The Seven Year Itch – FCP X, Zero to Hero?, by Matthew Allard ACS

 Apple  Comments Off on The Seven Year Itch – FCP X, Zero to Hero?, by Matthew Allard ACS
Jun 212018
 

Seven years ago today, Apple unveiled FCP X, the successor to Final Cut Pro 7. FCP X was billed as being a revolutionary new version of the world’s most popular Pro video editing software which completely reinvents video editing with a Magnetic Timeline that lets you edit on a flexible, trackless canvas. 

On launch, Apple’s senior vice president of Worldwide Product Marketing Philip Schiller said,  “Final Cut Pro X is the biggest advance in Pro video editing since the original Final Cut Pro. We have shown it to many of the world’s best Pro editors, and their jaws have dropped.” Unfortunately for Apple, a lot of their existing Final Cut Pro users didn’t see it that way. By changing the whole concept of how editing should be done, Apple was taking a massive leap of faith and they were hoping their loyal Final Cut Pro user base would follow suit. The problem was that whenever you take a platform that people are familiar with and suddenly change it around there is always going to be blowback. Whether Apple actually expected this blowback or not is something we may never actually know.

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Samyang Unveils an 85mm f/1.4 Full Frame Lens for Canon EF

 Gear  Comments Off on Samyang Unveils an 85mm f/1.4 Full Frame Lens for Canon EF
Jun 192018
 

Samyang has just announced its new Samyang/Rokinon 85mm f/1.4 full frame autofocus lens for Canon EF-mount cameras. The announcement comes just one week after the company unveiled its new 24mm f/2.8 lens.

The lens is the equivalent of a 136mm when mounted on a Canon crop sensor APS-C camera.

Thanks to its internal design and technologies such as a Hybrid Aspherical element, the 85mm measures less than 3 inches long and is lightweight for its focal length (17oz/482g). The features (including Ultra Multi-Coating) also help reduce and control distortion and aberrations.

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Canon’s Next 18-55mm Kit Lens May Have a Built-In LCD Screen

 Gear  Comments Off on Canon’s Next 18-55mm Kit Lens May Have a Built-In LCD Screen
Jun 192018
 

It looks like electronic info displays are becoming a new norm for camera lenses. A new patent filed by Canon suggests that the company’s next 18-55mm kit lens will feature an LCD display.

New Camera first spotted the new Canon patent (JP2018005130A) for aberration reduction in an interchangeable lens. Within the document is an illustration showing what appears to be the 18-55mm f/3.5-5.6 IS III kit lens, and one of the reference indicators is for a “lens information display.”

The info display is found next to the AF/MF and IS ON/OFF toggle switches.

Zeiss kicked off the idea of sticking electronic displays on lenses with the Batis series back in April 2015.

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Zeiss Accuses Samyang of Stealing Its Lens Designs

 Gear  Comments Off on Zeiss Accuses Samyang of Stealing Its Lens Designs
Jun 132018
 

The renowned German lens maker Carl Zeiss has accused the South Korean lens maker Samyang of copying its designs. As a result, the Samyang lenses at the center of the dispute are being pulled by distributors and retailers.

The Swedish website Monitor reports that the Samyang Premium XP 50mm f/1.2 and 85mm f/1.2 lenses are the ones Zeiss has issues with.

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Technical Camera: An iOS Camera App with a Simple UI and Serious Features

 Technique  Comments Off on Technical Camera: An iOS Camera App with a Simple UI and Serious Features
Jun 132018
 

The Hungarian software company DIRE Studio has just launched Technical Camera, a new iOS camera app that’s designed for serious photographers who want a simple yet advanced tool for capturing still photos.

Developer Laszlo Pusztai says he was inspired to create the app because he was frustrated with clutter screens, unorganized storage, the lack of resolution/size adjustments, and clumsy designs in existing camera apps.

The app lacks many of the bells and whistles found packaged with most cameras apps these days. There’s no video, no selfies with the front camera, no AI, and no fancy modes (e.g. panorama or portrait mode or studio lighting).

What the app does have is a sharp focus on creating still photos. The live view itself doesn’t have information or buttons overlaid on it, providing a clean view of what you’re framing.

There are professional-level controls that include manual exposure and focus, compensation and locks, focus peaking, and adjustable auto ISO. Smart Function Keys allow you to put your most used functions at your fingertips. Functions can also be customized: you can do things like change the direction of the shutter speed dial or choose the sides of the screen used for exposure compensation and manual focusing.

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MIOPS Capsule360: The World’s ‘Most Compact and Versatile Motion Box’

 Cinematography, Gear  Comments Off on MIOPS Capsule360: The World’s ‘Most Compact and Versatile Motion Box’
Jun 132018
 

The camera triggering company MIOPS has just announced the Capsule360, a new app-controlled motion box that the company claims is the world’s “most compact and versatile motion box ever created.” It’s one motion system that aims to do it all.

Compatible with any DSLR camera, mirrorless camera, or smartphone, the Capsule360 can do pans, tilts, slides, custom movements, subject/star tracking, and 360-degree photography.

“For those filmmakers and stills photographers who want to go further than ever before with their projects, the MIOPS Capsule360 is the ideal companion,” MIOPS says.

The Capsule360 has 3 axes of motion: it can do pans straight out of the box, tilts with the optional L-Bracket, and slides with the Capsule Slider accessory.

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Canon Announces EF 70-200mm f/2.8L IS III and EF 70-200mm f/4L IS II Lenses [Update: Pre-Order Now]

 Gear  Comments Off on Canon Announces EF 70-200mm f/2.8L IS III and EF 70-200mm f/4L IS II Lenses [Update: Pre-Order Now]
Jun 072018
 

Tonight, Canon announced the EF 70-200mm f/2.8L IS III USM and EF 70-200mm f/4L IS II USM lenses. These both include the latest technologies in their categories for improved performance within one of the most popular zoom ranges around.

The Canon EF 70-200mm f/2.8L IS III lens features an Air Sphere Coating (ASC) for better flaring and ghosting control. Other features include the Optical Image Stabilizer with up to 3.5 stops of correction, fluorine coating on front and rear elements to help reduce smears and fingerprints, an inner focusing system with Ring Ultrasonic Motor (USM), one fluorite lens and five UD lenses that help to provide high-image quality, a minimum focusing distance of 1.2m (3.9ft), and a circular eight-blade aperture. This lens features 23 elements in 19 groups.

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