Samsung’s New Galaxy Note 9 Points Out Flaws In Your Photos

 Gear  Comments Off on Samsung’s New Galaxy Note 9 Points Out Flaws In Your Photos
Aug 112018
 

Samsung today announced the new Galaxy Note 9 smartphone. Among its new features is Samsung’s “most intelligent camera yet” and a new Flaw Detection feature that will point out when your photos aren’t up to par.

The Note 9 features a dual camera on the back with a 12MP f1.5/f2.4 wide-angle lens (it has a dual aperture like the Samsung Galaxy S9) and a 12mp f/2.4 telephoto lens. Both lenses have built-in optical image stabilization. The front-facing camera is an 8MP f/1.7 unit.

“New revolutionary features make it nearly impossible to take a bad shot,” Samsung says. “The Galaxy Note 9 intelligently recognizes what you’re looking at, optimizing color settings like contrast, white balance, exposure, and more.”

And when you do snap a bag shot, the new “Flaw Detection” system will display notifications when it detects things like blinks, blurs, smudges (from dirty lenses), and backlighting.

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Sigma 135mm 1.8, 14mm 1.4, and 70mm 2.8 Art & Contemporary Lenses for Sony E-Mount Now Shipping

 Gear  Comments Off on Sigma 135mm 1.8, 14mm 1.4, and 70mm 2.8 Art & Contemporary Lenses for Sony E-Mount Now Shipping
Aug 112018
 

Sigma announced in February that their ART and Contemporary lenses would be coming to E-mount to a warranted level of excitement, but the wait for delivery has been rough on some. That wait, however, was over in June when Sigma started shipping the first 5 of the 9 announced E-mount lenses, and now three more are ready to go: 14mm F1.8 DG HSM, 70mm F2.8 DG MACRO, and 135mm F1.8 DG HSM Art lenses for Sony E-mount.

The Sigma Art lenses have been prized for their optical performance which should see no change in the native e-mount versions, but some of the other performance abilities have been dampened on Sony units due to the required Sigma Mount Converter MC-11. Sigma claims these abilities that should be realized in full with the new native models:

“…the new Sony E-mount models feature a newly developed control algorithm that optimizes the autofocus drive and maximizes the data transmission speed. In addition, these lenses are compatible with Sony’s Continuous AF (AF-C) and high-speed autofocus, which are not addressed by Sigma Mount Converter MC-11. Like MC-11, the lenses are compatible with in-camera image stabilization and in-camera lens aberration correction, which includes corrections for peripheral illumination, chromatic aberrations and distortion.”

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slrlounge

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Snap On, Snap Off – Bright Tangerine Left Field Quick Release Bridge Plate

 Gear  Comments Off on Snap On, Snap Off – Bright Tangerine Left Field Quick Release Bridge Plate
Aug 112018
 

The Bright Tangerine Left Field 19mm Studio Quick Release Bridge Plate is a snap on, snap off bridge plate for ARRI Dovetail, compatible to ARRI and RED height standards.

High contender for the longest name in camera accessory history, the Bright Tangerine Left Field 19mm Studio Quick Release Bridge Plate initially surfaced around NAB last year, hidden under a few more-specific ARRI Alexa Mini accessories.

Bright Tangerine has now announced it as a stand-alone product, ready to pre-order.

What Makes it Unique

There’s a fair amount of Bridge Plates out there; the ARRI dovetail has been one of the industry-standard camera plates in the professional market for years.

Yet most conform to the old school way of slide on/slide off mounting.

Whilst the slide function is fantastic for fine (and broad) tuning the balance of the camera rig, it can be a bit of a fiddle to completely removing or mounting the camera.

Snap plates have the standard for other plates for ages (Euro, Arca Swiss, Sachtler, Manfrotto), it’s interesting to see the lack of snap on/off function in the ARRI Dovetail-compatible market.

This is exactly where the Bright Tangerine Left Field comes in, it’s a bridge plate that has full slide function for adjustment, but can be removed by turning the lever further and lifting the camera straight off.

It does this at half the price of the similar ARRI snap plate – The CBP-1 Compact Bridge Plate.

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cinema5D

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PolarPro Quartzline ND Filter Review – a new Gold Standard?

 Cinematography  Comments Off on PolarPro Quartzline ND Filter Review – a new Gold Standard?
Aug 112018
 

I first got to know PolarPro cinema series ND filters about 1.5 years ago when I was conducting a GoPro Hero camera review fitted with their set of filters. (See my review here). Now they are venturing into the professional large diameter filter world (up to 82mm), essentially claiming a neutral color balance and near perfect optical quality. Is this claim true? Read on to find out. 

PolarPro Quartzline ND Filter

In this review, I’m testing the new PolarPro Quartzline ND 64 filter and PolarPro ND16 / PL (polarizer) filter. Those filters are made of 99.9% fused quartz to ensure optical clarity with a very low refractive index. The frames are built from machined brass to ensure they thread on smoothly – very essential as I have experienced seized up filters from aluminium frames myself already. A very nasty experience …

PolarPro claims a neutral color balance, zero color shift and near perfect transmission by the optical coatings. For more information about the available filters and sizes, please head to Richard’s article.

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cinema5D

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Canon 5D Mark IV & Canon 6D Mark II With $400 Rebates & Free Battery Grip | Ending Soon

 Gear  Comments Off on Canon 5D Mark IV & Canon 6D Mark II With $400 Rebates & Free Battery Grip | Ending Soon
Aug 012018
 

In our field, gear matters, and you’d have to have a bank balance bigger than your bank account number for you to acquire all you likely would want when the whim takes you. However, if you keep your ear to the ground like we do, you come about the best photography deals currently on the market, and within our Deal Dashes, we share them with you:

Summer started with a bang when it came to gear deals, as we saw some of the best we’d seen off peak holiday times on everything from mirrorless and DSLR bodies to lenses and cases and all else. Some of the best deals were for top-tier Nikon and Canon DSLR bodies with big rebates that came (for a limited time) with free first-party battery grips, which on their own go for anywhere from $300-$450. This is on bodies like the Nikon D500, D750, Canon 5D Mark IV, and 6D Mark II.

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slrlounge

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DJI Mavic 2 Is Coming – Leaks Reveal Not Just One, but Two New Drones

 Action cams, Cinematography, Gear  Comments Off on DJI Mavic 2 Is Coming – Leaks Reveal Not Just One, but Two New Drones
Aug 012018
 

If you’re like us here at cinema5D eagerly waiting for some news on the anticipated DJI Mavic 2 drone, Well, here’s some solid information for you: British digital retailer Argos issued their latest (print) catalogue and in it, alert readers found two brand-new drone models : The Mavic 2 Pro and the Mavic 2 Zoom.

Cinema5D HQ actually received an invitation for an official event that should have taken place during July but this event has been postponed without any alternative date so far. So, now with everybody on the edges of their seats, let’s have a look at what surfaced in that aforementioned catalogue:

There will be not one but two models of the upcoming Mavic 2 drone and the difference lies within the actual camera gimbal. The so-called Mavic 2 Zoom will sport a 2x optical zoom (24mm – 48mm) while the Mavic 2 Pro will feature a Hasselblad camera with a 1-inch sensor but no zoom. You will have to decide whether Pro image quality or the flexibility of a zoom lens is your thing.

There’s no word on video recording capabilities. I assume 4K (UHD) recording but the amount of compression and the quality of the codec deployed are yet to be revealed. The gimbal itself doesn’t seem to be detachable, which is unfortunate but since we’re talking about a drone listed in the consumer section of the company’s lineup, it’s not surprising, really.

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cinema5D

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Intro to Video: A Photographer’s Guide to Filmmaking

 Cinematography, Technique  Comments Off on Intro to Video: A Photographer’s Guide to Filmmaking
Aug 012018
 

As more and more people call themselves “professional photographers,” the need to diversify and offer other services to your clients is rapidly growing. With social media and advertising visuals fighting for more and more of our attention, the importance of video is at an all time high. Luckily, if you are a photographer, you already have 90% of the tools you need to start making professional videos and multimedia productions. This new Fstoppers tutorial on videography is aimed at helping both professional and amateur photographers take the gear they already own and start producing high quality videos. There is no better time to learn how to film video than right now!

Intro to Videography

The idea behind the Fstoppers website was first born back in 2010 when Patrick Hall and Lee Morris both had an interest in learning how to shoot video. Having both been successful wedding photographers, Patrick and Lee saw the value videography could supply to their own photography businesses. Over the years, Fstoppers has grown from a little side project used to explore behind the scenes videos into a full blown world wide community of photographers and videographers. Since 2010 when DSLRs first started shooting high definition video, Lee and Patrick have seen photographers and social media influencers transitioning to video at an alarming rate. In today’s cut throat market, the trend is very clear: if you are not incorporating video along side you photography, you are going to get left behind.

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