Feb 272015
 

Earlier this month, a leaked product page revealed a number of features that will be found in the upcoming Lightroom 6. One of them was an HDR merging tool that combines multiple exposures into a single HDR image. Here’s a first glimpse at how the feature will work.

First, select multiple versions of the same shot that were captured with exposure bracketing:

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Petapixel

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Feb 272015
 

Alex Chacón, the creator of the “Most Epic Selfie Video of 2014”, has taken the selfie game to a whole new level. He traveled to Veracruz to combine his passion for selfies and drones creating a unique and amazing road-trip video shot entirely on a drone. The “dronie” concept combines a selfie in motion captured by a drone (quadcopter)! Come on board and watch him explore the majestic land of Veracruz from a whole new perspective!

Feb 272015
 

“Self-taught photographer and retoucher Erik Johansson explains on his website that “he doesn’t capture moments, he captures ideas.” And well, some of his ideas are pretty weird. The Berlin-based artist photographs different subjects, and then with the magic of Photoshop, compiles them into creative, often otherworldly scenarios and situations.”

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Mashable

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Feb 272015
 

Zack Arias has some excellent tips on using your white seamless background.

DEDPXL

Feb 272015
 

“Everyone’s favorite mega-machine, the Large Hadron Collider at CERN, is meant to help humans some of the most basic questions about the nature of our world. How it goes about this is—in a word—complex. But part of it involves a bit of good old-fashioned (kind of) photography.”

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Gizmodo

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Feb 272015
 

 

Affinity2

“We have been trying out the Affinity Photo Beta over the last few days and we are impressed. It looks and feels like Photoshop, but it’s built with new fast code and will be an outright purchase when launched.

There have been possible Photoshop replacements before, the $30 Pixelmator app being one of them. We’ve tried that and it’s pretty good, a clean layout with robust backward compatibility with PSD files. It hasn’t convinced us yet to blow away the Cloud subscription, but if we were forced to use Pixelmator alone for images, it wouldn’t be a problem. Just a case of being very familiar with a piece of software and using it as it’s the path of least resistance.

So we weren’t first out of the blocks to download the Affinity Photo Beta when it was announced. We should have been as we now rather like this direct Photoshop competitor.”

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fcp

Feb 262015
 

Daniel Cheong says he is a digital blending freak, a post-production photography technique “that manually blends multiple bracketed exposures in order to obtain the maximum dynamic range” without getting the tiring, everything is illuminated effect of overcooked HDR. And he succeeds.

Daniel Cheong

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gizmodo

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Feb 252015
 

I have been a big fan of ARRI over the years and am pleased to see the success they have enjoyed in recent years. It appears that success will continue to expand with the many new camera innovations they are bringing to the market.

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At the BVE show in London this week ARRI were showing the new ALEXA MINI publically for the first time. Newsshooter gained exclusive access to the camera and we were able to shoot with the prototype for a short time. Newsshooter team members Simon Glass, Elliot Smith and myself filmed handheld test shots in and around the EXCEL complex where the exhibition was being held.

We also spoke in detail with ARRI’s Michael Jonas about the camera. He gives us a full run-through of the features and offers great insight into the decisions ARRI made when designing the camera.

Announcing the new ARRI ALEXA Mini
ARRI announces the new ALEXA Mini, a versatile additional tool in the ARRI ALEXA camera range that combines a compact and lightweight form factor with the same unparalleled image quality that has made the ALEXA system a gold standard for the industry. Designed for specialized shot-making, the ALEXA Mini perfectly complements a full ALEXA shooting kit and allows crews to eliminate the complications of working with third-party cameras by keeping everything within a single system that is trusted all over the world.

To maintain ARRI’s famously rugged build quality in a small and lightweight camera, a number of unique design solutions have been incorporated. These include highly integrated and environmentally sealed electronics, a lightweight carbon housing and a solid titanium PL mount that connects directly with the new internal sensor mount to ensure a super-stable flange focal distance, even when using large lenses. Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere tool, easy to transport in backpacks or as carry-on luggage.

The ALEXA Mini can be operated in a number of ways: by wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Light enough to be comfortably held at arm’s length in a hand rig, its compact size and extremely quiet operation also make it ideal for tight shooting conditions. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, the ALEXA Mini’s interchangeable lens mount can be replaced with any of those designed for the ARRI AMIRA, allowing the use of B4 video and EF mount stills lenses.

Equipped with a 4:3 sensor, automatic de-squeeze mode for anamorphic productions and frame rates of 0.75-200 fps, the ALEXA Mini records ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder that can record image streams from up to four ALEXA Minis simultaneously — a compelling option for multi-camera setups such as 360° plate shots. Images from the ALEXA Mini will perfectly match those from all other ALEXA cameras, making the final grade easier and quicker.

Integrated functionality is at the heart of the ALEXA Mini’s efficient and self-contained design. A built-in lens motor controller allows new active lens motors to be connected directly to the titanium PL mount, while ARRI Lens Data System (LDS) technology provides frame-accurate metadata that can save time and money both on-set and in post. Wi-Fi connectivity means that iOS or Android devices can be used to remotely control camera functions such as the motorized internal ND filters, which permit rapid responses to changing light conditions without adding bulk to the camera configuration.

The body design is optimized for use with new-generation brushless gimbals, multicopters and other specialized rigs. It is compact enough in the lens direction to allow the use of standard PL mount lenses even on lightweight and space-constrained rigs, such as gyro-stabilized aerial systems. The camera’s superb low-light performance makes it perfect for underwater work; dedicated underwater housings are currently being developed by leading manufacturers.

Like the ARRI AMIRA, the ALEXA Mini can record 4K UHD ProRes images, facilitating real-time 4K UHD output and simple pipelines for high-resolution deliverables. More importantly, the Mini and all other ARRI cameras with the ALEV III sensor offer unrivalled overall image quality by focusing not just on spatial resolution, but also on other parameters such as colorimetry, skin tones and High Dynamic Range (HDR). This is equally true whether the chosen output is HD, 2K, 4K UHD or one of the native resolution outputs like uncompressed ARRIRAW 2.8K or ProRes 3.2K, ensuring that images captured with the ALEXA Mini are future-proof, whatever new industry standards emerge.

The ARRI ALEXA Mini is scheduled to begin shipping in May 2015, with orders being taken from March.