the video comparison, but even without that it’s immediately obvious that Fujifilm did a lot of things right with this new flagship.