GearComments Off on Kessler Lamprey – 200lbs. Universal Suction Mount
Kessler has announced a new 200lbs force rated suction mount. TheKessler Lamprey is a 8” suction cup with cheeseplate top, offering a variety of mounting options for camera, lighting and grip accessories.
Suction mounts in filmmaking are generally pigeon holed into car rigging, however Kessler quote that the Lamprey is suitable for “any non-porous surface” such as windows, table tops and (of course) car body panels.
The 8” suction mount has a built in pump and is rated for 200lbs.
On top, things are kept fairly universal, a cheeseplate array of 1/4-20 & 3/8-16 threads and holes means you can use the Kessler Lamprey in a variety of configurations.
GearComments Off on A Smart Remote That Can Add Features Your DSLR Doesn’t Have out of the Box
No matter what camera you have, it will be missing some feature available on another brand or model. I found that with my Canon DSLR, and when I moved to a Sony a7 III, I gave up some good features and gained a few.
During my Canon days, I became interested in a product called the Pluto Trigger. I was really interested in catching lightning where I live in the Arizona mountains. So, I picked up a Pluto Trigger for that purpose, and quickly realized it did a whole lot more for $119.
The Pluto (let’s shorten its name for brevity) packs a boatload of features that can enhance any DSLR. It supports Canon, Nikon, Sony, Minolta, Panasonic, Olympus, Pentax, and more. You’ll need a connecting cable to your remote port on your camera, and the company offers 13 remote cables that can control more than 300 cameras.
The Pluto uses an iOS or Android app for control. It’s easy to use and actually pretty self-explanatory when you are out in the field.
Gear, MirrorlessComments Off on Sony a7/R III Firmware v2 Unlocks All AF Modes for Adapted Lenses
Two months ago, Sony released a major firmware version for its popular a7 III and a7R III mirrorless cameras. Version 2.0 brought new features and improvements… including the ability for a wide range of adapted lenses to make use of all the camera’s autofocus modes.
The update “Adds support for Zone, Expand Flexible Spot, and Lock-on AF focus areas when using the LA-EA3 mount adaptor,” Sony writes.
Sony specifically mentioned the LA-EA3 mount adapter, which is designed to let photographers use Sony A-mount lenses on E-mount cameras. But it seems the new feature goes well beyond that use case and includes all lenses, according to DPReview.
“So far I’ve modeled all the cameras in my personal camera graveyard and working collection, and my friends Canon collection,” Moses tells PetaPixel. “I think that I made the first ever RIGHT hand grip for a Pentax 6×7.”
Cinematography, GearComments Off on 41 7 1 Rhino Arc II – 4 Axis Motorized Head and Slider for Automated Camera Movement
There’s no shortage of solutions for automated camera movement on the market right now. However the Rhino Arc II tries to distinguish itself with some outstanding features, like the integrated focus motor, high load capacity of 15 lbs / 6,8 kg, the ability to do Light Lapses (day-to-night timelapses) and lots of other neat little features, that promise to make it easier to use than the competition out there. The Rhino Arc II is currently being funded on Kickstarter, with its initial funding goal of $50,000 already more than doubled. Here’s everything you need to know, to decide if you want to back it too.
The Rhino Arc II can be considered something of a new take on the usual “slider-with-a-pan-and-tilt-head” style solution. First of all everything is highly modular. In accordance to the claim of 4 axes (focus being one “axis”), the main parts of the Rhino Arc II system are: a motorized pan and tilt head, a focus motor, a slider motor and the sliders themselves. The interesting part is that the head is designed so that it can be used separately, say on a tripod, either as an automated head, or just as a motorized yet hand-controlled head using two ergonomically placed joysticks to control the pan and tilt, as well as focus and slide. This in itself is an interesting concept at this price point. Of course the system also comes with an app, to help control the head, plan movements and add new features (like the Light Lapse feature). The head has a load capacity of 15 lbs / 6,8 kg, features a high capacity battery with a DC out to power your camera and a built-in Manfrotto 501 plate receiver. This capacity will give you enough leeway to use most smaller cinema cameras, even rigged. The battery has a capacity of 60Wh, will power your timelapses for up to 48h and can be charged in around two hours.
Action cams, GearComments Off on DJI Osmo Pocket – Tiny 3-Axis Stabilized Camera with 4K 60fps Recording
DJI just announced the smallest camera with mechanical gimbal ever – DJI Osmo Pocket. It can take 12MP stills and record true 4K video at up to 60fps. There will also be a handful of accessories available for the new Osmo Pocket.
Right now, DJI is having an event in New York City called “Because Life is Big” and they announced their smallest camera with a 3-axis mechanical gimbal ever – the DJI Osmo Pocket. Nino Leitner from the cinema5D team is attending the event to bring the fresh information to our readers – we will also share a video about the announcement with a first hands-on tomorrow.
Just like previous generations of Osmo, this is a very compact camera with a mechanical gimbal and a handle. Although the word compact is getting a whole new dimension here – the DJI Osmo pocket is incredibly tiny – it only weighs 4.1 oz (116g) and it is 4.8″ (122mm) long. The camera can record true 4K video at up to 60fps with 100Mbps bitrate.
The DJI Osmo Pocket uses built-in dual microphones and advanced noise-canceling algorithms to ensure high quality audio. The built-in Li-Po battery offers up to two hours shooting video in 4K (30fps), but it is not interchangeable. On the back of the camera grip there is a touchscreen display to monitor the image and control the camera, two buttons for quick controls and a universal port to connect various accessories.
Canon 8K technology was demonstrated with a prototype camera body during Inter BEE 2018. We talked about it with Toshiyuki Akimoto from Canon who is responsible for the development of 8K monitors and cameras.
8K resolution is slowly making its way in the line-ups of camera manufacturers. During Inter BEE 2018 we saw an interesting 8K camera concept from Astro. RED of course has already had working 8K cinema cameras for a while with their MONSTRO and HELIUM cinema cameras. Panasonic claims to have an 8K capable camera for the Olympic Games in Tokyo in 2020. Now Canon also presented their 8K cinema camera concept.
The Canon 8K camera concept presented at Inter BEE 2018 has quite a compact body very similar to the CanonC300 Mark II. It will have a super 35mm sensor and an 8K processing unit inside and mind you that recording will not be done internally. You will have to find and attach an external 8K recording solution. According to Canon, the purpose of this demonstration is to research the market and to gather the customer’s opinion regarding future 8K demand.
Since this 8K camera is still only a prototype and future technology demonstration, there is no detailed explanation of its functions or ergonomics yet. The presented camera, however, looks to being very close to the production stage.