Atomos Shogun 7 – Hands-On with Jeromy Young

 Cinematography, Gear  Comments Off on Atomos Shogun 7 – Hands-On with Jeromy Young
Apr 302019
 

Ahead of NAB 2019, Atomos announced the Atomos Shogun 7 which we reported about here. This workhorse can record in ProRes RAW up to 5.7K resolution, it features live switching capabilities, and the 1500 nits HDR display can show you up to 15+ stops of dynamic range. We had the chance to talk with Atomos’ CEO Jeromy Young about their new flagship recorder and the main differences with the Atomos Inferno.

Atomos Shogun 7 Tech Specs and Features

The Atomos Shogun 7 is one of the most powerful external recorders in the market. Here are some of the highlights:

  • Accepts RAW signals and records it to ProRes RAW, ProRes, CinemaDNG and Avid DNxHD.
  • Recording up to 5.7K at 30fps, 4K at 120fps and 2K at 240fps.
  • Color sampling in 10-bit 4:2:2 available in ProRes and DNxHD up to DCI 4K at 60fpd and 2K at 240fps.
  • Four 6G/3G-SDI or dual 12G-SDI inputs, two 4K-SDI 12G or HD-SDI 3G/6G outputs.
  • One HDMI 2.0 input, and one HDMI 2.0 output with HDMI-SDI cross-conversion.
  • Optional audio breakout cable available for XLR audio input, with phantom power. Also, there is a 3.5mm mini-jack output.
  • It is powered via Sony L-series batteries. Two slots support hot swapping for continuous power.
  • Record to 2.5″ SSD/HDD media. This can be approved SATA SSD drives, using the included Master Caddy II, or AtomX SSDmini drives.
  • Four ARRI anti-rotation mounting points on the top and bottom for secure mounting.

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Full LEITZ PRIME Set and Two LEITZ ZOOM Lenses Announced

 Gear  Comments Off on Full LEITZ PRIME Set and Two LEITZ ZOOM Lenses Announced
Apr 302019
 

After last year’s exclusive sneak peak, Leitz/Leica recently finally unveiled their new LEITZ PRIME lenses and LEITZ ZOOMs. While the PRIMEs come in a full set of 11 lenses, the ZOOMs come as two lenses covering focal lengths from 25mm to 125mm. And all 13 lenses are color-matched!



Just a brief history course before we get started about these new primes and zooms: Regarding the company names Leitz and Leica, there might be some confusion, but to clarify things, here it is in a nutshell: it’s basically the same company. It was founded as Ernst Leitz Wetzlar GmbH and –much later, in the 1980s– transformed into Leica (Leitz Camera).

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Why the World’s Best Photographers Are Sticking With DSLRs

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Apr 292019
 

Following the announcement of the winners of the World Press Photo competition last week, Spanish photography website Photolari.com compiled the metadata to examine what the leading photojournalists are using to capture their images. The results are quite interesting and demonstrate that the mighty DSLR is going nowhere. Here’s why.

In terms of brands, there are no great surprises when it comes to the most popular choices: Canon leads the way, with Nikon close behind. More surprising is the fact that only one finalist was shooting on Sony — the same as the number working with Leica, and significantly behind Fujifilm. Sony may have produced one of 2018’s most popular full-frame cameras in the shape of the a7 III, but photojournalists seem to prefer to stick with what they know.

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Tamron Unveils the 35-150mm f/2.8-4 FF Lens for Canon and Nikon

 Gear  Comments Off on Tamron Unveils the 35-150mm f/2.8-4 FF Lens for Canon and Nikon
Apr 292019
 

Tamron has announced the new 35-150mm f/2.8-4 Di VC OSD (Model A043), a fast and compact portrait zoom lens for Canon and Nikon full-frame DSLRs.

The lens measures just 4.9 inches (12.4cm) long and features fast, quiet, and precise autofocus thanks to the OSD (Optimized Silent Drive) DC motor.

The Dual MPU (Micro-Processing Unit) system in the lens helps provide solid AF performance and 5-stop vibration compensation at the same time.

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Yashica Unveils Three 35mm Cameras and Two New Films

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Apr 292019
 

Yashica’s Y35 digiFilm camera drummed up a great deal of excitement on Kickstarter but was universally panned by reviewers and early adopters when it finally launched in 2018. Apparently unfazed, Yashica just returned to Kickstarter with plans to launch three new film cameras and two new films.

The project is called “Absolute,” and it’ll be rolled out in three “episodes” for the three cameras.

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Atlas Lens Co. New Orion 25mm T/2.0 Anamorphic Lens and LF Extender

 Cinematography, Gear  Comments Off on Atlas Lens Co. New Orion 25mm T/2.0 Anamorphic Lens and LF Extender
Apr 242019
 

Wide-angle anamorphic lenses, and especially 2X ones, are not easy to manufacture and usually comes at a high price. During NAB 2019 we had a chance to talk with Dan Kanes from Atlas Lens Co. about two new exciting products: an Orion 25mm T/2.0 anamorphic lens and an LF Extender.

Atlas Lens Co. Orion 25mm T/2.0

If you are not familiar with Atlas Lens Co., the young American company is specialized in anamorphic lenses. In 2017, they released a 2X anamorphic lens set called Orion. There are six lenses in total; they are all T/2.0 aperture and range from 32mm up to 100mm. However, a wide-angle anamorphic prime was missing, and it looks like the set will soon expand to seven lenses with a new 25mm T/2.0 anamorphic prime.

This new Orion 25mm T/2.0 anamorphic lens is a unique lens. Indeed, the lens features very low distortion, which is familiar with wide-angle anamorphic lenses. The front of the lens is 134mm wide, and the lens mount is interchangeable from PL-Mount to EF-Mount. While it is still a prototype – Atlas Lens Co. built it two weeks before the show – the build quality looks fantastic, like every other Orion lens.

There are not a lot of info around this new lens, we don’t know when it will be available, but expect the price to be around $8000 to $10.000.

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Gnarbox 2.0 – Backup Your Footage, No Computer Needed

 Cinematography, Gear  Comments Off on Gnarbox 2.0 – Backup Your Footage, No Computer Needed
Apr 242019
 

Hot off the heels of a successful Kickstarter campaign last year, the backup storage device dubbed the Gnarbox 2.0 is ready and shipping soon. For photographers and shooters in the field, the Gnarbox promises to be a safe and reliable alternative to putting a pile of media in your pocket to offload later at night at the hotel.

The Gnarbox 2.0 will come in three flavors based primarily around their internal storage capacity. 256, 512, 1TB versions will all be available – and each one features an SD card slot for offloading cards, as well as a USB C port and a removable battery. Obviously, for users not shooting with SD cards, you’ll need to attach the applicable reader to the device to offload footage. We checked out the device at NAB 2019 and there is a lot to like here. For users shooting raw images or HD footage then 1TB is plenty for a full day of shooting. Once you get into high resolution footage from RED and other 4K+  resolution raw-capable cameras, then this may not be the right device for you.

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